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Lot 627
Art. Fabian Perez: Waiting for the Romance to Come Back. Beverly Hills: Robert Bane Ltd. Inc. 2006. First edition. Signed by the artist. Hardback in dust jacket. (1) Condition notes: Binding square and firm No creased or torn pages Mild marginal toning to pages throughout Light shelf-wear and creasing to jacket extremities
Lot 223
Cadbury's Chocolate - an early 20th century Cadbury's Chocolate point of sale / advertising table top glass shop display cabinet. The mahogany frame with inset milk glass base with loose glass shelf. The sides with original notation for Cadburys Chocolate with central crests. Sliding door to the rear. Measures approx. 64cm x 40cm x 35cm.
Lot 405
A reproduction cherrywood glazed dresser - late 20th century, in the Georgian style, the swan neck cornice with centred reeded urn finial over a central pair of arched astragal glazed doors flanked by slightly canted doors to each side, enclosing two glass shelves, over a base with carved dentil moulding over a central bank of two short and two long drawers with swing brasses, flanked by arched, cross banded panelled doors, enclosing a single shelf, on a plinth base. (LWH 161 x 45 x 215 cm)
Lot 437
A mid-18th century oak potboard dresser - the ogee cornice over a closed plate-rack with three shelves and gilt-brass hanging hooks along the top shelf, over a moulded base with two deep drawers flanking a shallower central drawer over a cockbeaded arched kneehole, all with later brasses, raised on knopped turned supports over a potboard base, on block feet. (LWH 189 x 42 x 203.5 cm) * Condition: Good condition and colour overall. Handles are later replacements. The right hand end of the cornice has been off and reattached fairly recently and there is a chip to the front corner. There is also a chip to the front right corner of the base top. The potbboard base has some shrinkage separation between the planks and the applied edge moulding is detached from the left hand end (but is present). The centre drawer has a later baize lined fitted interior, which has extensive moth damage. A few old spirit stains to top.
Lot 237
During the late 60s and early 70s, many considered creating attractive new touring bodies as opposed to investing in the restoration of a standard steel sports saloon which made more financial and practical sense. Derry F. Mallalieu decided to build his first Bentley Special whilst living in Connecticut, USA and based on a Bentley Mk. VI, before moving operations back to the UK. Adopting the leisurely, unhurried methods of traditional coach building, work proceeded at his base in Wootton near Abingdon. The handcrafted body was a composition of carefully formed panels; a beautifully finished product which was then married to the chassis of a Bentley Mk. VI whose original coachwork had simply been scrapped. Frame and engine as well as gearbox, rear axle and suspension were carefully checked before applying the standard Mallalieu formula. This involved lowering the chassis with an underslung rear end and setting the generally unmodified engine back in the chassis. His 'tour de force' was undoubtedly the coachwork design that first consigned the original, more formal Mk. VI or R-Type coachwork to the scrapyard. The lowered radiator of Mallalieu's cars was compensated for by an enlarged header tank, thus not compromising the cooling on these fast road cars. Although Mallalieu cars were bespoke and detailed to the buyers' requirements, the open roadsters were, by far, the most popular.The availability of the almost full range of spare parts met certain customers' desire to alter cars from right hand drive to left hand drive using original Bentley parts. Regarding the interior, only the finest materials were accepted and thanks to the relatively light bodywork, the cars offered impressive acceleration.The vendor, in 1979, read an article in the Financial Times by Stuart Marshal about Mallalieu Motors and his appetite was whetted for further investigation. He then made a visit to the factory in Abingdon where the Bentley cars were totally refurbished and rebuilt and this resulted in an order being placed in June of that year. The donor car was purchased in July and the open tourer car was made over the ensuing year, becoming number 38 in Mallalieu's build programme.The rebuild started with a new chassis being made, incorporating part of the old Bentley structure. When this was completed, it was sand-blasted, galvanised and painted with red iron oxide. It was then finished with a final coat of black bituminous paint; the whole structure being usable for a period that would stretch at least into the next century or as Stuart wrote in the FT, 'good for another generation's service'.The body was built through making a steel structure and then covering this in hand-crafted aluminium panels. Paint choice could be any colour used by the major manufacturers during the preceding ten years and Saab Cream was chosen to enhance the 1930s body style with a chocolate and cream Connolly leather interior and Wilton carpets.Beneath the body, the car's stopping capability has been significantly improved by the change to vacuum brake servos, feeding Range Rover discs at the front with Ford Capri final drive assembly and drum brakes. As part of the build programme, the engine was also completely stripped and rebuilt. The car's appearance has been enhanced by the choice of full running boards, two additional (detachable) trunks on the folding luggage shelf at the rear, P100 headlamps combined with fog lights and spotlights and large horns in front of the radiator; a good choice, it would seem, as Pauline Mallalieu said when she presented the original vendor with the keys of the car on taking delivery in 1980, 'I like to see our cars well dressed'.A short period of time after the car had been delivered, the Mallalieu Company went into liquidation. The company’s senior managers searched for backers to keep the company going, even approaching previous car purchasers, although this did not uncover any enthusiastic backers.The original owner of this particular car, however, delighted by the style and interest in his new acquisition, decided to secure the future of the workforce by acquiring the majority of the company, making a cash loan and in true Mallalieu style, grew the company back into prosperity. He covered only 10,500 in 36 years ownership before the current purchaser in the Summer of 2015. Upon acquiring the car from Historics in 2015 our vendor spent £12,000 with Nigel Sandel Bentley and Rolls-Royce Specialist to restore the car back to its original 1980 splendour. During this current ownership of nine years over a total of £18,000 in invoices for various mechanical and bodywork improvements can be found. Included with the car are tonneau and roof covers, along with side windows and a battery conditioner. Complete with comprehensive service history and Historic status thus does not require MoT test certificate or road tax and is of course ULEZ exempt. A reluctant sale due to the necessity of downsizing a private collection, this example will be sorely missed but certainly a thrill for the new owner. Consigned by Mathew Priddy A HAND-CRAFTED ALUMINUM MALILIEU BODYWORKWITH FASCINATING HISTORY, A REGULAR AT SHOWS
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