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Lot 1263
A Victorian pine cricket table, circular with low shelf. Height 70 cm, diameter 70 cm. CONDITION REPORT: The table is structurally sound with no loose joints. The top is flat and not warped. There are open gaps between the planks on the top and there are numerous old nail heads and screw heads also visible. The legs are generally worn around the extremities particularly around the feet and there are numerous scuffs, marks and small losses. The low shelf has shrinkage between the planks and a gap is visible. There are very minor traces of old long gone woodworm.
Lot 1334
An Edwardian walnut side table, with three quarter gallery raised on incised tapered legs of square section terminating in spade feet and with raised shelf between. Height 80 cm, width 58.5 cm, depth 45 cm. CONDITION REPORT: The table is structurally very sound with no loose joints. The top is flat with no cracks or splits. The gallery is in good condition. All legs are in good order with no damage, no repairs and no restoration. The raised shelf is in good condition also. There is no evidence of any woodworm.
Lot 1409
A Georgian mahogany nightstand, with square top and shelf below with single drawer, brass drop handle and with cross stretcher below raised on legs of square section. Height 81 cm, width 39 cm, depth 37 cm. CONDITION REPORT: The stand is structurally sound but there is a full-length crack which runs from left to right on the top. There are also numerous ring marks and age-related wear. The front left-hand leg has a split at the top front edge and on the front apron there is a crack to the right-hand side. The drawer works as it should. To the rear of this lower section there are a number of cracks to the timber but these are not open or loose. There is however a section of timber missing from the rear which is 10-15 cm length. The lower plinth/cross stretcher is in good condition but the legs at the very bottom need a good clean, particularly on the rear left-hand side which quite mouldy.
Lot 1570
A Titchmarsh and Goodwin oak drinks cabinet, with moulded edge above a pair of carved panelled doors with shelves beneath and slide and raised on turned supports with low shelf. Height 115 cm, width 105 cm, depth 42 cm CONDITION REPORT: The drinks cabinet is in excellent condition and of uniform colour. The doors and slide all work as they should and we can see no issues at all.
Lot 1592
A George III mahogany square washstand, with single drawer and shaped pierced low shelf. Height 76 cm, top 35.5 cm square. CONDITION REPORT: The top shows signs of water stains, ring marks , etc and a very slight crack in the top left-hand corner +/- 8 cm in length. The corners are very slightly rounded off on the main body. The next shelf has a full length crack leading from left to right at the rear and another towards the centre. Around the right-hand side of the unit at this point there is also some slight water splash marks. The drawer works as it should and the handle is intact. On the section below this in the circular part there is a piece of beading missing to the right-hand side and there is a crack to the left-hand side which leads into the main stretcher. On the front right-hand stretcher where it joins into the right-hand leg there is a split and this is loose. The edges of the legs at the base are all rounded.
Lot 1648
An Edwardian inlaid writing desk, with upstand with shelf, the base with apertures for pen and inkwell and with slanted tooled leather top opening to pigeonholes, the base with tapered legs of square section and united by a stretcher and raised on castors. Overall height 104 cm, width 53 cm, depth 48 cm.
Lot 206
A Victorian mahogany shop display case or library bookcase, arched cornice above a pair of glazed doors enclosing a mirror plate and two shelves, the projecting base with a pair of panel doors enclosing a further mirror plate and shelf, plinth base, sarcophagus feet, 203cm high, 126cm wide, 52.5cm deep, c.1870
Lot 26
A lot comprising a small mid 20th century teak veneered cocktail cabinet with hinged top and door concealing internal shelf and bottle holder, 51cm high x 50cm wide x 46cm deep and a small Ercol stained elm and beech occasional table with shaped rectangular top on turned tapering supports, 45cm high x 73cm long x 45cm deep (2) Condition Report:Available upon request
Lot 659
A SMALL HEALS STYLE ARTS AND CRAFTS SIDEBOARD, late 19th century, the mildly arched open panelled back with shallow shelf, the base with five central drawers with turned wood handles flanked on either side by a flush panelled cupboard door enclosing shelving, arched apron and bracket feet, 45 3/4" x 17 1/2" x 55" (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Some fading, small ring stain to top and shrinkage split to rear of top near back, back plate to right top drawer cracked and re-glued, damage to back plates of three handles, some pieces exist but not complete.
Lot 1131
Marcel Breuer, Hungarian/German 1902-1981 for Thonet - Model 'S285' desk, c.2010; lacquered ash, chromed steel, with Manufacturer's label, H73 x W154 x D76 cm Provenance: The Collection of Mary and Alan Hobart, Founders of Pyms Gallery Condition Report: Overall general surface wear throughout to include light scratches and scuffs commensurate with use. Three bolts to bank of drawers do not thread in properly, this does not affect stability of bank of drawers, (three loose bolts together with desk). There are two very minor nicks/losses to laminate to edge of bottom left hand shelf. Desk is without key.
Lot 64
A mid 18th century carved pine chimneypiece of impressive proportionsThe moulded rectangular shelf beneath an egg and dart and foliate decorated inverted breakfront cornice supported by carved corbels with pendant acanthus and flowerhead decoration, the frieze applied with a central female mask-head, possibly depicting Flora, above fringed drapery and flanked by ribbon tied floral and fruiting garlands, the plain jambs with bold acanthus scrolls and re-entrant cut egg and dart and acanthus beaded slip, on rectangular block feet 183cm high, 201cm wide, 28cm deep, the inner aperture, 131 cm high, 157cm at the narrowest point and 168cm at the widest point overallThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 56
A Regency mahogany and ebonised line-inlaid breakfront bookcase with the innovative feature of sliding doorsCirca 1810The ovolo moulded and stepped cornice surmounted by acrotera-form finials, above four sliding astragal glazed panelled doors, enclosing nine partially adjustable shelves, with one central mahogany slide below, over a pair of central sliding tablet inlaid panelled doors enclosing one shelf, flanked by two conforming twin panelled doors, enclosing two partially adjustable shelves, on a plinth base, 258cm wide x 57cm deep x 242cm high, (101 1/2in wide x 22in deep x 95in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 112
A late Louis XV ormolu mounted tulipwood and amaranth commode by Pierre Garnier (1726-1806) and Bon DurandCirca 1770The brèche d'Alep marble top with moulded edge above a pair of quarter-veneered panelled doors framed by a geometric border 'à la Grecque', enclosing a single shelf, with serpentine sides and conforming inlay, with berried foliate scrolling chutes and on squat cabriole feet and acanthus leaf cast sabots, stamped: 'GARNIER', 'B. DURAND' and 'JME', 114.5cm wide x 61cm deep x 83cm high, (45in wide x 24in deep x 32.5in high)Footnotes:Provenance From the collection of the late Cornelis Paulus van Pauwvliet.Pierre Garnier (circa 1725-1806), maître ébéniste in 1742.Bon Durand, maître ébéniste in 1761.Pierre GarnierThe son of the Parisian ébéniste François Garnier, Pierre, who in 1742 at the age of 16 became maître-ébéniste, went on to play an important role in the early development of neoclassical furniture, alongside the famous German-born Jean-François Oeben and Joseph Baumhauer.As a result of his early and highly publicised collaboration with De Wailly and through Madame Geoffrin's recommendation, Garnier caught the attention of one of the most influential protagonists of the new style; the Marquis de Marigny, brother to Madame de Pompadour and the directeur des Bâtiments. A remarkable series of letters from Marigny to his cabinet maker testify that he held Garnier in high esteem and entrusted him with a variety of commissions (S. Eriksen, 'Some letters from the Marquis de Marigny to his cabinet-maker Pierre Garnier', Journal of Furniture History, no.8, 1972, pp. 78-85). Garnier was himself active as a designer as well as a cabinet maker, which explains the idiosyncratic nature of many of the most ambitious pieces of furniture that he made, as well as the introduction of his 'goût grec' manner which soon became extremely popular. Collaboration with Bon DurandIt appears that Pierre Garnier collaborated with Bon Durand for at least nine years. A large commission for the Maréchal de Contades, delivered in circa 1771-1772 to his château de Montgeoffroy (Maine-et-Loire), where it still remains to this day, comprises not only the important pieces stamped both 'P.GARNIER' and 'B.DURAND', but also a quantity of 'day-to-day' furniture supplied for the private apartments. Such was the scope of the project that Garnier asked for help from other ébénistes, in particular Bon Durand. He did so in order to honour the commission as well as his other work. According to de Quénetain, op.cit. p.33, other notable pieces which feature both the estampille of Bon Durand next to that of Pierre Garnier are: a pair of commodes produced on behalf of King Charles XIII of Sweden; a bureau formerly in the Stravos S. Niarchos collection; and a Louis XVI cartonnier which was exhibited in the 1955 Parisian exhibition on 'Grands Ebénistes', lot 113. Furthermore, an inventory relating Bon Durand's activities, dated 14 July 1777 mentions: 'un petit livre... que ledit Durand déclare servir à écrire les marchandises qu'ils fournies au sieur Garnier et les acomptes qu'il a reçu' which clearly testifies to the fact that an intense collaboration existed at that time between these two ébénistes.Related LiteratureChristophe Huchet de Quénetain, Pierre Garnier, 2003, Paris, p.33.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 19
A George III harewood, purplewood, ebonised and fruitwood marquetry serpentine commode1775-1780, possibly made by the cabinet making partnership of Ince and MayhewWith boxwood stringing, the top with projecting keeled angles inlaid with a central foliate and bellflower pendant-adorned pelta shield with two spreading ribbon tied 'thyrsi', the roundel with a foliate tendril pattern surround, the oak leaf garland hung from two ring chains flanking the roundel, the swag ends terminating in two opposing inlaid interlocking oval shields and Neoclassical quivers of arrows, each shield inset with scrolled acanthus, stylised foliage and an anthemion, above a pair of twin panel inlaid doors divided by an alternating opposing palmette and foliate s-scroll pattern frieze, the panels and frieze of each door overlaid with a patera and within a re-entrant tablet, over an oak leaf garland hung from four suspended ring chains, enclosing one shelf, with a shaped apron below, flanked by square tapering panel inlaid angles intersected with flute inlaid blocks, on square section supports terminating in later brass cappings and castors, 137cm wide x 58cm deep x 80cm high, (53 1/2in wide x 22 1/2in deep x 31in high)Footnotes:ProvenanceIt is believed within the family of the current owner and vendor that the present lot historically formed part of the Trevelyan family collection. It is thought that this commode resided in the house of the present vendor's great grandfather, Sir Ernest John Trevelyan (1851-1924), at 1 Marston Ferry Road, Oxford. Later on, it was evidently passed on to his daughter, Sylvia, and then subsequently inherited by her daughter, Charlotte. The ancestral home where the commode may have come from is that of Nettlecombe Court in Somerset, an Elizabethan country mansion that has belonged to the Trevelyan family since the 15th century. It was one of the two great houses owned by the family and has since passed into public ownership from the mid-20th century onwards. The Trevelyans have a rich connection to the arts, most notably through the painter and poet Julian Trevelyan (1910-1988).A number of Ince and Mayhew commodes with related Neoclassical inlay or similar inlaid Neoclassical motifs and designs to those featuring on the offered lot are illustrated in C. Cator and H. Roberts, Industry and Ingenuity, the Partnership of William Ince and John Mayhew, 2022, London. These include the following, variously dated between circa 1770 and 1785, which are pictured therein: fig.'s 115-120, 131-134, 167-171, 181, 222-225, 229 & 250, pp.'s 295-6, 301, 317, 329-330 & 338.Four of these examples incorporate striking Neoclassical elements which are notably inlaid 'sans traverse', as on the offered lot, across the combined surface area of their pair of doors. These appear therein, Ibid, fig.'s 184, 222, 224 & 235, pp.'s 318, 329-330 & 334. Interestingly, two of these 'sans traverse' models also utilise a trompe l'oeil effect in the manipulation of areas of their marquetry which is reminiscent of the three dimensional characteristics of certain aspects of the inlay on the above. One was made circa 1770 for the Duke of Marlborough whilst the other was a piece, likewise circa 1770, supplied by this cabinet making partnership upon behalf of Sir James Lowther.A more restrained Neoclassical commode (one of a pair in fact), of a slightly later circa 1780 date and which was made for Lord Digby, employs a similar palmette pattern of inlay to that featuring so prominently on the present example. This comparable is also illustrated as before, Ibid, fig. 163 & 164, p. 310. As an additional point of interest, the pelta-shield inlay on the top of the offered lot is reminiscent of the closely comparable recurrent pelta-form pattern features inlaid into the top of a demi-lune pier table made for Sir Cecil Bishopp by Ince and Mayhew in 1781, Ibid, fig.'s 500 & 501, p. 422.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 564
Dolls’ house chattels and a Wallclimber piano, the red stained piano with lifting lid, cabriole legs and curtained strings —3 ¾in. (9.5cm.) high; a cast-metal mahogany painted wall clock with pendulum; a soft-metal wall shelf with cast ornaments, a gilt metal mantel clock (missing dial); a pair of glass candlestick with twisted coloured glass stems, a red lacquered cast-metal stand, possibly for a goldfish bowl and a vase
Lot 636
An early/ mid 20th century oak canted hall table, the oversailing top above single drawer to frieze, turned supports above panelled undertier, fluted stile feet, 72cm x 80cm x 32cm; two late Victorian copper coal scuttles; a contemporary wrought iron bottle rack, the arched body holding eight bottle compartments and shelf to interior, 68cm x 33cm x 34cm; two 19th century farmhouse kitchen chairs
Lot 406
A 19th century mahogany small break-front pedestal sideboard fitted three frieze drawers with fluted knob handles & a central sliding compartment, a cupboard to either end with fielded panel door enclosing a single shelf to the left, & three short drawers to the right, on carved bun feet, 137cm wide x 92cm high x 58cm deep.
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104473 item(s)/page