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A William IV rosewood secretaire bookcase, the flared crown pediment over a frieze with applied rosewood floral & anthemion mounts, the astragal glazed bookcase with three adjustable shelves, the base with secretaire drawer fitted with an arrangement of four rosewood drawers, eight open pigeonholes and a red baize writing surface, over a cupboard with mirrored doors flanked by acanthus scroll brackets, opening to reveal a single shelf, on an inverse breakfront plinth with carved paw feet, 47.75in (121cm) wide x 87in (221cm) high x 23in (58cm) deep.
Sir George James Frampton (1860-1928): A Bronze Plaque of St Christina, rectangular, the pretty haloed young saint depicted bust length, against a classical column and upper balustrade, with lower titled "shelf", signed bottom right and (18)89, in oak frame, the plaque 42cm by 23cm See illustration
A Mahogany Breakfront Sideboard, mid 19th century, the three-quarter gallery back above a single frieze drawer and shaped apron and shelf, flanked by two conforming frieze drawers and two cupboard doors, one enclosing a fitted cellaret drawer, the other adjustable shelves, on gadrooned bulbous fore feet, 130cm by 66cm by 109cm
A Late George III Mahogany Four Door Breakfront Bookcase, the projecting moulded cornice above a plain frieze, two astragal glazed doors enclosing four reeded adjustable shelves flanked by two conforming glazed doors, the base with two central cupboard doors enclosing an adjustable shelf, flanked by two further cupboards, on splayed bracket feet, 241cm by 52cm by 230cm See illustration. Sold together with a copy of the 1960's receipt from Charles Lumb & Sons, Harrogate
A 19th Century Ebonised, Burr Maple, Rosewood and Gilt Mounted Bonheur du Jour, the domed top with foliate border and three-quarter gallery above two oval fielded panel doors between female caryatids, the red velvet interior with a shelf and small drawers, the base with red leather writing surface above shaped frieze drawers, on cabriole legs with brass cast metal mounts and sabots, 73cm by 52cm by 142cm See illustration
A Tiger Maple Sideboard, mid 19th century, of inverted breakfront form, the superstructure centred by an anthemion cresting and scrolling acanthus, the top breakfront shelf with tapering column supports above a panelled back, the base centred by two cupboard doors with moulded column supports headed by scrolling leaves flanked by two conforming cupboard doors, on moulded platform base, 194cm by 53cm by 132cm See illustration
A 19c. style Kingwood finish cocktail cabinet. The upper section with a curved glass centred by pierced gilt metal finial above two fixed shelves and a marbled mixing shelf. The whole above a painted bow fronted door revealing part galleried glass and wooden shelves raised on bracket feet and castors. 177cms. high by 87 cms. wide by 80 cms. deep.
An Edwardian mahogany envelope card table, the square top with moulded edge opening to a baize lined interior and fitted with a frieze drawer with brass drop handles with embossed backplates, raised on tapered legs of square section united by a raised shaped centre shelf and terminating in brass capped ceramic castors. Width 22 ins.
An Edwardian Sheraton Revival inlaid rosewood occasional table, octagonal, with circular centre Florentine medallion and satinwood banded, boxwood and ebony strung edge, supported by turned columns with shaped lower shelf and angled fluted and turned legs below raised on castors. Width 26 ins.
A late 17th/ early 18th century Iberian walnut cabinet, on later estate-built stand, with a elaborate engraved brass escutcheon and pierced hinges, enclosing a combination of floral cartouche inlaid drawers above a moulded edge, on chamfered square legs united by a single shelf (requiring restoration), 98cm wide, 118cm high, 42cm deep, Provenance: Moy House, Forres, Morayshire. Moy house was destroyed by fire in 1995. This cabinet is one of the few original furnishings to have been rescued. Colonel Grant of Moy had connections with the East India Company and married a lady of Portuguese descent. Grant brought back a vast fortune, mainly in diamonds, however, it would seem very likely that this cabinet would have been collected during his travels in Portugal.
A 19th century carved and overpainted pine chimneypiece, of inverted breakfront form, the leaf carved mantel shelf above a panelled frieze decorated with urns held aloft by putti, the jambs applied with Solomonic spiral half columns entwined vines headed by caryatids on stepped plinth bases centred by lion masks, 204cm wide, 164cm high, 28cm deep; Internal 118cm wide, 112cm high, 204cm wide, 164cm high, 28cm deep; (internal: 118cm wide, 112cm high)
An Edwardian rosewood and arabesque inlaid chiffonier, the mirror back with arched pediment, trinket shelves and subsidiary plates on turned supports, the lower part of breakfront form with a pair of cupboard doors flanked by frieze drawers, on gadrooned and block legs united by a shelf stretcher with pierced gallery, 130 wide, 223cm high, 42cm deep
A mahogany and inlaid bonheur de jour, circa 1900, the glazed top with display shelf and mirror back below a gilt metal gallery, the fan inlaid fall with fallout writing slope and fitted interior, the frieze drawer rising a rear tambour to reveal three stage drawers, on square tapered legs; spade feet united by an undershelf, 77cm wide, 138cm high, 50cm deep
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96580 item(s)/page