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Eliot (George) Middlemarch: A Study of Provincial Life, 4 vol., first edition in book form, half-titles, occasional light corner-creasing, some light marginal marking or occasional foxing, pencil ownership inscription, hinges splitting or weak, vol.4 first 2 gatherings working loose, original blue cloth stamped in black and gilt, shelf-leaning, spine ends and corners bumped and frayed, vol. 1 splitting to lower joint, mottling and some marking to spines and covers, rubbing to extremities, [Sadleir 815; Wolff 2059], 8vo, 1871-72.⁂ First edition in original cloth of Eliot's most famous work, often hailed as one of the greatest novels in the English language.
Stevenson (Robert Louis) Treasure Island, first edition, half-title, map frontispiece, 8pp. advertisements dated 12.83, very light toning to margins, some scattered foxing, lacking rear endpaper, original blue cloth, slight shelf-lean, spine darkened, spine ends and corners bumped and chipped, marking to covers, extremities rubbed, 8vo, 1883.⁂ With the following early issue points (though with later advertisements): "dead man's chest" on p.2 and p.7 not capitalised; "rain" for "vain" in last line p.40; "a" not presen, p.63, line 6; "7" is missing from pagination on p.127; full-stop is missing after "opportunity" p.178, line 20; "worse" for "worst" p.197, line 3.
Languedoc.- Catel (Guillaume) Memoires de l'Histoire du Languedoc..., first edition, half-title, title in red and black with engraved vignette, with blank 4T4, text in French & Latin, woodcut initials, head & & tail-pieces, first 3 leaves slightly defective at upper outer corner not affecting text (neatly repaired), small tear to fore-edge of 2O1, slight loss to lower outer corner of 3S4 & 4H4, some cockling but generally a good clean copy, the Marquess of Lothian's copy with ink inscription to verso of half-title, his engraved bookplate and shelf-label of Newbattle Abbey library, contemporary calf, rubbed, rebacked with gilt spine, corners repaired, folio, Toulouse, Arnaud Colomiez, 1633.⁂ First edition (also known with the imprint of Pierre Bosc) of this monumental work on the history of Languedoc by the Toulouse-born historian, magistrate and jurist Catel (1560-1626), important for its content on the troubadours.
[Dodgson (Charles Lutwidge)], "Lewis Carroll". The Nursery "Alice", first edition, third issue with "People's edition. Price two shillings" to head of title and with Alice's profile visible on p.34, text printed in brown, colour frontispiece and illustrations after Tenniel, 2pp. advertisements, some light marginal soiling, foxing to half-title, yellow-orange endpapers, front free endpaper with ink gift inscription dated 1891 and with closed tear and some chipping, original cloth-backed pictorial boards, slight shelf-lean, some light browning and staining, corners bumped, rubbing and scratching to covers, light wear to extremities, [Williams-Madan-Green-Crutch 215], 4to, 1889.
Doves Press.- English Bible (The), edited by Rev. F.H.Scrivener, 5 vol., [one of 500 copies on paper] printed by T.J.Cobden-Sanderson and Emery Walker, initials by Edward Johnston printed in red, light foxing to a few leaves at beginning of vol.1 in 'Translators to the Reader', handsomely bound in near-contemporary crushed burgundy morocco, gilt, by Stikeman & Co. of New York, covers with wide borders of multiple gilt rules, spines in six compartments titled & ruled in gilt and with five raised bands, dark blue crushed morocco doublures with borders of gilt rules and floral corner-pieces of inlaid lilac and red morocco, turn-ins of burgundy morocco edged in gilt dentelles and ruled in gilt, signed at foot of rear turn-ins, burgundy watered silk endpapers, t.e.g., others uncut, very very slight rubbing to joints but barely noticeable, folio, Doves Press, 1903-05.⁂ A superb copy of the only folio printed by Cobden-Sanderson and the magnum opus of the Doves Press, described by Stanley Morison as representing "the finest achievement of modern English printing". Four Centuries of Fine PrintingProvenance: From the library of William Randolph Hearst, with his small paper shelf-label to head of rear endpaper. Sold as lot 99 in Part III of the sale of his collection at Parke-Bernet Galleries in New York in 1938 (price unknown). He also had a set in the original limp vellum by the Doves Bindery which sold for $175 the following year.
ZWEI ÄHNLICHE KONSOLENDirectoire, Paris um 1800.Mahagoni kanneliert. Trapezförmiger Korpus mit rund eingezogenen Seiten auf gerader einschübiger Zarge und durch Zwischentablar mit durchbrochener Messinggalerie verbundenen, leicht konischen Beinen mit Messingfüssen. Helles Marmorblatt mit durchbrochener dreiseitiger Messinggalerie. Messingberschläge.77 x 38 x 88 bzw. 74 x 32 x 87 cm.Ein Bein etwas zu reparieren. TWO SIMILAR CONSOLESDirectory, Paris ca. 1800.Fluted mahogany. Shelf with pierced brass gallery, conical legs with brass feet. Light marble top. Brass mounts.77 x 38 x 88 and 74 x 32 x 87 cm.One leg requires some repair.
20TH CENTURY OAK CUPBOARD, the upper section with a wooden galleried top, with a breakfront compartment comprising a central door with twin mirror opening to reveal a fitted shelf, and three fitted racks to the door, flanked by two small mirrors above a galleried section, with a door to each side of the cupboard revealing shelving, above two graduated drawers and two faux doors, with three drawers to the right hand side and raised on a plinth base, h 182cm x w 80cm x d 46cm
A Regency brass mounted and inlaid figured rosewood chiffonier in the manner of John McLean, with single shelf galleried superstructure and Vitruvian scroll supports, above a single frieze drawer and a pair of cupboard doors with inset, pleated silk, and gilt brass grilles, raised on turned supports. 110cm wide x 51cm deep x 131cm high 79cm to the top of the carcass.Condition report: Some lifting to the brass stringing and molding strips on the sides of the carcass and some lifting stringing on the doors.Some wooden molding missing on the sides of the carcass also
A probably early 18th century, Trapani (Italy) carved coral figure of Christ, standing on a fruiting vine and armorial shield mounted shelf. Probably from a devotional panel or display. 26.4 grams. 9.5 cm long x 3.5 cm wideFootnote: The Trapani's coral worker from the fifteenth to seventeenth century became famous throughout the Mediterranean for their splendid masterpieces as sacred and profane objects or nativityCondition report: Significant missing elements to the arms and probably to the base..It has a thread hole at the back of the figure probably for fixing to a board in a devotional display.
Zhang Enli (B. 1965)Wooden Shelf 2012 signed in Chinese and dated 2012; signed and titled in Chinese and dated 2012 on the reverseoil on canvas250 by 200 cm.98 7/16 by 78 3/4 in.Footnotes:ProvenanceShanghART Gallery, ShanghaiAcquired directly from the above by the present owner in 2013Crossing the boundaries between figurative and abstract, the real and the imaginary, and the singular and the ordinary, Wooden Shelf is a sterling example of Zhang Enli's works on canvas. Born in 1965 in Jilin Province, China, Zhang Enli was instinctively drawn to working with familiar and everyday objects striving to capture their essential and organic qualities. The expressive lines we see in this present work are influenced by traditional Chinese brush techniques and underpinned by the structure of pencil-drawn grids. Here, immersed in the inherent space of the canvas, the wooden shelf almost appears to dissolve into the thin layers of paint. Zhang Enli wants his viewer to recall and reflect upon the raw essence of painting, exemplified with his use of colour and line as a means to help the viewer explore the trivial matters of this world. The result is simple yet sublime, evoking a harmonious and ethereal quality that is central to his oeuvre. Zhang's works have been recognised internationally; he first exhibited at Art Basel in 2006, followed by a solo exhibition at Hauser & Wirth in 2007 and at Kunsthalle Bern in 2008. Today, Zhang's works can be viewed in institutional collections including the Tate Modern, London and Centre Pompidou, Paris among others.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
TRACHTEN UND KOSTÜME -Picard, Bernard.Cérémonies et Coutumes religeuses de tous les peuples du monde. Teile 1-7 (st. 11) in 7 Bänden. Mit 1 gest. Frontispiz, 7 (st. 11) Titelvign., 10 Kopfvign., 221 (st. 266; davon 1 kol., 31 doppelblattgr.) Kupfertafeln und 1 Textkupfer.Amsterdam, J. F. Bernard, 1723-1737. Folio. Ganzleder mit 3 goldgepr. Rückenschildern, floraler Rückenverg., Steh-, Innen- und Aussenkantenverg., Goldschnitt (Gelenke zumeist angeplatzt, etwas berieben, Ecken schwach bestossen, leicht kratzspurig und beschabt)Lipperheide Oc 24 - Abbey, Travel 6 - Sabin 62600 - Lewine 414 - Cohen-R. 134 - Sander 1548 - Graesse II, 104 - vgl. Hiler 708. - Erste Ausgabe. - Die ersten sieben Bände des umfangreichen Kompendium der religiösen Gebräuche und Sitten der verschiedenen Völker und Kulturen. - 2 Bände mit abweichendem Titel "Ceremonies et coutume religieuses des peuples idolatres". Es fehlen die zwei letzten (Dissertations de Mess. les Abbés Banier... und Paralléle historique des Cérémonies religieuses...) und die zwei Supplement-Bände zu abergläubischen Praktiken. - Etwas gebräunt und staubfleckig, nur wenig stockfleckig. Vereinzelte Blatt/ Tafeln mit kleinen Randeinrissen (ausserhalb der Darstellung). - Gest. Wappen-Exlibris von Lord Clifford, Ugbrooke Library Shelf.
Doulton ceramics modeled as three books on a shelf. Titled The Spirit Of Our Ancestors Vol. I -III for carrying liquors. Hand painted brown stoneware with silver spout and cork stopper. Includes wooden tabletop shelf case. Royal Doulton England backstamp. Vol. I and Vol. II. (9.75"H x 9.5"L x 8"W books in shelf case and 6.75"H x 4.62" L each book). Issued: 20th c. Dimensions: 9.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good
An early Victorian mahogany wardrobe, moulded outswept cornice above three panel doors, the left and centre each incorporating two blind drawers and enclosing a hanging rail, the right enclosing a shelf and further panel door, above two short drawers and a row of three further short drawers, plinth base, 212.5cm high, 182cm wide, 55.5cm deep, c.1840
A Victorian mahogany break-centre library bookcase, outswept cornice above three glazed doors, each enclosing two adjustable shelves, the slightly projecting base with three panel doors, each enclosing a further shelf, carved and applied with acanthus scroll and reeded brackets, plinth base, 221cm high, 196cm wide, 52cm deep, c.1860
A French Empire mahogany Secrétaire à abattant, pierced brass pediment above a long drawer and a fall front door inlaid with an oval shell patera enclosing an inset writing surface, small drawers and pigeonholes, flanked by female herm capped tapered rectangular pilasters, the base with a pair of panel doors enclosing a shelf, outlined throughout with boxwood and barber pole stringing, tapered rectangular forefeet, 164cm high, 100.5cm wide, 46.5cm deep, 19th century
A George III style country house pine break-centre dresser or library bookcase, moulded cornice above a four astragal glazed doors enclosing an arrangement of shelves, the slightly projecting base with four panel doors enclosing a further shelf, the angles applied with gadrooning, skirted base, 221.5cm high, 238cm wide
A Scottish Regency mahogany inverted break-centre sideboard, shaped gallery carved and applied with stiff and scrolling acanthus, slightly oversailing top above three frieze drawers and a central deep apron drawer, flanked by pyramidal convex panel doors with spreading cylindrical columns, the left enclosing a shelf and cellarette drawer, the right enclosing three sliding trays, lion paw forefeet, 122cm high, 183cm wide, 71cm deep, c.1820
A Chippendale Revival mahogany library bookcase, moulded outswept cornice above a blind fretwork frieze, and a pair of astragal glazed doors enclosing three adjustable shelves, the projecting base with conforming frieze above a pair of panel doors enclosing a further shelf, skirted base, bracket feet, 232.5cm high, 129cm wide, 48cm deep
A Sheraton Revival satinwood display cabinet, swan neck pediment set with foliate roundels, above a glazed door flanked by serpentine glazed panels enclosing two shelves, the projecting base with a central panel door flanked by two serpentine panel doors, each enclosing a further shelf, tapered square legs, spade feet, bears label for Maple & Co, 222cm high, 126cm wide, 44cm deep, c.1910
Frank Pratt of Derby - a 17th century style oak press cupboard, moulded cornice above a nulled frieze and a pair of panel doors carved with flowerheads, quatrefoils and Gothic arches enclosing a shelf, the base with three small above two rows of two short drawers, brass swing handles, bracket feet, 152cm high, 106cm wide, 49cm deep Provenance: Estate of Thomas Jones, head carver and partner at Frank Pratt of Derby, made in the workshop for his own home
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96594 item(s)/page