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Late Regency rosewood mirrored wall shelf, having a brass galleried top, two lacquered brass columns over a lower shelf, width 80.5cm, height 28cm, depth 14.5cm (originally a chiffonier gallery top) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Workshop of Robert 'Mouseman' Thompson, English oak dresser and plate rack, post 1971, the panelled pot bellied rack with two fluted shelves over a base with adzed top, over two frieze drawers with wrought metal loop handles and two four recessed panel cupboard doors opening to a shelf, width 121cm, height 185cm, depth 46cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
A VICTORIAN BURR WALNUT AND GILT METAL MOUNTED CREDENZA CIRCA 1860 101cm high, 160cm wide, 38cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some openings to joints, various old chips and losses to some veneers, some signs of filler in place, some larger veneer replacements but well done and matched in with the figuringOverall solid and stableSome dirt and discolouration to the gilt metal mounts There are two shelves to each of the side cabinets, these sit on fixed runners/supports - the back boards are loose in both areas and will need refixing, the interiors of the cabinets and fabric is dirty. The central cupboard with single fixed height shelf, the interior dirty but less worn than the exterior cabinetsThere are two keys, one operating one side and the central locks, the other side with another key but not turning - may be seized or the wrong key, all locks are open at time of reportPlease see additional images for visual reference to condition Condition Report Disclaimer
A GEORGE II OAK BOOKCASE SECOND QUARTER 18TH CENTURY 193 cm high, 145cm wide, 38cm deep Condition Report: The oak is dark and has a good waxed patination. The glass is probably original - it is certainly not new glass and has some age, but it is hard to be certain if it is original. There are some signs of reputtying on the inside of the glazing bars which may indicate that the glazing is replaced but the glass panes have age. The main part of the cabinet is made in two sections, with a cut in the middle of each end panel and which runs through the centre of the central shelf. The end panels with four wedge-shaped butterfly inlaid pieces let in. The whole plinth section is a late replacement, but is probably early 20th century in date. There are patches in the doors around the handles. The backs of the doors with tack holes for fitting a fabric lining. In good useable condition. The shelves are of fixed heigtsPlease see additional images for visual reference to conditionCondition Report Disclaimer
A PAIR OF EBONISED AND PARCEL GILT 'PYRAMID' OPEN BOOKCASES, IN REGENCY STYLE, BY JOHN FOWLER MID 20TH CENTURY each 271cm high, 61cm wide, 31cm deep Provenance: Private Collection, Berkshire Condition Report: Overall the general appearance and condition of these bookcases reflects their lack of great age, but they have been used in a domestic setting and with some wear and signs of use for this purpose The tops and base screw together from below, there are locks and keys to each lower cabinet base, these appear original, there are metal brackets to the underside of each to further fix to the floor for complete stability if wished Some marks, knocks, splits, signs of use, wear to shelf surfacesThese appear to be constructed from painted plywoodPlease see additional images for visual reference to condition Condition Report Disclaimer
A lot comprising a Victorian pine kitchen cabinet with one long and on short drawers over pair of panelled doors on turned feet, 83cm high x 118cm wide x 56cm deep and a pine kitchen plate shelf with three open shelves, 98cm high x 102cm wide x 31cm deep (2) Condition Report:Available upon request
Dresser (Christopher). Principles of Decorative Design, 3rd edition, London: Cassell, Petter & Galpin, circa 1875, 2 chromolithograph plates, monochrome illustrations, occasional pencil underlining, blue ink stamp of Council of Industrial Design Library to title, prize label of Bradford Mechanics' Institute School of Art, bookplate of Mark Girouard, original decorative cloth gilt, shelf number to foot of spine, corners and edges a little rubbed, small 4to QTY: (1)NOTE:First published in 1873, a keystone work by the leading Aesthetic Movement, Art Nouveau and industrial designer Christopher Dresser (1834-1904).
Whittington Press. A View of the Cotswolds, Photographs by Edwin Smith, Limited to 350 copies, 2005, monochrome photographic illustrations, publisher's half grey buckram with woodblock printed artwork to boards, original slipcase, folio, limited edition of 350 copies, together with Ditchfield (P. H.). The Charm of the English Village, London: B. T. Batsford, 1908, and Manor Houses of England, London: B. T. Batsford, 1910, both with colour frontispieces, many illustrations, top edges gilt, original cloth, re-backed preserving original boards and a proportion of spine, both a little rubbed, plus Macgibbon (David & Ross, Thomas). The Ecclesiastical Architecture of Scotland, 3 volumes, Edinburgh: David Douglas 1896 - 1897, ex libris stamps and tickets etc. to front pastedown and front free endpaper, publisher's original gilt cloth, ex-libris shelf marks to spines, plus The Castles and Domestic Architecture of Scotland but the same authors, 5 volumes, Edinburgh: Merchant Press, 1971, publisher's brown gilt cloth, and other British, Scottish and Irish architecture and topography, including Hale's Country Books series, Batsford publications, John Summerson, Architecture in Britain 1530 - 1830 (2 editions) etc., various conditions, mostly 4to or 8vo QTY: (94)
Caus (Salomon de). LesRaisonsdesForces Mouvantes avec diverses machines tant utilles que plaisantes aus quelles sont adjoints plusieurs desseigns de grotes et fontaines, 3 parts in one, 1st edition, Frankfurt: Jan Norton, 1615, engraved title to parts I and II, 60 engraved illustrations (mostly full-page, including 2 of music, and plate 22 to first part cancelled), numerous woodcut illustrations and diagrams (including 2 full-page and one double-page), woodcut decorative initials and headpieces, some errors in pagination with few cancelled page numbers), bound with Caus (Salomon de). Institution Harmonique. Diuisée en deux parties: en la premiere sont monstrées les proportions des interualles harmoniques, et en la deuxiesme les compositions dicelles, part 1 only (of 2), Frankfurt: Jan Norton, 1615, engraved title, numerous woodcut illustrations and diagrams (including few full-page), woodcut decorative initials and headpieces, light worm trail holes to lower blank margins of few leaves at gutter (not affecting text), armorial bookplate of François Michel de Verthamon, Marquis de Bréau (d. 1738) to upper pastedown with 'v no. 72' in manuscript written below in an early 18th-century hand, contemporary calf, elaborate gilt decorated spine incorporating the monogram initials JGB to spine compartments, with maroon morocco title label and paper shelf number label ('V 72' in manuscript), the arms of Jérôme Bignon (1589-1656) to centre of each board, minor wear at head and foot of spine, folio (leaf size 39.3 x 25.3 cm) QTY: (1)NOTE:Brunet I, 1691; Graesse II, p. 90.The first edition of this important work regards the history of the invention of the steam engine. The first book deals with moving forces, the second with grottos and fountains for palaces and gardens, and the third with the construction of the water-driven instrumental organ. Salomon de Caus was a French Huguenot hydraulic engineer and architect under Louis XIII. He is known to have visited Italy in about 1595, where he saw the famous Mannerist garden at Pratolino, which stimulated his interest in water features. He later designed the garden of Somerset House and a garden now on the site occupied by the Maritime Museum in Greenwich. His Hortus Palatinus for Princess Elizabeth and Frederick V was dubbed "the eighth wonder of the world" by some of his contemporaries.Jérôme Bignon (1589-1656) was an author, celebrated magistrate and chief librarian of the French Royal Library. Bignon's grand-daughter Marie-Anne Françoise Bignon married François-Michel de Verthamon, Marquis de Bréau (1657-1738) in 1678. François-Michel de Verthamon was an advisor to the King Louis XIV in Parliament, elected first president of the Grand Council in 1697, and then Registrar Commander of the King's Orders in 1716. He was a great bibliophile who started the so-called Grand Council library, either by giving his own books, or by bequeathing a fund to increase it. The library was burned during the Palace fire in the mid-18th century.
Soane (John, 1753-1837). Designs for Public Improvements in London and Westminster. The Second Impression; with further improvements and explanatory illustrations, London: printed by James Moyes, 1828, printed title and 36 pages of letterpress text (with additional lithograph title inserted before the printed title, by Hullmandel after C J Richardson, probably the lithographed title to the March 1828 reissue by Priestley and Weale), 40 mostly engraved plates only (from the complete series of 55 as indicated by Archer), on wove paper (except several lithographically printed), numbered 1, 2, 4-7, 9, 11, 13, 14, 20, 24, 29, 31-55, plus a further 17 lithographed plates of designs by Soane, printed by Hullmandel after C J Richardson, including Design for the New State Paper Office, XXXIV*, XXXIV**, XXXIV*** (A Design for a Residence for a Canine Family in Modern Times), XXXV (Design for a Summer Dining Room), XXXIX* (Holwood), XXXIX** (Pellwall House), XLIV* (Royal Belfast Academical Institution), LII, LIV (View of the State Paper Office), XLIV* (Designs for the additional buildings to Brazen-Nose College, Oxford), XLVIII** (View of the houses in Princes Street Lothbury), XLVIII**** (View of the National Debt & Redemption Office) and XLVIII*** (View of a design for the National Bank of Ireland), plus a further eight numbered engraved plates at end of volume, seven of which have contemporary marginal annotations in ink or pencil, with various dates through 1827 relating to the production and quality of the impressions of said plates, and a single-leaf printed Index to the Plates at end, first and last to leaves with blindstamp of the Burlington Fine Arts Club, later 19th-century half cloth over marbled boards, worn with covers detached and spine deficient, with Burlington Fine Arts Club shelf label and presentation label (dated 14 July 1874) to front pastedown, modern bookplate of Mark Girouard, large folio 46 x 28 cm (18 x 11 ins)QTY: (1)NOTE:See Archer 316.2 and 316.4Designs for Public Improvements was essentially a vehicle for publishing illustrations of Soane's own work, and appeared in four distinct editions. According to Soane, only 25 copies of the 1827 edition of Designs for Public Improvements were distributed. Printing of the 'second impression' was in progress by January 1828. Some copies include a variable number of inserted plates. A third edition, consisting of a revision of some text was published by Priestley and Weale, probably in March 1828, as Designs for Public and Private Buildings. Due to the difficulty of collation, sold not subject to return.
Anglo-Indian Art Deco occasional table, c1920s, the two tier table heavily inlaid with specimen woods, mother of pearl and bone, H46cm. Just under 32cm x 22cm. Condition report - Middle shelf sits in line with the top shelf, but obviously slightly forward. There are some losses/repairs to the inlay when viewed from close, small repaired split to to top rim edge.
TOM ROBERTSON FOR McINTOSH MID-CENTURY 'DUNVEGAN' TEAK SIDEBOARD, central cupboard with two doors, internal shaped shelf, flanked by drawers to the left, upper with cutlery tidy, fall-front door to the right with pull-out melamime topped serving tray and fitted six-bottle tidy, 75.5 (h) x 202 (w) x 45cms (d)Provenance: private collection West WalesComments: no condition issues
Lucian Ercolani for Ercol - Windsor Range - A retro 20th century circa 1970s teak wood IR television / hi-fi media cupboard cabinet unit. The unit having a straight top over double retracting doors & cupboard space opening to reveal an appointed interior with sliding shelf. Measures approx. 80cm x 104cm x 56cm.
Penny Pine & Co. - Two vintage 20th century Penny Pine & Co. pine wood plate racks. The larger of the two racks having a series of diagonal wooden posts forming a plate rack, with flared cornice above, and turned pegs for hanging below. Whilst the other being of smaller form having a central shelf, with turned pegs to lower. Each having an inset penny coin. Largest measures approx. 52x101x23cm

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104477 item(s)/page