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A Cotswold School walnut cabinet, the rectangular top with re-entrant corners above single adjustable open shelf over a pair of cupboard doors opening to reveal another shelf within, raised on shaped, slightly splayed feet 138 x 121 x 36cm (54 x 47 x 14in) In very good overall condition, light wear and scuffs commensurate with age and use, the right hand end panel slightly proud at the top edge.
A copper photo frame with Art Nouveau style decoration C 1900, height 28cm, a cast brass frame with design of a maiden, reeds and water lilies, 27cm, and a book shelf with carved decoration.. Copper frame good condition,minor signs of wear, oak back brass frame probably French, fixings replaced and possibly later than period but well cast
WILLIAM BURGES INTEREST VICTORIAN GOTHIC REVIVAL SIDE CABINET, CIRCA 1880, WITH LATER DECORATION the pitched roof cornice with single open compartment above twin doors, opening to reveal a fitted interior with shelves and pigeon-holes, the base with two further doors enclosing a fitted shelf, the whole later painted to the interior and exterior by Peter Farlow Decoration, London to the designs of William Burges (Dimensions: 103cm wide, 234cm high, 48cm deep)(103cm wide, 234cm high, 48cm deep)Footnote: Literature: The Strange Genius of William Burges, South Western Printers, 1981, p.72-85 Note: This cabinet demonstrates stylistic characteristics of furniture produced by John Starling Chapple and The Cardiff Workshops of Lord Bute. The top of this cabinet has a pitched roof with a gable, and includes other architectural arrangements observed on Burges’ Great Bookcase, with carved columns as seen on Burges’ Yatman' Cabinet and Writing Cabinet, the latter a collaboration between Burges and W. Gaulbert Saunders. Originally plain the cabinet has been decorated, circa 2000, as a homage to the work of William Burges and the decorative schemes for his home, the Tower House, in London. The sides of the cabinet bear later painted panels celebrating the two elements of Burges’ career, set under depictions of heavenly gardeners. In one, after Burges as Architect by Frederick Weekes, Burges works alongside a model of his Holland Park home, The Tower House. In the second, Burges is shown in his capacity as a builder. Centrally, five painted scenes represent the trades of carpentry, pottery, metalwork, stone-masonry and leather-work, in the style of Henry Stacy Marks RA, who completed a number of murals and tiles for The Tower House. Four designs on the inside of the cabinet doors show craftsmen's tools and materials within gold borders, referencing those found within the library's bookcases in the Tower House. The feet of the cabinet are further decorated with armed mice and toads, in battle: such characters are seen on beams in the Butterfly Room at The Tower House. Somewhat an homage to Burges, painted borders include porcupine motifs and gold branches set against red ground, found on Burges’ Architecture Cabinet and Sideboard respectively. Further details include five-petal floral motifs and quatrefoils, as well as depictions of the Green Man.
WARING & GILLOW, MANCHESTER ARTS & CRAFTS OAK SIDEBOARD, CIRCA 1900 the pierced cornice above a mirrored backboard, above a carved panelled cupboard and opposing short drawer above open shelf, above a long drawer, bears maker’s ivorine label WARING & GILLOW, LTD MANUFACTURERS BY SPECIAL APPOINTMENT TO THE QUEEN/ DEANSGATE MANCHESTER, also stamped 98 to rear (Dimensions: 123cm wide, 168cm high, 56.5cm deep)(123cm wide, 168cm high, 56.5cm deep)
CHARLES FRANCIS ANESLEY VOYSEY (1857-1941) FOR GEORGE WRIGHT & CO, ROTHERHAM, SHEFFIELD ARTS & cast with a decorative frieze of rooks below the mantel shelf, the jambs with ribbed decoration (Dimensions: 99cm wide, 112cm high)(99cm wide, 112cm high)Footnote: Literature: Livingston, K., C.F.A. Voysey: Arts & Crafts Designer, V&A Publishing, 2016, p.256
Y OLE WANSCHER (1903-1985) FOR A. J. IVERSEN, DENMARK ROSEWOOD WRITING DESK, CIRCA 1950 the rectangular top raised above two writing slides and an arrangement of eight drawers, fitted to the rear with two cabinets, shelf and central drawer, the whole raised on square legs (Dimensions: 166cm wide, 73cm high, 84cm deep)(166cm wide, 73cm high, 84cm deep)Footnote: Note: Sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 578849/01. Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
EDWARD WILLIAM GODWIN (1833-1886) FOR WILLIAM WATT AESTHETIC MOVEMENT DRAWING ROOM CABINET, CIRCA ebonised wood, with carved knopped finials above a staged mirror back, two glazed doors and original 'Dromore' leather panels, with a further mirrored shelf surmounting glazed doors flanked by open shelved sides, the whole raised on tapered turned legs (Dimensions: 111cm wide, 180.5cm high, 41cm deep)(111cm wide, 180.5cm high, 41cm deep)Footnote: Literature: Soros, Susan The Secular Furniture of E. W. Godwin , Yale 1999, pp. 93;126; 160 and 214, plates 112; 171; 225 and 341 Note: The embossed and gilded leather used in this drawing room cabinet was used exclusively by Godwin in his furniture designs. It was first used in the furniture he designed for the interiors at Dromore Castle, Co. Limerick, built for the 3 rd Earl of Limerick circa 1865-1870. Other features of this piece which are characteristic of Godwin’s furniture of the mid to late 1870s are the canted sides, the pierced and carved chrysanthemum motifs, reeded and fluted detailing and ebonised finish.
BATH CABINETMAKERS ARTS & CRAFTS OAK DRESSER, CIRCA 1900 the superstructure with twin doors with embossed copper panels and open shelf, above a pierced frieze and an arrangement of a cupboard and two drawers (Dimensions: 151.5cm wide, 175.5cm high, 53cm deep)(151.5cm wide, 175.5cm high, 53cm deep)
An inlaid Edwardian mahogany triple compactum wardrobe, the central section fitted with three long drawers beneath a linen cupboard, enclosed by a pair of rectangular panelled doors with decorative inlaid panels, flanked by full length bevelled edge mirror panelled doors with hanging rails and single removable shelf to interior, raised on a moulded plinth, 188 cm wide x 58 cm deep x 209 cm high
* Continental School. Still Life of Flowers, 2nd half 19th century, oil on canvas, depicting flowers in an urn with a relief of cavorting putti set upon a marble shelf, including tulips, roses, chrysanthemums, lilac, delphiniums, poppies, and hydrangea, old Christie's auction stencil number on stretcher '699TD', 86 x 70 cm (34 x 27.5 ins), period gilt frame (Qty: 1)NOTESProvenance: Estate of Rodney Tolson (1923-2015), Sutton Coldfield.

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104477 item(s)/page