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A modern bow-fronted designer sideboard with gilt style decoration; two bow-fronted end cupboard doors flanking two central cupboard doors each enclosing shelf each with clear lucite lozenge-shaped handle centered with a gilded lozenge, the cabinet raised on four square tapering feet (152cm wide x 50cm deepest x 92cm high)
A Joined Oak Standing Livery Cupboard, early 18th century, the moulded top above chamfered and punch ground decorated supports with two moulded cupboards, on plain supports below joined by a potboard, 114cm by 59cm by 165cm Typical old decay throughout particularly to the top boards above the moulded canopy. Further old worm holes throughout including cupboard doors. The right-hand cupboard door with previous handle marks. The bottom shelf with two boards replaced. Further old decay around the feet with re-tipping on the rear legs (see images).
An 18th Century Joined Oak Food Cupboard, probably North Wales, the upper section with turned spindle doors enclosing a shelf, the base with two moulded and chip carved cupboard doors all between moulded stiles and muntins, on stile feet, 104cm by 40cm by 132cmStructurally sound with a rather dark finish throughout. The top section with various natural? splits which have been partly filled and polished. End panels with natural splits. General scuffs throughout mainly around the moulded base which is consistent with age.
A Victorian Rosewood and Marquetry Inlaid Music Cabinet, circa 1870, with a small gallery shelf and bevelled glass plate below with turned supports, the mirror door inlaid with urns and ribbons enclosing a deep drawer, two shelves and a divided interior, on brass capped feet and castors, 61cm by 38cm by 132cm
~ A George III Glazed Mahogany Display Cabinet, late 18th century, the fret carved swan neck pediment above glazed doors enclosing two shelves, on an associated base with two drawers and square chamfered legs joined by a shelf, 67cm by 34cm by 174cmCabinet with variations in colour. The upper section is slightly faded compared to the base. Fret work pediment with repair. Right-hand glazed door with patch repair and further fault. End panels with old handle? marks. Previous escutcheon marks visible. Base - drawer front is split and bottom shelf with further natural ? splits. With key and working lock (see images).
~ A Pair of Victorian Mahogany Bookcases, 2nd half 19th century, the moulded cornices above leather-trimmed adjustable shelves, on plinth bases, 142cm by 42cm by 272cmBookcase one - traces of emulsion paint around the edges, some of the dust covers on the shelves are missing/detached. General scuffs around the base with some further traces of paint (see images). Bookcase two - similar condition with the exception of the upper section bottom shelf with some veneer losses.
^ A Gillows of Lancaster Eight Piece Oak Bedroom Suite, circa 1860, comprising an oak double-door wardrobe with moulded cornice above moulded cupboard doors enclosing a sliding frame with pegs flanked by four sliding trays, a small and a long drawer, a further deep drawer below, on a plinth base, 133cm by 60cm by 198cm, a kneehole dressing table with three-quarter gallery above nine drawers and an inverted cupboard door, 115cm by 61cm by 86cm, a two-drawer washstand with three-quarter gallery, on turned legs with brass capped toes and castors, 107cm by 53cm by 81cm, a compactum with moulded top and two frieze drawers above moulded cupboard doors enclosing a sliding frame with pegs, three sliding trays and two deep drawers above a plinth base, 127cm by 59cm by 144cm, a bedside cupboard with grey and white Carrara marble top above a moulded cupboard door enclosing a shelf and plinth base, 41cm by 38cm by 81cm, a three-quarter bedstead, the headboard with moulded frame and later upholstery, the footboard with moulded panel and turned and fluted supports, takes a 4ft mattress, and a pair of chairs on turned forelegs, 43cm by 35cm by 83cm Ordered in 1860 by William Preston, former Mayor of Liverpool. Purchased from Christie's, Ellel Grange Country House Sale, 1979, Lancaster, lot 851
An Edwardian Mahogany Planter, the circular moulded rim enclosing a removable brass liner above a slatted body and moulded base, with acanthus carved tapering legs joined by a turned and circular moulded shelf, 35cm by 82cmStructurally sound and with some variations in colour mainly around the legs. Some wear and minor bruises and scratches around the moulded rim. Brass liner - exterior in good condition and interior stained.
An Early 20th Century Chinese Hardwood Side Cabinet, the top section with moulded and scrolled handles above two drawers decorated with dragons' heads, with two cupboard doors below enclosing a shelf, decorated overall with scrolls, 125cm by 44cm by 96cm Cosmetically good however with slight colour loss/fading around the drawers. The top also has a shrinkage split (see image). Otherwise the carved detail is good. There is no lock for the cupboard doors.
CLEMENS, Samuel ("Mark Twain") (1835-1910). The Adventures of Huckleberry Finn. London: Chatto & Windus, 1884.8vo (186 x 122 mm). Half-title, wood-engraved frontispiece and illustrations, 32-page publisher's catalogue dated October 1884 at end. Original red pictorial cloth stamped in black and gilt (vertical separation to spine with chipping and losses, some minor soiling, corners bumped). Provenance: William Brown (signature, 1884); 1192 (shelf label).FIRST EDITION, preceding the first American edition by several months. BAL 3414 (state 'A' of the sheets [no priority]).For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Umberto Mascagni - an extensive 1950s Italian vinyl clad dining suite, comprising; rectangular dining table with rounded corners and screw-in circular tapering supports, h.80cm, length 202cm, d.97cm; a set of six conforming oval backed dining chairs, having shaped pad seats on circular tapering supports, with integral foot glides; a three-door sideboard, h.93.5cm, w.151cm, d.55cm; and a mirrored rectangular wall shelf, the mirrorplate having cocktail inspired printed decoration, with twin glass shelves (can be wired for electricity), 75 x 103cm (9)Condition report: Vinyl good and complete throughout.All items structurally sound.Piping and metal hardware good and complete.One rear foot glide missing from one chair.Open shelf unit with bruise to outer piping surround at top centre.Generally good and original throughout.
Poul Cadovius (1911-2011) for CADO - an extensive 1960s Danish teak wall-mounted modular wall unit, comprising; eight upright wall-mounted batons, the modular units consisting of one chest of four long drawers, two fallfront cabinets, a pair of twin panelled sliding double door cupboards, two further narrow depth double panelled sliding door cabinets, a matching twin glazed sliding door cabinet, a further matching open shelved compartment, and six adjustable shelves with brass rod supports, with further bag of fixing screws, cabinets and shelf width each 80cmCondition report: This needs to be drilled to the wall to be constructed – we have seen a photograph of it constructed but have not done it ourselves.Various small scratches to the tops of the teak sections, nothing particularly major and a bottle of scratch remover would remedy most of these.Overall appears clean and perfectly useable.
A 1970s teak modular wall unit, comprising; three black painted metal divisional supports, each h.202cm, two 5ft cabinets, each having twin sliding doors, one with three central drawers and the other with open compartment housing a glass shelf, a 5ft open shelf, one 3ft twin sliding door cabinet, and a further 3ft single fallfront cabinetCondition report: Overall condition is poor.Very faded in places, with some scratches and watermarks.Needs to be screwed to the wall, so we have not assembled it.
A 1960s teak long sideboard by A.H. McIntosh & Co Ltd, having three cupboard doors with vented effect panels, and three end drawers, labelled to inside of upper drawer, w.201cm, h.76.5cm, d.45cmCondition report: Appears solid but may have some veneered components.The top is quite scratched and has a number of watermarks.The front is in better condition.Some light scuffing to the legs, not significant.Central cupboards have a fixed shelf.
A set of four 1960s Ladderax teak and black painted metal low adjustable shelf units, comprising fifteen 3ft teak shelves, eight laddered side sections, four crossbar rear supports, and thirty painted metal shelf supportsCondition report: Shelves are generally deep original teak colour, although one shelf is much lighter in colour.Some losses/fatigue to edged extremities as well as general scuffs and scratches.Metalwork good overall.In general a good, functional piece.
A 1960s teak sideboard by Nathan, having twin cupboard doors enclosing interior shelf and three drawers, labelled to inside of cupboard door, h.78cm, w.152cm, d.46.5cmCondition report: Stands well.Structurally sound.General slight surface fading and age related wear.Scuff mark to front of top surface.Overall good and original condition.
A 1960s teak long sideboard by A.H. McIntosh & Co Ltd, having twin central cupboard doors, three drawers and single fall-front compartment, labelled to inside of upper drawer, raised on turned supports, w.213.5cm, h.75cm, d.45.5cmCondition report: Colour good and original.Structurally very good.Circular 5x5mm veneer loss to left hand central cupboard door, towards top centre area.Approx. 15x3mm tapering V shaped veneer loss to top front edge at right hand central cupboard door.Heat mark to top surface at right end area.Stands well.One shelf to inside central compartment, which is fixed.
λ Helen Brough (British 20th/21st century)Lightscapes - Charcoal Black, Cerulean BluePastel Signed and dated 19 (lower right)12 x 12cm (4½ x 4½ in.)This series of Lightscapes is an aesthetic exploration into how subtle light is perceived by our eyes and interpreted as different colours. Helen Brough graduated from the Chelsea School of Art and was awarded the Arts Council Grant in 2020. Brough has exhibited internationally in New York, Sweden and the USA. This current body of work was exhibited with the Nordic Art Agency in Malmo, Sweden in 2019. "My subject matter is nature, whether it is about light, landscape or a flower I am inspired by the natural world. What I am seeking is not the real or the unreal but something intangible".Curator's Comment I We do not always have enough wall space for art but these works by Helen Brough would look fantastic on a shelf. It doesn't always have to be candles and photos, why not experiment with these fun and exciting injections of colour to brighten the space.
λ Helen Brough (British 20th/21st century)Lightscapes - Cadium Yellow, Burnt UmberPastel Signed and dated 2019 (lower right)32 x 32cm (12½ x 12½ in.)This series of Lightscapes is an aesthetic exploration into how subtle light is perceived by our eyes and interpreted as different colours. Helen Brough graduated from the Chelsea School of Art and was awarded the Arts Council Grant in 2020. Brough has exhibited internationally in New York, Sweden and the USA. This current body of work was exhibited with the Nordic Art Agency in Malmo, Sweden in 2019. "My subject matter is nature, whether it is about light, landscape or a flower I am inspired by the natural world. What I am seeking is not the real or the unreal but something intangible".Curator's Comment I We do not always have enough wall space for art but these works by Helen Brough would look fantastic on a shelf. It doesn't always have to be candles and photos, why not experiment with these fun and exciting injections of colour to brighten the space.
λ Helen Brough (British 20th/21st century)Lightscapes - Lamp Black, Lemon Yellow Pastel Signed and dated 19 (lower right)12 x 12cm (4½ x 4½ in.)This series of Lightscapes is an aesthetic exploration into how subtle light is perceived by our eyes and interpreted as different colours. Helen Brough graduated from the Chelsea School of Art and was awarded the Arts Council Grant in 2020. Brough has exhibited internationally in New York, Sweden and the USA. This current body of work was exhibited with the Nordic Art Agency in Malmo, Sweden in 2019. "My subject matter is nature, whether it is about light, landscape or a flower I am inspired by the natural world. What I am seeking is not the real or the unreal but something intangible".Curator's Comment I We do not always have enough wall space for art but these works by Helen Brough would look fantastic on a shelf. It doesn't always have to be candles and photos, why not experiment with these fun and exciting injections of colour to brighten the space.
19th Century inlaid mahogany writing cabinet, the inlaid fall front simulating two short and two long drawers and opening to reveal pigeon holes and short drawers over a writing slope, 65cm x 49cm x 114cm high Condition: Signs of scratches across the whole piece as well as stains, the leather writing slope having signs of wear, the inner pigeon holes having stains and scratches present, main drawer opens and closes properly, the legs having both light and seep scratches, the lower shelf having a split which runs across the width, please see extra images. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Art Deco style light oak three tier occasional table, 66cm x 31cm x 57cm, together with a mid Century coffee table, 85cm x 38cm x 40cm Condition: Middle shelf of Art Deco table has abrasion marks and scuffs along edge, top of coffee table faded with signs of water marking - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
LATE 19TH CENTURY ENGLISH SCHOOL; oil on canvas, 'The Peacock Fan', unsigned, 49 x 37cm, framed.Additional InformationThere has been a patch repair, which is just to the right of the vase on the shelf - this overpainted and unsightly. Other repair just above this, there is some over paint and damage by the side of her head. Also a small hole which has been touched up to the lower right of the image. General craquelure throughout, some scuffs to the frame.
A 19th century satin birch desk with detachable back section housing six drawers flanking a central fixed shelf, above pull-out slide with inset tooled leather section above three drawers, raised on fluted column supports, length 119cm, depth 58cm, height 105cm.Additional InformationSplitting and scratches to the surface, the tooled leather is af, cup rings.
A late 19th century Italian walnut two-tiered occasional table, the shaped top with carved rim and corner carved masks above shallow shelf and tapering legs to scrolling feet, height 71cm, length 76cm, depth 43cm.Additional InformationSome damage to the veneers, some splits to the timber, general surface wear and scratches throughout. No damage or splits to the legs or repairs. It is slightly loose in construction.
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96580 item(s)/page