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A collection of horse memorabilia consisting of collectors plates 'Charter House Mercantile Steeplchase Winner Deep Moment Cheltneham 1989' bowl on stand, Minton 'Gaye Chance Newbury 1981' plate on stand, two glass decanters, resin bust of a horse with plaque inscribed ' Wolverhampton Racecourse winner 2006' and a silver plated model of a horse with plaque inscribed 'The Race Day Staff Chase Market Rasen 1995', silver plated rose bowl, base with plaque inscribed 'Ladbrook Knavesmire Stakes York 17th August 1999' etc (one shelf)
A collection of furniture comprising an early 20th Century walnut chest of three short over two long drawers, a mahogany bow front chest of four long drawers, a modern mahogany wall-mounted three tier shelf unit the Chippendale style, a further three tier wall shelf and an early 20th Century mahogany minature hanging corner cupboard
A late Regency coromandel and gilt brass embellished chiffonier, the three quarter galleried open two tier shelf unit on baluster turned brass supports over a plain top and one long and two short frieze drawers, over two cupboard doors, flanked by turned tapering side pilasters, raised on turned feet
James (Henry) The Madonna of the Future and Other Tales, 2 vol., first edition, 2pp. advertisements, brown endpapers, vol.1 half-title with top third trimmed away, ink names to half-titles, occasional light spotting, original blue cloth, slight shelf-lean, spine ends and corners a little bumped, light rubbing and soiling to covers, still a very good set overall, [Edel & Laurence A10a; Sadleir 1278], 1879; and another by the same, 8vo (3)⁂ One of only 500 copies printed.
Tolstoy (Count Lev Nikolayevich "Leo") War and Peace, 3 vol., vol.1 & 3 fourth edition in English, vol.2 second edition in English, half-titles, occasional light scattered spotting, light browning and ink ownership stamp to half-titles, bookplate to pastedowns, 4pp. advertisements to rear of vol.3, original publisher's decorative boards, slight shelf-lean, spines faded, spine ends and corners bumped, vol.2 spine chipped at head, some splitting to vol.2 joints but holding firm, joints rubbed, [cf. Sadleir 3192 (first English edition)], 8vo, Vizetelly & Co, 18[87]-88.⁂ An early English translation of Tolstoy's epic, often found as a mixed edition and rare in the original boards.
Doyle (Sir Arthur Conan) The Adventures of Sherlock Holmes, first issue with 'Miss Violent Hunter' in the last sentence on p.317, slight shelf-lean, 1892; The Memoirs of Sherlock Holmes, neatly repaired tear to front free endpaper, bookplate to pastedown, 1894, first editions, illustrations by Sidney Paget, light spotting or foxing, hinges starting, original pictorial cloth, lettered in gilt, spines a little rubbed, spine ends and corners a little bumped, light rubbing and marking to covers, but a bright and excellent set overall, g.e., [Green & Gibson A10a & A14], 8vo (2)⁂ An unusually sharp and bright set, rare in such condition.
Milne (A. A.) When We Were Very Young, first edition, second issue with roman numerals 'ix' and 'x' to contents pp., illustrations by E.H. Shepard, browning to endpapers, ink ownership inscription to pastedown, original pictorial cloth, gilt, slight shelf-lean, t.e.g., dust-jacket, spine browned, spine ends and corners chipped, upper joint with short splits to head and foot, panels a little browned and soiled, 8vo, 1924.
Tolkien (J.R.R.) The Hobbit, or There and Back Again, first edition, first impression, frontispiece, one plate and 8 illustrations, including 7 full-page, map endpapers printed in red and black, all by the author, 2pp. advertisements, original pictorial cloth, shelf-lean, spine ends chipped with small portion of loss to foot of spine affecting foot of imprint, corners bumped, wear to lower edge of covers, scattered marking and light rubbing, 8vo, 1937.
Theology - Grotius (Hugo), De Veritate Religionis Christianæ [...], Impenfis (sic) Ant. Peifley (sic) Bibliop, [Sheldonian Theatre, Oxford] 1700, engraved allegorical title-page, secondary title-page with an engraved vignette of the architectural elevation of the theatre and printed in red and black, rebacked contemporary panelled calf, red speckled edges, 16mo; Secker's Sermons [...], seven-volume set, Printed for J. and F. Rivington, London 1770 - 1771, contemporary gilt ruled speckled calf, contemporary ink MS shelf numbering to recto pastedowns, 8vo, (7); Prideaux (Humphrey, D.D., Dean of Norwich), The Old and New Testament, Connected in the History of the News and Neighbouring Nations, from the Declenfion (sic) of the Kingdoms of Ifrael (sic) and Judah to the Time of Christ, eighth edition, volume set, Printed for R. Knaplock [...], London 1720, harlequin contemporary calf (disbound, faults), 8vo, (2); Bausset's Life of Fenelon, Translated from the French, by William Mudford, two-volume set, Printed for Sherwood, Neely, and Jones, London 1810, engraved frontispiece of the prelate, contemporary quarter-calf and marbled boards, 8vo; Provincial Imprint, The History of the Lives, Acts, and Martyrdoms of those Blessed Christians [...], Printed J. Imison, Manchester 1785, engraved frontispiece, anachronistic woodblock illustrations accompanying text, later 19th century quarter-calf binding (faults), 12mo; Psalms and Hymns for the Use of the Parish of St. Mary-Le-Bone, Printed for H.T. Hodgson, Bookseller, London [1815], rebacked and relaid contemporary calf, 18mo; others, 18th and early 19th century, various
Continental Theology - [Chrysostom (Saint John)], S. Ioannis Chrysostomi Archiepiscopi Constantinopolitani Commentaria in Novum Testementum, six-volume set bound as five, Sumptibus Caroli Morelli, Lutetiæ Parisiorum [Paris] 1633, parallel Greek and Latin text, engraved Renaissance title-page vignettes of figures emblematic of the Four Continents at each angle and flanking a fountain of wisdom, woodcut head, tail-pieces and initials throughout, contemporary panelled calf, raised spine bands, red edges, theological institution shelf labels and numbers to each pastedown, crown folios, [5]
Continental Theology - Bishops Phillpotts' Copy, [Nazianzus (Saint Gregory of)], Sancti Patris Nostri Gregorii Nazianzeni Opera Græc Lat, [edited by Jacques de Billy SJ], two-volume set, Sumptibus C. Morelli, Parisiis [Paris] 1630, parallel Greek and Latin text, engraved Renaissance title-page vignettes of figures emblematic of the Four Continents at each angle and flanking a fountain of wisdom, woodcut head, tail-pieces and initials throughout, volume I in contemporary calf, volume II later bound in 20th century half-calf and marbled boards, each with red speckled edges, 17th century ink MS annotations in volume I and getting sparse as the text progresses, Provenance: verso of each title-page with two institutional library stamps: Koen. Fried. Univers. zu Halle and Duplum Biblioth. Acad. Halens. Vend; with, D. Nutt, Bookseller, Strand, [London], his ticket on pastedown of volume I only; Bishop Henry Phillpotts of Exeter (1778 - 1869), lozenge shaped armorial bookplate to pastedown of volume I only and inscribed Clero Cornubiensi d.d. Henricus Exoniensis and dated 1866, front endpaper inscribed in ink MS presumably in the prelate's own hand; then, Bishop Phillpotts' Library, Truro label, No. 13 A, crown folios, (2); [Bellarmine (Saint Robert, SJ), Controveriæ, four-volume set bound as two, [Johann Gymnich, Cologne], woodcut vignettes to each title-page, contemporary panelled calf boards, later gilt calf spines with raised bands, crown folios, (2); Sacrorum Bibliorum Vulgatæ Concordantiæ [...], Apud Nicolaum Pezzana, Venetiis [Venice] 1754, contemporary vellum boards, gilt lettered spine, Ampleforth Abbey Library armorial bookplate, small folio; [Sirmond (Jacques, SJ)], Opera Varia, volumes III-V, bound as two, Bartolomei Javarina, Venice 1728, 19th century cloth and marbled boards, marbled endpapers, 19th century Continental armorial bookplate, surmounted by a marquis' coronet, later theological institution shelf label, crown folios, (2), [7]
Eighteenth-Century Bindings - Classical Literature and Belles-lettres - Elzevir Press, Horace, Opera, [edited by Daniel Heinsius], [Leiden] 1629, volumes II & III only, later 18th century crimson morocco gilt, marbled endpapers, 16mo, (2); Vadé (Jean-Joseph), Œuvres, volumes I-III only, Geneva 1777, engraved portrait frontispiece to first volume, contemporary crimson morocco gilt, marbled endpapers, 32mo, (3); Terence, Publii Terentii Afri Comœdiæ [...], volume II only, Natalem Le Loup & Jacobum Merigot, Lutetiæ Parisiorum [Paris] 1753, title-page portrait vignette of the author by Jacques-Philippe Lebas (1707-1783) after Hubert-François Gravelot (1699-1773), contemporary Parisian crimson morocco, the covers gilt with a triple-fillett border and floral bosses to angles, gilt spine, all edges gilt, embossed floral endpapers, contemporary ink MS shelf number to front free endpaper, 16mo; Ménage [Gilles], Menagiana, ou Les Bons Mots [...], volume I only, E van. Harrevelt, Amsterdam 1762, engraved allegorical frontispiece, contemporary Parisian crimson morocco gilt, marbled endpapers, 18mo; Fénélon (François Salignac de la Mothe), Les Aventures de Télémaque, Fils d'Ulysse, volumes I & III only, P. Didot L'aîné, Paris 1796, contemporary crimson morocco gilt, blue silk endpapers, 18mo, (2); an earlier edition, volume IV only, Paris 1783, contemporary crimson morocco gilt, marbled endpapers, contemporary armorial bookplate to pastedown: Elizabeth Duchefs (sic) Dowager of Manchester (widow of the 4th Duke, Ambassador to France in 1783), 18mo; Ovid, Opera Quæ Extant, volumes I, III, IV & V only, J. Brindley, [London] 1745, volume I with double-page engraved title-page by Bernard Picart (1673 - 1733), contemporary crimson morocco gilt, marbled endpapers, 18mo, (4); Tasso (Torquato), Il Goffredo, Overo Gierusalemme [...], volume I only, Thomaso Jolly, Parugia 1678, etched full-page plates, contemporary crimson morocco, 32mo; etc, [16]

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104473 item(s)/page