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Lot 1
BRONTE, Charlotte. JANE EYRE. Smith, Elder and Co, London 1855. Fifth edition. 8vo. Original blindstamped cloth, spine faded, inner hinge cracked. Booklists at end. STEVENSON, Robert Louis. IN THE SOUTH SEAS. Chatto and Windus, London, 1900. 1st UK edition, first printing. 8vo. Edges and the first and last few leaves a little spotty, otherwise a nice copy in the original publisher's black cloth, lettered gilt on the spine. WELLS, H.G. FIRST & LAST THINGS. A CONFESSION OF FAITH AND RULE OF LIFE. Archibald Constable, London, 1908. First edition, first printing. 8vo. Usual browning to the free endpapers apart, this is a very attractive copy in the original publisher's slate-grey cloth, lettered in black on the upper cover and in gilt on the spine. DU MAURIER, George. TRILBY. A NOVEL. Osgood MacIlvaine, London, 1895. First illustrated trade edition. 8vo. With 121 illustrations by the author. Former owner's inscription to the front free endpaper verso, otherwise a clean bright copy in the original dark-blue publisher's cloth, lettered and decorated gilt, with a touch of shelf wear to the foot of the spine. Plus 36 other novels. (40)
Lot 1
FLEMING, Ian. GOLDFINGER. Jonathan Cape, London, 1959. First edition, first printing. 8vo. A clean bright copy in the first issue boards with the blind-blocked skull with gilt-blocked eye-sockets on the upper board. In a price-clipped dustwrapper with a slightly marked lower panel and a touch of shelf wear to the spine extremities.
Lot 1
A 'S'vres-style' blue-ground gilt-metal-mounted vase and pedestal stand late 19th century the vase painted on each side with an oval panel depicting a scantily clad maiden accompanied by Cupid and a putto playing musical instruments, seated on stone steps in parkland, enclosed by an elaborate gilt foliate scrollwork frame and reserved against the dark blue ground, mounted with twin gilt-metal foliate scroll handles, the blue-ground pedestal stand decorated in raised gilding with an arrangement of musical instruments between ribbon and scrollwork borders, mounted on a stepped marble base and surmounted by a gilt wood capital and marble shelf the base inscribed in gilding 'Manufactured expressly for the Berlin Exposition' vase 93cm., 36Kin.; the stand 101cm., 39Nin. marble shelf repaired and loosely fitted to pedestal (2)
Lot 1
A CARVED OAK AND MIRRORED SIDE CABINET by Christopher Pratt, the raised back with bracket shelf over bevelled mirror recesses, turned and scrolled bracket ends, moulded break front with central arcaded mirrored recess with turned and carved pillars, three panelled and carved cupboard doors below, flanked by four drawers to one side, leaded glazed door to the other, oxidised copper drop handles and turned feet, late 19th/20th century, 82" wide, 49" high
Lot 1
A VICTORIAN ROSEWOOD SIDE CABINET with stringing and foliate marquetry, raised mirror back with broken pediment and turned finials, three small shelves and turned columns, D shaped base, the concave centre section with arcaded shelf flanked on either side by a glazed door, conforming shelf below, scrolled legs and feet, 52" wide, 82" high
Lot 1
A VICTORIAN ROSEWOOD AND MARQUETRY PART BEDROOM SUITE comprising triple wardrobe with two central doors over a shelf and four drawers with brass drop handles flanked on either side by a mirrored door, each surmounted by a scrolled pediment with carved urn finial, on plinth, 76 1/2" wide, 90" high, matching dressing table, marble topped washstand with tiled and mirrored splashback, bedside cabinet and a pair of carved chairs (6), label for T Simpson & Sons, Halifax
Lot 1
Arts & Crafts 'Liberty & Co' oak sideboard circa 1900, attributed to Leonard Wyburd, the top with a central glazed cupboard door flanked by a shelf on each side, the base with a single drawer and two panelled doors with iron work ring handles and hinges, on splayed bracket feet. Liberty & Co., London, Retailers trade label to reverse. 75" wide x 34" deep x 73" high.
Lot 1
A late 19th century mahogany, satinwood crossbanded and marquetry inlaid sideboard, of serpentine form in the late 18th century style, the shaped top with arched brass rail above a central drawer flanked by a deep lead lined cellar drawer and single door enclosing a shelf, the whole raised on square tapering legs terminating in spade feet183cm wide, 94cm high (excluding rail), 68cm deep
Lot 1
A walnut veneered display cabinet on stand, early 18th century elements, the projecting cornice above twin astragal glazed doors enclosing a shelf, the sides with oyster veneered panelling, above plain frieze, the base with barley twist supports linked by shaped stretcher on bun feet97cm wide, 145cm high, 37cm deep
Lot 1
A 19th Century carved oak sideboard, the raised back with open shelf carved with lion masks and acanthus leaf decoration, fitted two short drawers to the frieze with a pair of panelled doors under decorated with further lion mask and acanthus leaf carving, raised on a plinth base, 60in. x 58in. high.
Lot 1
AN ENGLISH STATUARY WHITE AND SIENA MARBLE CHIMNEYPIECE CIRCA 1790 The central tablet carved in relief with a sleeping infant flanked by urns, with simulated fluted frieze and jambs, replaced shelf 53sin. (136.5cm.) high, 66sin. (169cm.) wide, 6sin. (17cm.) deep; the opening 45in. (114.3cm.) high, 41sin. (106cm.) wide
Lot 1
AN ENGLISH STATUARY WHITE MARBLE CHIMNEYPIECE MID 19TH CENTURY With inverted breakfront shelf, the frieze with rosettes and strapwork, the jambs with foliate swagged volutes, with cast iron liner panels 48sin. (124cm.) high, 74in. (190cm.) wide, 16in. (40.5cm.) deep; the opening 37in. (94cm.) high, 42sin. (107.3cm.) wide
Lot 1
AN ENGLISH STATUARY AND SIENA MARBLE CHIMNEYPIECE CIRCA 1760 With reeded jambs and frieze, the central tablet depicting Britannia with lion and attendant figure flanked by griffins, replaced shelf 57ins. (146cm.) high, 72ins. (184.4cm.) wide, 8ins. (20.3cm.) deep; the opening 42ins. (107.3cm.) high, 43ins. (110cm.) wide
Lot 1
AN ENGLISH GOTHIC REVIVAL FOSSIL MARBLE CHIMNEYPIECE MID 18TH CENTURY The frieze with shield-shaped buttresses 52sin. (133.5cm.) high, 53sin. (135cm.) wide; 6in. (15cm.) deep; the opening 38in. (96.5cm.) high, 23in. (58.5cm.) wide Comparisons may be made with a stone chimneypiece of a similar design, with cartouches below the shelf, in the Gothic Hall at Welbeck Abbey, Nottinghamshire, dating from the late 1740s.
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96580 item(s)/page