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Lot 249
1994 TVR 3000S V8 Transmission: manualMileage:69360Small scale car producers TVR played the 'Lotus alternative' roll throughout the 1960s and '70s with a range of pretty, curvaceous fiberglass coupé bodies sitting on a steel tube backbone chassis. Into the early 1980s and TVR caught up with the Origami trend for more angular bodies and though still dynamically excellent machines, the uncompromising styling of the Tasmin and its brethren proved to have a relatively short shelf life. For the V8 S they tweaked the engine up to 3.9 litres with a 10.5:1 compression ratio, popped on gas flowed heads with free breathing manifolds and inserted a high lift cam. The resultant 240 bhp and 270 lb/ft of torque propelled the roadster, via a Rover five-speed gearbox and a limited slip differential, to 60 in five seconds and on to 150mph while giving it real world 50 to 70 in top gear performance that was superior to an Aston Martin Virage or Ferrari Testarossa. 'Boom', as they say these days. This nice British classic is presented in Cooper Green with cream interior and has only had four owners from new which is rare for these sports cars. It was originally owned by BP International and is supplied with a comprehensive service history with many stamps in the book and its servicing has mainly been carried out by TVR dealerships until 2000 when it was followed by many TVR and sports car specialists. More recently it has been looked after by Automark (specialist tuning company). It has the desirable targa top which provides open top motoring and its four litre V8 is mated to a five-speed gearbox. The car drives well according to the owner, with its manual gearbox a joy to use and looking good on its original wheels and it also comes with a spare key and a fresh MoT test certificate. Super British sports car with traditional brutish V8 - great!
Lot 418
A good reproduction solid oak dresser: the cornice above central shelf space and flanked by two glazed doors enclosing further shelves, base with moulded top above three frieze drawers with carved arcading in 17th century style and further above three panelled doors with antique-style H-form hinges, raised on stile feet (137.5cm wide x 42cm deep x 198cm high)
Lot 568
A George III Oak Anglesey Dresser Base, with six drawers and two cupboards, all having ivory escutcheons and brass handles, the corners with diamond inlay, together with a similar associated three shelf Plate Rack, all raised on bracket feet, overall W 154cm x D 49cm x H 204cm (2) DEFRA Ivory Act submission ref: ZUXDHB4Z
Lot 244
A Mahogany Waterfall Bookcase Cabinet, the associated top section with three-quarter gallery and spindle supports, with two shelves below between reeded supports and an oak-lined drawer, two moulded cupboard doors below, on turned feet72cm by 36cm by 155cmCosmetically good. Reasonable colour. Cupboard doors sit slightly proud (see photograph). Some chips and bruising to the largest shelf, there is also a patch repair on the middle shelf (see images). With key.
Lot 251
A Regency Rosewood and Gilt-Metal Mounted Chiffonier, early 19th century, the upper section with pierced brass gallery and turned finials above two waterfall shelves, the base with gathered silk and brass grille doors between Egyptian-style supports, the base decorated with anthemion94cm by 38cm by 151cmWith key. The top section has some scratches and bruises etc which are consistent with age. Some slight variations in colour mainly on the top shelf and side panels. Otherwise good.
Lot 279
A Victorian Mahogany Library Bookcase, 3rd quarter 19th century, the upper section as a three-tier waterfall bookcase with three-quarter gallery, the base of breakfront form with open niche and adjustable shelves flanked by arched moulded cupboard doors, turned column supports, on a plinth base248cm by 47cm by 190cmVarious scuffs and faults consistent with age, mainly around the upper shelves. The top section has some veneer losses around the corner, there are also some losses to the plinth base (see images). Cupboard doors are fitted with locks, these doors are open but with no key. There are some small faults around the arched cupboard doors. The bookcase splits in two, ie the upper section shelves are one piece and the base another. The depth of the top shelves (please note this is a waterfall bookcase, so graduated): Top shelf 19.5cm deep, middle shelf 20cm deep, 3rd shelf 24cm deep. The depth of internal cupboard doors is 32cm. There are latches/locks on the cupboard doors which are open (but no key).
Lot 394
A Louis XV Style Rosewood, Crossbanded and Marquetry-Inlaid Table en Chiffonnière, late 19th century, of serpentine shape form, the top richly inlaid with a scrolling cartouche decorated with a pastoral scene above a bowfront frieze drawer, on slender cabriole legs joined by a shelf, the gilt metal cast mounts with sabots62cm by 34cm by 74cm
Lot 400
A French Louis XV Style Kingwood and Parquetry-Decorated Small Console Table, late 19th century, of unusual form, the small shelf with pierced gallery above a bevelled glass mirror plate above a brèche d'alep marble top and bowfront drawer, on slender cabriole legs with foliate cast mounts and sabots joined by a quarter-veneered shelf71cm by 35cm by 116cmWith key. Nice condition throughout with the exception of the casting on the front foot (this needs attention). The pierced gallery also needs slight attention. Marble top with some minor repairs? (see photograph). Otherwise good.
Lot 412
A Victorian Gilt and Gesso Display Cabinet, 3rd quarter 19th century, the upper section with a mirrored back surmounted by a C scroll and shell pediment, glazed and pivoting hinged doors to the side, the base with a hinged lid enclosing a red velvet-lined interior, on scrolled pierced legs with claw feet and joined by a small shelf joined by husks76cm by 44cm by 171cmVarious overpainting to the gilt work, therefore in cosmetically good condition. There are some minor losses to the gesso throughout (see images). Base - joints/structure rather weak. The verso of the cabinet is paper lined. The mirror plate is tarnished particularly around the top section (see images).
Lot 130
Conrad (Joseph) The Rescue, first generally published English edition, signed presentation inscription from the author "Dr. & Mrs.Whitehead Reid with the greatest regard from Jospeh Conrad Dec. 1920" to endpaper, light toning to endpapers, neat book label of Stanley J. Seeger to front pastedown, original green smooth cloth lettered in gilt on spine with upper cover in blind (Cagle's "a" binding), slight shelf-lean, extremities a little rubbed, dust-jacket, light toning, spine ends and corners a little chipped, light creasing to head, short tear to upper panel with neat tape repair to verso, [Cagle A49b(2)], 8vo, J. M. Dent, 1920.⁂ Douglas Whitehead Reid (1883-1930) senior surgeon at the Kent and Canterbury Hospital. During the early 1920s he attended to Jessie Conrad's problems with her leg, a subject that regularly features in Conrad's correspondence at the time.
Lot 139
Golding (William) Pincher Martin, second impression, jacket with light fading to spine, spine tips and corners with minor chipping, 1957; Free Fall, partially erased ink notes to front endpapers, jacket with light fading to spine, spine ends chipped, minor chipping to corners, 1959; The Scorpion God, ink gift inscription to endpaper covered with label, jacket spine slightly faded, minor chipping to spine ends and corners, 1971; Darkness Visible, light browning to text margins, jacket spine sunned, 1979; Rites of Passage, light browning to endpapers, 1980; A Moving Target, jacket price-clipped, 1982; The Paper Men, 1984; William Golding. The Man and his Books. A Tribute on his 75th Birthday, light browning to text margins, 1986; Close Quarters, 1987, first editions, first impressions unless where mentioned, signed presentation inscriptions from the author to Andrew Sinclair and/ or Sonia Melchett to endpapers, original boards, some slight shelf-lean, dust-jackets, excellent or near-fine copies, 8vo (9)⁂ An excellent group of association copies, inscribed to the writer Andrew Sinclair (1935-2019) and his wife and fellow author Sonia Melchett (b. 1928). Golding and Melchett had a lengthy friendship, Sinclair would later state that knowing Golding had been his greatest inspiration and privilege. Association copies of Golding's works are rare. "William Golding was the only writer I have ever pursued. An Angry Young novel I wrote in three weeks when up at Cambridge, The Breaking of Bumbo, outsold Lord of the Flies that year for Faber & Faber. This was ludicrous, but it was followed by Golding's kindness when I wrote to him. He sent me an open invitation to visit him by the watercress beds at Bowerchalke." - Andrew Sinclair.
Lot 153
Pratchett (Terry) Mort, signed by the author on title, 1987; Reaper Man, second impression, ink gift inscription, jacket price-clipped, light creasing to head, 1991; Soul Music, shelf-lean, jacket a little creased at head and foot, 1994; Hogfather, slight shelf-lean, jacket spine slightly sunned, light creasing to head, 1996; Thief of Time, slight shelf-lean, jacket with light central crease, light creasing to head, 2001, first editions, first printings unless where mentioned, original boards, dust-jackets, generally excellent or near-fine; and a later printing of Mort, 8vo (6)⁂ The complete Discworld "Death" books, the first signed.
Lot 154
Pratchett (Terry) Equal Rites, jacket priced at £9.95, 1987; Wyrd Sisters, signed by the author on title, 1988; Witches Abroad, slight shelf-lean, jacket price-clipped with light fading to spine, light creasing to head, 1991; Lords and Ladies, slight shelf-lean, jacket with light sunning to spine, 1992; Maskerade, jacket with very light fading to spine, 1995, first editions, original boards, dust-jackets, excellent or near-fine; and 7 others from the Discworld Witches series, 8vo (12)
Lot 179
A CHINESE ELM WOOD KITCHEN CABINET, NINGBO, ZHEJIANG PROVINCE, 19/20TH CENTURY. The top section with large shelf storage behind four pierced and carved panels in relief with birds and animals, above three drawers and lower open work section with sliding doors and shelf area on four raised legs. 183cm x 115cm x 55cmSlight splitting to edges. Slight area of loss to section above the botttom sliding doors.
Lot 1918
An oak bookcase, early 20th century, in the Arts and Crafts taste, with arched top and leaded glazed doors enclosing adjustable shelves, with two panel doors below, on bracket feet, height 214cm, width 111cm, depth 34cm.Joints are solid with no movement, general wear consummate with age, in need of a clean, associated shelf and lacking the key. The bookcase is all in one piece.
Lot 1291
A vintage medium oak Old Charm court cupboard with Gothic style metal drop down handles & hinges. Triple cupboard base with interior shelf and 2 drawers above. Upper section has a 2 door cupboard with slanted sides, linen fold detail to cupboard doors and large turned acorn shaped columns. Some water staining to base. Approx. 133.5cm tall x 127cm long.
Lot 1292
A mid century CWS Ltd dark wood court cupboard. 2 door cupboard to base with interior shelf and 2 drawers above; 1 a baize lined cutlery drawer. Leaded glass panels to 2 cupboard doors in top. With linen fold and carved detail. Some areas where dark wood polish has lifted. Approx. 142cm tall x 126cm long.
Lot 2286a
An early 20th Century mahogany tabernacle cabinet on stand, concealed drawer to frieze above a single door enclosing fitted shelf, flanked by two pillars and four drawers to either side, above two long drawers with brass ring handles, turned supports, stretcher to base, approx 122cm high x 90cm wide x 46.5cm deep
Lot 2219
A Victorian mahogany metamorphic buffet, mid 19th century,: the three shelves all with ovolo moulded outer edges, the upper shelf lowering with telescopic supports onto the middle shelf; the lower shelf above a knop turned stretcher to square section balusters, on twin sled bases, on four scrolled feet with concealed castors; 103cm high raised, 132cm wide, 59cm deep.
Lot 2238
A Victorian oak studio easel, late 19th century,: the picture shelf with bevel gear height adjustment and winding handle; the central shaft with later applied metal plaque to the back inscribed CHILTERN TRACTION ENGINE CLUB; the twin sled bases with two stretchers, on castors; approximately 200cm high, 60cm wide
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104473 item(s)/page