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Lot 2403
A George II style mahogany side cupboardOn ball and claw supports, 117cm wide; 135cm highOld marks and scratches all over. Four small chips to the veneer on the left and right side. Split running down both sides of cabinet. Split to top. Small chips to feet. Fitted with single shelf. Splits to backboard.
Lot 2499
‘Liberty & co’ An Arts and Crafts oak bookcaseCentral glazed door flanked by open shelves, 183cm wide; 119cm highOld marks and scratches all over, with a large chip/ section of wood missing to the back right side of the item, the joints/ screws are out of alignment to the galleried back on left top corner. See photos, There is one shelf present with no clips for the shelves. 26.5cm deep
Lot 114
EARLY 20TH CENTURY FURNITURE comprising mahogany china cabinet with shaped doors and glazed sides, cupboards under and platform stretcher, 112w x 192cms h and Chippendale-style mahogany mirror back sideboard, arch superstructure and shelf above cupboards and drawers, cabriole feet, angles with blind fret carving, 183cms w (2)
Lot 37
GEORGE III MAHOGANY KNEE-HOLE DESK, fitted frieze drawer above arrangement of six others around an concealed under arch drawer and cupboard, raised on high bracket feet, 77.5h x 87.5w x 51.5cms Condition: Small corner veneer missing to front, cock beading partially missing to one drawer, cupboard shelf with cut out section, right side with vertical split, back boards separating/split, dent to back left moulding
Lot 1168
A matching pair of retro vintage mid 20th Century circa 1950's walnut low bookcase / display cabinets having twin sliding glass door compartments with each having a single adjustable glass shelf within. Shaped angular sides with further sliding door compartments below with all being raised up plinth bases. Condition; both in good condition with no visible damage. Each measures approx; 85cm x 91cm x 33cm.
Lot 1355
A collection of Regency Revival 20th century yew wood veneer furniture to include a circular coffee / occasional table being raised on a tripod base, a yew wood gallery edge night stand table / lamp table. Also, an open window bookcase cabinet with twin drawers over shelf and plinth base and another bedside cabinet etc. Measures 74Hcm x 40Wcm x 28Dcm.
Lot 921
William Lawrence Of Nottingham - An original 1970's retro vintage teak wood Danish influence highboard credenza designed by William Lawrence. The sideboard having a raised open back with a single shelf and fall front cocktail compartment to the right. Below a central bank of three drawers flanked by cupboards to both sides. Raised on faceted tapering legs united by shaped stretchers. 131cm h x 162cm w x 44cm d
Lot 984
Johannes Andersen - CFC Silkeborg - A mid century teak wood long john coffee / occasional table by Johannes Andersen ( Danish, Aarhus B.1903 ) Raised on turned tapering legs rising through the fitted frieze to a rectangular table top being chamfered into the frieze along all leading edges and finished with a rattan cane woven under tier magazine shelf Measures approx 48 cm high x 136 cm wide x 46 cm deep.
Lot 226
NO RESERVE Shute (Nevil) A Town Like Alice, first edition, browning to endpapers, original cloth, slight shelf-lean, light rubbing or fading to spine, dust-jacket, spine ends and corners a little chipped affecting author name at head of spine, light creasing to head and foot, extremities a little rubbed, with original Book Society wraparound band (lacking back portion), 8vo, 1950.
![Tolkien (J.R.R.) [The Lord of the Rings], 3 vol., comprising The Fellowship of the Ring, 1954; The Two Towers, 1954; The Retu](https://cdn.globalauctionplatform.com/b1bb0f64-84e8-4df2-9451-ad7100ebd3c2/24344fcd-f9a8-4808-87df-ad7100f7ee04/468x382.jpg)
Lot 239
Tolkien (J.R.R.) [The Lord of the Rings], 3 vol., comprising The Fellowship of the Ring, 1954; The Two Towers, 1954; The Return of the King, 1955, first editions, first impressions, folding map at end of each vol., vol. 2 with original printed review slip with title corrected by hand loosely inserted, original red cloth, shelf-lean, spine ends and corners bumped, some light marking and staining to covers, heavier to vol. 1, rubbed, vol. 1 & 3 spines faded, vol. 2 with dust-jacket (soiled, browned, chipped and worn), facsimile dust-jackets, 8vo.⁂ Return of the King with signature mark '4' and text block sagging.
Lot 197
A William III or Queen Anne figured walnut and featherbanded bureau cabinetCirca 1700, the moulded cornice above a pair of shaped arched mirror inset and panel moulded doors, enclosing sixteen drawers of various proportions, nine pigeon holes and a central open compartment with one shelf, the projecting fall with a moulded reading rest, enclosing six pigeon holes, four drawers, four compartments and a well with a sliding top, the well enclosing four secret drawers, over two lopers, with three long graduated drawers below, on bun feet, with the original keys, 99cm wide x 63cm deep x 202cm high, (38 1/2in wide x 24 1/2in deep x 79 1/2in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 149
A late Victorian zebrawood, satinwood, purplewood and marquetry serpentine commodeCirca 1900inlaid with Neoclassical urns, a ribbon-tied festoon, laurel leaf garland, stylised scrolled foliae, flowers and a sunflower patera, with one frieze drawer above a door enclosing one shelf, on cabriole legs, 85cm wide, 48cm deep, 92cm high (33in wide, 18 1/2in deep, 36in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 319
An Italian late 16th/early 17th century carved walnut credenzaprobably of Tuscan originThe rectangular top with a fluted edge moulding, above three panelled entrelac carved frieze drawers interspersed with four strap-fluted scrolled corbel angles, over three ovolo and bead-and-reel moulded panelled doors, the two end doors applied with large carved lion mask handles, enclosing one shelf, interspersed by four stop-fluted Tuscan pilasters, each panelled end carved with a large central flowerhead roundel, on a stop-fluted plinth base terminating in lion paw feet, the top rests loose, the underside of the top is applied with a 19th century paper label with an ink inscription which reads: 'Sgr. Giuseppe Bellini, Firenze', 209cm wide x 64cm deep x 109cm high, (82in wide x 25in deep x 42 1/2in high)Footnotes:ProvenanceDuring the late 19th century the present lot was evidently acquired by Irene von Hildebrand, wife of the major German sculptor Adolf von Hildebrand (1847-1921), while the couple lived in the then secularized monastery of San Francesco in Florence. Irene Schauffelen (her maiden name) had married Adolf in 1877. This credenza was apparently purchased by Irene from Giuseppe Bellini who was a major antiques dealer based in Florence. In fact the Bellini family, who today have been involved in the fine and decorative arts for well over 250 years, had by that time already established themselves as arguably one of the most important dynasties within the realm of Italian antiques. During the 1890s, or perhaps just prior to then, this walnut cabinet was most likely re-located to Munich in tandem with the von Hildebrands, since the Wittelsbacher Brunnen (an impressive Neoclassical fountain sculpture) in Lenbachplatz, which was designed by Adolf von Hildebrand, actually underwent construction in that city over the period 1893-1895. The offered lot is then listed as 'ein italienisches grosses buffet mit lowenkopfen' in an inventory, dated 18 January 1921, undertaken at the Munich estate of the von Hildebrands following Adolf's death.It re-appears in the will of Irene Georgii, recorded as 'I grosses alt italienisches buffet mit lowenkopfen, Renaissance, sehr wert voll', forming part of a 1936 inventory produced in Kleinhohenrain.Thereafter, this Italian late Renaissance low cabinet passed by descent within the same family. Irene Georgii bequeathed it to her daughter, Maria, whose surname after marriage changed to Wetzel. Subsequently Maria's son, Johannes Wetzel, inherited this piece following her death in 1990.Remarkably the previous owner, Dr Johannes Wetzel, is the grandson of Irene Georgii and thus by extension the great grandson of Adolf von Hildebrand.ComparablesA late Renaissance walnut credenza, which is dated 1550-1600, forms part of the Victoria and Albert Collection, No. 1375:1-1904, http://collections.vam.ac.uk. As with the present example this closely related piece was probably made in Tuscany. They share numerous characteristics in common which include; conforming stop-fluted Tuscan pilasters; a virtually identical drawer and door configuration; similar bead-and-reel moulded panelling and fluted scrolled corbel angles; related low relief entrelac or guilloche frieze decoration; while their plinth bases and lion paw feet are also very alike.Nonetheless, there is an interesting and potentially important variation between these two models, as is to be expected. Unlike the rather plain turned roundel door handles evident on the Victoria and Albert model, the present low cabinet incorporates two highly characterful and beautifully carved large lion masks. These appear to be a rare feature on credenzas of this type and possibly allude to some crest device or coat of arms element, perhaps in reference to the original family who commissioned it for their home.For a further, albeit slightly plainer, comparable see G. Chiesa, Il Cinquecento, 1972, Milan, fig. 25, p. 30. Adolf von HildebrandHildebrand, who worked predominantly in the Neoclassical style, first learned sculpture at the Fine Arts Academy of Nuremberg before being taught by Kaspar von Zumbusch at the Munich Academy, and then finally studying under Rudolf Siemering in Berlin. By 1873 Adolf had moved to Florence where he resided, as previously mentioned, at a former Franciscan monastery which had been founded during the 16th century. In the same year, the sculptor assisted his friend Hans von Marees (1837-1887) by designing the architectural framework for von Marees' painted murals housed in the library of the German Marine Zoological Institute, located in Naples.Although officially resident in Italy during the period 1873-1897, it is clear that from 1890 von Hildebrand lived mostly in Munich, since the vast majority of works he was commissioned to make from that time onwards were in Germany. Despite the fact that during his life the sculptor produced a total of five impressive and immense fountains, he is arguably principally renowned for the Wittelsbacher Brunnen and the Bismarck monument, Bremen, the latter of which was completed before 1910. In his Das Problem der Form in der Bildenden Kunst ('The Problem of Form in Painting and Sculpture'), which was published in 1893, von Hildebrand espoused the aesthetic autonomy of sculpture from painting. And this ideal or doctrine essentially formed the basis for most 20th century sculptural movements and consequently it is now justly considered of major importance. In 1904 Hildebrand received his ennoblement from the King of Bavaria, www.britannica.com & en.wikipedia.orgThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 90
A George II mahogany two-tier corner cabinetCirca 1755, the dentilled cornice above a pair of fielded panelled doors enclosing three shelves, over a pair of conforming doors enclosing one shelf, on shaped bracket feet, 103cm wide x 54cm deep x 204cm high, (40 1/2in wide x 21in deep x 80in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 99
An Irish George III satinwood, sycamore, kingwood, tulipwood, purplewood and marquetry demi-lune commodein the manner of William Moore of DublinCirca 1780, the top inlaid with a sand shaded oval fan patera encompassed by two berried flowerhead roundels, a scrolled foliate-issuing palmette, a demi-lune sunflower rosette and two fan angles, above a rosette roundel and anthemia inlaid frieze centred by an oval fan, with flute inlaid angles, incorporating one long mahogany-lined drawer, over a pair of doors each inlaid with a sand shaded oval fan patera, enclosing one shelf, flanked by two panels each inlaid with a patera within an oval, interspersed by projecting pilasters, terminating in square tapering feet, 111cm wide x 51cm deep x 80cm high, (43 1/2in wide x 20in deep x 31in high)Footnotes:ProvenanceThe offered lot was purchased at Frank Partridge & Sons, Ltd. by Carlos Sartorius y Diaz de Mendoza, 3rd Marquis de Marino for the Spanish Embassy in London, 22 August 1947. The 3rd Marquis himself was the grandson of Don Luis Jose Sartorius y Tapia, 1st Count of San Luis. Thence the commode passed by descent within the family of the Counts of San Luis.Elements of the inlay on the offered lot such as: palmettes and anthemia, sand shaded oval fans, simulated fluting, bellflowers, paterae and berried rosettes are recurrent characteristics of the output of William Moore, who flourished as a cabinet maker during the last quarter of the 18th century and beginning of the 19th century. Also typical of Moore's output is the segmental veneering which is evident on the front panels as well as to the top of the present example.Moore trained, evidently as a marqueteur, under the renowned partnership of Mayhew and Ince until moving to 22 Abbey Street in Dublin, circa 1779, from where he established his own firm and supplied 'Inlaid Work' in the elegant Neoclassical style of the time. By 1791 Moore had moved to an adjacent location on the fashionable Capel Street, where he worked until his death in 1815. Moore developed a reputation as the foremost cabinet maker and provider of marquetry in Ireland at the end of the 18th century, whilst the furniture he produced was directly influenced by, and often closely comparable to, the exceptional oeuvre of Mayhew and Ince. Moore incorporated similar ornament and conforming classical motifs in his inlay to much of the marquetry designs found on the work of Mayhew and Ince. Although Moore's idiosyncratic approach differs from the latter's in that his decoration tends to be purposefully more two dimensional and restrained.Although evidently highly prolific, only one piece of furniture can be definitively attributed to Moore and that is a demi-lune commode, circa 1782, which was supplied to William Henry Cavendish-Bentinck, 3rd Duke of Portland (d. 1809) while he was Viceroy of Ireland. Among the various models sold at auction, a pair of marquetry demi-lune commodes and a pair of marquetry pier tables, both attributed to Moore, sold Christie's respectively London, 19 November 2015, The English Collector, lot 600 and New York, 500 Years: Decorative Arts, 19-20 October 2011, lot 567.On 26 April 1782 an advertisement in the Dublin Evening Post proudly proclaimed: 'To the Nobility and Gentry... William Moore, most respectfully acknowledges the encouragement he has received, begs leave to inform those who may want Inlaid Work, that by his close attention to business, and instruction to his men, he has brought the Manufacture to such perfection... with every article in the Inlaid Way, executed on the shortest notice, and hopes from his long experience, at Messrs. Mayhew and Ince, his remarkable fine coloured woods, and elegant finished work, to meet the approbation of all who shall please to honour him with their commands', Country Life, 31 May 1946. In conclusion, the view of Glin and J. Peill is that Moore is 'By far the most important cabinet-maker who reflected the new taste for Neoclassicism and the Adam style. Glin and J. Peill, Irish Furniture, New Haven, 2007, p. 162.Don Luis Jose Sartorius y Tapia, 1st Count of San Luis (1820-1871), was an aristocrat, statesman and journalist who served Spain as Prime Minister between 1853-54, while Queen Isabella II was on the throne. As a prominent moderate during a period referred to as the 'Moderate Decade' (1844-1854), the Count of San Luis held the important position of Minister of the Interior three times before becoming Spain's political leader. Don Luis Jose Sartorius, who was actually of German descent, married Maria de los Remedios Chacon y Romero de Cisneros and together they had seven children.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 128
A 17th century style oak duodarn or court cupboard, rectangular top above a nulled frieze and a rectangular panel door enclosing two shelves, turned supports, the base with two short drawers above a pair of cupboard doors, each enclosing a shelf, stile feet, 155.5cm high, 136.5cm wide, 49cm deep
Lot 611
An unusual and composed mahogany library side cabinet, outswept meandrous cornice above a pair of glazed doors enclosing a shelf, the projecting base with a pair of raised and fielded panel doors, the left enclosing a drawer and a pair of shelves, the right a further drawer, shelf and sliding tray, turned feet, 169.5cm high, 114cm wide, 60cm deep
Lot 612
An 'Edwardian' dressing chest, later painted and decoupaged with colourful summer flowers, birds and butterflies, the superstructure with an arrangement of bevelled mirrors, a pair of small mirrored doors and a shaped shelf, the projecting base with three long drawers, stile feet, 162.5cm high, 90.5cm wide, 44cm deep
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104473 item(s)/page