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FRENCH ELM WASHSTAND WITH SINKwith a moulded top above a flat panelled back with mounted shaped copper water reservoir which has a removable top with finial decoration, the body decorated with holly leaves, with two taps below, the lower section with a serpentine shelf and cupboard below, supporting a shaped copper basin with bead decoration, 174cm high
MAHOGANY COCKTAIL CABINETwith a raised moulded top and carved Prince of Wales feather pediment above a pair of cupboard doors with Chinese style lock plate and hinges, opening to reveal a maple lined interior with mirrored back and two glass shelves, with shelves to each door above a lower slide out shelf, the base with a pair of panelled cupboard doors opening to reveal a drawer, with carved frieze below, standing on cabriole supports, 82cm wide
A late-19th century Aesthetic-style waterfall Bookcase; the top shelf with a backdrop of Arts and Crafts style coppered decoration above various shelves and two half-width drawers below with Aesthetic style handles, raised on plinth base, the sides with two original side carrying-handles, 138cm wide x 155.5cm high
A large George III period mahogany secretaire bookcase; the outset cornice above a plain frieze and two glazed doors with lozenge-shaped astragal glazing bars, the single full-width fitted secretaire drawer above two cupboard doors and shaped apron, raised on French-style bracket feet, 238cm high x 124cm wide CONDITION REPORT: The cornice appears to be in good general order. The sides and the top appear OK with no major problems although there is a couple of minor vertical indentations on the right hand side where the top meets the base. All the glazing is untouched and the astragal glazing bars are there with the central foliate appliques. The lower section on the right hand side exhibits some minor scuffs and scratches etc., but nothing major. On the left hand side equally so with one or two minor historic “splits” of about 2/3cm at the top but these aren't particularly noticeable or visible. There is a section where the lower hinge on the left hand door meets the front left hand leg and is approx. 4cm split. There is a bit of ink staining on the horizontal shelf near the front of the drawer and there is some damage to the lower right hand side of the drawer(see images). There has also been some similar repair to the lower left hand side of the drawer (not particularly well) and also fresh fillets above the pear shaped ivory escutcheon. When the fall is let down to show the writing surface, the green baize is a later replacement. There are several ink stains as expected and the bank of four right hand side drawers, one of the ivory handles is off but it is present. The right hand door bead moulding between the two escutcheons is lifting towards the top. Overall this is a good piece and has come privately.
A matching fine quality mahogany, amboyna, satinwood and painted break fronted side cabinet, in the Regency style, a one-off commission, late 20th century, the top with tulip wood, satinwood and amboyna cross banding, the broad satinwood band with hand painted floral and laurel meander decoration, over four amboyna cross banded frieze drawers, divided by satinwood and husk flower painted stiles, over a central double cupboard and single door side cupboards, each enclosing a single shelf, divided by satinwood stiles with painted husk ornament, on a plinth base, 72 x 20in. (183 x 50.75cm.), 36in. (91.5cm.) high.
A Victorian burr walnut, amboyna, marquetry and ormolu pier cabinet, the rectangular top over a frieze with ribbon tied floral and foliate marquetry, over a single panelled door with central marquetry urn and amboyna cross banding, enclosing a claret red velvet lined interior with single shelf, flanked by ormolu caryatid brackets and floral marquetry urn stiles, over a wavy plinth base, 31 x 12½in. (78.75 x 31.75cm.), 42in. (106.5cm.) high.
An 18th century oak and fruitwood dresser, of small proportions, the open plate rack with stepped cornice with iron hanging hooks on the frieze below, over three open shelves, the base with moulded two plank top over two drawers with later Georgian lion mask brass handles, over a wavy apron and open pot shelf beneath, on stile feet, 60½ x 17in. (153.5 x 43.25cm.), 84in. (213.5cm.) high, alterations.
A 19TH CENTURY FRENCH BOULLE JARDINIERE, the rectangular top with a lift-of-shelf enclosing a metal container, the ogee frieze with a brass gallery above a serpentine freize, terminating in square tapering cabriole legs, mounted with sabot's, the entire piece inlaid with typical brass and tortoiseshell patterns with metal mounts, some losses, (AF). 70cm high, 66cm wide, 42cm deep.
An oak "Holland" display cabinet after a design by George Walton, on slender, tapering square section legs, the glazed twin doors with gilt metal fittings, glazed side panels and overhanging mantel, shaped internal shelf, 122cm. high, 91cm wide, 39cm deep. Literature The Studio Yearbook, 1907 for an illustration of the original Holland cabinet. Karen Moon George Walton Designer & Architect, White Cockade, page 138 plate 181 for the Holland cabinet illustrated with two of Walton's candlesticks, flanked by a pair of Brussels chairs in the Walton's drawing room at 26 Emperor's Gate, London. Lyon & Turnbull Scottish Design from 1860, 15th June 2011, lot 28 for a comparable, larger example.
A substantial Victorian Aesthetic Movement hall stand, outswept cornice above a central looking-glass, flanked by a mirrored arrangement of four fielded panels carved with foliate bosses above three plaques of frolicking putti, lotus-capped brass coat hooks throughout, the projecting base centred by a marble plateau above a long frieze drawer, the stand with three-quarter gallery housing provision for umbrellas and walking sticks in turned dishes, shelf undertier, bun feet, 214cm high, 137cm wide, c. 1880
A George III strung mahogany bonheur-du-jour,the raised lift-off back with a wavy three-quarter gallery over two drawers and a shelf flanked by two doors, the base with a fold-out writing surface supported on two delicate lopers over two frieze drawers and square tapering legs,72cm wide42.5cm deep108cm high
Christie (Agatha). Murder on the Orient Express, 1st edition, 1934, advertisement leaf at end, some light spotting, red ink stamp and shelf number of Arnaud de Maigret (French author/photographer?) to front endpaper, original orange cloth, spine faded, some mottled damp stains, 8vo, together with The Murder at the Vicarage, 1st edition, 1930, advertisement leaf at end, light spotting, ink stamp as above, original cloth, spine faded, lower cover a little bowed, light stains, 8vo Binding copies. (2)
Greene (Graham). The Name of Action, 1930; Stamboul Train, 1932; It's a Battlefield, 1934; England Made Me, 1935; A Gun For Sale, 1936; Brighton Rock, 1938; The Power and the Glory, 1940; The Ministry of Fear, 1943, 1st editions, Stamboul Train 2nd issue (with 'Q.C. Savory' changed to 'Quin Savory'), England Made Me ex-libris (with library label removed, stamps and shelf number), some light spotting, previous owner signature to A Gun For Sale, original cloth (A Gun For Hire, England Made Me and The Ministry of Fear spines faded, a few stains to England Made Me covers), 8vo (8)
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96594 item(s)/page