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Lot 357
Fine quality Edwardian Sheraton revival bow fronted sideboard, a top superstructure featuring a line inlaid door with lion mask ring handles either side of a central shaped shelf, cross banded top over three drawers with lion mask ring handle and four doors, one with pull out drawers within, all with inlaid panels, raised on four front heavily carved paw feet, label to top edge of central drawer "Robson & Sons, Newcastle-on-Tyne", 194cm wide x 66cm deep x 144cm high
Lot 119
An early Victorian oak metamorphic three tier dinner buffet, circa 1850, with canted angles, on scrolled feet, 83cm high, 146cm wide, 60cm deep Provenance: Berwick House, Shropshire Condition Report: Please note: the action for the lowest tier not working at time of report, there are loose ends of 'cat cut' where the action will need repair, the top section will raise and is held at time of report Marks, knocks, scratches, abrasions, consistent with age and use,Old splits and cracks, some chips and losses to mouldings and some areas of timberDamage to one canted corner of the top, the frieze lacking veneers and with some veneer splits. The snapped strings off the brass pulleys lifting the rising lower shelf, the rising shelf doesn't hold itself in the upper position to the base of the table top.One loose section of moulding to the end support above the scroll legs, others re-pinned. Ceramic casters Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 37
A walnut, parquety inlaid, and gilt metal mounted occasional table, in Louis XVI style, circa 1900, attributed to Donald Ross and in the manner of Riesener, 71cm high, 41cm wide, 36cm deepProvenance: Berwick House, ShropshireDonald Ross (1830-1916) was one of the most celebrated Victorian furniture makers. Located at 13 Denmark Square, Soho, his firm supplied furniture to some of the most important retailers of the period including Edwards & Roberts, Gillows and John Watson of Oxford Street, as well as exhibiting in the 1851 Great Exhibition. His work is characterised by its distinctive dot and trellis parquetry (as seen on this lot), a technique Ross developed in the fourth quarter of the 19th century inspired by the work of renowned 18th century Parisian makers such as Jean-Henri Riesener and Pierre Garnier. For a pair of tables by Ross incorporating dot and trellis parquetry are currently held at the Victoria & Albert Museum in London (W.47:1, 2-1911, W.47A&B-1911). Condition Report: Marks, knocks, scratches and abrasions consistent with age and useSome loss of veneers to one corner banding to the top and another circular loss to the front of the top.Lacking some fillets filling the gap between the underside of the wood table top and the gilt bronze mountsSome cracks to the frieze veneers.The lower tier shelf with a 'gouged' scratch. The end of one section of the gilt bronze gallery is bent.The gilt bronze mounts around the top 'polished' and smoother than the other mounts. The gilt brass feet with some movement to the leg joints, which gives some movement to the table when wobbled back and forth under pressure. Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 58
A suite of oak Aesthetic movement bedroom furniture, third quarter 19th century, Collier & Pluncknett, Warwick & Leamington, with painted and gilt panels throughout, comprising; a breakfront wardrobe, 245cm high, 191cm wide, 60cm deep, a breakfront compactum wardrobe, 245cm high, 191cm wide, 60cm deep, a washstand, with Japonisme tiles above the variegated grey marble top, 123cm high, 135cm wide, 69cm deep, a writing table, with glazed superstructure, 148cm high, 133cm wide, 60cm deep, a half-tester bed frame, with heraldic lions to the footboard, 253cm high, 206cm long 161cm wide, and an overmantel or wall mount, 140cm high, 175cm wide, 25cm protuberance, some elements with maker's labelProvenance: Berwick House, Shropshire James Plucknett was originally in partnership with Frederick Collier with showroom in Leamington Spa and workshops in Warwick. The firm advertised in various trade directories between 1872-1880 and gained many commissions from well healed local families as well as from further afield. They advertises themselves as '...Manufacturers of rich carved furniture in the peculiar styles characteristic of the Gothic, Tudor and Elizabethan ages' Perhaps Collier and Plucknett's best known commission was for Tyntesfield, the celebrated Victorian Mansion, which was re-modelled for William Gibbs (1790-1875). Collier and Plucknett supplied much of the Gothic revival furniture to Tyntesfield. Today Tyntesfield is owned by the national trust and as well as examples of furniture visitors can also view the fully fitted Collier and Plucknett bathroom of Matilda Blanche Gibbs. Condition Report: OVERALL - Marks, chips, knocks, scratches and abrasions consistent with age and useWood quite matt and dry in appearanceHandles and mounts with some scratching to the lacquered brassBED - Faded to upper sides of half testerThe lion rampant carved finials chipped and cracked, one lion with front paws and shield detached and with cracks to base where they fit to the bed endSide curtain rail to side curtain rail 162cm wideCornice 171cm wideLacking a moulding to the baseA burn mark above the shelf to the back of the bed (presumably from a chamberstick)Wea/rubbed arear to painted panel 'Somnus'Upholstery aged, some stains, moreso to the upholstery on the mattress baseWARDROBES - Some fading to some sides and elsewhere, some marks around handles, some white paint marksSome tiny flakes to painted panelsCrack and bowed beading to lower panelled section of side doorsDamage to one door escutcheonLined with wriggle pattern printed fine cotton - spotting, aging and discolouration to fabricOVERMANTEL - the wood of darker appearance than the other pieces of furnitureThe central panel fadedChipped area along the mantel shelfA couple of tacks to the sidesDESK - Scratches to the central top area, the leather inset dry, with scuffing and some marksThe drawer locks have been sawn openLacking one swing handleWASHSTAND - scratches, scuffs and stains to the marble, chips around the marble edge more' visible' to touch than eyeSome water marks and fading to the wood below the ceramic tilesPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 6
Y A rosewood side cabinet, circa 1835 and later, in the manner of Gillows, with a pair of glazed doors enclosing a glass shelf, 111cm high, 125cm wide, 39cm deep Provenance: Berwick House, ShropshireCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use,Some chips and losses, old splits and cracks, The top has splits and cracks and appears to be stained pine simulating rosewood in this area - it probably originally had a marble top to cover this area. The glass shelf is certainly a replacement, There are some chips and losses to the glass doors including around the lockThe lock is later replacedCondition Report Disclaimer
Lot 16
A 'Regency' rosewood break-centre secretaire side cabinet, verde antico marble top with three-quarter gallery above three drawers, the central fitted as a desk with a writing surface, small drawers and pigeonholes, swing handles, oval escutcheons pressed with a lion mask, military ensign flags, canon, anchor, galleon and and meandrous border, the pleated and grilled door enclosing a shelf flanked by panel doors, each enclosing a further shelf, plinth base, 86.5cm high, 118cm wide, 42cm deep, elements c.1820
Lot 162
A late Victorian oak duodarn or side cabinet, in the 17th century taste, outswept cornice above a shelf and a panel door carved with a foliate 'Green Man' mask enclosing a shelf, flanked by further panels carved with a flowerhead boss and geometric motif, bold columns carved with stiff foliage, the base with a pair of panel doors carved with an arrangement of demilune flowerheads enclosing a further shelf, ball feet, 177.5cm high, 153.5cm wide, 59.5cm deep
Lot 166
A Victorian mahogany inverted break-centre sideboard, substantial half gallery carved with scrolls and acanthus, moulded top above a frieze drawer and a pair of panel doors enclosing a shelf, flanked by further panel doors, the left enclosing a short drawer and a pair of sliding trays, the right enclosing a short drawer and a deep vacant 'cellarette' drawer, plinth base, 157cm high, 185cm wide, 58cm deep
Lot 168
A Victorian mahogany large chiffonier or sideboard, shaped mirror back half-gallery, the frame carved and applied with a fruiting branch cresting, serpentine top with moulded edge above two frieze drawers and a pair of panel doors enclosing a shelf, divided and flanked by foliate scroll brackets, plinth base, 179cm high, 177cm wide, 46cm deep
Lot 170
A Victorian mahogany sideboard, pointed arch half gallery, rectangular top above three frieze drawers, and a pair of panel doors enclosing a shelf, neighboured to the left by a cupboard door enclosing a shelf, to the right a further door enclosing a pair of sliding trays and a celarette drawer, plinth base, 114.5cm high, 173cm wide, 56cm deep
Lot 236
Rowling, J. K. Harry Potter and the Philosopher's Stone, celebratory edition, first printing, London: Bloomsbury, 2001, paperback, in unread condition with a few faint scuffs and creases to covers; Harry Potter and the Philosopher's Stone, Ted Smart edition, third printing, London: Book People Ltd., 1998, hardback with dust-jacket, slight shelf-lean, erased owner inscriptions on front free endpaper (2)
Lot 256
Tolkien, J. R. R. The Lord of the Rings Trilogy, second revised editions, London: George Allen & Unwin Ltd. The Fellowship of the Ring, sixth impression, 1971; The Two Towers, fourth impression, 1969; The Return of the King, fifth impression, 1970. Octavo, publisher's gilt red cloth, complete with dust-jackets (Fellowship clipped), complete with maps. Generally good, clean, bright, light marks in places, pale spots to fore-edge, dust-jackets with light creasing/wear, slight loss; neat contemporary gift inscription; protective covers on jackets. Together with Harry Potter and the Half-Blood Prince, by J. K. Rowling, first edition, London: Bloomsbury, 2005, shelf-lean and some marks (4)
Lot 340
An early Victorian rosewood breakfront twin pedestal sideboard, circa 1840, shaped slight oversailing top above twin drawers centred with one long drawer with oval back brass ring handles above beaded aprons, on twin panel cupboards enclosing a single shelf, united by a single shelf, raised on ogee feet. 112cm H x 226cm W x 44cm D
Lot 173
De Bie (Jacobus) & Joannes Hemelarius. Imperatorum Romanorum a Julio Caesare ad Heraclium usque numismata aurea, 1st edition, Antwerp: Gerardi Wolffchatij et Henrici Aertsij & Hieronymus Verdussium, 1615, engraved frontispiece by Peter Paul Rubens (bound after letterpress title), allegorical engraved plate, 64 engraved plates of coins, plate 49 with closed tear, a little minor spotting and small marginal water stains, manuscript shelf numbers at front, later mottled calf, gilt-decorated spine, foot of spine tip wormed, a little rubbed, small 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESProvenance: Antoine de Lamare, Seigneur de Chenevarin, his large armorial bookplate and printed note trimmed and laid down on blank interleaf at front (also manuscript inscription 'Ex libris Antonii de Lamar...' at head of printed title), additional bookplate of Sir John Anstruther (4th Baronet and 1st Baronet, 1753-1811, Scottish politician) pasted to frontispiece verso. Work on Roman gold imperial coins with one of the earliest engraved frontispieces by Rubens.
Lot 186
Foy-Vaillant (Jean). Seleucidarum Imperium, sive Historia Regum Syriae ad fidem numismatum accommodata, 1st edition, Paris: L. Billaine, 1681, half title, title with large engraved device, engraved illustrations of coins, light water stain to first 70 pages, early signature and price to title, shelf number, small bookplate and inscription 'Heywood Library' to front pastedown, contemporary vellum, red label to spine and manuscript title, manuscript inscription to upper cover, worming to part of spine and upper cover, a few stains, 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESBlackmer 621: "This work is a history of the Seleucid dynasty in Syria, with portraits of each king and examples of the coinage connected with him. Many of the coins illustrated were from the author's collection, others were from the Harleian Collection and the French Royal Treasury. Foy-Vaillant was a French numismatist of great talent. Colbert sent him on a mission to collect coins; he travelled to Greece, Italy, Persia and Egypt c. 1670-80."
Lot 229
Menestrier (Claude-François). Symbolica Dianae Ephesiae, 1st edition, Rome: Mascardi, 1657, title with woodcut device, 22 full-page engraved plates, 3 engravings in text, bound with Bellori (Giovanni Pietro). Notae in Numismata tum Ephesia, tum aliarum urbium apibus insignita, Rome, 1657, 28 pp., 2 full-page engraved plates, engraved text illustration, some overall light spotting and toning, contemporary inscription to first work title, bookplate, contemporary limp vellum gilt, manuscript title and shelf label to spine, a little soiled, 8vo, together with [Monterchi, Guiseppe]. Scelta de Medaglioni piu rari nella bibliotheca dell' eminentiss et reverendiss, principe il Signor Cardinale Gasparo Carpegnaa vicario di nostro signore, Rome: Giovanni Battista Buffotti, 1679, engraved frontispiece, 3 engraved plates, engraved illustrations, occasional light toning, contemporary vellum gilt, spine titles in manuscript, some soiling and bowing to covers, 8voQty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.
Lot 296
Virgilius Maro (Publius). Bucolica et Georgica Tabulis Aeneis Olim a Johanne Pine Sculptore Regio Defuncto Illustrata Opus Paternum in Lucem Profert Robertus Edge Pine, 2 volumes in 1, London, 1774, engraved frontispieces and titles, numerous engraved plates, occasional offsetting and small damp stains, manuscript shelf number to front endpaper, contemporary calf gilt, rebacked, a little rubbed, 8voQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESESTC T139773.
![[Zöega, Georg]. Numi Aegyptii Imperatorii prostantes in Museuo Borgiano Velitris. Adiectis praeterea quotquot reliqua huius c](https://cdn.globalauctionplatform.com/773a2f63-986c-4cc6-9db3-ad1200b50a92/9a29b6c8-35b5-4f6e-9d52-ad130125518a/468x382.jpg)
Lot 304
[Zöega, Georg]. Numi Aegyptii Imperatorii prostantes in Museuo Borgiano Velitris. Adiectis praeterea quotquot reliqua huius classis numismata ex variis museis atque libris colligere obtigit, Rome: Antonio Fulgoni, 1787, title with engraved vignette, 22 engraved plates of coins and medallions, small manuscript shelf number to front endpaper, contemporary mottled calf, spine with green label and gilt decoration, slightly rubbed, 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCicognara 2252; 3085. Provenance: Baron Northwick (2nd Baron Northwick, 1770-1859, art collector), bookplate. Extremely scarce, only one copy traced at auction over 100 years ago. Danish scientist and numismatist Georg Zöega (1755-1809) catalogued and described Cardinal Stefano Borgia's collection of coins and manuscripts in the Museo Borgiano, at the Borgia Palace of Velletri, a collection with a strong emphasis on ancient Egypt, regarded as the most extensive in Europe before the Napoleonic expedition.
![[Wood, Robert]. The Ruins of Balbec, otherwise Heliopolis in Coelosyria, 1st edition, London, 1757, 37 engraved plates only o](https://cdn.globalauctionplatform.com/773a2f63-986c-4cc6-9db3-ad1200b50a92/7a781058-0e8a-406c-9b38-ad130125611b/468x382.jpg)
Lot 332
[Wood, Robert]. The Ruins of Balbec, otherwise Heliopolis in Coelosyria, 1st edition, London, 1757, 37 engraved plates only of 46 (including 8 folding) by P. Foudrinier and T. Major after G. B. Borra, manuscript shelf number to upper blank margin of title, lacking 7 leaves of text (pages 3/4 & 17-28), light dust-soiling, some damp staining mostly to margins, all leaves and plates detached and frayed to margins (plate 43 particularly damp stained, frayed & torn to margins), loosely contained in original boards with later spine strip, worn, folioQty: (1)NOTESBlackmer 1835; Cohen-de Ricci 916; Fowler 444; Harris 936. Sequel to the well-received Ruins of Palmyra, presenting a study of Balbec's architectural ruins through an extensive series of plates, which Wood believed communicated the grandeur of the ancient city. Located in modern-day Lebanon, Balbec was once the Roman colony Heliopolis. Plate numbers present are 4-16, 18-40 & 43. Sold as a collection of plates, not subject to return.
Lot 750
A late Victorian oak smoker's cabinet, c1890, the hinged top lifting to reveal a provision for five pipes, open shelf above two small drawers, open recess for tobacco jar and further open recess, the front enclosed by a pair of foliate carved raised fielded panelled doors, skirted plinth, 26cm h x 28cm w; together with another late Victorian or Edwardian smoker's cabinet, the hinged lid and bevelled glazed front door opening to reveal recess for five pipes, provision for tobacco box and single drawer, skirted plinth, 28cm h x 20cm w; together with a large quantity of pipes including meerschaum block pipes, one numbered 9439, other pipes by Hardcastles, Rohan, Peterson's, Falcon, together with pipe stands, lighters by Falcon, Ben Wade and others, a brass oval tobacco box and hinged cover, the top engraved tobacco within a wriggle work border, 11cm w, etc Two smoker's cabinets in generally good condition consistent with age. Pipes mainly smoked, four unused, some with heavier wear, all generally consistent with age
Lot 992
A light wood round topped tripod table, late 19th / early 20th c, baluster column and three out swept legs, top 50cm diam, 71cm h; together with a reproduction pine hanging wall cupboard with flared cornice above a coloured lead glazed door, shaped base with shelf, 78cm h, 38cm w Tripod table with stains, scratches and abrasions to top, cracks and faults to base of column and one leg, extensive wear to terminals of legs. Hanging cupboard with wear consistent with age
Lot 1370
An E Gomme Art Deco walnut and oak dressing table with triple oval mirror with candle holders, glass shelf and four drawers, 163cm high x 124cm wide x 47cm with matching double headboard with integral bedside cabinet, 100cm high x 216cm wide x 37cm deep and a bedside cabinet (3) Condition Report: No major issues but has some minor damage, wear marks etc as expected on a piece of this age and use.
Lot 1027
A reproduction brass bound teak 'campaign' chest, the square top with brass bound corners above slide, two short and two long drawers above an open recess, shaped bracket feet and pair of recessed brass carrying handles, 72cm h x 46cm w; together with a similar mahogany open shelf unit with brass bound corners, open recesses above two short drawers with recess brass handles, shaped bracket feet, 62cm h x 92cm w (2) Teak chest with some fading to top, light wear and scratches generally consistent with age. Mahogany unit with some wear, fading to top, paint splatter, otherwise consistent with age
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