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Lot 1091
A Pair of Swiss Carved and Stained Linden Wood Roe Deer Head Wall Brackets, circa 1900, each concave sided slim shelf raised on the 6-point antlers of roe deer, one turning to the left, the other to the right, well detailed, against a fruiting leaf carved and pierced back, 33cm wide, 39.5cm high overall See illustration
Lot 1144
Black Rhinoceros (Diceros bicornis), Singida T.T., 1936-37, taxidermy horn, lower horn 58.5cm, upper horn 18.5cm, on original Gerrards type oak shield with outward angled display shelf and original ivorine plaque with title as above See illustration. CITES Appendix I Annex A (Exempt), also USESA
Lot 1630
A Robert "Mouseman" Thompson Oak Panelled Hall Wardrobe, 1931, with castellated top, adzed all over, with two doors opening to reveal a single shelf and hanging fitments, wrought-iron hinges and handle, on four block feet, with carved recessed mouse signature, 122cm (4`) wide, 46cm deep, 196cm high See illustration. In the order book and ledgers, volume C, page 57 June 1931, Mrs Preston, Holme. 1. Hall wardrobe 6`6" by 4` by 1`6", one shelf across top, two hanging rails
Lot 1754
A Cassina Charles Rennie Mackintosh Stained Black Sideboard, the back central section inset with enamelled glass mosaic rose, bound with lead, enclosed with inlaid mother-of-pearl squares above a shelf enclosed by two open compartments each with a drawer, the base with six cube drawers above three cupboard doors, on block feet, unmarked, 162.5cm wide, 57cm deep, 152cm high See illustration
Lot 84
A late Victorian stained oak dresser, the raised canopied back with rectangular bevelled mirror, display shelf and baluster and acanthus moulded columns, the lower part with moulded rim, three drawers with mask handles and central alcove and flanking cupboards raised on further columns with an open plinth base and having overall decoratively carved panels (152cms wide).
Lot 116
A 1920/30`s oak dresser, the upper part with planked back, beaded rims and dentate shallow frieze with two shelves and the lower part with moulded rim, two drawers with beaded rims and two cupboard doors with linen fold panels, having a brass tear drop handles, raised on squat spiral twist and stretchered supports (some damage to one shelf approx 120cms wide).
Lot 132
EARLY TWENTIETH CENTURY OAK BOOKCASE, the moulded cornice above a pair of fifteen panelled astragal glazed cupboard doors, enclosing three adjustable shelves to the interior, the lower section with a matching pair of nine panelled astragal glazed cupboard doors, enclosing a single adjustable shelf to the interior, raised on a plinth base, 77" (195.6cm) high, 47" (119.4cm) wide
Lot 99
A 19TH CENTURY WELSH OAK DOG KENNEL DRESSER, having moulded cornice over three shelf boarded rack back, the base with three cockbeaded freize drawers having turned knobs above an arch dog kennel with shelf flanked by two blind panel cupboards standing on bracket feet. 68" Wide x 18" Deep x 86" High.
Lot 100
AN 18TH CENTURY STYLE OAK WELSH DRESSER, having three shelf boarded rack back with shaped freize and sides, moulded edge top to the projecting base with four geometrically moulded doors above a foliate carved freize with scrolled angles, pot board base with baluster turned supports on stile feet. Mid 20th century. 58" Wide x 17.5" Deep x 93" High.
Lot 101
AN 18TH CENTURY STYLE WELSH OAK DRESSER, having boarded two shelf rack back with upper panelled cupboard and moulded cornice over shaped freize and sides, the base with moulded top over three freize drawers shaped freize below on baluster turned supports with pot board, standing on stile feet. 54" Wide x 17.5" Deep x 70" High. Mid 20th century.
Lot 148
AN EDWARDIAN OAK MIRROR BACKED SIDEBOARD, having broken swan neck pediment & moulded cornice over arched centre mirror with shelf below, flanked by similar arched mirrors and side shelves, on a break front base with three freize drawers over double arched aperture four foliate moulded cupboards below standing on baluster turned feet. C1900. 72" Wide x 24" deep x 92" High.
Lot 201
A FINE ART NOUVEAU OAK WARDROBE, having moulded cornice over foliate inlaid freize, the doors with inlaid panels decorated with peacock and foliate designs in contrasting woods and mother of pearl, oxidized metal naturalistic handles and hinges, fitted shelf and hanging rail to the interior, standing on square tapering legs with moulded feet. C1890. 58" Wide x 24.5" Deep x 84" High.
Lot 400
An Edwardian painted satinwood demi-lune commode, crossbanded and inlaid stringing, allover decorated with floral sprays and ribbon tied swags of flowers, with a central cupboard door enclosing a shelf, the hinges stamped `HODGES PATENT`, on square tapering legs and spade feet, 33.5in (85cm) h, 30in (76.2cm) w, 15in (38cm) d. Old worm holes to left side, some veneer lifting.
Lot 401
An Edwardian painted satinwood demi-lune commode, crossbanded and inlaid stringing, the top decorated with ribbons above a frieze with ribbon tied floral swags, to a cupboard door enclosing a shelf, the hinges stamped `HODGES PATENT` on square tapering legs and spade feet, 33.5in (85cm) h, 30in (76.2cm) w, 15in (38cm) d. Patch to top and replacements to stringing.
Lot 450
A Sheraton revival painted satinwood and parcel gilt bookcase cabinet, decorated with floral sprays, panels of musical instruments and classical figures, with a pair of astragal glazed doors enclosing adjustable shelves, above a breakfront base fitted a pair of cupboard doors enclosing a shelf, on square tapering legs, late 19th/early 20th century, 64.5in (164cm) h, 36.75in (93.3cm) w, 15.25in (38.4cm) d.
Lot 2458
An Oak Dresser, the open plate rack back fitted with two shelves, and the base with five drawers surrounding a central arch, and raised on ring turned front supports and plain back supports, with further open shelf below, on short compressed bun feet, circa late18th Century, 69" wide, 76 ½" high
Lot 2478
A 19th Century Rosewood and Kingwood banded Louis Quinze style Bonheur du Jour, of serpentined form, the pediment moulded with scrolls over a plain shelf with a full width mirror below, and with four further drawers under, over a gilt tooled pale green leather inset, and frieze drawer below, raised on elegant cabriole supports, 34 ¾" wide
Lot 274
GORDON RUSSELL. ENGLISH WALNUT BEDSIDE CABINET, CIRCA 1930. inlaid with yew banding and having carved ebony handles and legs, the square inlaid top above a slide and open shelf, above a single panelled door enclosing a single shelf and raised on faceted baluster shaped legs. 39cm wide, 87cm high, 40cm deep.
Lot 295
GEORGE WALTON. BREAKFRONT LIBRARY BOOKCASE, CIRCA 1900. oak with stained and leaded glass panels inset with copper and brass, the serpentine ledge back above an overhanging shelf with curved brackets to the sides, over six doors, each with stained, opalescent and leaded glass panels depicting stylised plant forms and embellished with copper and brass, enclosing adjustable shelves, the whole raised on square tapering legs with spade feet, bears makers circular ivorine label to the rear inscribed `George Walton & Co Ltd/ Designers, Manufacturers and Decorators/ 150 & 152 Wellington St, Glasgow/ Also at London and York/ Design no.`. 218cm wide, 154.5cm high, 38.5cm deep. Literature; Karen Moon `George Walton: Designer and Architect`, Oxford 1993, P. 82, pl. 106 Note: This fine oak cabinet with its distinctive stained glass doors was designed by the architect and designer George Walton in 1900. Walton was born in Glasgow on 3 June 1867, the youngest of twelve children. The painter Edward Arthur Walton, born in 1860, was his elder brother and the flower painter Constance Walton his sister. His father died in 1873 leaving the family in reduced circumstances and Walton had to leave school aged thirteen to become a clerk with the British Linen Bank, but while working there he also studied at Glasgow School of Art (as the School of Design had become in 1869).In 1888 Miss Catherine Cranston commissioned Walton to re-design the interiors of the tea rooms at 114 Argyle Street, Glasgow. Walton gave up banking and opened showrooms entitled George Walton & Co, Ecclesiastical and House Decorators, at 152 Wellington Street. The Walton firm quickly expanded into woodwork, furniture making and stained glass. In 1896 Walton received a further commission from Miss Cranston, to decorate the Buchanan Street premises. His collaborator was C. R. Mackintosh, for whom Walton made some early pieces of furniture. In 1897 Walton moved to London and, as well as retaining his Glasgow showroom, opened a branch in York. The catalyst appears to have been the commission to design the Photographic Salon in the Dudley Gallery which came to him through his friendship with the Glasgow photographer James Craig Annan. It led to a further commission from George Davison for the Eastman Exhibition in the New Gallery in Regent Street in the same year, and in turn to a series of Eastman Kodak showrooms in London, Glasgow, Brussels, Milan, Vienna and Moscow which brought him international fame.The bookcase offered here comes from this period and may have been made for a Kodak showroom. A contemporary photograph from 1900 shows a very similar bookcase in the interior of the Kodak showroom at 72-74 Buchanan Street Glasgow. From the opening of the first showroom in Clerkenwell Road London in 1898 the success of Walton`s designs meant that showrooms began to open at the rate of two a year. By the time the Buchanan Street branch had opened circa 1900 his showroom designs were following a familiar pattern. Delicate stencilled friezes in the `Glasgow Style` ran aroud the rooms above the picture rail and below were specially fitted cabinets in mahogany or oak. The cabinets had stained glass detailing derived from plant forms, with copper and brass detailing, relating to designs being produced by Charles Rennie Mackintosh at the same time (although without the carved details). It may be that the present cabinet was infact a domestic piece produced around the same time although it is compelling to imagine that it may have formed part of the interiors of this remarkable series of shops. The extraordinary innovation which Walton brought to retailing was the domestic nature of his designs which created a relaxed and unthreatening atmosphere in which to shop and which was to be much copied.
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104473 item(s)/page