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Click here to subscribeEarly Victorian mahogany washstand, circa 1840, three quarter gallery top with three frieze drawers with turned wooden knobs, raised on turned column supports with platform shelf beneath and turned legs, width 110cm, depth 54cm, height 82cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Victorian pitch pine dresser, late 19th Century, fitted with two central short drawers and two long deep drawers, flanked by two raised panel cupboard doors opening to a single shelf, all raised on a plinth base, width 234cm, depth 60cm, height 89cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Late Victorian or Edwardian mahogany and inlaid display cabinet, circa 1895-1910, having a boxwood inlaid anthemion frieze over a central astragal glazed door, crossbanded with satinwood and flanked on either side by concave glazed panels enclosing blue fabric covered shelves, raised on tapered square section legs with boxwood tramlines, with a platform shelf beneath and spade toes, width 123cm, height 176cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Quality walnut bow front freestanding corner display cabinet, in Queen Anne style, the top glazed section beneath an arched cornice, opening to two plate glass shelves, over a moulded panel cupboard base opening to a single shelf, all raised on bracket feet, height 198cm, width 74cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Two similar French walnut and marble topped kidney shaped night tables, late 20th Century, the marble tops bordered with a brass gallery, over a single drawer, one inset with a painted panel, the other with a printed porcelain panel, raised on slender cabriole legs united by a platform shelf, width 54cm, depth 38cm, height 71cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
George II oak enclosed dresser and plate rack, North Wales, circa 1720-40, boarded rack with ogee moulded cornice, over a base with three short drawers with brass knobs, over two double fielded panel cupboard doors, opening to a single shelf and centred with a vertical fielded panel, raised on stile supports, width 155cm, height 183cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Alcott (Louisa M), LITTLE WOMEN, illustrated by M. E. Gray, limited edition signed by the artist and numbered 73 of 100, full vellum, gilt embossed title and decoration to spine, applied lithographic illustration to front cover, illustrated endpapers, tipped-in tissue-guarded lithographic frontispiece, eleven tipped-in tissue-guarded plates throughout (plate at p82 detached), Hodder & Stoughton Ltd, London (early 20th century) (at fault) CONDITION REPORT:Binding shows small stains and ingrained dirt to boards and spine, bumps to all front corners, rubbing to gilt highlights and the odd small dent to board edges and top and bottom of spine. Bottom edges show minor shelf wear. Block shows staining and foxing to edges. Front endpapers shows a 1cm diameter mirrored stain, some foxing and further flecked marks. Stain transfers through all free endpapers. One free endpaper shows a small tear to the base. Pages show the odd small mark, some foxing to edges and the odd small crease to corners. Tissue guards show foxing and some creasing, and some show small losses and tears. The plate opposite p82 is detached and shows some scratches to the the plate surface and scuffs and marking to the mounting page. The other plates appear to be in generally good condition, showing minor surface wear but no obvious damage or creasing. The binding is slightly open in places.
An Arts & Crafts oak pot cupboard, by Wylie and Lochhead, Glasgow, the open work top rail above a rectangular moulded top and single panelled door applied with oxidised strap hinges, opening to a single shelf, upon front bracket supports extending to a spreading foot, ivorine makers plaque to the door interior, 90cm H x 46cm W x 40cm DCondition reportSome light water marks and stains to the top, otherwise light general commensurate wear only.
Lear (Edward), A BOOK OF NONSENSE. BY DERRY DOWN DERRY, probably first edition, card boards with applied cover illustration, red cloth spine, single sided illustrated pages throughout, pen inscription to front cover and front free endpaper, Thomas McLean, London 1846 (at fault) CONDITION REPORT:The book is a single volume comprising sixty one single sided pages each containing an illustrated limerick. One page is detached from the binding, and the binding is slightly loose in places. illustrated boards show shelf wear, staining and bumpas to all corners. The cover and front free endpaper are each inscribed 'Warboys Proctor' in ink. All pages show foxing, with some more extensively foxed than others.
Morris (Rev F.O.), A HISTORY OF BRITISH BIRDS, second edition, 6 vols, gilt embossed illustration to green cloth boards and spines, bookplate to inside front covers, tissue-guarded hand-coloured engraved frontispieces, tissue-guarded hand-coloured plates throughout, George Bell & Sons, London 1870 (6) (at fault) CONDITION REPORT:Volume I shows a split to the left hand side of the spine approximately 5cm long, and a further split to the top right of the spine approximately 4cm long. Volume II shows a smaller split approximately 1cm. All volumes show wear to the top of the spines, most noticeable on volumes IV, V and VI which show small splits to the top of the spine. All volumes show shelf wear and bumps to the front corners. Volume II shows slightly loose split binding at pp128-129, Rock Pipet plate detached but present. Volume III shows slightly split binding at p65. All blocks show some foxing. Most pages show some fox marks and the odd stain. Some pages show the odd small crease to the corners.
Barrie (J.M.), PETER & WENDY, first thus, illustrated by Edmund Blampied, embossed illustrated green cloth boards, illustrated endpapers, pencil inscription to front free endpaper, tissue guarded tipped in lithographic frontispiece, tissue guarded tipped in lithographic plates throughout, monochrome illustrations throughout, Hodder & Stoughton, London 1939; with Carroll (Lewis), ALICE'S ADVENTURES IN WONDERLAND, first thus, illustrated by Gwynedd M. Hudson, gilt embossed illustrated blue cloth boards, illustrated endpapers, tissue guarded tipped in lithographic frontispiece, tissue guarded tipped in lithographic plates throughout (plate from p20 missing), illustrated chapter headings, Hodder & Stoughton for Boots Pure Drug Co, London 1932 (2) (at fault) CONDITION REPORT:PETER & WENDY - Binding shows shelf wear, small stains, bumps to all corners, lines of white residue and brown residue to boards and fading to spine. Foxing to endpapers, pencil inscription to front free endpaper. Foxing to half title, title and contents pages, age related darkening to all page edges. Mirrored stain to pp46/47 with foxing to page fold. Further foxing to some page folds. Creases to some tissues guards. Blue scuff to p95. Tipped in plates in generally good condition showing no obvious tears or creases.
A Victorian oak breakfront sideboard, with a central cushioned drawer, over a pair of cupboard doors, enclosing a single shelf, flanked by two further doors to the left enclosing a single drawer above two slides, the right with a single drawer and cellarette, raised on a plinth base, 94cm high, 178cm wide, 59.5cm deep.
A fine pair of late Louis XV ormolu mounted tulipwood, purplewood and kingwood encoignuresMade by Bon Durand, third quarter 18th centuryThe brèche d'Alep marble tops above a bowed panelled door centred by a Classical mask enclosed by quarter veneers, opening to enclose a single shelf flanked by cabriole shaped corners surmounted by rams masks and trailing acanthus leaves and husks, on lion paw feet, both stamped B.DURAND and JME to the tops, 75cm wide x 55.5cm deep x 91.5cm high, (29.5in wide x 21.5in deep x 36in high) (2)Footnotes:ProvenanceProbably Collection Caclard;Galerie Segoura, Paris, 1997. LiteratureComte Francois de Salverte, Les Ebenistes du XVIIIe Siècle, 1953, p. 105.Bon Durand, maître ébéniste in 1761.Bon Durand, established rue de Charenton, married one of the daughters of the ébéniste Cordié. He is known for having worked extensively for the ébéniste Pierre Garnier and for the fashionable marchands of the time such as Pierre Migeon and Denys Genty.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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