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Lot 1621
•JULIAN DYSON (1936-2003) THE PARKING ATTENDANT Signed and dated 12.90, oil on canvas 85.5 x 75.5cm.; with another by the same artist, of runner beans on a shelf, 1979, unframed 91.5 x 71cm. (2) Provenance: (Beans) London, Archeus Fine Art ++ The former in good condition; the latter with flaked losses
Lot 439
A modern cream painted five tier corner whatnot, two modern painted console tables in the Louis XVI manner, small three drawer chest, wall hanging cream painted two door cabinet, two chipboard tables, mirrored table, melamine two shelf bookcase, white painted wall cupboard / miniature display cabinet, and tray
Lot 474
An oak open bookcase with seven shelves, in the Arts and Crafts manner CONDITION REPORTS Has three pegs missing. Appears to have had a modern addition to the top shelf as a back support and has screw marks, possibly where it was held against a wall. Both sides show signs of warping and splitting. Has surface scratching, staining etc conducive with age and use. one foot has been off and re-stuck. See images for more details.
Lot 477
A yew wood sofa coffee table with green leather insert top, yew wood corner display cabinet with three open shelves above a cupboard door, raised on bracket feet and an oak three shelf bookcase on bracket feet and contents of "The Complete Works of Charles Dickens", together with a bentwood rocking chair
Lot 485
An oak bureau with linenfold decoration to the fall, a green painted pine side table, green painted bench, tambour fronted telephone table, a small elm stool, a pine framed mirror, mahogany framed mirror, an oak four shelf open bookcase, an oak blanket box, oak open bookcase and a miniature mahogany two door cabinet with two drawers on bracket feet
Lot 564
A pine fire surround with applied decoration in the Adams manner CONDITION REPORTS 135cm high, 161cm wide. Internal dimensions (fire space) 107cm high, 104cm wide. Shelf 30cm deep, shelf -firespace 30cm. Overall with various chips and losses, cracks and losses to the applied decoration, appears to have been stripped of its paint, appears to have some age - possibly l9th or 20th century, appears to have been fitted to a fireplace at some stage and has been removed.
Lot 434
Crisp (Quentin) - The Naked Civil Servant, first edition, signed presentation inscription from the author, slight shelf-lean, faded at spine and margins, jacket browned at spine and margins, spine creased, spine ends and corners a little chipped , 1968; and 3 others by the same, also inscribed, 8vo (3) The two other inscriptions demonstrate Crisp's typical wit; below on inscription he notes "Whether it increases the value of the book or not" and in How to Have a Life-Style he comments "Not that you need to learn anything about style, dear."
Lot 61
Sharpe (Samuel) - The History of Egypt, sixth edition, map frontispieces, contemporary prize calf binding, gilt, partly sunned , 1885 § Conder (C.R., translator ) The Tell Amarna Tablets , map frontispiece, some mss. notations, original cloth , 1893 § Petrie (W.M. Flinders) and others. A History of Egypt , 6 vol., mixed editions, illustrations, original cloth, gilt, shelf number to spine of one vol ., 1895-1924 § Capart (Jean) Memphis a l'Ombre des Pyramides, printed in red & black, contemporary morocco-backed boards, Brussels & Paris , 1930; and a small quantity of others, Egyptology, v.s. (sm.qty)
Lot 16
Egyptian Art.- Perrot (Georges) - and Charles Chipiez. A History of Art in Ancient Egypt, 2 vol and Charles Chipiez. A History of Art in Ancient Egypt, 2 vol., plates including folding and colour, library markings on titles with University of Liverpool Egyptology bookplates on front pastedowns, shelf markings on spine , 1883 § Capart (Jean) Egyptian Art: Introductory Studies, 1923; Propos sur l'Art Égyptien, vol.XXXIV of Annales D'Archéolgie de Bruxelles, original wrappers, basically rebacked, Brussels , 1930 § Iversen (E.) and Y. Shibata. Canon and Proportions in Egyptian Art, second edition, dust-jacket, rubbed at edges, Warminster , 1975 § Doxiadis (E.) The Mysterious Fayum Portraits: Faces from Ancient Egypt, dust-jacket , 1995, mostly with illustrations, all but third original cloth ; and c.30 others, Egyptian Art, plus a small group of British Museum periodicals relating to Egyptology, v.s. (sm.qty)
Lot 236
Grace (W.G.) - Cricket, number 277 of 652 copies signed by the author , plates and illustrations, faded ink inscription to half-title, upper hinge weak, original half roan, worn, spine faded and with ink shelf-mark, Bristol, 1891; and a first edition (in d-j) of John Arlott's first book, Of Period and Place , 1944, 4to and 8vo (2)
Lot 75
- Beautiful example built to exemplary standards by John May - Competed in the 'Daily Express' Production Jaguar race at the Silverstone Classic in July 2009 - 3.8 litre engine with semi race camshafts & 3x HD8 SU carburettors, E-Type (4.2) all synchro gearbox In addition to maintaining the factory XK 120's for many years and providing the basis for the Nigel Dawes series, John May has been creating his own interpretations of the ideal XK Jaguar for several decades. Today, he is no longer accepting new work. It is not simply that his cars are built to exemplary standards and incorporate the fruits of his vast experience of the marque, it is his uncompromising determination to get the detail of the job absolutely right which makes his output special. 679351 left Brown's Lane in 1952, bound for the US. By the late 1990's it had found its way back to Tewkesbury and underwent a painstaking bare chassis restoration. The detailed specification was formulated with occasional competition in mind, but principally, to serve as a long range tourer. It was finished in 2000. In the early years following the completion of its build, the car took part in the road going class of a few XK races, only failing to finish once (when the driver broke the gearstick and got fed up driving around in second gear). It was always driven to and, importantly, back from the circuits at which it competed, never suffering an impact. Its only 'competitive' outing in the past 10 years came as the result of an invitation to take part in the 'Daily Express' Production Jaguar race at the Silverstone Classic in July 2009, a one off race staged to celebrate the 60th anniversary of the XK's first competition victory at Silverstone in 1949. A commemorative plaque from this event is fitted to the dashboard. Although it has had limited use, the car has been maintained by John. Finished in Jaguar Gunmetal Grey with red leather and Turrino 5 ¢ x 15" colour coded wheels with polished alloy rims laced in E-Type offset pattern, the car's enviable specification includes fixed quarter lights and rear windows, minimalist custom indicators, halogen headlights, rack & pinion steering, modified suspension geometry, adjustable telescopic dampers all round, uprated springs and torsion bars, Salisbury 4HA axle with Powr lock differential and 3.05:1 'touring' ratio, disc brakes all round with Alcon 4 pot front callipers, custom made rear anti roll bar, Dave Butcher E- type 3.8-litre engine with semi race camshafts and 3x HD8 SU carburettors, E- type (4.2) all synchro gearbox, XK 140 radiator electric fan with viscous coupling, alternator, sports exhaust with removable rear baffles, side mounted aluminium water header & oil catch tanks, bucket seats - position adjustable, 4 point harnesses, full leather trimmed roll cage, competition pedal box, leather trimmed dash, doors and rear parcel shelf and battery box, full instrumentation including map light and period aviation chronometer, period Motorola radio (display only), 2 speed wipers and electric screen wash, wood rim steering wheel, plumbed in fire extinguisher (unused), ignition cut out, burst proof aftermarket locks and leather edged carpets. This stunning XK, ready to be enjoyed and worthy of close inspection, is offered with Swansea V5C, detailed specification sheet, Jaguar Cars vehicle information sheet, invoices from XK Developments and assorted old MoTs.
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