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A George I Burled Walnut Bureau Bookcase, early 18th c., upper case with double-domed molded cornice, conforming mirrored doors, shelf interior, candle slides; lower case with slant front opening to well fitted interior, two over two drawers below, bracket feet, height 85 in., width 41 in., depth 23 1/2 in. Note: "Sotheby`s Restoration" label on back of upper case.
A Fine American Neo-Grec Gilt Bronze-Mounted, Ebonized, Gilt Decorated and Inlaid Rosewood Parlor Cabinet, c. 1870, Pottier & Stymus, New York, bronze mounts marked and numbered "4738", reverse of cabinet numbered "4738", stepped shaped top, conforming case fitted with two paneled doors centering bronze plaques, birdseye maple shelf interior, fluted and blocked uprights, plinth base, height 51 in., width 55 1/2 in., depth 22 3/4 in. Note: The sophisticated design of this cabinet incorporates a theme of marital fidelity and domestic harmony. The two large plaques on the doors depict Penelope attending her weaving while awaiting the return of her husband and Ulysses seated with his devoted hound. The bronze plaques are likely from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier & Stymus. A cabinet with "Penelope" plaques marked "Gúerin" related to those here was offered by Neal Auction Company as lot 81, September 10, 2011. An important rosewood parlor cabinet with collared stiles and bust mounts marked "P&S" very similar to those placed on this cabinet was sold by Neal Auction Company as lot 742, May 1993. The use of a four and five-digit numbering system by Pottier & Stymus before 1888 is well-known and documented in Kristin Herrons` article on Glenmont, the Thomas Edison Residence in West Orange, New Jersey. The digits on a Pottier & Stymus example could be impressed, stenciled, or inscribed in ink, as seen here. Herron notes that the numbers were probably assigned chronologically, low digits, an "3924" on an Egyptian Revival chair at the Metropolitan Museum of Art dates from 1870, an1882 wardrobe at Glenmont is marked with a higher number "66595". The inked number on this cabinet, "4736," indicates manufacture in the early 1870s. An 1888 fire in the manufactory destroyed the firms` records, and probably terminated use of the numbers in subsequent work from Pottier & Stymus. Reference: Laux, Barbara. "The Furniture Mounts of P.E. Gúerin," Magazine Antiques (May 2002) p. 140-149 and Herron, Kristin. "The Modern Gothic Furniture of Pottier and Stymus." Magazine Antiques. (May 1999) p. 765, 768, pl. XIII-XIV, note 15, and p. 769, note 17.
An American Aesthetic Carved, Ebonized and Inlaid Cherrywood, Rosewood, Birdseye Maple and Maple Étagère/Desk, late 19th c., attributed to Herter Brothers, New York, stepped pediment, central fall front opening to fitted interior of drawers and compartments, flanking pedestals each with upper drawer, columnar uprights, mirrored back, the whole with medial drawers, pedestal base with bossed brackets, low shelf with gallery, shaped feet, reverse left branded "JNF(?)", height 67 in., width 41 1/4 in., depth 14 3/4 in. Provenance: Acquired from a California Estate, c. 1980. Note: An identical Herter étagère/desk of walnut and maple is in the collection of Michael and Margie Loeb, New York, and illustrated in Old House Interiors. Herter is known for juxtaposing finishes and colors on identical forms to continually create "one-of-a-kind originals". This is seen in side chairs made for the drawing room of the Vanderbilt residence, New York and for the Hopkins residence, San Francisco, as well as cabinets in the High Museum of Art, Atlanta, Georgia (acc. 1981-1000.51) and also Sagamore Hill National Historic Site, Oyster Bay, New York (acc. SAHI.1.1384). Reference: Coleman, Brian, "Manhattan Aesthetic", Old House Interiors, October/November 2002, Vol. VIII, No. 6, pp.61-67; Howe, Katherine S., Alice Cooney Frelinghuysen et al. Herter Brothers: Furniture and Interiors for a Gilded Age, 1994, pp. 177-179, fig. 25, 26.
Dunstan, Lola & Tom Young Pretoria 1889-1913 300x200cm Maroon skivertex boards, gilt titles on front and spine. 331pp, numerous sepia printed & illustrated photos, drawings, plans. There is a light crease running through the flep, else the boards and internally in fine condition, light shelf wear to dust jacket. Very Good No place stated (Pretoria) Privately Published 1975 Click here to view further details and to bid
A Bespoke Oak Cottage Dresser, the dresser features a double cupboard base with two drawers above with shield decorative carving to front, three shelf plate rack with decorative scalloped frieze, approximately 210 cms high x 117 cms x 37 cms, made by Nicholas Wood Furniture Makers in Warwickshire.
A pair of late George III Sheraton period burr wood demi-lune cabinets, with satinwood crossbanded borders painted with bands of beading and quatrefoil rosettes, each fitted with a single drawer above a cupboard door, enclosing a single shelf, raised on turned tapering legs with painted details, height approx 87.5cm, width approx 64cm (some alterations and restoration). Provenance: property of The Royal College of Radiologists.
An Edwardian mahogany and marquetry inlaid sideboard with satinwood crossbanded borders, inlaid with foliate scrolls, bellflower pendants and flower-filled vases, the double pagoda moulded top above an arrangement of drawers, cupboards and an open shelf, on square tapering legs and spade feet, height approx 114cm, width approx 182cm.
A Chinese three piece suite comprising a three seater settee and two armchairs with dragon and scroll pierced carved backs, inset with grey veined marble panels, shaped arms on pierced dragon supports with carved dragon and scroll decorated friezes, on cabriole legs and claw feet. The settee 68ins wide, a matching coffee table with marble inset top, on cabriole legs and claw feet united by a shaped under-tier. 38 by 18ins and a matching side table with raised shelf and pierced frieze, on cabriole legs and flattened stretchers. 22 by 13½ins.

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104473 item(s)/page