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Lot 259
A Chinese hardstone model of a tree mounted in a cloisonne planter, together with other mainly Oriental decorative wares including a pair of planters on hardwood stands, various hardstone beads, Cantonese enamel slipper, reproduction Masons style jardiniere and a treen dough bowl (one shelf)
Lot 270
A collection of Royal Doulton character jugs and figures, together with other miscellaneous ceramics (one shelf)Condition report: Churchill figure - in very good condition throughout. Sir Walter Raleigh jug - in very good condition throughout. Watch and Gin figure with scratches otherwise items appear in good order.
Lot 182
GOOD MATCHED PAIR OF VICTORIAN ROSEWOOD MUSIC STANDS, c. 1860, pierced fretwork angled rests, gilt metal adjustable and fluted columns on scrolled tripod bases, one stamped "H. Brooks Limited 91 2935" (2) Provenance: Tim Saltwell Antiques; private collection South Wales. Comments: one with restored leg, minor veneer losses.The maximum height or to the music shelf is 117cm’sBoth stands are the same
Lot 238
ASSORTED OCCASIONAL FURNITURE including Victorian walnut side table, Edwardian kidney table, Edwardian cake stand, together with a French dial clock, glass Roman dial stamped 'Society Du Filtre Gasquet / Bordeau' (damaged), and a modern reproduction three tier shelf (5) Provenance: deceased estate Neath/Port Talbot collection
Lot 1500
A late 19th century satinwood ladies writing desk / Bonheur Du Jour. Raised on square tapering legs with fitted frieze having single drawer with brass handles. Above, a fold over baize lined desk top with bone escutcheons and an upright gallery back with cupboards and open recess. Finished with a stage stub gallery back shelf atop. Measures 102 x 69 x 44cm.
Lot 129
Isherwood (Christopher) Sally Bowles, first edition, some scattered spotting to endpapers, original cloth, slight shelf-lean, some light foxing and discolouration to spine, dust-jacket, light browning to spine, spine ends and corners a little chipped, some light toning and surface soiling to panels, but an excellent example overall, 8vo, 1937.
Lot 256
Sackville-West (Vita) The Edwardians, first trade edition, signed presentation inscription from Lady Sackville to endpaper with additional inscription by her "This book has been chosen by the Book Society" to facing page, light spotting to prelims, browning to endpapers, original cloth, slight shelf-lean, spine slightly darkened, dust-jacket, light toning to spine, spine ends and corners a little chipped with repairs to verso, light surface soiling, extremities a little rubbed, [Cross & Ravenscroft-Hulme A20a; Woolmer 235B], 8vo, Hogarth Press, 1930.
Lot 295
Tolkien (J.R.R.) The Lord of the Rings, 3 vol., comprising: The Fellowship of the Ring, The Two Towers and The Return of the King, second impressions,half-titles, folding map at end of each vol., first vol. with ink ownership signature to front free endpaper, original cloth, spines a little faded, slight shelf-lean, 8vo, 1954-55.
Lot 177
Maugham (William Somerset) The Razor's Edge, first English edition, signed presentation inscription from the author to Elsie Tritton to half-title, original cloth, slight shelf-lean, light rubbing to spine tips and corners, dust-jacket, light browning to spine, spine ends and corners chipped, some foxing and light soiling, light creasing to head and foot, [Stott A63c], 8vo, 1944.⁂ Maugham's last major novel with an excellent association inscription. Elsie Tritton (1897-1983), noted collector and friend of Maugham's who introduced the author to Alan Searle, Maugham's private secretary and companion for the final two decades of his life.
Lot 49
Christie (Agatha) Death on the Nile, 1937; The Seven Dials Mystery, 1929; Hercule Poirot's Christmas, 1939, first editions, occasional spotting, heavier to first, along with some soiling, uniform modern orange cloth, for The Crime Club; and 3 others by the same, first editions, 8vo (6) ⁂ In some cases the binding is ill-fitting, depending on varying size of text block, to ensure uniformity of size on the shelf.
Lot 83
Fleming (Ian) On Her Majesty's Secret Service, jacket with light toning to spine, chip to head of upper joint, light creasing to spine ends, light finger-soiling to lower panel, 1963; You Only Live Twice, first state, slight shelf-lean, jacket with light toning to spine, spine ends and corners a little chipped, light creasing to head, faint marking to lower panel, 1964; The Man with the Golden Gun, second state boards, jacket with light toning to spine, near-fine otherwise, 1965, first editions, original boards, dust-jackets; and a copy of The Spy Who Came in from the Cold, 8vo (4)
Lot 18
Bates (H.E.) A Threshing Day, one of 300 copies signed by the author, slight shelf-lean, spine and covers faded, 1931; The Tinkers of Elstow, one of 300 copies signed by the author and artist, illustrations by Randolph Schwabe, wear to head of spine, scuffed and scratched, [1945]; Sea Days and Sea Flowers, number 2 of 25 copies, illustrations by Gerald Woods, 1984 § Bates (H. E.), Graham Greene, V. S. Pritchett, Seán Ó Faoláin and others. The English Novelists. A Survey of the Novel by Contemporary Novelists. Edited by Derek Verschoyle, dust-jacket, closed tear to foot of lower panel, some light soiling, near-fine otherwise, 1936; and c.20 others, by or with contributions by Bates, v.s. (c.25)
Lot 20
Bedford (Sybille) The Sudden View, "File Copy" ink stamp to pastedown, jacket spine ends and corners chipped, damp-staining to lower panel with chip to foot, faint "File Copy" ink stamp to upper panel, 1953; A Legacy, ownership inscription of John Osborne's wife to endpaper, Hurst bookplate to pastedown, slight shelf-lean, light fading, jacket spine ends and corners chipped, light toning to jacket spine, extremities rubbed, 1956; The Faces of Justice, jacket price-clipped, spine sunned, rubbing to spine ends and corners, 1961, first editions, original boards, dust-jackets, light surface soiling; and 7 others by or about the same, 8vo (10)
Lot 178
Maugham (William Somerset) The Razor's Edge, first English edition, original cloth, slight shelf-lean, else fine, dust-jacket, very slight toning to spine, minor chipping to spine ends, light creasing to head and foot, some ery light surface soiling, a bright and excellent copy, [Stott A63c], 8vo, 1944.
Lot 176
Maugham (William Somerset) Strictly Personal, first English edition, signed presentation inscription from the author to Elsie Tritton on endpaper, frontispiece portrait, some light marginal toning, original cloth, slight shelf-lean, dust-jacket, very light toning to spine, spine ends and corners chipped, creasing to head and foot, repairs to verso, [Stott A60d], 8vo, 1942.⁂ Maugham's collection of recollections from his period in France during the Second World War, rare signed. Elsie Tritton (1897-1983), noted collector and friend of Maugham's who introduced the author to Alan Searle, Maugham's private secretary and companion for the final two decades of his life.
Lot 239
Sackville-West (Vita) Heritage, slight shelf-lean, light sunning to spine, spine ends and corners a little bumped, 1919; The Dragon in Shallow Waters, bookplate to pastedown, light sunning to spine, spine ends and corners a little bumped, light spotting to covers, 1921; Grey Wethers, light spotting, ink ownership inscription to endpaper, light toning to spine, spine ends and corners a little bumped, light rubbing to extremities, 1923; Grand Canyon, fading to spine tips, dust-jacket, light sunning to spine, spine ends and corners a little chipped, extremities a little rubbed, 1942; The Easter Party, dust-jacket, light sunning to spine, spine ends and corners with minor chipping, 1953, first or first English editions, light browning to endpapers, original cloth or boards, [Cross & Ravenscroft-Hulme A4a, A5a, A10a, A39b & A50a]; and 4 others, novels by the same, 8vo (9)
Lot 655
A PAIR OF GEORGE II CARVED SOFT WOOD WALL BRACKETS IN THE MANNER OF THOMAS JOHNSON, CIRCA 1755each 27cm high, 20.5cm wide, 13cm deep Condition Report: There are marks, cracks, scratches, knocks and abrasions consistent with age and use. There are traces of pale grey paint and white on the underlying pale softwood, with some areas of later coral coloured paint. There are some losses and repairs incorporating later timber, for example to the front area of each shelf, also some small patched repairs, with old holes from previous wall fixings to the back. There are some sectional construction cracks and some other cracks. The top of the brackets have notches, presumably to create a recess for an upright plate to slot, there are some traces of gilt and some later gilt paint. Please see the additional photographs for a visual reference of condition. Condition Report Disclaimer
Lot 658
A GEORGE II CARVED OAK WALL BRACKET CIRCA 1730Of winged grotesque mask form21.5cm high, 16cm wide, 13cm deepCondition Report: The bracket has marks, chips, knocks, scratches and abrasions consistent with age and use. There are some losses and restorations including chips to the tips of some of the scrolls and a repair, possibly with a later carved section, to the lower tip of the front central pendent leaf. The bracket is essentially of two sections: the top shelf and upper central small scrolls and pendent leaf, and the support with side scrolls and mask. These two sections are later fixed with a steel screw visible to the top of the shelf. The upper section has been split and repaired. There are holes from old fixings to the back of the bracket. Please see the additional photographs for a visual reference of condition. Condition Report Disclaimer
Lot 745
Y A REGENCY AMBOYNA AND TULIPWOOD CROSSBANDED SHELF CIRCA 1820 With anthemion gilt metal mounts10cm high, 36cm wide, 8cm deepCondition Report: With marks, knocks, scratches and abrasions commensurate with age and use. The top and sides of the brackets with amboyna veneer- top slightly crusty- some old repairs and edge veneer replacements- gilt mounts rubbed, some signs of old glue under bracketsPlease refer to additional images for visual reference to condition.Condition Report Disclaimer
Lot 204
A CANTONESE BLACK AND GOLD LAQUERED SEWING BOX painted in gilts with immortals and figures beneath foliage, the hinged lid enclosing a shelf fitted with sections and containing ivory accessories, metal bail handles and on carved grotesque feet, 14cm high, 37cm wide and 31cm deep Condition Report: Available upon request
Lot 93
DICKENS (CHARLES)A Christmas Carol. In Prose. Being a Ghost Story of Christmas, FIRST EDITION, Smith's's first issue, first state, with title-page dated 1843 printed in red and blue, the text uncorrected, 'Stave I' on p.[1] and yellow endpapers, hand-coloured etched frontispiece and 3 plates after John Leech, 4 wood-engravings by W.J. Linton after Leech, 2pp. advertisements at end, a little light soiling and one or two spots, publisher's cinnamon vertically-ribbed cloth, stamped in blind and gilt (Todd's first impression, second issue, first state, with 12-13mm. between closest points of blind-stamping and gold wreath on upper cover, and the 'D' of 'Dickens' unbroken), g.e., 3 or 4 small ink spots on covers, corners knocked, head of spine chipped [Eckel pp.110-115; Smith II:4; William B. Todd, in The Book Collector, Winter 1961, pp.449-454], 12mo (164 x 100mm.), Chapman & Hall, 1843Footnotes:FIRST EDITION OF DICKENS'S FIRST AND MOST ENDURING CHRISTMAS BOOK, the first issue with 'Stave I' in the first chapter heading, the text uncorrected, the red and blue title-page dated 1843, and yellow endpapers. Dickens had requested the title be printed in red and green with green endpapers to match, but he was disappointed with the appearance of the green printing. The title was subsequently printed in red and blue, the title-page date changed to 1843 (rather than the gift book convention of using the following year's date), and the green endpapers replaced with yellow ones. However, the sheets continued to be issued in various combinations with no clear priority.With Scrooge as is central character, A Christmas Carol was published on 19 December 1843, at 5s. 'Its popularity was extraordinary and by every post he received letters from complete strangers, telling him about their home and hearths, and how this same 'Carol' was read aloud there, and kept on a little shelf by itself' (Kitton, Minor Writings, p.34). It ran through fourteen editions between 1843 and 1860, with the text comparatively unchanged and printed from the same original setting of type.Provenance: 'From McGoff/ 27.3.1929', loosely inserted note in Collis's hand.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
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104473 item(s)/page