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A pair of antique Regency style rosewood chiffoniers, the upper tier with pierced brass dentil frieze supported by scrolled pillars over two short drawers and two cupboards with brass bull's eye trellis and rose silk inserts, single shelf within, raised on turned baluster legs, 100 x 89 x 32cm approx. (2)
A George III Oak and Mahogany Inlaid Enclosed Plate Rack. With a cavetto cornice above an inlaid and shaped fret cut frieze with three shelves embraced by a shaped shelf and a cupboard door cockbeaded, crossbanded and inlaid with chequering centred with an oval with a marquetry conch shell. 122x191x19cms.
A William IV mahogany secretaire chiffonier, with nulled mouldings, the raised back with brass pole and scroll supports, above a drawer fitted with pigeon holes, drawers and a baize lined writing surface, with cast floral swag handles, above a pair of panelled doors enclosing a shelf, 138cm high, 95.4cm wide, 46.2cm deep.
λ A Regency rosewood, ebony and brass inlaid side cabinet attributed to George Oakley, the raised back with a three quarter gilt brass gallery with two graduated shelves with anthemion and scrolling foliage supports, the inverted breakfront base inlaid with an oak leaf and acorn band above a pair of mirrored doors enclosing a shelf, with further inlaid ebony bands of stars, lattice work and a stylized Vitruvian scroll, flanked by giltwood and gesso leaf capped scroll volutes terminating in carved paw feet, 133.5cm high, 91.6cm wide, 40.6cm deep. The use of classical anthemion leaf, scroll volutes and carved paw feet show the influence of the designer and connoisseur Thomas Hope. The use of inlaid brass also shows the popularity of the 18th century French style and the revival of 'buhl' work after Andre-Charles Boulle. George Oakley (1773-1840) was well known for supplying 'buhl' furniture especially for his celebrated commission of Papworth Hall, Cambridgeshire. For a Regency library table attributed to Thomas Hope, the manufacture attributed to George Oakley see Bonhams, Fine English Furniture and Works of Art, 15th June 2011, Lot 121. See also Bearne's of Exeter, 28th February 2006 for a Regency amboyna writing table in the manner of Thomas Hope with identical oak leaf and acorn banding.
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96580 item(s)/page