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Click here to subscribeA late Victorian writing table in the manner of Edwards & Roberts, the back with a pair of writing drawers, with curved flap covers, joined by an open shelf, the base with a green leather inset and an arrangement of seven drawers, the whole marquetry decorated in Adam`s style, with flower bronze arabesque, urns and putti, width 48 1/2ins. (See illustration)
An oak South Wales high dresser, in the I8th century taste, the boarded three shelf delft rack over three short frieze drawers fitted with brass replacement handles, on four slender baluster front supports, above an open potboard on short stile end supports, 177cm wide, 206cm high, 41.5cm deep
A mid Wales oak deuddarn, early 19th century, the calvetto moulded cornice over two ogee arched panel doors, revealing a fixed single shelf over two frieze drawers and two three panel doors to the base, all fitted with brass knob handles, raised on stile end supports, 93cm wide, 178cm high, 45.5cm deep
In the manner of E W Godwin a walnut coffee or occasional table circa 1880, the square top with moulded edge on four ring turned supports united by a shelf stretcher with lattice bracing on short baluster turned legs terminating in a turned foot, 43cm square, 66.5cm high Note: For the origin of this table`s design see Susan Weber Soros `The Secular furniture of E W Godwin` page 143 fig 207.1. Two citations in Godwin`s ledger books, one from 1869 (V&A AAD 4/10 - 1980, vol 8) and another from 14th December 1876 (V&A AAD 4/12 - 1980, vol 13) confirmed that Godwin continued to design these coffee tables for William Watt throughout the late 1860s and 1870s
Old Testament [Latin]. Liber Psalmorum Davidis. Annotationes in Eosde ex Hebræorum Commentariis, Robert Estienne, Paris, 1546, woodcut device to title-page, date on title sl. obscured, first and final leaves browned, minor staining to prelim. leaves, bookplate of the Earl of Macclesfield (and his crest blindstamped to first few leaves), 18th c. speckled calf gilt, rubbed, faded spine with sl. loss at head, and with discreet shelf labels to head and foot, 8vo. (1)
A Victorian mahogany and painted commode in the Adam taste by Edwards & Roberts of London, the grey/rosso marble top above a single frieze drawer, bearing maker`s stamp "Edwards & Roberts" over two cupboard doors enclosing a single shelf raised on square tapered supports, 104 cm wide (ILLUSTRATED)
A Victorian boullework and ebonised credenza, the plain top with cast gilt brass foliate edge above boullework frieze, the central cupboard door with raised bombé centre panel within a cast gilt brass frame within boullework spandrels and applied gilt brass mask motifs opening to reveal a pink velvet lined interior with shelf flanked by two bowed glazed cabinet doors enclosing two shelves interspersed by Bacchanalian figural corbels raised on a plinth base, 185 cm wide (ILLUSTRATED)
An 18th Century and later oak court cupboard, the moulded cornice above a lunette carved frieze and central floral carved panel flanked by two similarly decorated cupboard doors enclosing a shelf, further flanked by foliate carved and fluted column supports over a fluted carved frieze and foliate carved panelled doors with dragon scale carved stiles opening to reveal a single shelf flanked by Green Man style grotesque mask capitols over fluted side pilasters raised on a moulded plinth base, 173 cm wide x 179 cm high (ILLUSTRATED)
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![Old Testament [Latin]. Liber Psalmorum Davidis. Annotationes in Eosde ex Hebræorum Commentariis, Robert Estienne, Paris, 1546](http://lot-images.atgmedia.com/SR/10729/2801034/383-2010920121512_468x382.jpg)
