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Lot 642
A large, fine and rare mid-19th century French chestnut or ash femme de chambre; the outset cornice above four glazed doors opening to reveal shelf space, four concave moulded drawers below and four panelled doors, each with a central lozenge design, original ironwork and of very good colour, raised on plinth base, circa 1840, 230cm wide x 53cm (deepest) x 195cm high, together with original copy invoice from Denzil Grant (Suffolk Fine Arts Limited) for £9,600 CONDITION REPORT: This is in two sections top and bottom and each section is exceptionally heavy. The cornice and plinth base are not removable. Condition is generally commensurate with age. The second door in from the left has a cracked pane also the first door in from the right. As a French provincial rustic piece it is in reasonable order. There is evidence of historic woodworm mostly to the left hand side upper section and also some minor historic worm to the right hand side. This does have some splits to the sides but these are really just where the individual planks are parting having shrunk across the grain through time. The piece retains a good overall colour and does show minor scratching and scuffing mostly commensurate with age and in our opinion this would benefit from a decent wax polishing. Some sections of wood have split naturally (notably the right hand vertical where the bottom hinge is on the top section and it looks as if these have been filled some years ago). This comes with an original copy invoice from Denzil Grant (Suffolk Fine Arts Ltd) for £9,600 as originally supplied to the clients.
Lot 124
ϒA Napoleon III Ormolu-Mounted, cut-brass-inlaid and tortoiseshell ‘Boulle’ writing-table, mid-19th century, the superstructure with pierced three quarter gallery above an arrangement of four drawers divided by a shelf, the frieze with further drawers above vase-shaped end supports with pierced rocaille cartouches, joined by a stretcher and on splayed, scrolling feet centered by shell motifs, 99cm high, 106cm wide, 70cm deep ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 1395
A fine Hille burr walnut and ebonised wood canteen fitted with a suite of Richard Richardson silver cutlery, the wooden canteen designed by Ray Hille, 1935, with rounded rectangular top, four fitted drawers over pedestal with single cupboard with single shelf and hinged door, the Richard Richardson cutlery comprising 24 grapefruit spoons, 1 soup ladle, 12 soup spoons, 24 fish knives and forks, 2 fish carvers, 24 table knives and forks, 2 meat carvers, 1 steel, 48 knives and forks, 8 small servers, 36 dessert spoons, 24 dessert knives and forks, 24 dessert forks, 12 cheese knives, 12 coffee spoons, 12 tea spoons, 12 pastry forks, 2 cake knives, 2 forks and 2 sugar tongs, stamped marks, Richard Richardson, Sheffield, 1937. 85cm. high, 135cm. wide, 48cm. deep.Provenance private collection Literature Sutherland Lyall Hille - 75 Years of British Furniture, Elron Press/Victoria & Albert Museum, page 75 this actual canteen partially illustrated (lower right corner) in situ at the V&A Exhibition in 1981.
Lot 10
SGT. PEPPER'S/WHITE ALBUM - UK MONO ORIGINALS. Fab selection of 2 x original UK LPs. TItles are Sgt. Pepper's Lonely Hearts Club Band (PMC 7027 -1/-1 'Sold In UK', 'The Gramophone Co', no 'patents pending' sleeve - solid Ex condition record /Ex neat fully laminated sleeve with just some minor shelf wear) and The White Album (PMC 7067/68 top opening number 0166135 'Sold In UK', 'An EMI Recording', 'Mfd. In UK' - Ex records with just a couple of pretty light surface markings, with poster, photos, spacer and black inners/Ex some light wear on the top opening edge).
Lot 124
PROBABLY SCOTTISH, GOOD QUALITY LATE NINETEENTH CENTURY CARVED OAK MIRROR BACK SIDEBOARD IN THE ART NOUVEAU STYLE, the back with pierced scroll cresting above a blind fret carved frieze and central cupboard door, amber glass glazed and overlaid with embossed brass stylised foliage, set over an open shelf with bevel edged mirror back and turned supports, flanked by side panels with D shaped brackets with bevel edged mirrors above and turned support, the advanced lower section with moulded oblong top above two central drawers, fitted with heavy brass handles, and with panelled cupboard door under, the centre carved with scroll work, flanked by a pair of conforming cupboard doors and blind fret carved fore corners, and raised on heavy bracket feet, 88" (223.5cm) high, 72" x 24" (183cm x 61cm), together with an OAK MIRROR BACK FOR A SIDEBOARD WITH MATCHING CRESTING, (2)
Lot 148
LATE SEVENTEENTH/ EARLY EIGHTEENTH CENTURY ENGLISH CHINOISERIE LACQUERED CABINET ON ASSOCIATED STAND, the cabinet with moulded cornice above a pair of cupboard door, fitted with exposed brass strap type hinges and ornate two part escutcheon, and decorated with figures, birds and dwellings, enclosing an interior later fitted with fixed glass shelf and pull-out glazed slide, the stand with crossgrain moulded top edge above a feather banded long frieze drawer, and raised on five barley twist supports, ited by shaped, flat stretchers, 62" (157.5cm) high, 39 ½" x 21" (100.4cm x 53.3cm)
Lot 177
EARLY TWENTIETH CENTURY LINE INLAID MAHOGANY BIJOUTERIE AND DISPLAY CABINET, the breakfront oblong top above a glazed cupboard door and side panels, enclosing a glass shelf to the pink silk lined interior and set above a conforming flat cabinet with hinged front section, raised on square, tapering legs with spade feet, tied by wavy stretchers and a under tier, 49" (124.5cm) high, 26 ½" x 17" (67.3cm x 43.2cm)
Lot 180
EDWARDIAN PAINTED, LINE INLAID AND CARVED MAHOGANY BREAKFRONTED DISPLAY CABINET, the moulded top with short back and raised end sections, painted with musical trophies, flowering basket and floral swags, set above a conforming frieze and open shelf with mirror back, shaped shelf and turned and fluted supports, flanked by a pair of astragal glazed side cabinets, each with single glass shelf and floral silk lined interior, over three basal drawers, each painted with children in exterior settings, and raised on square, tapering legs with spade feet, 60" (152.4cm) high, 60" x 18" (152.4cm x 45.7cm), losses and breaks to glass
Lot 187
TWENTIETH CENTURY GILT METAL MOUNTED MAHOGANY BIJOUTERIE CABINET, of oval form, the bevel edge glazed top with pierced gallery set above a glazed door and sides, enclosing a glass shelf, red velvet lined base and two electric light bulbs to the interior, raised on square cabriole legs, 40" (101.6cm) high, 22" x 15" (56cm x 38.1cm)
Lot 477
A FRENCH 18TH CENTURY LOUIS QUINZE ORMOLU MOUNTED TULIPWOOD, KINGWOOD AND SATINE PARQUETRY SECRÉTAIRE ABATTANT BY CHARLES CHEVALLIER MAÎTRE CWC 1732, the shaped Breche d'Alep marble top above a fall front, opening to reveal a gilt tooled leather writing surface, and an interior fitted with three compartments and six drawers including one with an inkwell, above a central drawer fitted with sliding surfaces hiding compartments and a central adjustable lectern, a pair of doors opening to a single shelf on cabriole feet with foliate cast sabots. Stamped under the marble, Chevallier and JME. 133.5cm high; 114cm wide; 41cm deep (52.5 high; 44.5 wide; 16 deep)Charles Chevallier (1703-1771) established his workshop on Rue du Bac, Paris, and his production consists essentially of fine marquetry furniture, a secrétaire bearing his stamp can be seen in the collection of the Musée Carnavalet in Paris. On his death, the celebrated ébeniste Matthieu Criaerd took over his business.Literature: Anne Foray-Carlier, Le Mobilier du Musée Carnavalet, editions faton 2000Pierre Kjellberg, Mobillier Français du XVIIIe Siècle, les editions des l'amateurs
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