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Ardizzone (Edward) Baggage to the Enemy, signed presentation inscription from the author/illustrator to Lt. Col. J. V. McCormack to front free endpaper, slight shelf-lean, jacket with sunning to spine, spine ends and corners chipped light creasing to head and foot, 1941; The Young Ardizzone, signed presentation inscription from Ardizzone, ink stamp of Mayor Gallery to endpaper, jacket with light creasing to spine tips, 1970 § Stonier (G. W.) Pictures on the Pavement, signed by Ardizzone, jacket with light sunning to spine, minor chipping to spine tips and corners, 1955, first editions, illustrations by Ardizzone, original boards, dust-jackets; and 2 others, Ardizzone, 8vo (5)⁂ J. V. McCormack's portrait was painted by Ardizzone's fellow war artist Reginald Eves in 1940.
Eliot (T.S.) Old Possum's Book of Practical Cats, first illustrated edition, illustrations by Nicholas Bentley, original pictorial cloth, slight shelf-lean, light toning to cover margins, dust-jacket, light browning to spine, chipping and creasing to head and foot, a very good copy, 4to, 1940.
Fleming (Ian) Dr. No, first edition, a few scattered edge-spots, original second state boards with silhouette, slight shelf-lean, dust-jacket, light toning to spine, light rubbing and minor chipping to spine tips and corners, 2 small nicks to upper panel, very light creasing to head and foot, some light soiling to lower panel, but an excellent example overall, 8vo, 1958.
Fleming (Ian) On Her Majesty's Secret Service, uncorrected proof copy, original wrappers, rather rubbed, light ring stain to upper wrapper, spine and corners creased, shelf-lean, 1963; The Man with the Golden Gun, 1965; On Her Majesty's Secret Service, ink gift inscription to front free endpaper, one or two very faint spots to title, 1963, last two first editions, original boards, dust-jackets, light creasing and fraying to extremities, spines faded, a little discoloured, 8vo (3)
Hemingway (Ernest) A Farewell to Arms, first English edition, first issue with 'seriosu' to p.66, light browning to endpapers, original cloth, slight shelf-lean, dust-jacket, very light toning to spine, small chip to head of spine, light creasing to head, a near-fine copy, [Hanneman 35A], 8vo, 1929.
Hemingway (Ernest) Death in the Afternoon, first English edition, plates, occasional scattered foxing, Advance Copy for Review slip giving publishing date of November 14th 1932 loosely inserted, neat pencil note to front pastedown noting misprint on p.124 with corresponding neat correction on that page, original cloth, slight shelf-lean, dust-jacket, light toning to spine, a few small nicks and tears to head and foot with light creasing, some light surface soiling, an excellent copy overall, [Hanneman 36A], 8vo, 1932.
Huxley (Aldous) Brave New World, some scattered foxing, ink ownership inscription to endpaper, slight shelf-lean, light creasing and toning to spine, short split to lower joint, light bumping and rubbing to spine tips and corners, 1932; Point Counter Point, ink ownership inscription to endpaper, dust-jacket, light browning, chipping and creasing to head and foot, rubbing to extremities, 1928, first editions, original cloth, 8vo (2)
NO RESERVE Kops (Bernard) Awake for Mourning, first edition, light browning to endpapers, original boards, slight shelf-lean, dust-jacket, short tear to head of upper fore-edge, light rubbing to extremities and creasing to head, an excellent copy, 8vo, 1958.⁂ Kops' first book, rare, much of the setting reminiscent of the kitchen sink dramas for which Kop would become known.
Lewis (C.S.) Prince Caspian. The Return to Narnia, third impression, 1960; The Voyage of the Dawn Treader, fourth impression, 1962; The Silver Chair, fourth impression, 1961; The Horse and His Boy, fourth impression, 1961; The Magician's Nephew, third impression, 1960; The Last Battle, third impression, 1961, first editions, illustrations by Pauline Baynes, neat ownership inscriptions to endpapers, original boards, some slight shelf-lean, dust-jackets, some light sunning to toning to spines, light rubbing to head and foot, but near-fine examples generally, 8vo (6)
Martin (George R. R.) A Dance With Dragons, first edition, signed by the author, dust-jacket, 2011 § Tolkien (J. R. R.) The Fellowship of the Ring, fourth impression, slight shelf-lean, sunning to spine, spine ends a little frayed, 1955 § Moore (Alan) Watchmen [2 copies], first hardback edition, illustrations by Dave Gibbons, slipcase, New York, 1988 § Morgan (Richard) Altered Carbon, first edition, light toning to margins, 2002, original cloth or boards, 8vo (5)
Moore (Brian) The Luck of Ginger Coffey, signed by the author on title, dust-jacket, light toning, spine ends and corners a little chipped, 1960 § Stapledon (Olaf) The Last and First Men, light spotting, slight shelf-lean, spine ends and corners a little bumped, 1930 § Beckett (Samuel) Three Novels, dust-jacket, light rubbing and creasing to head and foot, 1959 § Ghali (Waguih) Beer in the Snooker Club, dust-jacket, light toning to spine, spine chipped at head, New York, 1964, first or first English editions, original cloth; and c.20 others, modern literature, 8vo (c.25)
Nabokov (Vladimir) Lolita, first English edition, original boards, slight shelf-lean, dust-jacket, very light sunning and faint creasing to spine, minor chipping to spine chips and corners, chip to head of upper fore-edge, a few small nicks and tears with light creasing to head and foot, neat tape strengthening to upper and lower edge verso, but an excellent example generally, 8vo, 1959.
O'Brian (Patrick) The Wine-Dark Sea, jacket with small dent to upper joint, 1993; The Commodore, 1994; The Yellow Admiral, 1997; The Hundred Days, slight shelf-lean, 1998; Blue at the Mizzen, jacket with publisher's sticker to upper panel, 1999, first editions, some light marginal toning, original boards, light rubbing, dust-jackets, some light creasing to head and foot, else fine, 8vo (5)
Snow (C. P.) Strangers and Brothers, early issue, portion of loss to jacket spine head, 1940; Time of Hope, signed presentation inscription from the author to title, slight shelf-lean, 1949; The Light and the Dark, long split along lower flap joint, small stain to upper panel, some tears or marks to covers, 1947, original boards, dust-jackets, spines faded or toned, short tears, nicks or chips to extremities, still overall remarkably bright and crisp copies in scarce jackets, 8vo (3)⁂ An excellent group of C.P. Snow's Strangers and Brothers series, here the first three in publication order, which differed from the narrative ordering of the sequence.
Stevenson (Robert Louis) Kidnapped, first edition, second issue with "pleasure" to p.40, folding colour map, 12pp. advertisements in earliest state dated "5G.4.86", ink inscription to half-title, original cloth, shelf-lean, spine faded, spine ends and corners bumped and a little frayed, light marking to covers, [Prideaux 18], 8vo, 1886.
Stevenson (Robert Louis) The Stories..., first collected edition, light browning to endpapers, light toning to spine, dust-jacket priced at 7/6, light browning to spine, some light toning and surface soiling to panels, light rubbing to extremities, near-fine otherwise, 1928; The Black Arrow, first edition, occasional foxing, spine a little darkened, spine ends and corners a little bumped, light surface soiling to covers, [Prideaux 26], 1888; Catriona, first edition, light scattered foxing, slight shelf-lean, [Prideaux 39], 1893, original cloth; and 6 others by the same, 8vo (9)
Tolkien (J.R.R.) The Lord of the Rings, 3 vol., comprising The Fellowship of the Ring, fifth impression, third impression jacket, lower joint chipped, 1956, The Two Towers, fourth impression, ink gift inscription, third impression jacket, 1956, The Return of the King, first edition, first impression, with signature mark '4' and sagging text to p.49, ink gift inscription, jacket price-clipped, fading to lower panel, 1955, folding maps, browning to endpapers, original cloth, slight shelf-lean, spine ends and corners a little bumped and faded, dust-jackets, all broken along lower joint, spines browned, spine ends and corners chipped with loss, some creasing and fraying to head, light surface soiling, 8vo.
Warner (Sylvia Townsend) Lolly Willowes [2 copies], slight shelf-lean, jacket with a few short nicks with creasing to head and foot, 1926; The Espalier, jacket head of spine and corners a little chipped, light creasing to head, 1925; Mr. Fortune's Maggot, some light rubbing to spine, 1927, first editions, scattered foxing, original cloth, dust-jackets, light toning to spines, otherwise excellent or near-fine; and 5 others by the same, 8vo (9)⁂ An excellent group of works by Warner, including her first book (The Espalier) and her first novel (Lolly Willowes, an early feminist classic about an elderly spinster who escapes London for the country and becomes a witch).
Waugh (Evelyn) Brideshead Revisited, first edition, wormhole to front free endpaper and following three leaves, original cloth, slight shelf-lean, some damp mottling to covers, dust-jacket, spine with light vertical crease and tear with creasing to head, small nick to head and foot of lower panel, light creasing to head, the odd spot, an excellent copy, 8vo, 1945.⁂ Waugh's most popular novel, his exploration of the demise of the English country house and Catholic identity.
Betjeman (John) Ghastly Good Taste, double-signed by the author on endpaper and title, errata slip, folding plate, light toning to spine and covers, a little rubbed, 1998; Continual Dew, signed by the author on half-title, spine rubbing, slight bumping to spine tips and corners, 1937; Old Lights for New Chancels, signed by the author on endpaper, author's signed card loosely inserted, slight shelf-lean, very light toning to spine, 1940, first editions, original cloth or boards; and 3 others by the same, 2 of which signed, 8vo (6)
An Arts and Crafts light oak dresser in two parts. The top with carved frieze and two grooved shelves above a base with two short drawers and twin cupboard doors which reveal a single full shelf on rectangular feet, height 184.5cm width 125cm depth 53cm.The dresser has firm joints and general wear consummate with age and usage.
An 18th century and later oak dresser, the later shelf back fitted with a clock movement, the base raised on cabriole legs, height 209cm, width 136cm, depth 53cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A modern green and gilt painted pier mirror, height 93cm, width 50cm, together with matching console shelf, width 78cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late 20th century 'Solemio' console hall table, designed by Giotto Stoppino for Acerbis, circa 1983, the floating shelf with oscillating mirror, height 150cm, width 150cm, depth 30cm. Provenance: from the estate of Jeannette and Wilfred Cass, Cass House, Goodwood, Chichester.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of 20th century French oak bedside tables, each galleried top above an open shelf, height 74cm, width 40cm, depth 30cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A modern perspex six-tier corner display shelf, height 180cm, width 56cm. Provenance: from the estate of Jeannette and Wilfred Cass, Cass House, Goodwood, Chichester.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small Victorian mahogany cupboard, fitted with an arched panel door revealing a shelf and drawer, on a plinth base, height 75cm, width 44cm, depth 45cm, together with a 19th century mahogany cabinet, the panel door revealing two shelves, height 57cm, width 47cm, depth 24cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century mahogany three-tier wall shelf with a shaped openwork back, height 90cm, width 56cmn, depth 17.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A rare late 17th/early 18th century oak livery hutch: single central door opening to reveal single slightly recessed shelf, the door flanked by two vertical panels and with panelled sides set in chamfered rails, of excellent colour and patination, raised on high stile feet (back foot restored) (112cm wide x 52cm deep x 84.5cm high). The Vendor states that this piece was bought from Huntington Antiques in January 2001 for £9500
A late Victorian walnut Canterbury what-not, the upper tier with pierced fret-cut rosette detail above a further shelf and four division base, with conforming fret-cut side panels, raised to reeded supports and applied brass castors, height 70cm, width 41cm and depth 34cm, some repairs, S/D.
A retro mid 20th Century light oak-ply dressing table chest in the manner of G Plan having a frameless mirror over a drop well centre with stepped glass shelf and dual drawer chest below. Pedestals flanking each side each with two drawers with all raised on ebonised tapering supports. Measures approx; 122cm x 136cm x 47cm.
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96580 item(s)/page