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Lot 175
A QUANTITY OF PERANAKAN-RELATED BOOKS To include: Ho Wing Meng Collector's Guides: Furniture; Porcelain and Beadwork Khoo Joo Ee, The Straits Chinese Edmond Chin, Gilding The Phoenix Southeast Asian Ceramics Society, Nonya Ware and Kitchen Ch'ing and other related works (9 total) Condition: Most appear generally in good condition with light shelf wear and signs of use. The Gilding The Phoenix volume with some browning to some of the pages. All with some marks/ wear to covers. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 176
A GROUP OF PERANAKAN-RELATED BOOKS & AUCTION CATALOGUES (4) Comprising: 1) Straits Chinese Beadwork & Embroidery - Ho Wing Meng 2) Straits Chinese Furniture - Ho Wing Meng 3) Christie's Singapore 1995 auction catalogue - Straits Chinese Ceramics, Gold & Silver 4) Christie's Singapore 1996 auction catalogue - Straits Chinese Ceramics & Works of Art Condition: The two Ho Wing Meng volumes are in fair condition. The beadwork volume has some shelf wear to both top and bottom edges. The Christies catalogues both with signs of age and use but pages intact. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 114
Pavlos Dionyssopoulos('Pavlos') (1930 Filitra, Griechenland - 2019 Paris)Bar, Mischtechnik mit Zeichnung und Collage auf Karton, 101 cm x 67,5 cm Blattmaß, signiert, 75 datiert, partiell oberflächlicher Papierabrieb, partiell leicht fleckig, minimal nachgedunkelt, verso MontierungsrückständeNach dem Studium an der Kunstakademie in Athen ging Pavlos 1954 mit einem Stipendium des französischen Staates nach Paris, wo er sich 1958 dauerhaft niederließ und seine neue künstlerische Heimat fand. Um 1960 wandte er sich unter dem Eindruck der Nouveaux Réalistes von der Malerei ab und der Assemblage und Collage zu. Seit 1963 stellte er auf den Jahresausstellungen des Salon des Réalités Nouvelles aus, dem wichtigsten Forum für zeitgenössische Kunst in Frankreich seit 1946. Eine große Gruppe in Pavlos' Werk ist in einer Kombinationstechnik aus Zeichnung und Malerei sowie Formen und Streifen aus zurechtgeschnittenem, sekundär verwendetem Papiermaterial gefertigt. Die Flaschen des unteren Regalfachs sind in diesem Fall zur Hälfte aus weißen Papierformen aufgeklebt, während die andere Hälfte als gezeichnete Kontur erscheint. Die oberen Flaschen sind aus je zwei Papierformen zusammengesetzt, welche zum Teil farbige Rasteroffsetpunkte auf dem Plakatdruck erkennen lassen. Mit blauem und weißem Farbstift sind Hintergrund und Konturen auf hellbraunem Leichtkarton ausgeführt.Pavlos Dionyssopoulos('Pavlos') (1930 Filitra, Greece - 2019 Paris) Bar, mixed media with drawing and collage on cardboard, 101 cm x 67,5 cm sheet dimension, signed, dated 75, some superficial paper abrasion, slight spotting, minimal darkening, mounting residues on versoAfter studying at the Academy of Fine Arts in Athens, Pavlos went to Paris in 1954 on a scholarship from the French government, where he settled permanently in 1958 and found his new artistic home. Around 1960, under the influence of the Nouveaux Réalistes, he turned away from painting and towards assemblage and collage. From 1963 onwards, he exhibited at the annual exhibitions of the Salon des Réalités Nouvelles, the most important forum for contemporary art in France since 1946. A large group in Pavlos' work is made in a combination technique of drawing and painting, as well as shapes and stripes of paper material cut to size and used secondarily. In this case, half of the bottles on the lower shelf are glued on from white paper shapes, while the other half appears as a drawn outline. The upper bottles are each composed of two paper shapes, some of which reveal coloured halftone offset dots from poster printing. The background and contours are drawn with blue and white coloured pencil on light brown light cardboard.
Lot 11
Große Puppenküche, 1. H. 20. Jh. rechteckiges Holzgehäuse, durch eine Trennwand in Küche und Vorratskammer unterteilt und mit Tapete ausgekleidet. Ausgestattet mit großen Möbeln und Zubehör. In der Küche: Tisch mit 4 Stühlen und 1 Sitzbank, 2 aufeinander gestellte Küchenschränke, H 40 cm, 4 Wandregale, Anrichte, Kommode, Blechofen mit 3 Kochstellen und einem Abluftrohr, Spülbecken mit Waschtisch aus Blech, aus dem an der Wand befestigten Wasserhahn läuft Wasser, wenn die Flüssigkeit in den rückseitigen Behälter eingefüllt wird (Fkt. nicht geprüft). Das Wasser kann durch das Abflussrohr wieder nach draußen abfließen. Vorratsraum: 1 hohes Regal, H 35 und ein langes Wandregal, L 36, 5 cm. Dazu diverse Utensilien aus unterschiedlichen Materialien, darunter Geschirr, Behälter, Schüsseln und Töpfe aus Metall, Porzellan, Keramik, Glas und Holz sowie Körbe, Blechdosen, u.a. Maße L 126 cm (Küche L 90) x H 46 cm x T 55 cm, tlw. besch., korrodiert, fleckig, Alters- und Gebrauchsspuren. dazu zwei Bücher Kunz, Johanna "Schöne, alte Puppenstuben" und Reinelt, Sabine: "Puppenküche und Puppenherd". Bücher mit Gebrauchsspuren. NUR FÜR SELBSTABHOLER ODER SPEDITION!| Large doll's kitchen, 1st half of the 20th century, rectangular wooden housing, divided into kitchen and pantry by a partition and lined with wallpaper. Equipped with large furniture and accessories. In the kitchen: table with 4 chairs and 1 bench, 2 cupboards H 40 cm stacked on top of each other, 4 wall shelves, sideboard, chest of drawers, tin stove with 3 burners and an exhaust pipe, sink with tin vanity and water tap running from the wall when the liquid is poured into the rear container (Fct. not checked). The water can flow back outside through the drain pipe. Pantry: 1 high shelf, H 35 and a long wall shelf, L 36.5 cm. In addition, various utensils made of different materials, including crockery, containers, bowls and pots made of metal, porcelain, ceramics, glass and wood as well as baskets, tin cans, etc. Dimensions L 126 cm (kitchen L 90) x H 46 cm x D 55 cm, partly damaged, corroded, signs of age. Plus two books by Kunz, Johanna, "Beautiful, old dollhouses" and Reinelt, Sabine: "Doll kitchen and dolly stove". ONLY FOR PCK UP OR FORWARDING!
Lot 1
"Christ alive". Chased copper figure, with traces of gilding and champlevé enamel. Limoges. France. Romanesque. 13th century.Due to its dimensions, 18 x 14,5 cm, it must have been the central figure affixed to a large processional cross. He preserves one of his four original nails in his left hand.Christ alive, crucified, covered with a large loin cloth in white and ultramarine blue, with a crowned, slightly tilted head and blue glass eyes. On one side, this is still a Romanesque depiction of Christ, who appears glorious and triumphant before death, with open eyes. On the other side, the knees are bent and the naturalness of the torso augers the beginning of what would be the gothic model of the suffering Christ.There is a comparable example kept in the Musée d'Art et d’Archéologie in Senlis, France, which is still affixed to its original cross. (https://musees.ville-senlis.fr/Collections/Explorer-les-collections/Rechercher-une-oeuvre/Musee-d-Art-et-d-Archeologie/Christ-en-croix)As the museum mentions in the index card, both Christs show the characteristics of Limoges craftsmanship "opus emovicense", according to the expression used in the Middle Ages to define the objects made in enamelled champlevé copper in the Limoges workshops: the use of champlevé enamel in ultramarine blue on the loincloth, the fine chasing on the torso, and the presence of the suppedaneum, the shelf on which Christ’s feet rest. In the museum’s example, the enamel in ultramarine blue is preserved.
Lot 2
"Christ alive". Chased copper figure, with slight traces of gilding and champlevé enamel. Limoges. France. Romanesque. 13th century.17 x 13 cm. Cross measurements: 21 x 17 cm.It must have been the central figure affixed to a large processional cross, which is not the one now preserved, dating from a later period. It has visible faults on both hands. It preserves two of its four original nails, on its feet.Christ alive, crucified, covered with a large loin cloth in turquoise blue and green, with a crowned, slightly leaning head and one of the eyes in dark or jet glass, the other is not preserved. Like the previous lot, this is still a Romanesque depiction of Christ, who appears glorious and triumphant before death, with open eyes, while the bent knees and the naturalness of the torso augers the beginning of what would be the gothic model of the suffering Christ.Of particular note is the fine chasing on the torso and the presence of the suppedaneum, the shelf on which Christ’s feet rest.
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