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Click here to subscribeA Victorian Elizabethan Revival oak three-tier buffet, circa 1870, the top with a moulded edge, fitted with two drawers with green man carved handles and carved fronts, raised on barley twist supports, shelf below and a further base shelf, with a moulded plinth edge, 95cm high, 116cm wide, 43cm deep
An Edwardian Art Nouveau mahogany and marquetry inlaid chiffonier, circa 1905, in the manner of Thomas Sheraton, the back inset with a bevel edged mirror with open shelf section, fitted with a single drawer below and a single glazed door to base, enclosing two fitted shelves, each side with open bookshelves, raised on square tapered legs, united by a H stretcher, 149cm high, 75cm wide, 34cm deep
Y GEORGE WASHINGTON JACK (1855-1931) FOR MORRIS & CO. ARTS & CRAFTS INLAID MAHOGANY SIDEBOARD,rosewood, fruitwood and ebony inlay, the carved and pierced back with intricately inlaid panels, on carved column uprights, above three frieze drawers and an open shelf flanked by two cupboard doors, opening to reveal a single shelf, the whole raised on a plinth base(228cm wide, 154.5cm high, 78cm deep)Footnote: Literature: The Cabinet Maker and Art Furnisher 1 July 1887, p. 281 Whiteway M., Gere, C. Nineteenth Century Design, 1993, p. 249, where another example without the inlaid back is illustrated Parry. L. William Morris, Tieste, 1996, p.163, fig.78 Note: The Cabinet Maker and Art Furnisher of 1887 shows a 'Rough Memory' sketch of a sideboard of this design exhibited at the 1887 Manchester Jubilee Exhibition, and notes that the lines of the Manchester sideboard may be studied, for they are 'fresh'. The sketch is very closely related to the current cabinet and may illustrate the same piece. Manchester was an important part of the Morris & Company empire, as the firm exhibited at the Manchester Fine Art and Industrial Exhibition of 1882, and opened a shop there in 1883. Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
LIBERTY & CO., LONDON ARTS & CRAFTS OAK SIDEBOARD, CIRCA 1900the pierced superstructure with central cupboard door, above two short drawers and an open shelf flanked by two further cupboard doors, the whole raised on shaped bracket feet, with ivorine maker's label(182cm wide, 200cm high, 65cm deep)Footnote: Literature: See Bennett, D., Liberty's Furniture 1875-1915: The Birth of Modern Interior Design, ACC, 2012, pl.5.75-5.77, p.190, where a similar sideboard is illustrated
CHARLES RENNIE MACKINTOSH (1868-1928) INLAID MAHOGANY BEDSIDE CABINET, 1916with ebonised plinth and shell-inlaid handles, the upper section with two doors flanked by uprights pierced by squares, the base with single panelled door enclosing a single drawer and a shelf(36cm wide, 122cm high, 35.5cm deep)Footnote: Provenance: W.J. Bassett-Lowke, 78 Derngate, Northampton Mr Cave, Northampton, thence by descent Sotheby's Applied Arts from 1880, 21st October 1988, Lot 101 Private Collection, London Literature: Billcliffe, Roger Charles Rennie Mackintosh, The Complete Furniture, Furniture Drawings and Interior Designs, New York, 1979, p.232, Cat. No. 1917.16 illustrated. Victoria & Albert Museum, Museum no. CIRC.594:1,2-1966 http://collections.vam.ac.uk/item/O129986/cabinet-mackintosh-charles-rennie/ where the pair to this cabinet is illustrated. Note: Following the success of his designs for Miss Cranston’s Ingram Street Tearooms in 1911, Mackintosh spent the next few years struggling to find work, and by 1914 he and his wife Margaret had moved to Walberswick in Suffolk. They remained in close contact with Francis Newberry and his family, who spent their summer holidays in cottages nearby. Mackintosh’s main client during this period was W. J. Bassett Lowke, of 78 Derngate, Northampton. Bassett Lowke had fostered early connections with those involved in the Deutscher Werkbund movement, which played a central role in the development of modern architecture and industrial design. Having not heard of Mackintosh prior to 1914, Bassett Lowke hired him for a project following the recommendation of a close friend. After leaving Glasgow, Mackintosh was keen to explore the inspirations he found during his visit to Vienna in 1900, and this married well with Bassett Lowke’s open-minded approach to the design and manufacturing process. In the current lot, Mackintosh places a clear emphasis on angular lines, minimal decoration and a far more solid sense of form; a departure from the curvilinear and stylised decorative motifs which dominated much of his earlier work. Typically, Mackintosh would have personally advised the furniture maker, amending his designs as the piece was in the midst of construction. However, under Basset-Lowke, Mackintosh had to rely on his drawings to communicate his wishes to the company’s craftsmen, many of whom were German immigrants working on the Isle of Man. Designs focussed on broad planes of timber, polished and waxed rather than stained, enhanced by details of abalone inlay. The result is an array of visually striking furniture with an elegant decorative effect that defines his work in Northampton.
GEORGES-ERNEST NOWAK FRENCH ART NOUVEAU OAK AND GILT-METAL MOUNTED SIDEBOARD CABINET, CIRCA 1900the upper section with three glazed doors fitted with a single adjustable shelf, the base with two drawers above two cupboard doors, each inlaid with cast gilt bronze panels of fruiting foliage, stamped makers marks to drawer G. NOWAK, 144cm wide, 194cm high, 57cm deep; together with a GEORGES-ERNEST NOWAK DINING TABLE AND SIX MATCHING CHAIRS, the extending table with rectangular moulded top and two additional leaves, raised by shaped and moulded tapered legs, linked by stretchers, stamped maker's mark G. NOWAK 117cm long, 73cm high, 184.5cm deep (closed), with one original and two later leaves, each 44.5 long; the chairs each with three tapered splats on caned seats, shaped and moulded tapering legs, linked by stretchers, stamped maker's mark to back rail G. NOWAK, 43cm wide, 93cm high, 40cm deepFootnote: Literature: Duncan, Alastair The Paris Salons 1895-1914 Volume III: Furniture, p.446 where this suite is illustrated entitled 'Dining Room, oak/ Le Salon d'Automne, 1910'
AUSTRIAN SCHOOL PAIR OF SECESSIONIST INLAID WALNUT CABINETS, CIRCA 1900the superstructure each with faceted glazed door enclosing a glass shelf with slated panels to the sides, the base with oval green marble inset top above twin marquetry-inlaid doors enclosing a shelf, the whole raised on square tapered legs(119cm wide, 187cm high, 68cm deep)
A VICTORIAN INVERTED BREAKFRONT BURR WALNUT CREDENZA, ebonised moulded top edge, inlaid marquetry frieze and detailed boxwood stringing, above panelled cupboard doors with a raised central plaque enclosing a fixed shelf flanking a single glazed cupboard door enclosing two fixed shelves, all with velvet lining, width 183cm x depth 41cm x height 102cm (condition:- the top veneer loss, some surface scratches,These appear to be old veneer damage )
A MEREDEW GLOSS MAPLE FINISH FOUR PIECE BEDROOM SUITE, comprising of two sized double door wardrobes, one with a fitted interior, largest wardrobe width 121cm x depth 56cm x height 185cm, dressing table with a triple mirror, above three drawers, and a 4 foot 6 inch headboard with adjoining bedsides with a single drawer below a shaped glass shelf, width 220cm
A 1950'S WALNUT SINGLE DOOR DISPLAY CABINET, with floral decoration and two fixed glass shelves (key) together with a Victorian pine cabinet with a single door and four various drawers, width 65cm x depth 26cm x height 60cm, demi lune occasional table, small three shelf open bookcase and a blanket box (cut down) (5)
The lot features an excellent large lace agate and sterling silver ring from Navajo Native American Indian silversmith artist, Charlie Chee Bowie. The piece shows a large oval polished cabochon of amazing Lace Agate being bezel set with a stamped rope like silver edge and polished shelf setting flowing into the split dual band. The Lace Agate stone in this ring shows just astounding banded chalcedony with coloring attributed to iron and aluminum giving a lace like appearance in vivid coloring of dark to bright reds, oranges, yellows, browns, whites, and blues. The ring has a large size with the setting area measures 1 .5” by 1.25” in a size of 9 ¼ US. The piece is hallmarked under the setting CCT STERLING from silversmith artist Charlie Chee Bowie.
Included in this lot is a singed Navajo Native American Mae Bia Lace Agate and sterling silver ring. The piece shows a large oval polished cabochon of amazing Lace Agate, bezel set with a stamped silver braided rope edge and polished shelf setting flowing into the split dual band. The ring has a large size with the setting area measures 1 ½” by 1” in a size of 7 1/2 US. The piece is hallmarked under the setting “B” STERLING from silversmith artist Mae Bia.
Offered in this lot is the Collection of Harvard Classics the Five Foot Shelf of Books, Edition Deluxe, Registered Edition, Vol.1-50. The books are bound in red leather with gold embossing. The collection is missing Vol. 6,14, 17, 30,40,41,42,54,46. But does include the book of lectures on this series. The books are in good shape with some wear due to age and use. These book make a striking display.
For your consideration is this excellent, very fine First Edition copy of "Stanley's Story or Through the Wilds of Africa".This is an 1890 First Edition copy, published by J.K. Gill & Company. The volume is bound in red cloth with stamped titles and pictorial decoration. The front cover and spine show a pictorial collage design stamped in black, gilt, and silver ink. The book features a fold out map and numerous illustrations, including eight full color, tissue-guarded illustrations. This book in in VERY FINE condition; tight binding, no shelf wear, edges NOT bumped, vivid and unfaded decoration; no ripped or loose pages. Foxing to the title page is the only negative. 8vo; 533 pages. Measures 7" x 9.5" x 2.5".
Included in this lot is a singed Navajo Native American Herbert Tsosie Lone Mountain turquoise and sterling silver ring. The piece shows a large polished cabochon of amazing Lone Mountain turquoise, bezel set with a stamped silver edge and polished shelf setting flowing into the split dual band. The ring has a large size with the setting area measures 1 5/8” by 1” in a size of 8 1/2 US. The piece is hallmarked under the setting HT STERLING from silversmith artist Herbert Tsosie.
The lot features an excellent large lace agate and sterling silver ring from Navajo Native American Indian silversmith artist, Charlie Chee Bowie. The piece shows a large square polished cabochon of amazing Lace Agate being bezel set with a stamped rope like silver edge and polished shelf setting flowing into the split dual band. The Lace Agate stone in this ring shows just astounding banded chalcedony with coloring attributed to iron and aluminum giving a lace like appearance in vivid coloring of dark to bright reds, oranges, yellows, browns, whites, and blues. The ring has a large size with the setting area measures 1 5/8” by 1 ¼” in a size of 7 US. The piece is hallmarked under the setting CCT STERLING from silversmith artist Charlie Chee Bowie.
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