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A Collection of Regency and Later Porcelain, including a jug painted in coloured enamels with a sporting scene, gilt framed plaque with a fox and goldfinch (a.f), Davenport, Spode and Chamberlain Worcester etc (one shelf)Sporting jug - 21cm high, badly broken and re stuckClaret ground jug - 20cm, no chips, cracks or repair, some stainingCobalt ground jug - 18.5cm, left side of the spout broken and re glued, repaired section to the footGreen hexagonal jug - 20.5cm, horizontal crack above the shoulderSpode cobalt cream jug - 12cm, good conditionDavenport plate grey border flowers - 24cm, gilt wear, no damage or repairChamberlain Worcester twin handled dish - 30cm, staple repair to one handle now undoneWorcester? pair round plates and oval dish orange ground - plates 22cm diam, both badly broken and glued, oval 30cm wide badly cracked and stainedPair of Spode square cobalt plates - 21.75cm, no chips, cracks or repair, both with heavy wearPierced green dish painted with a tulip - 23.75cm wide, slight pitting onlyPair pierced cobalt dessert dishes with flowers - 24.5cm wide, both badly broken, one with staple repairPlaque with a fox - 25cm diameter including frame, broken into several pieces and re stuckGreen dessert dish with roses - 25cm, large piece re glued to the rim, crackedDessert dish painted with a tulip putty ground - 26cm, crazed, short rim crackClaret and gilt border plate with cipher - 23cm diameter, some gilt wear, no damage or repairYates cup and saucer - good conditionCopeland & Garrett Imari cup and saucer - short hair crack to the rim of the cupImari trio - good conditionCup and saucer landscape scenes - good conditionHilditch blue and white cup and saucer - good conditionPolychrome sprigs and gilt cup and saucer - slight stainingCup and saucer putty ground printed and enamelled flowers - saucer chipped and hair cracked cup goodOdd saucer cobalt gilt and flowers - good condition
A Group of Miscellaneous Items, including a toleware tray made in USSR, a 1917 souvenir from France needlework, a papier mache crumb scoop and brush, an early 20th century scrap album containing a quantity of watercolours and sketches, various collectables including thimbles etc, a box of books and a box of costume / textiles (shelf and two boxes)
A William IV Mahogany Drop Leaf Work Table, raised on fluted tapering supports, 70cm open by 50cm by 67cm; together with ten similar pieces of 19th century and later occasional furniture comprising: a walnut tripod work table, a reeded standard lamb, a reproduction canterbury, a two tier hanging wall shelf, two sets of bed steps, a marquetry inlaid three tirer corner whatnot, a reproduction leather inset single drawer end table, a three tier dumbwaiter, and an Edwardian inlaid mahogany bedroom chair (11)
NO RESERVE Banking, Taxation & Tythes.- Pacy (Joseph) The Reminiscences of a Gauger. Imperial Taxation, past and present, presentation copy from the author's wife, advertisements at end, faint finger-soiling to title, ex-lirbary with label, original cloth, gilt, a little rubbed, slight bumping to corners and extremities, Newark, 1873 § Norfolk (William John) The General Principles of Banking, Bills of Exchange, British Funds, and Foreign Exchanges, first edition, ex-library with discreet ink-stamp to title, faint spotting to title, modern morocco-backed boards, light sunning to spine, 1845 § Herbert (Gideon) A Hand-Book of Guide for the use of Creditors, Debtors, Inspectors and Trustees, advertisements at end, original paper wrappers, ex-library with small shelf-mark label to foot, a little rubbed, slight chipping to corners and edges, Nottingham, [c.1869] § Sulley (R.) The Fallacies of the Protective System Exposed, occasional ink markings, ex-library with ink-stamps, modern library cloth, Manchester, 1841; and others similar, 8vo (9).⁂ The first is inscribed, "Presented by her Aunt Pacy Wife of the Author."
Theology.- Aquinas (Saint Thomas) [Opera Omnia], Vol.3 & 4 in 1, woodcut portraits of Saint Thomas Aquinas within ornate frame to both titles, woodcut devices to colophons, woodcut initials, first title with two ink ownership inscriptions (lower worn through from acid), title outer margin with paper restoration and small loss to lower edge, occasional browning, some scattered light foxing and spotting, [EDIT 16 CNCE 48116], Roma, heirs of Antonio Blado & Giovanni Gigliotti, 1570; Opuscula Omnia, woodcut printer's device to title, woodcut head-pieces and initials, near contemporary ink ownership inscriptions to title, title lower edge with paper restoration (affecting date) and a few small holes, losses at lower edge ⴕ2-8 with some loss of text, MM5 onwards with small amount of worming upper fore-edge corner (touching text in a few instances, no loss), browning, Lyon, Heirs of Giacomo Giunta, 1562, book-labels to title versos, contemporary vellum, spines with gilt titles and manuscript ink shelf-marks, the second with some staining, folio (2) ⁂ The third and fourth volumes of this monumental edition of Saint Thomas Aquinas' works, composed of eighteen volumes in total. The third volume contains Aquinas' commentary on Aristotle, in particular the four books on the meteor, the treatise On the Soul (including the Parva naturalia) and the Metaphysics. The fourth volume contains 'De ente et essentia', with a commentary by the theologian Tommaso De Vio (1469-1534).Provenance: Ex Bibliotheca Patrum SS. Redemptoris Domus Casertae (book labels).
Bible, English.- [The Bible ... with ... Annotations ... And also a most profitable Concordance], lacking general title and anything before C4, New Testament title with decorative woodcut border, black letter, double-column, 2C3 & 3D2 with large loss of text, 3P3 & 3P4 misbound, Christopher Barker, [1581], bound before, The Whole Book of Psalmes, printer's woodcut device to title, lacking everything after F8, by John Daye, 1581, spotting and staining, trimmed occasionally affecting head-lines, occasional ink annotations, tears, most with no loss, creasing and chipping to edges, some marginal loss affecting text, lacking endpapers, near contemporary calf, crudely rebacked, extensive shelf-lean, rubbed and worn, [Herbert 170], 4to; sold not subject to return
zzz An Alf Svensson teak bookcase and wall shelf produced by Bjästa in Sweden (2) An Alf Svensson teak bookcase 137 x 121 x 28cm and wall shelf 62 x 121 x 28cm produced by Bjästa in Sweden (2)This lot has been imported from outside of the UK and is therefore subject to import VAT at the standard rate of 20% on the hammer price. This is in addition to the standard Buyers Premium of 29.4% (including VAT).
A Regency rosewood open bookcase, the shelf back with acanthus carved supports, height 117cm, width 168cm, depth 30cm (alterations).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mid-20th century G-Plan teak four-section wall unit, comprising a shelf, two cabinets and a chest, height 199cm, width of each cabinet 76.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 19th century Irish pine dresser, the integral shelf back above two panelled doors, height 201cm, width 142cm, depth 47cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mid-20th century chromium plated five-tier display shelf, fitted with smoky glass shelves, height 176cm, width 92cm, depth 31cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Possibly Maple & Co for Liberty, an oak Arts & Crafts "Judge Not A Book By The Cover" bookcase, the overhanging top supported by side columns incorporating a pair of shelves, the frieze bearing the applied motto and above a pair of leaded glazed panel doors with stylized copper external hinge plates, the lower section with open alcove with shelf and a pierced heart motif on simple shaped supports. Retailed by Liberty & Co in recent years. 140 cm wide x 35 cm deep x 193.5 cm overall height.
Beistelltisch, um 1800Edelholzintarsien auf Nadelholz furniert, vier konische Beine, ein Schubkasten und ein Ablagebrett in der Zarge. Aufwendige Intarsie auf der Platte, Fadenintarsie, Bandintarsie aus Rosenholz. 57 x 55 x 35 cm Side table, around 1800 Precious wood inlay veneered on coniferous wood, four conical legs, one drawer and one shelf in the frame. Elaborate inlay on the top, thread inlay, ribbon inlay of rosewood.
Puppenstube, um 1900-1910Holz. Schauseite von zwei Balustersäulen geschmückt. Offene Ein-Raum-Stube mit zwei Fenstern, bemaltem Holzfußboden und mit Blumenmuster tapezierten Wänden (Tapete an der rechten Wandseite eine andere). Dazu ein Konvolut von Puppenmöbeln aus Holz wie einer Sitzbank, einem Spiegelschrank ohne Spiegel, Metallregal, Sitzhocker, Blechofen und mehr. Möbel und weitere Einrichtungsgegenstände aus der Zeit (selbstgebastelte Lampe aus neuerer Zeit). Altersgemäße Gebrauchsspuren, wurde mal renoviert, wenige Möbel reparaturbedürftig, Holzboden min. wurmstichig, Gipsrückstände an der rechten Säule. 66 x 37 x 33 cm Doll's house, around 1900-1910 Wood. The front decorated with two baluster columns. Open one-room parlour with two windows, painted wooden floor and walls wallpapered with floral patterns (wallpaper on the right side of the wall is different). In addition, a collection of wooden dolls' furniture such as a bench, a mirror cabinet without mirror, metal shelf, stool, tin stove and more. Furniture and other furnishings from the period (self-made lamp from more recent times).Signs of use commensurate with age, was once renovated, few pieces of furniture in need of repair, wooden floor min. worm-eaten, plaster residues on the right pillar. 66 x 37 x 33 cm
POETRY: CLARK (Leonard, editor): 'Andrew Young...Prospect of a Poet', London, Rupert Hart-Davis, 1957: 8vo, original publishers cloth, dustjacket: with 10 line manuscript poem by Andrew Young to front FE, additional note from Leonard Clark in green ink below and letters from both author and editor tipped-in before title page, plus 2 signed woodcuts by Joan Hassell loosely inserted: together with approx 69 others over one shelf, 20th century poetry. (c70)

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104473 item(s)/page