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Lot 209
A Victorian figured walnut side cabinet, with gilt scratch carved and boxwood strung decoration to the upper part, with shelf, mirror and gilt metal mounts, the shaped base having open shelved D ends, below an ebonised moulding and enclosing a single arch glazed door revealing shelves, below a stylised frieze, enclosed by parcel gilt fluted columns, plinth base with turned feet, 166cm H, 140cm W, 42cm D.
Lot 240
A fine Victorian rosewood and satinwood marquetry bijouterie cabinet, with a bevel glazed serpentine lift top having cast ormolu beading, and shell and scroll inlays to the border, a satin lined interior with glazed frieze, square cabriole legs with ormolu mounts, and serpentine under shelf quarter veneered with a floral marquetry bouquet of flowers in satinwood and harewood, 77cm H, 80cm W, 50cm D.
Lot 256
A fine Victorian dining room side cabinet in the manner of Jackson & Graham, having string inlaid and parcel gilt ormolu moulded top, ivory and boxwood inlaid frieze and uprights, rounded ends with shelves and central mirrored door, with a mahogany adjustable shelf interior, 98cm H, 125cm W, 46cm D. Thomas Jackson and Peter Graham established their partnership at 37 Oxford Street London in 1836. They produced predominately high quality furniture and represented Britain at many of the international exhibitions. Their clients included Queen Victoria, Napoleon III, the Grand Khedive at Cairo and the royal palace in Siam. Their fine marquetry work, the use of Wedgwood plaques, ivory inlay, rare woods, and fine casting of gilt-bronze mounts were the benchmark of their cabinet making prowess. For design to be of the highest quality and in the latest taste and fashion they collaborated with the leading designers of the period, including Owen Jones, Alfred Lorimer, Eugene Prignot and Bruce Talbert until the company was acquired by Collinson and Lock in 1885. Jackson & Graham were exhibitors, and prize winners at many of the Great Exhibitions of the Victorian period including when, 'the workmanship is so perfect that even with the aid of a magnifying glass scarcely the slightest imperfection is to be found', was the view of their entry at the Paris International Exhibition of 1878.
Lot 99
A George III mahogany standing corner cabinet with a broken arch Greek key moulded cornice, having central rococo cameo finial over a single astragal glazed door, revealing shaped shelved interior enclosed by channel sides, the door having pierced brass escutcheon with eagle, the stand having double moulded and reeded overhang and triangular frieze drawer, with pierced brass back plate and escutcheon, fret work scroll infill's, channel moulded legs, co-joined by a low level curved shelf with wavy gallery, 204cm H, 82cm W.
Lot 21
A 19th CENTURY ANGLESEY OAK & MAHOGANY BREAKFRONT DRESSER, the three shelf wide boarded rack with Talwrn decoration over a base section of six opening drawers and two cupboard doors, flanked by half and quarter cut turned detail, inlaid fan detail above the door mouldings on ogee bracket feet (some re-polishing and restoration required, some worm evidence to the soft wood turnings), 210 cms high, 166 cms wide, 47.5 cms deep
Lot 736
A Chinese Export lacquered box, the interior with lift out shelf, 32cm wide and a Burmese cylindrical lacquered box, 16cm high (2) Condition Report: Chinese box - missing all four feet on base, losses and wear to lacquer on the interior and exterior, hinges broken. Burmese box - chips and losses to lacquer, shows signs of age and wear.
Lot 138
NO RESERVE Trevor-Roper (Hugh).- Milton (John) The Poems..., 2 vol., vol.I front pastedown with Charterhouse Talbot Prize plate marking the award to Trevor-Roper in July 1932, Trevor-Roper's pencil annotations throughout, both vol. with Trevor-Roper's ex libris, contents separating a little, original black cloth, uncut, a few stains, a little rubbed, spines faded, slight shelf-lean, 8vo, The Florence Press, 1925.⁂Hugh Redwald Trevor-Roper, Baron Dacre of Glanton (1914-2003) Regius Professor of Modern History at Oxford, later Master Of Peterhouse, Cambridge; authenticated The Hitler Diaries.
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