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Lot 2652
A Swedish grace period Art Deco two-section walnut-veneered sideboard in the manner of Carl Malmsten for Afors, with inlaid satinwood decoration, the upper section with three lattice glazed doors each opening to a single adjustable shelf and mirrored back, the lower having two doors revealing two adjustable shelves. Remains of paper label dated 1930 to back. 145x165x49cm.Good overall condition. Keys marked Afors. Some damage to escutcheon on lower left door. General use related marks. Lights fitted to top section which turn on when plugged in, but this item has not been PAT tested.
Lot 2082
A mid-century Peruvian tooled leather clad bar, with embossed Aztec design. 143x109x61cmGood original condition with no obvious repairs or damage, Shows general surface wear and marks. A few minor chips to edges around the top, some grazes to leather front which may polish out. Has cupboard and open shelf to rear.Bird droppings to top which may have damaged surface beneath.
Lot 367
C. cornelii, Tacti opera quae omnia, Published 1734, Amstelodami (Amsterdam), Janssonio-Waesbergios. Bound in modern red leather with a wide floral and line ruling on both covers. Marbled paper inside the covers over the first free paper. Gilt titling and decoration on the spine. Inside the front cover is a transferred bookplate for Robert Walpole, Lions Inn, England. Probably taken from the original front freepaper that is not present. Robert Walpole served as the first Prime Minister of Great Britain from 1721-1742. (2)(+20)[616], (+12) (2). Approximate Dimensions:h. 4.5", w. 2.5"Condition:Very bright and presentable example with bright gilt inlay having minor handling/shelf wear to the outer edges. A few foxing spots at the rear free paper helped tone the last original page and the date has been penciled in under the roman numerals
Lot 6
A statuary marble chimneypiece, in the George III styleFirst seen in Season 1, in the Cabinet Office setWith an inverted breakfront shelf above a fluted frieze centred by a carved urn tablet and flanked by classical ewers, above fluted pilasters (some chips and losses), enclosed by a siena marble slip, of recent manufacture, 150cm wide, 22cm deep, 111cm high (59in wide, 8 1/2in deep, 43 1/2in high) Footnotes:This chimneypiece often served as the backdrop to some important scenes shot in the Cabinet Office set. In Season 1, Episode 1, 'Wolferton Splash', we see the lot as John Lithgow and Harriet Walter (as Winston and Clementine Churchill) re-enter office after the 1951 General Election. Fast forward, for example, to Season 4, Episode 4, 'Favourites' where Gillian Anderson (as Margaret Thatcher) discusses the possible invasion of the Falkland Islands by Argentina; here the siena marble border has been covered.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 102
1987 Jaguar XJ-SC 3.6-Litre Cabriolet Registration no. FJI 8723 Chassis no. SAJJNACC7CA144433Footnotes:The car offered here portrayed the late Princess Diana's personal Jaguar XJ-S Cabriolet in The Crown. Jaguar's first response to demands for an open-top XJ-S was somewhat conservative in engineering terms; the XJ-S had not been designed with an open version in mind, so a Targa-style arrangement was adopted, which retained a substantial roll hoop in the interests of maintaining rigidity in the absence of a fixed roof. Two removable roof panels were stored in the boot, and the Cabriolet did away with the Coupé's two occasional rear seats in favour of a pair of luggage lockers topped by a parcel shelf. Essentially an exercise in niche marketing to test public reaction, the XJ-S Cabriolet's production was entrusted to outside specialist contractors, with bodyshells being transported back and forth across the Midlands before returning to the Brown's Lane factory prior to final despatch. The favourable response to the Cabriolet having demonstrated that there was indeed sufficient demand to justify production of an open XJ-S, Jaguar grasped the nettle and proceeded to develop a conventional full convertible. Cabriolet production had totalled 5,013 cars when the model was withdrawn in 1988. Diana's own XJ-S Cabriolet was the V12-engined version, whereas this car has the considerably more economical 3.6-litre AJ6 inline six under the bonnet. As per the original 'Diana' car, it also has the US-specification headlights and rear seats, the latter were installed in Diana's example for the young Princes William and Harry. The Princess used her XJ-S from 1987 until 1991. A manual transmission model originally finished in blue, this XJ-S was repainted green to match the Princess's car (the blue paintwork is still visible beneath the bonnet and in the boot). The car comes with a good history file relating to its life before The Crown. Understood to have been recently serviced, it passed its most recent MoT test on 29th August 2023 at 83,029 miles, with advisories on the front brake discs. The car has not been driven since the test.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 567
Post-incunable (Books of Hours): Hore dive virginis Marie secundum usum Romanum. Paris, Gilles & Germain Hardouyn [c.1511; almanac covers 1511-1530]. Octavo, 108 leaves of 28 lines. Printed on vellum. Printed in red and black throughout. Red ruling added by hand. Text in Latin. Collation: A-N8 O4. Pagination in pencil.DECORATION: Hand-coloured woodcut printer’s device on p. 1. A further woodcut printer’s device on p. 216 (uncoloured). 16 full-page hand-coloured woodcut illustrations in architectural frames. All other pages have printed borders (uncoloured). Smaller hand-coloured woodcut illustrations appear frequently in the text. One- and two-line decorative initials and decorative line fillers added by hand (Gold on red and/or blue).BINDING: Later fine binding of red gold-tooled morocco with blue silk endpapers at front (195 x 120 mm). All edges gilt and gauffred.PROVENANCE: Early(?) and apparently deliberate yellow staining to a few passages of text; in some instances the same passages are additionally crossed out in black (e.g. sig. N1r). Label with shelfmark adhered to endpaper (section 73 shelf 2). Bookplates (Castlegould; Ex Libris Howard Gould). One tipped in and one loosely enclosed printed catalogue description. Pencil notes.CONDITION: Quire B and rear endpaper loosening; occasional stains to vellum.BIBLIOGRAPHY: USTC 183112; Bohatta, Bibliographie der Livres d’Heures (1924), 931; Moreau, Inventaire Chronologique (1972-2010), II 83: 114; Pettegree et al, French Books (2007) 67380.Provenance: John. P. Love Collection
Lot 705
A retro 1960's teak wood dressing table writing desk in the Fresco Range style by G Plan. Having a suspension top over twin banks of three drawers flanking a central kneehole recess, with slender lock draw above and additional triple open shelf space to rear, all raised on slender leg supports. Shaped indented elongated handles to each bank. Measures approx;
Lot 596
A contemporary painted wood upright writing desk / bureau. The desk having a single large drawer positioned below a raised gallery back with pigeon holes to top. Raised upon block feet with two shelf tiers below a bureau top, finished in a white paint colour. Measures approx 126 x 70 x 32 cm.
Lot 4
PARKER KNOLL; three 1990s pieces comprising a short sideboard with shelf over two cupboard doors, 75 x 105 x 45cm, a glass-fronted media cabinet flanked by two drawers over single cabinet, with lift-up middle section for turntable, 75 x 100 x 47cm, and a short TV unit with two glazed doors flanked by side cabinets, 52 x 120 x 60cm (3).
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104473 item(s)/page