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Robert Heritage for Archie Shine, a 'Hamilton' Range cocktail cabinet, the two pairs of doors veneered in rosewood and separated by a ridged central drawer, on teak tapering legs, w. 87 cm CONDITION REPORT: CITES Article 10 Transaction Specific Ref: 5907077/01.Please Note: moving rosewood items between GB and NI or between GB and the EU will now require extra paperwork. It is the buyer's responsibility to apply for the relevant certfication and to arrange storage while this takes place.Width 87 cm. Depth 46 cm. Height 115 cm.Structurally sound, legs and base firm with no concerns. Overall in good condition. Some nibbles to the veneers on the top left edge of the surface (illustrated). Marks and minor losses to the varnish above each handle. Two handles look like they have been reglued. Two small scuffs to the left door near the edge. Minor horizontal scuff running parallel to the bottom of the lower doors (illustrated- the auctioneer believe this would probably polish out). Interior generally very clean and tidy although the glass shelf does have two small chips.
An antique style Victorian influence mahogany bedside / side occasional table vase stand or bust stand pedestals of upright square form. The stand having a suspended top with shaped side panels supported by turned and carved columns over a single drawer middle section having a brass swan neck swing handle. All supported by similar legs united by a shaped shelf below. Measures approx 82cm x 36cm x 36cm.
An antique late 19th Century Arts & Crafts mahogany hanging bookcase cabinet in the manner of Liberty & Co having a Tudric type pewter plaque to the gallery back inset depicting a pelican or other bird. Two small square stands to the top with two shelved tiers and a lower twin section shelf space. An unusual example. Measures approx; 72cm x 58cm x 15cm.
An antique style 20th Century coffee table / centre occasional table of Rococo influence. The table of carved wood construction having a large rectangular top supported by two carved cherub and scroll sides united by a single second tier shelf. All raised upon trestle feet supports and finished in apple green. Measures approx 60cm x 122cm x 63cm.
A large and impressive antique early 20th Century Edwardian English mahogany lawyers / office / library estate bureau bookcase having a flyaway cornice with a series of open shelves below. Each open shelf having hinged mahogany shelf strips flanked by a domed topped glazed door section to the left with blind fronted doors below concealing a bureau desk section with a series of pigeon holes. The base having one long drawer flanked by single short drawer to the left with a concealed cupboard and open shelves below. All raised on bracket feet. Breaks to into two pieces for ease of transport. Measures approx 230cm x 116cm x 34cm.
An antique early 19th Century Victorian English mahogany double door estate cupboard / bookcase / storage unit of slender form. Chamfered flared edge top over twin doors concealing a series of adjustable shelves having tooled leather shelf strips. Raised on a bracket feet and having a pine back. Measures approx 146cm x 115cm x 27cm.
Believed Edwards & Roberts - A stunning pair of antique 19th Century Victorian English amboyna and ebonised wood bonheur de jour writing desk / cabinets in the manner of Weisweiler, Pairs. Eah having upright breakfront backs with gilded ormolu mounted decoration throughout with one having a gilt gallery top with both adorned with gilt metal classical figures. The bases having hidden central drawers to the frieze with each having a rise and fall tooled royal blue leather writing skiver flanked by drawers to each side. Decorative blue Wedgwood cameo porcelain plaques throughout depicting classical figures. Each being raised on fluted and inverted supports with brass caubles atop. The mirrored back panel and lower shelf supported by turned legs with brass castors. Biggest measures approx 150cm x 122cm x 56cm.
Bellow (Saul) Dangling Man, slight shelf-lean, jacket with light sunning to spine, 1946; Seize the Day, jacket with light discolouration to spine, 1957; Herzog, jacket price-clipped, with light discolouration to spine, some chipping and creasing to spine ends and corners, 2 short closed tears to head, New York, 1964; Mr Sammler's Planet, jacket price-clipped, light creasing to head and foot, 1970, first or first English editions, original boards, dust-jackets, generally excellent examples; and 5 others by the same, 8vo (9)
NO RESERVE Clarke (Arthur C.) 2001: A Space Odyssey, pencil ownership inscription of David Higham, slight shelf-lean, light toning to jacket, 1968; Reach for Tomorrow, jacket spine browned, tear to head of upper panel, spine ends and corners a little chipped, 1962; The Other Side of the Sky, jacket spine browned, rubbing and creasing to head, 1961, first or first English editions, original boards, dust-jackets, generally excellent; and 4 others by the same, 8vo (7)⁂ David Higham, literary agent, represented Arthur C. Clarke, Paul Scott, Muriel Spark, Graham Greene and others.
Disney (Walt).- Greene (Ward) Lady and the Tramp, first edition, first printing, signed by Walt Disney on title, illustrations by Joe G. Rinaldi, spotting, light marginal toning, pink ink marking to title, ink marking and light browning to endpapers, original cloth-backed boards, slight shelf-lean, spotting to covers, light fading to spine, spine ends and corners a little bumped, lower and upper edges rubbed, dust-jacket, joints broken, spine in 2 parts with significant loss, chipping and creasing to fore-edges and head, tape repairs to extremities, 8vo, New York, 1953.⁂ The basis of the popular Disney film released in 1955, itself an expansion of Greene's short story Happy Dan, the Cynical Dog, published in Cosmopolitan magazine in 1945.
Fitzgerald (F. Scott) The Great Gatsby, first English edition, some occasional light marginal finger-soiling, ink ownership inscription and very light browning to endpapers, original cloth, slight shelf-lean, light darkening to spine, spine ends and corners a little bumped and frayed, light rubbing to extremities, but still a very good example, 8vo, Chatto & Windus, 1926.⁂ The scarce first English edition printed in a smaller run to the true first edition. William Collins, Fitzgerald's English publisher for his two previous novels, turned down The Great Gatsby on the grounds that it would "reduce the number of his readers rather than to increase them".
Godden (Rumer) Gypsy Gypsy, first edition, original cloth, very slight shelf-lean, dust-jacket, some very light surface soiling, spine ends and corners chipped, significant chip to head of upper panel affecting 1 letter of title, some chipping and creasing to head and foot, some splitting to upper fore-edge, neat tape repairs to verso, 8vo, 1940.⁂ The fourth novel by the author of Black Narcissus, we can trace no other copy in the dust-jacket.
Greene (Graham) The Man Within, first edition, signed by the author, dated Nov. 22 1929 on endpaper, ink library stamp to title verso, lower hinge starting, original cloth, slight shelf-lean, light fading to spine,spine ends and corners a little bumped and frayed, 8vo, 1929.⁂ Greene's first novel, signed in the year of publication.
NO RESERVE Greene (Graham) England Made Me, light fading to spine, light rubbing and discolouration to covers, 1935; The Confidential Agent, browning to endpapers and ink stamp "Pearn, Pollinger & Higham Ltd", upper hinge starting, shelf-lean, browning to spine, some rubbing and bumping to extremities, 1939, first editions, marginal browning, original cloth, 8vo (2)
Monsarrat (Nicholas) The Cruel Sea, first Book Society edition, signed by the author on title, light foxing, original cloth, slight shelf-lean, light fading to spine, dust-jacket, price-clipped, light discolouration to spine, spine ends and corners a little chipped, light rubbing and creasing to extremities, 8vo, 1961.⁂ Rare signed.
NO RESERVE Peake (Mervyn) [Gormenghast trilogy], 3 vol., first editions, comprising Titus Groan, fading to covers and spine, rubbing to extremities, 1946; Gormenghast, marking to endpapers, shelf-lean, spine faded, spine ends and corners bumped, 1950; Titus Alone, frontispiece by Peake, dust-jacket, browning and surface soiling to spine and panels, spine ends and corners chipped, some creasing and fraying to head and foot, 1959, original cloth, 8vo.
Victorian mahogany and burr walnut pedestal cabinet, the interior fitted with single shelf, 43cm x 43cm x 81cm high Condition: Overall fading especially to top and door, minor losses to veneer of door, plinth base with numerous overall scuff marks and scratches. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.
Early 20th Century Art Nouveau-style carved oak secretaire bookcase on cabinet, the upper section with bevelled glazed doors over fall-front enclosing writing surface above cupboards on plinth base, 122cm x 49cm x 205cm high Condition: Upper section has minor flaw above frieze, one shelf maybe an old replacement. One escutcheon missing to lower section. Lower cupboards appear to be locked, some dints and marks to cupboard doors. *Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Mid 20th Century three-shelf open bookcase, 88cm wide, together with a second bookcase (2) Condition: Both with general wear commensurate with age and use. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
A Victorian marble topped pot cupboard, with barrel front, the door opening to reveal a shelf, stamped C Hindley & Sons 134 Oxford Street London 29478, 16ins x 15ins, height 28.5insIt is believed this lot was acquired from Witley Court sale in 1938 - possibly lot 77. Charles Hindley and Sons were commissioned by William Humble Ward the 1st Earl of Dudley. The Earl was within the circle of friends of the Prince of Wales, later King Edward, who retained what was known as the Kings Suite at the court. See lot 27
A Georgian cupboard dresser, with an associated close boarded Delft rack over three frieze drawers, with a central section of three further drawers flanked by panelled cupboards to each side, opening to reveal shelf, width 68ins x depth 18.75ins x maximum height 81ins, height to top of base 36insCondition Report: Some damage to the top, various stains and marks to the base below, probably stripped and cleaned at some point in time.
A Victorian walnut marble topped wash stand, with marble shelf to the gallery back and sides, with two wells, raised on a base with spiral twist legs, 51ins x 23.5ins, height 41insIts is believed this lot was purchased from the Sale of the contents of Witley Court in 1938 and may have formed part of Lot 222. See lot 27Condition Report: Minor chips and staining to the marble, minor veneer loss and staining to the body
A Syrian style wooden wall shelf, early 20th century, height 19.5cm, width 124cm.Provenance: From the estate of Bernard Tucker, deceased. A former West London antiques dealer (1940 - 2019) these items came from his personal collection at his home on Gugh Island, Isles of Scilly. He was the subject of a documentary 'The Old Man of Gugh' which is available to view on Vimeo.
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96580 item(s)/page