Forster (E.M.) The Celestial Omnibus, first edition, signed by the author on title with two strikes through the printed name with Autograph Letter signed from the author to Frederic Prokosch loosely inserted, 3pp. advertisements, some light foxing, pictorial endpapers, original cloth with rich gilt pattern to upper cover, slight shelf-lean, extremities rubbed, light marking to lower cover, [Kirkpatrick A5a], 8vo, Sidgwick & Jackson, 1911.⁂ Forster's first short story collection, rare signed. In the letter, addressed from the Reform Club and dated 14.6.33, Forster states that he "will autograph the books with pleasure" and adds "You may be interested to know that the cover and end papers of the Celestial Omnibus were designed by Roger Fry."
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Golding (William) Lord of the Flies, first edition, signed presentation inscription from the author "I sent this to Adam Bittleston in 1954. Apparently I wrote nothing in it - now I rededicate it to Karin Bittleston. William Golding" to half-title, original cloth, very slight shelf-lean, minor bumping to spine ends, else fine, first state dust-jacket priced at 12s 6d and with blurb to upper flap, light browning to spine, spine ends and corners a little chipped, some light toning and soiling to lower panel, still excellent overall, preserved in custom chemise and morocco-backed slip-case with initials DMS with net and book to upper cover, 8vo, Faber & Faber, 1954.⁂ Golding's celebrated classic presented to one of his closest friends and later inscribed to his daughter. Golding and Adam Bittleston became close friends whilst at Oxford together. Bittleston, who was later ordained, became a confidant, spiritual guide and inspiration to the young author. While Bittleston's advice and thinking influenced much of Golding's life and work, his most visible contribution is as the inspiration for the kind, eccentric character of Nathaniel in Pincher Martin.
Greene (Graham) The Quiet American, first edition, signed presentation inscription from the author "For Peter Bentley quietly from Graham Greene" to title, "Overseas edition" ink stamp to rear pastedown, original cloth, slight shelf-lean, light fading to spine, spine ends and corners with light rubbing and bumping, dust-jacket, light browning to spine and panel margins, spine ends and corners a little chipped, lower panel with light foxing and some creasing to head, a very good copy overall, 8vo, William Heinemann, 1955.⁂ Peter Bentley was the landlord of a pub often frequented by Greene.
McCullers (Carson) The Heart is a Lonely Hunter, first edition, first printing with date to title, pp.345-8 with marginal chipping caused by rough opening, original cloth, slight shelf-lean, first issue dust-jacket with "Summer's Lease" to rear flap, light fading to spine, spine ends and corners a little chipped, portion of loss to head of lower panel, creasing to head and foot, rubbing to extremities, 8vo, Boston, Houghton Mifflin, 1940.
[Rolfe (Frederick William, translator)], "Baron Corvo".- Symons (Arthur) The Quest for Corvo, first edition, initialed presentation inscription from the author "For Harold [Hobday], a tribute to a long and enjoyable friendship with the profoundest good wishes from his good friend the author A. J." to endpaper, publisher's prospectus loosely inserted, original cloth, slight shelf-lean, spine slightly faded, dust-jacket, spine browned, spine ends and corners a little chipped, light creasing to head and foot, 8vo, Cassell, 1934.⁂ Symons classic biography of the extraordinarily eccentric author Baron Corvo.
Williams (Tennessee) The Glass Menagerie, first edition, signed presentation inscription from the author "Well, Margo [Jones] - it can't bite us now!" to endpaper, additional ink inscription below cast list by Jones' mother "My "Margie"... She is dead and her old mother... is 81 years and left alone... in Livingstone, Texas", photographic frontispiece and 3 plates, original cloth, slight shelf-lean, light rubbing to tips of spine and corners, dust-jacket, very light fading to spine chipping and creasing to head and foot, some light rubbing and soiling, [Crandell A1.1.a], 8vo, New York, Random House, [1945].⁂ A superb association copy of Williams' breakout play inscribed to Margo Jones, the co-director of the acclaimed first staging, with an additional moving inscription by her mother lamenting her tragic early death.Margo Jones (1911-55) was an acclaimed producer and director for the stage. Her passion and drive earned her the nickname "The Texas Tornado" and were instrumental in making a success of The Glass Menagerie which proved to be a breakthrough production for both her and Williams. She died at age 43 after accidentally ingesting toxic chemicals from a carpet cleaner. A loosely inserted bookseller's note states that the copy was acquired by a resident of Livingstone when Margo Jones' mother died.
NO RESERVE Windham (Donald) The Hero Continues, signed presentation inscription from the author to W. H. Auden "I hope this will interest him as much as his ideas about heroes interest me" to endpaper, original boards, slight shelf-lean, dust-jacket, spine browned, spine ends and corners a little chipped, Rupert Hart-Davis, 1960; Emblems of Conduct, signed presentation inscription from the author to endpaper, light browning to endpapers, original cloth-backed boards, spine slightly dulled, spine ends and corners a little chipped, creasing to head and foot, New York, Charles Scribners, [1963], first editions; and 3 others by the same, all signed or inscribed, 8vo (5)
Chapman (Guy) A Passionate Prodigality, first edition, signed presentation inscription from the author "The 13th started + ended With Grindley Guy Chapman 28.11.33" to endpaper, with 26 additional signatures across 4pp., pencil correction to p.71, ink ownership inscription with address of A. J. Grindley to foot of endpaper, original cloth, shelf-lean, crease to spine, extremities rubbed, Ivor Nicholson & Watson, 1933; and an archive of material relating to Chapman, comprising his army book with records of service, his commission, a letter from the War Office and numerous photograph of Chapman from the period of the war and earlier, v.s. (sm.qty)⁂ A remarkable copy of this rare memoir, inscribed by the author and signed by 26 men who presumably also served in the Royal Fusiliers along with an interesting archive including Chapman's record of service with ribbons and notes on dates of major battles. Guy Chapman (1889-1972) trained as a lawyer but enlisted with the Royal Fusilier at the outbreak of the First World War. He was badly injured in a mustard gas attack in 1917 but returned to the front until the Armistice in 1918. His memoir is often esteemed as one of the most insightful to come from the war and we are unable to trace other examples of the first edition, let alone one with such excellent inscriptions.
A REGENCY STYLE MAHOGANY SIDE CABINETLate 19th centuryWith frieze drawer, above a pair of silk and grille cupboard doors opening to reveal a shelf, ivory escutcheons, 90.5cm wide x 32cm deep x 74cm high, (35 1/2in wide x 12 1/2in deep x 29in high)This lot is subject to the following lot symbols: TP Y ФTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Three Chinese lacquer cabinets, late 20th century, the first of rectangular outline with twin doors opening to three removable shelves, decorated with gilt butterflies on a black ground, 52cm wide x 33cm deep x 150cm high; the second of low panel-sided form with twin doors opening to a single shelf, decorated with playing boys against a black crackle ground, 54cm wide x 39cm deep x 60cm high; the third of stool form with circular top above two drawers, 45cm high. (3)
A 1920s Shapland and Petter of Barnstable, stained oak Jacobean style bedroom suite, applied with split maces and nail headings and with Jacobean style mouldings, the triple door wardrobe with a fluted frieze and squashed bun feet, the right door opening to reveal a shelf above three slides over two drawers, the matching dressing table and marble-topped washstand with barley-twist supports united by scroll carved front stretchers, washstand lacking gallery, chips, wardrobe 137cm wide x 63cm deep x 210cm high, 122cm wide x 55cm deep x 79cm highCondition report: Washstand lacking gallery, Dressing table – very scratched top and faded. Bead below drawers on left side chipped and loose – needs re-fixing. Damaged above central frieze drawer on the left, where the drawer has been forced open. Wardrobe – chipped, including cornice, including 7cm section of front edge on far left side. All with chips dents and scratches.
A mid-20th century mahogany display cabinet of small proportions, glass shelves to interior, glass panels to either side and curved glazed door, to cabriole supports, 112 x 58 x 26cm, an Edwardian mahogany inlaid jardinière stand and an Edwardian-style mahogany occasional table with small lower shelf and cross stretchers to slender cabriole supports, 60 x 56cm (3).
A reproduction burr walnut dome-topped cocktail cabinet comprising a pair of panelled doors enclosing a mirrored interior with a glass shelf above a further pair of panelled doors, above a carved apron with shell and acanthus leaf decoration, raised on carved cabriole supports, 170 x 93 x 48cm. CONDITION REPORT Overall good condition showing slight signs of use throughout. Further minor scuffs and scrapes to the carved apron.
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