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Delacour, Jean 'The Waterfowl of the World', ills Peter Scott, Country Life, vol 1 1954, vol 2 1956, vol 3 1959, vol 4 1964, all cloth with gilt flight of geese on front covers, gilt titles, all with d-w, spines shelf worn and some chipping to d-w's, and various other volumes relating to country sports and rural life. ( 1 box)
A reproduction yew wood finished Period style tall open front bookcase, with dentil moulded cornice above arched canopy, with three adjustable shelves to the upper section, the base section incorporating two short frieze drawers above one adjustable shelf, flanked on either side by fluted columns, raised on plinth base, by Wade Furniture Ltd of Leeds, retailed by Arghi Bianchi of Macclesfield.
A set of mahogany wall shelves, the central section fitted with a single panel door flanked by two-tier open shelves, 77cm wide Condition Report: These shelves are c1930 and have a Heal's label inside the door; scratches acceptable with age, deeper scratch to left hand shelf holes from remves brackets at back, 51 cm high 18cm deep
1st-2nd century AD. A bronze figurine of a lar (household deity) standing wearing a loose tunic with knotted band to the waist and shoulder, wreath to the brow, patera in the extended right hand, left hand open to accept a cornucopia. 166 grams, 10.5cm (4"). Fine condition. Property of a gentleman; acquired in the late 1960s-early 1970s. Cf. Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965, item 129. The Roman home not only functioned as a private dwelling, but also as a public manifestation of an individual's wealth and prestige as exemplified by the atrium of the house that acted as a meeting room for conducting business. These would be lavishly decorated and would also include a household shrine, or lararium. The Roman house was also at the heart of private devotion, for all levels of society, and household shrines would range from a simple shelf with pottery figures for the poor, to a shrine painted on a wall, and with the very wealthy having small scale temples, and even entire rooms known as sacella, housing expensive bronze images of the gods, such as this one. Any of the gods could be worshipped in the household shrine, from the gods of Olympus, through to the more exotic deities from the provinces, such as Isis or Cybele, but each one was required to house a set of three traditional deities that were the focus of attention. These were the Penates, gods of the home, the Genius, the spirit of the master of the household, and the Lares, spirits of the familial ancestors and their territory. Prayers, libations and sacrifices were performed for these deities to ensure the welfare of the family and the home. The Lares themselves were twins whose origins are shrouded in mystery, even to the Romans themselves. They not only acted as guardians of the home, but also fields, crossroads and individual cities. The poet Ovid in the Fasti, describes them as being the children of a nymph named Lara, and the god Mercury. Their main festival was known as the Compitalia, where they were worshipped at communal stone altars built at street corners in towns and cities where great festivities were held.
A good quality late Victorian walnut sideboard, the base enclosed by a pair of square moulded panelled doors flanking a central long drawer and alcove, raised on six turned and block supports united by a platform stretcher, the recessed raised back incorporating three bevelled edge mirror plates within moulded frames supported by a pronounced shelf with further turned column supports
A collection of Art Deco ceramics including four pieces of Czechoslovakian Ditmar Urbach wares comprising a ewer, two vases and a bowl, a jug in the form of a humorous bird, a Bretby vase of tapering form with painted blossom decoration on a black ground with impressed mark to base and numbers 1591, etc together with a tall black glazed stylised figure of a mother and child and a painted plaster figure of a kneeling eastern character (these two pieces displayed on shelf below)
A good quality silver plated serving tureen of oval form with beaded border by Walker & Hall of Sheffield, lidded with an internal liner and further pierced internal shelf, raised on an associated burner with four paw supports and beaded borders together with an antique pewter ewer, a single antique pewter plate marked London with further touch marks to underside, five antique pewter ewers with various touch marks to include examples by James Yates, etc also including a footed example
A good quality late 19th century/early 20th century mahogany case, the hinged lid with flush fitted brass locking hooks with looping brass handle, revealing a partially fitted interior with document shelf stamped Smale Brothers, London, set before a brass lock escutcheon above five graduating felt lined drawers, some with divisional interiors, 26.5 cm tall x 30 cm wide approx
SET CHINESE CARVED WOOD CHAIRS & TABLEChinese carved tielimu (ceylon ironwood) set of two armchairs and side table: the finely carved backs centering medallions of lotus and ducks, framed by openwork lotus blossoms and birds in flight; the aprons with a scrolled detail, the feet with incised detailing; the matching side table with ruyi detail to the apron, with openwork support shelf; H: 28" (table)
A late Victorian mahogany sheet music cabinet, the satinwood crossbanded top above a frieze inlaid with marquetry ribbon tied husk swags and an astragal glazed cupboard door enclosing five sliding trays on square tapering legs with spade feet, with 3/4 gilt brass shelf for the top lacking supports.
A late 19th Century rosewood Bonheur du jour with marquetry inlay in the Oriental taste, detailed with vases, furniture, teapots, bottles and writing implements, the galleried upper tier above an alcove and a drawer flanked by a cupboard at either side, all over a single frieze drawer and ebonised cabriole legs with gilt metal mounts united by a stretcher shelf, height 100cm, width 71cm and depth 40cm. S/D
A CHINESE INLAID-HARDWOOD CORNER-LEG OCCASIONAL TABLE of square form, the top decorated with a buddhistic lion roundel and foliage, above a waisted frieze and instepped legs, the lower shelf carved with flowers and bats, Qing, 18th/19th century, 27.25" (69.2cm) high x 17" (43cm) square. Provenance: The Collection of the late William Gronow Davis MFH.
A Japanese Meiji period Shodhana cabinet, the pierced dragon adorned pediment above various stepped shelves, cupboard doors and sliding doors, raised on a carved scrolling base, width approx 124cm. CONDITION REPORT: Minor damage commensurate with age and use. Slides in curved cupboard detached but present. Doors to top detached but present. Small split to curved shelf, Small scuffs to carving.
An Arts and Crafts oak side cabinet, the upper section with detailed inlaid panel to the cupboard door depicting a young maiden with polished pewter and specimen wood inlaid detail, enclosing a single shelf above a base of three drawers on rectangular stile supports, width 65cm. CONDITION REPORT: Most panels split, staining to middle surface, one section of white metal inlay slightly corroded. Later handles, although still a very pleasing cabinet overall. Height 153cm, depth 53cm.
A pair of burr walnut bedside cabinets, the single frieze drawer above a shelf with C-scroll decorated supports and single cupboard doors on foliate decorated scrolling feet, height 83cm. CONDITION REPORT: Minor losses to the front edge of one of the tops and surface wear commensurate with age. Staining to both lower sections. Beading damaged in places.

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104477 item(s)/page