There are 104473 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeAn Edwardian inlaid mahogany breakfront side cabinet, with scallop shell centred foliate inlaid shallow arch crest over single shelf mirror back upstand and moulded edge top with arched recess, above trident and laurel wreath inlaid door flanked by adjustable open bookshelves to each side, on plinth base, 150cm high, 122cm wide, 35cm deep.
A good William IV carved rosewood chiffonier, the single shelf mirror backed upstand with leafy scroll carved crest over scroll uprights, the Carrara marble topped base with curved tablet centred moulded front frieze drawer over twin shaped mirror panel doors flanked by acanthus and lotus carved pilasters, on lion paw feet, 151cm high, 114cm wide, 41cm deep.
A Victorian carved mahogany and floral marquetry chiffonier, the upper section with an acanthus and dentilled pediment above a central bevelled mirror with a cushion moulded surround, flanked by two small cupboards, displaying carved dragon panels, raised on bulbous turned supports, above a lower section, consisting of a bow fronted central cupboard, flanked on either side by three short drawers, on ten bulbous turned supports, united by a shelf above ten turned feet, 206cm high, 188cm wide, 74cm deep
Dutch walnut and marquetry Display Cabinet, decorated throughout with trailing flowers and foliage, boxwood stringing and narrow banding, cavetto moulded cornice, two glazed doors to the upper section, enclosing three serpentine shelves, arched glazed "windows" and canted corners, two doors below with a single shelf, ebonised bun feet, basically early 19th Century, width 180cms, height 120cms.
George III mahogany Chiffonier, raised back with a single shelf, brass half gallery supported by brass columns, variegated marble top, shallow frieze drawer, two doors below enclosing two shelves, flanked by shallow leaf-capped "corbels", moulded drum feet, width 99cms, height 122cms. (see lot 182 for illustration)
William IV rosewood Chiffonier, rectangular mirror back, under a canopy shelf, supported by twin columns, scrolled cresting, open brackets, the base with single glazed door, with a brass trellis grille, flanked by incurved open shelves, spaced by Doric half columns, turned feet, length 160cms, height 138cms.
BRONTE, Charlotte. JANE EYRE. Smith, Elder and Co, London 1855. Fifth edition. 8vo. Original blindstamped cloth, spine faded, inner hinge cracked. Booklists at end. STEVENSON, Robert Louis. IN THE SOUTH SEAS. Chatto and Windus, London, 1900. 1st UK edition, first printing. 8vo. Edges and the first and last few leaves a little spotty, otherwise a nice copy in the original publisher's black cloth, lettered gilt on the spine. WELLS, H.G. FIRST & LAST THINGS. A CONFESSION OF FAITH AND RULE OF LIFE. Archibald Constable, London, 1908. First edition, first printing. 8vo. Usual browning to the free endpapers apart, this is a very attractive copy in the original publisher's slate-grey cloth, lettered in black on the upper cover and in gilt on the spine. DU MAURIER, George. TRILBY. A NOVEL. Osgood MacIlvaine, London, 1895. First illustrated trade edition. 8vo. With 121 illustrations by the author. Former owner's inscription to the front free endpaper verso, otherwise a clean bright copy in the original dark-blue publisher's cloth, lettered and decorated gilt, with a touch of shelf wear to the foot of the spine. Plus 36 other novels. (40)
FLEMING, Ian. GOLDFINGER. Jonathan Cape, London, 1959. First edition, first printing. 8vo. A clean bright copy in the first issue boards with the blind-blocked skull with gilt-blocked eye-sockets on the upper board. In a price-clipped dustwrapper with a slightly marked lower panel and a touch of shelf wear to the spine extremities.
A 'S'vres-style' blue-ground gilt-metal-mounted vase and pedestal stand late 19th century the vase painted on each side with an oval panel depicting a scantily clad maiden accompanied by Cupid and a putto playing musical instruments, seated on stone steps in parkland, enclosed by an elaborate gilt foliate scrollwork frame and reserved against the dark blue ground, mounted with twin gilt-metal foliate scroll handles, the blue-ground pedestal stand decorated in raised gilding with an arrangement of musical instruments between ribbon and scrollwork borders, mounted on a stepped marble base and surmounted by a gilt wood capital and marble shelf the base inscribed in gilding 'Manufactured expressly for the Berlin Exposition' vase 93cm., 36Kin.; the stand 101cm., 39Nin. marble shelf repaired and loosely fitted to pedestal (2)
A CARVED OAK AND MIRRORED SIDE CABINET by Christopher Pratt, the raised back with bracket shelf over bevelled mirror recesses, turned and scrolled bracket ends, moulded break front with central arcaded mirrored recess with turned and carved pillars, three panelled and carved cupboard doors below, flanked by four drawers to one side, leaded glazed door to the other, oxidised copper drop handles and turned feet, late 19th/20th century, 82" wide, 49" high
A VICTORIAN ROSEWOOD SIDE CABINET with stringing and foliate marquetry, raised mirror back with broken pediment and turned finials, three small shelves and turned columns, D shaped base, the concave centre section with arcaded shelf flanked on either side by a glazed door, conforming shelf below, scrolled legs and feet, 52" wide, 82" high
A VICTORIAN ROSEWOOD AND MARQUETRY PART BEDROOM SUITE comprising triple wardrobe with two central doors over a shelf and four drawers with brass drop handles flanked on either side by a mirrored door, each surmounted by a scrolled pediment with carved urn finial, on plinth, 76 1/2" wide, 90" high, matching dressing table, marble topped washstand with tiled and mirrored splashback, bedside cabinet and a pair of carved chairs (6), label for T Simpson & Sons, Halifax
Loading...
