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Lot 1002
VICTORIAN ROSEWOOD WHATNOT, third quarter 19th century, the upper shelf with three-quarter scrolling foliate carved openwork gallery and turned finials, on turned and carved supports above the serpentine front base, with frieze drawer, on four toupie feet with castors, 73cm high x 58cm wide x 40cm deep
Lot 975
GEORGE IV OR WILLIAM IV MAHOGANY SIDE CABINET, circa 1830, the raised shelf with three-quarter gallery and moulded edges, on two turned and octagonal section supports, the main section with a frieze drawer designed as three drawer fronts above twin panelled doors, the base on turned toupie feet, 129cm high x 128cm wide x 44cm deep
Lot 10
A burr walnut writing desk, having cross banded serpentine shaped front, with galleried shelf and drawers over a central door, flanked on each side by three drawers, raised on cabriole legs, width 58ins, maximum height 50.5ins, depth 34ins Condition Report: Damage to one corner of supastructure, and the other corner loose. Minor damage and loss to pierced frieze over. Various marks to veneer and some veneer loss. Old repair to right corner and other repairs. Generally in af condition.
Lot 1
AVALON - a Vintage Mid-Century teak Ladderax style freestanding shelving unit, comprising 1x unit with central drawers, 1x unit with open central shelf, 1x open shelf, 2x black ladder end supports, 6x supporting rods, main unit length 163cm, ladder support height 180cm Good original condition, all pieces present to construct entire unit, all inner shelves present, sliding doors function properly, no obvious damage.
Lot 91
CESARE LACCA FOR CASSINA - a Mid-Century Italian lacquered wood serving trolley / bar cart, circa 1950s, removable glass trays and rear shelf for bottles, height 90cm Good overall condition, general wear and abrasions through use, bottle rack has a few chips to the lacquered wood, edges of trays also have some staining to lacquer, magazine rack doesn't have the expected base shelf, some rust on caster mounts, branded mark under one tray.
![Lucretius Carus (Titus). De rerum natura libri VI, Florence: Filippo Giunta, 1512, [8], 125, [13], ff., italic letter, freque](https://cdn.globalauctionplatform.com/001257aa-d93a-45da-88a3-abd500ca3cc0/55bbd52e-8f7c-400e-a7fe-abd600c75561/468x382.jpg)
Lot 240
Lucretius Carus (Titus). De rerum natura libri VI, Florence: Filippo Giunta, 1512, [8], 125, [13], ff., italic letter, frequent marginal pencil lines and scattered old ink underscoring, ink shelf mark D12:67 inscribed to front free endpaper, crossed through in pencil with new shelf mark [?]94 B5 written beneath, all edges gilt, 18th-century gilt-decorated crushed red morocco with central design of flowers and other small tools to both covers, rubbed, 8vo (152 x 95 mm) (Qty: 1)NOTESProvenance: A pencil note on the front free endpaper indicates that this copy was the Sunderland copy. The library of Charles Spencer (1674-1722), third Earl of Sunderland, containing approximately 20,000 books, was put up for sale by the Duke of Marlborough in 1881-3. Adams L1649; STC Italian 397.
![[Italy]. Four manuscripts, c.18th century, comprising: 1. 'Scritture diverse appartenenti alla Contea di Casa Carpegna, coll'](https://cdn.globalauctionplatform.com/001257aa-d93a-45da-88a3-abd500ca3cc0/f646da0b-ef85-4dff-b6fd-abd600c77fda/468x382.jpg)
Lot 284
[Italy]. Four manuscripts, c.18th century, comprising: 1. 'Scritture diverse appartenenti alla Contea di Casa Carpegna, coll'Istoria della Sovranita della Sede Apostolica nel Contado del Monte Feltro e luoghi aggiacenti', c.1730, approx. 900 pp., written in several hands, irregular pagination, all edges untrimmed, contemporary vellum, manuscript spine-title, alum-tawed ties, 4to (27.4 x 19.3 cm), together with: 2. 'Investiture di terre, castelli, ed altri beni fatte da diversi Pontefici à varie famiglie, ed ad altri. Con li suoi indici de’Papi, ch’investono de i beni investiti, e delle famiglie ed ad altri, à che s’investono', c.1700, [52] 336 pp., consistent show-through from ink and consequent browning to text area, contemporary vellum, manuscript spine-title, 4to (26.5 x 20.5 cm), 3. 'Investiture di Papi' [spine-title], c.1750, [49] 414 [72] pp., comb-marbled endpapers, edges sprinkled red, contemporary vellum, gilt spine, gilt border to covers, 4to (27.2 x 19.5 cm), 4. 'Prima [-Seconda] Parte dell'Istoria scritta d'Antonino Castaldo Napolitano principal Notaro del Regno delle cose occorse in Napoli, dal tempe, che vi fu Vicere Don Pietro di Toledo Marchese di Villa Franca per insino alla rebellione di D. Ferrante San Severino Prencipe di Salerno, e diverse Occorrenze Seguite', c.1750, [324] pp., edges dyed blue, contemporary vellum, 8vo (18.8 x 12.4 cm) (Qty: 4)NOTESProvenance: First two items only: Giuseppe Renato Imperiali (1651-1737), cardinal and significant patron of scholarship, the arts and architecture, with his ink-stamp to first page of text and to title-page respectively ('Ex Bibl. Ios. Re. Card. Imperialis'). All items: 1) Frederick North, 5th Earl of Guilford (1766-1827), with engraved bookplates; 2) Sir Thomas Phillipps (1792-1872), English bibliophile, with pencilled annotations to front pastedowns or North's bookplates, and shelf-mark labels to spines ( Phillipps Manuscripts 7276 (& 7801?), 7211, 5134, 4996); 3) Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. For the first work see Clough, The Duchy of Urbino in the Renaissance (1981), p. 174. The fourth work (Castaldo) was printed at Naples in 1769.
Lot 492
Golden Cockerel Press. Thw Life & Opinions of Tristram Shandy, Gentleman, by Laurence Sterne, 3 volumes, Golden Cockerel Press, 1929-30, 15 engravings by J.E. Laboureur, Hereford Library ink stamps to title versos, library bookplates, top edge gilt, original red buckram, spines faded with shelf numbers at foot, 8vo, limited edition 301/500, together with Buday (George, illustrator). The Vigil of Venus, done into English by Lewis Gielgud, Frederick Muller, [1952], wood-engravings by George Buday, library stamp and bookplate, original buckram-backed boards, glassine wrapper (torn), 4to, limited edition of 250 signed by author and illustrator, this copy unnumbered, with two others: Thomas a Kempis's Imitation of Christ, Philip Allan, 1923, limited edition 65/100, and The Works of Cyril Tourneur, Franfrolico Press, [1929], limited edition 121/750 (both ex-libris) (Qty: 6)
Lot 593
Orwell (George). Coming Up for Air, 1st edition, 2nd impression, Victor Gollancz, 1939, a few scattered spots, contemporary ink ownership inscription to front free endpaper, 'M.E. November 1939', some soiling and old damp stains to text block edges, original blue cloth lettered in blue, rubbed and light browning to extremities, spine faded and some shelf lean, original dust jacket in largely complete but dust-soiled, chipped, frayed and distressed condition, spine browned and with centre portion ('RWELL') loose but present, 8vo (Qty: 1)NOTESFenwick A7a. The first edition was published on 12 June in a run of 2000 copies, with a further 1000 issued later in June 'with slight, unintentional differences of slipped type' (Fenwick). The publisher Gollancz had hesitated to publish the book, but Orwell was adamant he would make no alterations to his manuscript, writing to his friend Jack Common on 9 April 1939 that if Gollancz 'tries to bugger me abt I think I shall leave him...'. In the event the Gollancz accepted the work and, as indicated by the almost immediate need for a reprint, it sold well.
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