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Lot 1066
An Oak Two-Handled Coffer, of plain form, with handle cut-outs to sides, 36ins wide x 13ins deep x 27ins high, a 1930s oak three-tier open shelf, on rectangular base, 32ins wide x 12.5ins deep x 38ins high, a 1930s oak two-tier occasional table with octagonal top, triangular under tier on fretted splayed legs, 14ins wide x 20ins high, and a chrome plated electric table lamp of Art Deco design, 11.25ins high, with Clarice Cliff style frosted and colour glass shade
Lot 1032
A Mahogany Four-Tier Shelf Unit, with moulded edge to top, each tier with fretted panels to each side, two small drawers under, with shaped apron, on small bracket feet, 14ins x 7ins x 42ins high, and a mahogany two-tier corner hanging wall shelf, each tier with fretted galleries and carved and fretted back panels, and with floral and scroll ornament, 30ins high
Lot 441
Hot Wheels - A collection of sets and miscellaneous collectible items including a boxed Rod Runner Power Booster, a boxed Bridge 3-Pak, a boxed Picture Maker set (incomplete) three related books, a sticker sheet, an unopened track joiner pack, 4 x shop shelf advertising displays and a couple of track accessories. The items all show signs of age and play use, they appear in Fair to Good condition overall. (This does not constitute a guarantee)
Lot 68
JOSEF HOFFMANN (Brtnice, Czech Republic, 1870 - Vienna, 1956).Jugendstil side cabinet, ca. 1900.Mahogany wood.Measurements: 113 x 31 x 26 cm.An auxiliary piece of furniture in the Jugendstil style, Central European modernism, made of mahogany wood and characterised by the clean lines and the play of geometric volumes typical of Jugendstil, which is combined with a vertical structure, based on closed and open spaces, which is common to the whole of Europe at this time. The base appears open, raised on two stipe legs with horizontal carved grooves, with a closed moulded base, like a plinth, and a shelf at mid-height. The central area is occupied by a closed cupboard with a translucent dark glass door, moulded with an irregular organic-looking irregular finish. Finally, above the cupboard is an open shelf with a barred base and truncated pyramid-shaped finials to match the legs.An architect and industrial designer, Josef Hoffmann studied at the Academy of Applied Arts in Vienna, where he was a pupil of Carl Freiherr von Hasenauer and Otto Wagner, whose theories of functional, modern architecture would profoundly influence his work. He won the Prix de Rome in 1895, and the following year he joined Wagner's office, collaborating with Olbrich on some projects for the Metropolitan. He established his own office in 1898, and taught at the School of Decorative Arts in Vienna between 1899 and 1936. He was also a founding member of the Viennese Secession. In 1900 he travelled to London, where he came into contact with the English school and discovered Mackintosh. On his return, he set up a workshop for the production of objects based on designs by artists of the Secession, and thus the Wiener Werkstätte was born, a workshop which had a great influence on 20th-century industrial design. By 1903, production began on an international scale. In the course of his life, Hoffmann produced a variety of projects for buildings and furnishings, and exhibited his creations all over the world. He is currently represented in the MAK and the Leopold Museum in Vienna, the Metropolitan and MoMA in New York, the Brohan in Berlin, the Courtauld Institute in London and the Victoria & Albert in London, among many others.
Lot 81
JOAN BUSQUETS I JANÉ (Barcelona, 1874 - 1949).Pair of modernist bedside tables, ca. 1900.Light walnut wood with carved and gilded decorations. Marble top and metal handles.Measurements: 127 x 45 x 41 cm.Pair of modernist coffee tables designed by Joan Busquets, whose organicist structure contains a lower compartment closed with a folding door, followed by an intermediate openwork hollow and a final upper surface under which there is a narrow drawer. The upper part consists of a reddish marble top, with veins in different shades, on which rests a high backrest with a small shelf supported by two small corbels. It stands on low feet, the fronts of which have a typically Art Nouveau cut-out and sinuous profile. These front feet are decorated with gilt vegetal motifs. Both the door and the drawer and back of the side tables are decorated with stems and mouldings of marked eloquence, typical of Joan Busquets' cabinetmaking, which converge in rosettes, coup de fouet and other floral motifs, carved in high relief, which stand out for their volume and quality.A furniture designer and decorator, Joan Busquets is now considered one of the most representative figures of Catalan Modernisme. He began his training in the family workshop and went on to study at the Llotja School in Barcelona, where his teachers were Guitart and Lostaló. In the academic year 1895-96 he was awarded a scholarship which enabled him to travel around Spain, and which he obtained thanks to a project for a Renaissance-style bookcase-cabinet. He exhibited furniture projects for the first time at the Barcelona Exhibition of 1896. Joan Busquets' workshop was one of the most outstanding in Modernista Catalonia and is today, together with the production of Gaspar Homar, the most representative example of Catalan Modernista furniture and decoration. He was president of the Foment de les Arts Decoratives between 1918 and 1921, and supervised the manufacture of the furniture for Gaudí's Casa Calvet. Works by Busquets can currently be found in the National Art Museum of Catalonia, the Güell Palace in Barcelona, the National Museum of Decorative Arts and the Museum of Catalan Modernism in Barcelona, among others, as well as in various important private collections.
Lot 735
19TH CENTURY FLAME MAHOGANY MIRROR BACK SIDEBOARD,the raised back with single galleried shelf over barley twist supports, inset four bevelled plates, the concave breakfront base fitted with two short, flanking one long bombe drawer, each over panelled cupboard doors flanked by half twist to acanthus columns, on turned feet, 196cm wide
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