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Lot 2401
A substantial late Victorian period sideboard, the lower section enclosed by an arrangement of cupboards and drawers, the raised back enclosing a shaped bevelled edge mirror plate, flanked by ionic columns and shaped shelf, set beneath an ornate carved and pierced pediment with further applied floral garland and shell detail, 185cm wide x 260cm high approx
Lot 667
Mendini & Guerriero, Alchimia, Shelf Angoliera from Ollo CollectionA. Mendini & A. GuerrieroAlchimiaDesign about 1988Standregal Modell Angoliera aus der Ollo Kollektion. Entwurf um 1988. Farbiges Laminat, Holz, eine Seite mit goldfarbenem Blattmetall. 221 x 24 x 43 cm.Literatur: Mario Bellini, Das internationale Design Jahrbuch 190/91, München 1990, Abb. S. 57.
Lot 659
Ettore Sottsass, one of two Prototypes Shelf FactotumEttore Sottsass, 1917-2007BeluxDesign 1979Prototyp des Regales Modell Factotum. Entwurf 1979. Holz, farbiges Kunststofflaminat. 230 x 66,5 x 48 cm. Bei diesem Objekt handelt es sich um einen von zwei Prototypen die von Belux hergestellt wurden. In dieser Ausführung ging das Regal nie in die Serienproduktion. Das Objekt stammt aus der privaten Sammlung Urs Richner, ehemaliger Geschäftsführer der Firma Belux und Kumewa.
Lot 1
"Christ". Large chased and gilded copper figure with champlevé enamel. Limoges. France. Romanesque. 13th century. Due to its dimensions, 22,5 x 18 cm, it must have been the central figure affixed to a large processional cross. Christ alive, crucified, covered with a large loin cloth in ultramarine blue and turquoise tones, with a crowned head and glass eyes. This is a Romanesque depiction of Christ, who appears glorious and triumphant before death, with the head held high, not leaning, and with open eyes. The knees are bent and the naturalness of the torso augers the beginning of what would be the gothic model of the suffering Christ. There is a comparable example kept in the Musée d'Art et d’Archéologie in Senlis, France, which is still affixed to its original cross. (https://musees.ville-senlis.fr/Collections/Explorer-les-collections/Rechercher-une-oeuvre/Musee-d-Art-et-d-Archeologie/Christ-en-croix) As the museum mentions in the index card, both Christs show the characteristics of Limoges craftsmanship "opus emovicense" according to the expression used in the Middle Ages to define the objects made in enamelled champlevé copper in the Limoges workshops: champlevé enamel in ultramarine blue has been used on the loincloth and on the suppedaneum, the shelf on which Christ’s feet rest, although in this case the enamel has not been preserved, and there is fine chasing on the torso.
Lot 11
NO RESERVE Surtees (Robert Smith) Mr Sponge's Sporting Tour, first edition in book form, first state with dedication to Lord Elcho, half-title, hand-coloured engraved frontispiece and 12 plates by John Leech, numerous illustrations, book-label to pastedown, occasional splitting at gutter, some light toning, hinges cracked but holding firm, original pictorial cloth, gilt, lightly rubbed and soiled, spine sunned with ends chipped, slight shelf-lean, 1853; and 4 others by Surtees, uniformly bound in half morocco, 8vo (5)
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