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An Arts & Crafts Liberty style magazine rack, with stylised inlay to either end. Width 21 ins. CONDITION REPORT: One of the legs which forms part of the silhouette end has been badly broken. It has a brass plate on the outside edge with six screws through it which form the same profile has the leg. In an ideal world this needs removing and the leg replacing. Other than this both ends are in generally good order with only minor surface scratches and scuffs as one would expect. The inlaid motif to both sides is in good order. The magazine area is in generally good condition but there are three of the brass columns missing from one side of the piece. All of the other brass columns are beginning to lose their original lacquered finish. The lower shelf is in good condition. The only real issue is therefore the leg repair.
A Victorian mahogany easel. Width 30 ins. CONDITION REPORT: The easel is generally in very good condition with no significant problems. There are minor old surface scratches, scuffs and small losses to the timber but no problems of any real significance. There are tiny pieces of veneer missing from the shelf. The rise and fall mechanism works as it should. The rear easel support is housed within two egg shaped balls. The rear right hand one maybe a later replacement. It is however in keeping with the original. Looking at the piece from the rear the only significant areas of veneer loss are on the rear of the upper stand of the shelf.
A late 19th century French mahogany corner cabinet, with marble top, by Mellier, with brass gallery and ormolu mounts. Width 19.5 ins. CONDITION REPORT: The brass gallery is in good order but has lost its original gilding. The marble top is scuffed and marked but there are no breaks or cracks. The metalwork to the frieze is in good condition. The polish behind the frieze is dull. The metalwork to the remainder of the cabinet is all intact but has lost its gilding in places. The door is visually in good order and although dirty of a good colour. There is a visible crack on the right hand side running from the top of the door 3/4 of the way down the length on the hinged side. This is much more clearly visible from the inside. Internally the piece has one shelf which has a crack across the rear. The rear panels are in good order. The feet are original and simply dirty. The lock works as it should.
A late Georgian mahogany washstand, with hinged top to fitted interior, with six dummy frieze drawers and raised on turned legs united by a low shelf. Width 29 ins. CONDITION REPORT: The top is in good condition and of good colour. The hinges are original and in good order. The interior is a little dirty but has no significant problems other than needing a clean. Two of the knob handles to the drawers are loose. One is detached but we have the handle. The four legs are in good order with no issues. The lower shelf has old surface scuffs and marks and two small stress fractures which are not of any significance.
A late 17th/early 18th century court cupboard, two sections, the top half with moulded cornice above a carved frieze and pair of panelled cupboard doors with centre panel above a further pair of four panelled cupboard doors enclosing shelves and raised on stile feet. Width 124 cm, height 142 cm, depth 56 cm (see illustration). CONDITION REPORT: This cupboard has been entered from a private residence. It is generally in good condition. It is structurally sound. The top boards are excellent in terms of colour and patination as are the side panels, rear panels and all interior shelf panels. The front left hand column is original as is the shelf below. The right hand turned column whilst clearly old and similarly turned is of a different colour to the one on the left and does not look quite as old. We cannot see that this has been replaced but point this out never the less. The cupboard doors to the upper section are not panelled. This seems a little out of keeping with the sides and base. The hinges are clearly period but there are marks on the right hand cupboard indicating previous hinges on both the cupboard door and the upright. The base doors are in generally good order and we feel that the three larger hinges are original and the smaller one may not be.
An Edwardian inlaid mahogany display case, with moulded cornice above a ribbon and bellflower inlaid frieze and with pair of glazed doors beneath with wooden astragals enclosing cloth lined shelves, with open shelf beneath with fretwork gallery and raised on tapered legs of square section terminating in spade feet. Width 47 ins, height 71 ins (see illustration). CONDITION REPORT: The display case is in generally very good condition with no damage, no repairs and no restoration. It is simply a little dusty and dirty.
An Arts & Crafts oak sideboard, with tiered superstructure and fitted to the base with a series of drawers and cupboards with stylised brass hinges and handles and raised on a plinth base. Width 66 ins (see illustration). CONDITION REPORT: This piece is in generally very good condition. There are stress cracks to the top left and right hand corners of the superstructure. These are solid not moving and not problematic. The remainder of the superstructure is in good order. The top of the base is flat and in generally good condition. There is evidence of an old liquid/water stain to the centre of the piece below the shelf. The front doors and drawers are in good order as is the metalwork. The doors operate as they should. The drawers slide well. The base is in good order.
A late 17th/early 18th century court cupboard, two sections, the top half with moulded cornice above a carved frieze and pair of panelled cupboard doors with centre panel above a further pair of four panelled cupboard doors enclosing shelves and raised on stile feet. Width 124 cm, height 142 cm, depth 56 cm (see illustration). CONDITION REPORT: This cupboard has been entered from a private residence. It is generally in good condition. It is structurally sound. The top boards are excellent in terms of colour and patination as are the side panels, rear panels and all interior shelf panels. The front left hand column is original as is the shelf below. The right hand turned column whilst clearly old and similarly turned is of a different colour to the one on the left and does not look quite as old. We cannot see that this has been replaced but point this out never the less. The cupboard doors to the upper section are not panelled. This seems a little out of keeping with the sides and base. The hinges are clearly period but there are marks on the right hand cupboard indicating previous hinges on both the cupboard door and the upright. The base doors are in generally good order and we feel that the three larger hinges are original and the smaller one may not be.
An Edwardian inlaid mahogany display case, with moulded cornice above a ribbon and bellflower inlaid frieze and with pair of glazed doors beneath with wooden astragals enclosing cloth lined shelves, with open shelf beneath with fretwork gallery and raised on tapered legs of square section terminating in spade feet. Width 47 ins, height 71 ins (see illustration). CONDITION REPORT: The display case is in generally very good condition with no damage, no repairs and no restoration. It is simply a little dusty and dirty.
An Arts & Crafts oak sideboard, with tiered superstructure and fitted to the base with a series of drawers and cupboards with stylised brass hinges and handles and raised on a plinth base. Width 66 ins (see illustration). CONDITION REPORT: This piece is in generally very good condition. There are stress cracks to the top left and right hand corners of the superstructure. These are solid not moving and not problematic. The remainder of the superstructure is in good order. The top of the base is flat and in generally good condition. There is evidence of an old liquid/water stain to the centre of the piece below the shelf. The front doors and drawers are in good order as is the metalwork. The doors operate as they should. The drawers slide well. The base is in good order.
A late 19th/early 20th century Sheraton Revival bijouterie table, brass bound and marquetry, with tapered legs of square section united by a raised shaped shelf. Width 31.5 ins (see illustration). CONDITION REPORT: This table is in very good condition. The top is flat and not warped. The glass is in good order as is the brass surround and marquetry. All four glass side panels are in good condition. The legs are in good order with no breaks and the piece is very sturdy. The lower shelf is also in good condition with no issues. The piece could be used or resold in its current condition without the need for any repair or restoration.
An Arts & Crafts Liberty style magazine rack, with stylised inlay to either end. Width 21 ins. CONDITION REPORT: One of the legs which forms part of the silhouette end has been badly broken. It has a brass plate on the outside edge with six screws through it which form the same profile has the leg. In an ideal world this needs removing and the leg replacing. Other than this both ends are in generally good order with only minor surface scratches and scuffs as one would expect. The inlaid motif to both sides is in good order. The magazine area is in generally good condition but there are three of the brass columns missing from one side of the piece. All of the other brass columns are beginning to lose their original lacquered finish. The lower shelf is in good condition. The only real issue is therefore the leg repair.
A Victorian mahogany easel. Width 30 ins. CONDITION REPORT: The easel is generally in very good condition with no significant problems. There are minor old surface scratches, scuffs and small losses to the timber but no problems of any real significance. There are tiny pieces of veneer missing from the shelf. The rise and fall mechanism works as it should. The rear easel support is housed within two egg shaped balls. The rear right hand one maybe a later replacement. It is however in keeping with the original. Looking at the piece from the rear the only significant areas of veneer loss are on the rear of the upper stand of the shelf.
A late 19th century French mahogany corner cabinet, with marble top, by Mellier, with brass gallery and ormolu mounts. Width 19.5 ins. CONDITION REPORT: The brass gallery is in good order but has lost its original gilding. The marble top is scuffed and marked but there are no breaks or cracks. The metalwork to the frieze is in good condition. The polish behind the frieze is dull. The metalwork to the remainder of the cabinet is all intact but has lost its gilding in places. The door is visually in good order and although dirty of a good colour. There is a visible crack on the right hand side running from the top of the door 3/4 of the way down the length on the hinged side. This is much more clearly visible from the inside. Internally the piece has one shelf which has a crack across the rear. The rear panels are in good order. The feet are original and simply dirty. The lock works as it should.
A late Georgian mahogany washstand, with hinged top to fitted interior, with six dummy frieze drawers and raised on turned legs united by a low shelf. Width 29 ins. CONDITION REPORT: The top is in good condition and of good colour. The hinges are original and in good order. The interior is a little dirty but has no significant problems other than needing a clean. Two of the knob handles to the drawers are loose. One is detached but we have the handle. The four legs are in good order with no issues. The lower shelf has old surface scuffs and marks and two small stress fractures which are not of any significance.
A late 19th Century French marble topped boxwood strung and marquetry Escoitoire, the single full width drawer flanked by two gilt metal volutes in late 18th Century style, further over a fall opening to reveal maple interior of shelf and two half width drawers, four full width drawers below with similar floral marquetry, raised on short turned legs, 66cm wide x 32.5cm deep x 132.5cm high
An Edwardian mahogany and satinwood crossbanded Music Cabinet, the galleried top above single door with astragal glazing bars enclosing a single shelf, four full width graduated drawers below with gilt metal swan net handles, shaped apron and on square and turned legs terminating in pad feet, 52cm wide
An early 19th century rosewood chiffonier, circa 1820, the top with an upper galleried shelf raised to front on S shaped supports with acanthus carved detail, the base section fitted with a single frieze drawer over two single panel doors; the drawer opening to reveal a fitted writing interior with compartments and an adjustable leathered writing slope, the drawer and doors set between S shaped acanthus carved supports with carved terminals, raised on turned feet, 116cm high, 92cm wide, 47cm deep, complete with provenance
A French ebony, ebonised and marquetry escritoire, third quarter 19th century A French ebony, ebonised and marquetry escritoire, third quarter 19th century, in the manner of Alphonse-Gustave Giroux, Paris, inlaid with bone stringing throughout, the rectangular top above the frieze drawer and hinged fall opening to an arrangement of six drawers and an open recess with open shelf, above the leather inset, above three further drawers, flanked overall by fluted pilasters headed by Doric capitals, on turned tapering feet, the rear panel bearing an ivorine retailers plaque titled `J.WALTON & CO. LTD, ANTIQUE FURNITURE, MERE, WILTS`, 140cm high, 87cm wide, 54cm deep For a related side cabinet demonstrating similar marquetry panels and stamped A.Giroux see Christie`s, The Opulent Eye, 10th September 2012, Lot 70 This escritoire relates closely to pieces made for Maison Alphonse Giroux in the tradition of 18th century marchands-merciers. It is thought that the firm probably did not make any of the wares they sold but rather commissioned them from a number of craftsmen. The firm was established in 1799 by François-Simon-Alphonse Giroux (d.1848), with premises at 7, rue du Coq-Saint-Honoré, Paris. Dealing in luxury goods, and known for its high-quality objects such as glove boxes, caskets for weddings and baptisms, and gifts for the New Year, by 1834, the company also sold small items of furniture. In 1838, the company was taken over by Giroux`s two sons, Alphonse-Gustave (d.1886) and André (d.1874), who under the name of Giroux & Cie, further extended the business, showing and frequently winning medals at the Exposition des Produits de l`Industrie française. Between 1855 and 1857, Maison Alphonse Giroux supplied Napoléon III and Empress Eugenie with furniture including a small bureau, two ormolu-mounted chiffonniers, candelabras, clocks and vases. In 1857, the business relocated to 43, boulevard des Capucines, where it remained until 1867 when it was taken over by Duvinage and Harinkouke.
Late George III oak dresser and plate rack, circa 1810-20, moulded cornice over three shelves with pine tongue and groove boarded back, the base fitted with three frieze drawers and a further three small drawers to the centre, each with pressed brass oval plate handles, flanked on either side with a shaped channel moulded cupboard door opening to a single shelf, raised on bracket feet, width 150cm, height 201cm
Edwardian mahogany and inlaid display cabinet, with triple bow front with bellflower inlaid frieze in fiddle back mahogany over two bow fronted doors and a central bow fronted panel, opening to three shelves, the doors with inlaid panels at the base over an open shelf supported on tapered square legs with spade toes, width 122cm, height 178cm
Liberty walnut bureau, circa 1905, having an open shelf top with Moorish style gallery and turned finials, over a base with a slope front opening to reveal the original felt writing surface and pigeonholes, frieze drawer with ring handles, paper lozenge label inside 'Liberty & Co., Regent Street, London', over an arcaded bookshelf, on the back a further open bookshelf, raised on tapered legs, width 62.5cm, height 127cm
A principally 18thC oak bureau bookcase, the upper section with a moulded D-end cornice raised above a pair of panelled doors revealing a fully fitted interior of pigeon holes and shelves, the subsection set with sliding candle sconces and a fall front with further drawers, pigeon holes and a baize lined writing slope, the further sliding shelf revealing a deep well, above two short and two long drawers with swan necked plate back handles, the whole on ogee bracket feet, 97cm wide x 55cm deep x 234cm high. (AF)
A Victorian birds eye maple davenport desk, with a galleried back raised above a sloping front part set with a stencilled leather writing section opening to reveal four maple drawers and an open well, raised on barleytwist front columns heading front and side cupboards, with a side slide candle shelf and cotton drawer, 55cm wide x 58cm deep x 90cm high. Reputed to have been purchased in the early 1940s from the father of Arthur Negus
AN ART NOUVEAU MAHOGANY DISPLAY CABINET in the manner of Shapland & Petter, the moulded edged top on square section front supports inlaid with stylised foliage extending to pierced feet and enclosing a demi lune central section with spindle fronted shelf over two stained and leaded glazed doors with open shelf below, 47"" x 14 1/2"" x 58 1/4
A French ebony, ebonised and marquetry escritoire, third quarter 19th century A French ebony, ebonised and marquetry escritoire, third quarter 19th century, in the manner of Alphonse-Gustave Giroux, Paris, inlaid with bone stringing throughout, the rectangular top above the frieze drawer and hinged fall opening to an arrangement of six drawers and an open recess with open shelf, above the leather inset, above three further drawers, flanked overall by fluted pilasters headed by Doric capitals, on turned tapering feet, the rear panel bearing an ivorine retailers plaque titled `J.WALTON & CO. LTD, ANTIQUE FURNITURE, MERE, WILTS`, 140cm high, 87cm wide, 54cm deep For a related side cabinet demonstrating similar marquetry panels and stamped A.Giroux see Christie`s, The Opulent Eye, 10th September 2012, Lot 70 This escritoire relates closely to pieces made for Maison Alphonse Giroux in the tradition of 18th century marchands-merciers. It is thought that the firm probably did not make any of the wares they sold but rather commissioned them from a number of craftsmen. The firm was established in 1799 by François-Simon-Alphonse Giroux (d.1848), with premises at 7, rue du Coq-Saint-Honoré, Paris. Dealing in luxury goods, and known for its high-quality objects such as glove boxes, caskets for weddings and baptisms, and gifts for the New Year, by 1834, the company also sold small items of furniture. In 1838, the company was taken over by Giroux`s two sons, Alphonse-Gustave (d.1886) and André (d.1874), who under the name of Giroux & Cie, further extended the business, showing and frequently winning medals at the Exposition des Produits de l`Industrie française. Between 1855 and 1857, Maison Alphonse Giroux supplied Napoléon III and Empress Eugenie with furniture including a small bureau, two ormolu-mounted chiffonniers, candelabras, clocks and vases. In 1857, the business relocated to 43, boulevard des Capucines, where it remained until 1867 when it was taken over by Duvinage and Harinkouke.

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104473 item(s)/page