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A fine and rare William IV mahogany cistern tube angle barometer in the manner of John Whitehurst of Derby Birchall, dated 1835 With square section finial to the cavetto moulded and gadrooned pediment above angled silvered glazed scale calibrated from 28 to 31 inches and divided into twentieths (0-300 over the length of the scale) with MUCH RAIN, Rain, Change, Fair, SET FAIR predictions and signed Birchall and dated 1835 to lower edge, the tube with brass setting pointer adjusted by turning the knurled brass finial at the end of the ogee shaped caddy terminal of the angled arm, the kingwood crossbanded and cockbeaded trunk with concealed tube and crossbanded borders to the figured veneers, the shaped base with half cylinder turned cistern cover with ring turned girdle and finials to top and bottom, 93cm (3ft 0.5ins) high. Banfield does not record a maker with the name Birchall working around this time however a M. Birchall is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Derby circa 1770-90. The current lot can be very closely compared to examples made by John Whitehurst of Derby during the latter half of the 18th century (for an example see Goodison, Nicholas English BAROMETERS 1680-1860 2nd ed. page 282). This suggests that this instrument was either made by a subsequent member of the Whitehurst family to be retailed by Birchall or is an accurately detailed version made by Birchall himself.

A Fine carved walnut mercury wheel barometer Negretti & Zambra, London, late 19th century The 10 inch rosette centred circular silvered register calibrated in inches (divided into hundredths), with the usual annotations and signed NEGRETTI & ZAMBRA, Scientific Instrument Makers to Her Majesty, LONDON to lower edge, within cast lacquered brass bezel set into rectangular surround with tile carved decoration to angles flanked by reeded pilasters supporting pediment centred balustrade and with panel fronted drop-section incorporating setting pointer adjustment knob beneath, the trunk with large silvered Fahrenheit and Centigrade scale glazed mercury tube thermometer with elaborate coiled bulb flanked by pilasters and buttresses with baluster infill and cruciform finials beneath rosette centred frieze and further gable centred gallery to pediment, 113cm high. Provenance: Private collection, Gloucestershire. The trunk is applied with a silvered presentation plaque inscribed PRESENTED TO MR. AND MRS. A. DE ROUGEMONT by the members of the Addlestone Cricket Club IN RECOGNITION OF THEIR KINDNESS DURING THE LAST 9 YEARS, MARCH 1898. The firm of Negretti & Zambra are recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as being established in 1850 when a partnership between Enrico Negretti and Joseph Warren Zambra was formed. The firm became one of the most prolific makers of scientific instruments and continued trading well into the 20th century. The current lot demonstrates a `no expense spared` approach to quality with even small components normally hidden from view such as the tube retention clips being finished to the highest standards.

A Victorian carved walnut mercury cistern-tube stick barometer West, Liverpool, mid 19th century With stepped break-arch pediment above bevel-glazed rectangular canted ivory double vernier scale calibrated in inches and signed WEST, Optician, Liverpool to upper margin, above foliate carved corbels to throat and Fahrenheit/Centigrade scale mercury thermometer within conforming carved surround to the rectangular section trunk, the rounded base with further leaf carved decoration to cistern cover, 103cm high.

A Victorian carved oak mercury cistern-tube stick barometer James Gargory, Birmingham, mid 19th century With stepped cavetto moulded pediment above bevel-glazed rectangular canted ivory double vernier scale calibrated in inches and signed J. GARGORY, BIRMINGHAM to upper margin, above ivyleaf cartouche carved throat and Fahrenheit scale mercury thermometer within conforming carved surround to the slender rectangular section trunk, the rounded base with further leaf carved decoration to cistern cover, 94cm high. James Gargory is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working from various addresses in Bull St. Birmingham 1830-56.

A Victorian carved oak mercury cistern tube `Standard` forecasting stick barometer Unsigned, circa 1870 With fan carved break-arch pediment above bevel-glazed canted ivory twin vernier scales calibrated in inches, with the usual observations and annotated 9 AM YESTERDAY and 9 AM TODAY to upper margins around the large bore tube, the trunk with vernier adjustment squares flanked by shaped corbels to throat, above ivory plaque inscribed Standard, and bevel-glazed mercury tube thermometer calibrated for both Fahrenheit and Centigrade to the ivory scale and with ivy leaf carved decoration to the surround, the base with ogee moulded square cistern cover decorated with scroll carved crest flanked by inverted corbels to upper margin and with level adjustment square to underside, 102cm high. Provenance: Private collection, Gloucestershire.

A fine Victorian carved oak mercury cistern tube forecasting stick barometer William Callaghan, London, circa 1870 With scallop shell and scroll carved pediment above bevel-glazed canted ivory twin vernier scales calibrated in inches, with the usual observations, annotated 9 AM YESTERDAY and 9 AM TODAY to lower margins and signed CALLAGHAN 23A New Bond St. corner of Conduit St., London to upper edge around the large bore tube, the trunk with vernier adjustment squares flanked by foliate corbels to throat, above bevel-glazed mercury tube thermometer calibrated for both Fahrenheit and Reaumur to the ivory scale and with acorn carved decoration to the surround, the base with cartouche shaped cistern cover carved with elaborate foliate designs and with level adjustment square to underside, 107cm high. Provenance: Private collection, Gloucestershire. William Callaghan is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as trading from 23A New Bond Street 1859-75.

An unusual George III oak rack striking thirty-hour longcase clock Michael Broadbelt, Bishop Aukland, late 18th century The four pillar plated two-handed movement with rack striking governed by a vertically pivoted fly with adjustable vanes and worm drive, and unusual anchor escapement mounted on the backplate with asymmetric pallets spanning 14 of the 32 teeth, the 12 inch brass break-arch dial with arched calendar aperture and scroll engraved centre within Roman numeral chapters and Arabic five minutes within applied scroll cast spandrels beneath circular boss signed Broadbelt, AUKLAND flanked by conforming mounts to arch, the break-arch case with moulded pediment above integral pilasters to hood, break-arch door to trunk, on plinth base with plain skirt (some repair/replacements to case) 210cm (6ft 11ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Michael Broadbelt is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Bishop Aukland, County Durham 1760-96. The current lot with its unusual escapement and vertically pivoted fly for the rack striking mechanism demonstrates a particularly distinctive and original approach to clockmaking.

A George III black japanned tavern clock John Lee, Cookham circa 1775 The four pillar movement with five wheel train, tapered plates and anchor escapement, the shield shaped dial with gilt on black Roman numerals with Arabic five minutes to outer track and signed John Lee, Cookham between stylised scallop shell and foliate painted quadrants to lower margin within ogee moulded surround with giltwood ball finials to top corners, the box form drop-trunk case with pendulum access doors to sides above break-arch trunk door decorated in raised polychrome and gilt with oriental figures beneath dial, with canted cavetto moulded base decorated with a panel of bird of prey within foliage to underside, 145cm (4ft 9ins) high, 79cm (2ft 7ins) wide. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. John Lee is recorded in Baillie, G. H. Watchmakers & Clockmakers of the World as working in Cookham from 1759 to circa 1800.

A George II dark green japanned eight-day longcase clock with day of the week indication and moonphase John Spinney, Blandford, circa 1740 The five pillar rack and bell striking movement with 12 inch brass break-arch dial with ringed winding holes, subsidiary seconds dial and foliate scroll border-engraved apertures for date of month and day of week incorporating finely engraved deities to the matted centre, within an applied silvered Roman numeral chapter ring with fluer-de-lys half hour markers and Arabic five minutes to outer track, that angles with bird and urn cast spandrels beneath rolling moonphase to arch incorporating foliate engraved lunettes, calibrated lunar disc and applied arched nameplate JOHN SPINNEY OF BLANDFORD FECIT to upper margin, in a case with domed and stepped caddy above integral pilasters to hood and break-arch trunk door decorated in raised polychrome and gilt with figures and exotic birds within an oriental garden landscape, with gilt scroll decoration to surround, on similarly decorated plinth with moulded double skirt base, (with restoration), 239cm (7ft 10ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Two makers with the name John Spinney (presumably father and son) were known to have worked from Blandford Forum during the eighteenth century producing mainly modest thirty-hour clocks. The current lot with its unusual day of the week indication to the dial departs from their usual product, hence was possibly made to special order by a wealthy patron perhaps during the rebuilding of Blandford after the disastrous fire of 1731.

A George III mahogany eight-day longcase clock with moonphase Edward Hopkins, Bradford, early 19th century The four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial sweep calendar hand and signed Edw. Hopkins, Bradford to centre, the spandrels with raised gilt scrollwork decoration beneath rolling moonphase to arch, the case with shaped crest to the break-arch cornice above reeded pilasters to hood, the trunk with break-arch door, on shaped panel outlined plinth base with moulded skirt, 216cm (7ft 1in) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A George III mahogany eight-day longcase clock D. Becquet, London, circa 1800 The four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds to centre and floral painted spandrels to angles the arch signed D. BECQUET, LONDON, the break-arch case with brass stop-fluted columns to hood above break-arch door flanked by conforming quarter columns to trunk, on shaped panel fronted plinth base with double skirt incorporating shaped apron, 221cm (7ft 3ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A George III oak thirty-hour longcase clock James Woolley, Codnor, circa 1770 The outside countwheel bell striking two-handed movement with fine finned pillars and arch-shaped cut outs to the lower edges of the movement plates, the 12 inch square brass dial with simulated winding holes, arched calendar aperture and signed Woolley, Codnor to the foliate scroll engraved silvered centre, within applied Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrels to angles, the case with broken triangular pediment and cavetto cornice with mahogany frieze above turned pilasters to hood, shaped-top door to trunk and on plinth base with moulded skirt, 214cm (7ft) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. James Woolley of Codnor is recorded in Darken, Jeff & Hooper, John English 30 Hour Clocks as being born in 1695 and dying 1786. He was a fine maker who produced clocks to a distinctive design. The current lot has many of the features associated with his work including arch-shaped cut outs to the lower edge of the movement plates, distinctive pendulum suspension bridge cock, finely finished and decorated steelwork, and seatboard with movement locating pins flanking oval aperture for the chains.

An oak eight-day longcase clock with ten inch dial Thomas Wise, London, circa 1690 and later The five finned pillar outside countwheel bell striking movement with anchor escapement, the 10 inch dial with subsidiary seconds dial and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes within the narrow outer track and signed Tho. Wise, London to lower edge, the angles with winged cherub head and scroll cast spandrels, the case now with canted caddy and cavetto cornice to the current hood above 42 inch rectangular trunk door and plinth base with later moulded skirt, (formerly ebonised, case with replacements), 209cm (7ft 5ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Thomas Wise was apprenticed to his father the eminent clockmaker John Wise in 1678, gaining his freedom in 1686 he worked form Fenchurch Street, London until his death in around 1698. The basic structure of the case of the current lot is sound and appears original to the movement and dial, hence this clock presents as an eminently worthwhile restoration project.

A George III mahogany eight-day longcase clock Edward Pashler, London, circa 1775 The five pillar rack and bell striking movement with 12 inch brass break-arch dial with recessed subsidiary seconds dial, calendar aperture and signed Edw. Pashler, London to an applied plaque to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrels to angles beneath STRIKE/SILENT ring flanked by conforming mounts to arch, in a pagoda pedimented case with foliate pierced fret above brass stop-fluted columns to hood and flame figured break-arch door to trunk, on raised panel fronted plinth base with double skirt, 240cm (7ft 10.5ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Edward Pashler is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London around 1766

A Fine George III mahogany quarter striking musical eight-day longcase clock with enamel dials Benjamin Taylor, London circa 1780 The substantial five pillar triple train movement striking the quarters on two bells and playing a choice of six airs on eight bells every hour, the brass 12 inch break arch dial plate applied with white enamel circular Roman numeral dial with brass hands and signed BENJ`N TAYLOR, LONDON to centre, the angles applied with foliate cast spandrels beneath subsidiary enamel CHIME/NOT CHIME and SONG/JIG/MINUET/GAVOT/SONG/JIG tune selection dials within conforming mounts to arch, the pagoda pedimented case with blind fret fronted swan neck frieze above brass stop-fluted columns and foliate scroll side frets to hood, with shaped-top flame figured door flanked by conforming quarter columns to trunk, on raised shaped-panel fronted plinth base with double skirt incorporating shaped apron and squab feet, 252cm (8ft 3ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Benjamin Taylor is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Lombard Street, London 1773-1800. This fine clock has the rare feature of two-in-one quarter striking where both the quarters and the hours are sounded from the same train. This system requires the train to be geared similar to that of a month duration hour striking longcase clock and utilises a snail cut for both the hours and the quarters.

A George III mahogany eight-day longcase clock Williams, London, circa 1780 The five pillar (one removed) rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds and calendar dials and signed Williams, London to the scroll engraved centre within an applied silvered Roman numeral chaper ring with Arabic five minutes and foliate scroll cast spandrels to angles beneath Strike/Silent ring flanked by conforming mounts to arch, in a pagoda pedimented case with brass stop-fluted columns to hood above flame figured break-arch door to trunk, on raised panel fronted plinth base with double skirt incorporating shaped apron, 240cm (7ft 10.5ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

An Irish line inlaid mahogany eight-day longcase clock John Johnson, Ballinderry, early 19th century The four pillar rack and bell striking movement with 13 inch white painted break-arch Roman numeral dial with subsidiary seconds dial, arched calendar aperture and signed Jn`o Johnson, Ballinderry to centre, with gilt conch shell and fan decorated spandrels beneath arch decorated with a Classical scene, the swan neck pedimented case with reeded pilasters to hood above short shaped-top trunk door and apron panel flanked by reeded quarter columns, on conforming plinth base with moulded skirt, 214cm (7ft) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A George III mahogany eight-day longcase clock Thomas Hunter junior, London, circa 1775 The five pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and signed Thomas Hunter Junior, LONDON to an applied plaque to the matted centre within an applied silvered Roman numeral chaper ring with Arabic five minutes and foliate scroll cast spandrels to angles beneath Strike/Silent ring flanked by conforming mounts to arch, in a break-arch pedimented case now with Corinthian columns to hood and flame figured break-arch door to trunk, on raised panel fronted plinth base with moulded skirt, 214cm (7ft) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Thomas Hunter junior is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working from Lombard Street London in 1770.

A William III walnut and floral marquetry eight-day longcase clock John Finch, London, circa 1695 The five finned pillar inside countwheel bell striking movement with anchor escapement, the 11 inch square brass dial with ringed winding holes, triple-crown border engraved calendar aperture and subsidiary seconds dial, within an applied silvered Roman numeral chaper ring with stylised sword hilt half hour markers, Arabic five minutes and signed John Finch, Londini Fecit to lower edge, the angles with winged cherub head and foliate scroll cast spandrels, in a case with later triangular pediment and moulded cornice above spiral twist turned integral pilasters to the ebonised ground floral decorated hood door, with conforming marquetry to the convex throat moulding and 43 inch rectangular trunk door profusely decorated with figural inhabited floral designs on an ebonised ground, the plinth base with further floral marquetry decoration, on later moulded skirt (case generally distressed), 202cm (6ft 8.5ins) high excluding later pediment, 208cm (6ft 10ins) high overall. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Thomas Finch is recorded in loomes, Brian, The Early CLOCKMAKERS of Great Britain as gaining his freedom in 1676/7, he worked from St. Martins, London with no records existing after 1689. The current lot can be stylistically dated to the closing years of the 17th century, with the three crowns engraved to the centre of the dial possibly commemorating the unification of the three kingdoms of England, Scotland and Ireland under William III.

A walnut eight-day longcase clock Luke Wise, Reading, 18th century The four finned pillar inside countwheel bell striking movement with 11.5 inch square brass dial with ringed winding holes, foliate engraved calendar aperture and silvered subsidiary seconds dial to the matted centre, within an applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers, Arabic five minutes to outer track and signed Luke Wise, Reading to lower edge, the angles with mask and scroll cast spandrels, now in a case with moulded cornice, foliate pierced fret and integral columns to hood, above rectangular quarter veneered trunk door centred with a lenticle and crossbanded plinth base with double skirt, 216cm (7ft 1in) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A walnut eight-day longcase clock with ten inch dial Thomas Johnson, Ratcliffe Cross, London, late 17th century The five finned pillar outside countwheel bell striking movement with anchor escapement and formerly with bolt-and -shutter maintaining power, the 10 inch square brass dial with ringed winding holes, foliate engraved calendar aperture and subsidiary seconds dial to the rose decorated matted centre within an applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes within the narrow outer track and signed Tho. Johnson at Ratcliff Cross Fecit to lower edge, the angles with applied winged cherub head and foliate scroll cast spandrels with engraved foliate infill between, in a case now veneered in walnut and with cross-grain mouldings with moulded cornice and fretwork frieze above spiral twist turned pilasters to hood, convex throat moulding and quarter veneered 42 inch rectangular door to trunk, on plinth base with shallow ogee moulded skirt, (case with restoration), 197cm (6ft 5.5ins high). CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Thomas Johnson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1680-1705. Although no listing exists within the records of apprentices he was thought to have worked with William Clement in Southwark before moving out beyond the fringes of the city to Ratcliffe Cross. Two thirty-hour movements by Johnson are discussed in Darken, Jeff and Hooper, John English 30 Hour Clocks pages 66-70 and 88-9.

A walnut and brass bound campaign style trunk

A pair of late 19th century glass and gilt metal mounted scent bottles, the tops inset with hand painted scenic views, contained in a plush lined and leather effect case in the form of a trunk approx 9.5cm wide

An ash and canvas dome top trunk with iron side handles

A patinated bronze effect bookend modelled as a dog at a tree trunk, modelled `Armor Bronze Co., 1922`, h. 16 cm

Hallam of Nottingham, a 19th century mahogany cased `drop trunk` wall clock, the painted white dial supporting a twin train striking movement under an enclosed arched hood, above an arched door and moulded base, h. 142 cm

A painted metal travelling trunk, width 66cm.

A black painted metal rectangular cabin trunk, width 89cm.

A rare Royal Doulton Gnomes series plate decorated with six gnomes hiding in the base of a tree trunk, no.D4697 to base, diameter 26cm (Illustrated).

A Hummel lamp base modelled as a seated girl with a lamb in front of a tree trunk, height 22cm, also four Hummel figures of young children (two af) (5).

A 19th century lacquered brass Fortin type marine barometer with silver plates and vernier, trunk set with thermometer, the reservoir inscribed Not Portable and marked with the Royal Ordnance broad arrow, mounted on a mahogany plinth, overall height 103cm (Illustrated).

A George III oak 30 hour long case clock having brass dial, pressed brass spandrels and chapter ring, glass aperture over a long trunk door, by P Carter, 280-350

A large trunk of tools and hardware to include old woodworking tools, large table top drill, folding rulers etc.

Hand-painted floral decorated dome trunk with metal stud banding

A fibre foundation trunk, mixed tools and a copper warming plate and walking sticks

An old cabin trunk, a small butchers block, and a saw

A tin trunk, containing old family bibles and books

A pair of Oriental bronze baluster vases with twin elephant`s trunk handles and profuse stylized decoration, 9.5 ins high

A miniature 20th Century Steiff elephant with original Steiff label, 4.5 ins tail to trunk

A large storage trunk

Art Deco style coloured glass, square shaped shade with metal tree trunk style column. Ht. 23 ins.

A Belleek “tree trunk” spill holder, black stamp a Belleek masked jug and a Belleek bowl, brown stamps, (3)

An early 20th century upholstered bedding box, a 1960`s/70`s rocking chair, a trunk, a stool, and a linen box

AFTER DAVID SHEPHERD. `First Light at Savuti`, colour reproduction, pencil signed on mount, numbered 1165/1500, 18 x 28 in; and an oil painting by Andrew Bone depicting a Leopard on a Tree Trunk (2)

A canvas domed-top trunk, with brass bindings and another rectangular travelling trunk, (2).

An eaarly 19th century oak and mhogany longcase clock having swan neck hood with ring turned pillars and 8 day movement and painted dial by J Scott, Kendal, having crossband decoration to trunk and square base

A vintage wood bound dome top cabin trunk

A vintage tin trunk

A vintage wood bound dome top cabin trunk

Baxter: The Parting Look (362) with man and trunk

Baxter: The Parting Look (364) with man and trunk and extra lace, framed

An Indian carved hardwood occasional table, the circular top raised on three legs each in the form of an elephant`s trunk

A painted pine travel trunk

A mahogany and inlaid eight day longcase clock with swan neck pediment above a 30 cm arched brass dial, subsidiary seconds, silvered chapter ring x shaped trunk door height 244 cm

AN EARLY LOUIS VUITTON TRUNK with metal handles and lock, and Louis Vuitton London Paris label to the inside of the lid, numbered 51784, fitted two trays, 32" across, 22" high and 19 1/2" deep

A World War II vintage seaman`s trunk, inscribed R S Newsome SBPO

An 18th century long case clock, with carved swan neck pediment and turned reeded side columns, full length door and canted corners to the trunk, on bracket feet, circular brass dial with 8 day striking movement by Foden

An early 19th century figured mahogany long case clock with boxwood line inlay, the square hood with moulded cornice, full length door to the trunk, arched painted dial and 8 day movement by Thos Halliwell, Dewsbury

An Early 19th century dome top oak trunk with steel handles & bracket feet, width 36"

An early 20th century leather trunk, and a golf bag and clubs