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A 20TH CENTURY CLARICE CLIFF NEWPORT POTTERY PRESERVE JAR AND COVER, of globular form, decorated in the ‘HONOLULU’ pattern of an exotic tree with striped trunk, black mark, 3 3/4 ins high.

A 20TH CENTURY CLARICE CLIFF NEWPORT POTTERY BONJOUR-SHAPE CIRCULAR VASE, decorated in the Rudyard pattern of an exotic pink/blue tree with green shaped trunk, black printed mark, 7 ins high

Doll’s house furniture; wooden tables with chairs, piano, lavatory, cutting board, wash-board, linen chest, bed, mirror, trunk; and a metal bed frame (slight corrosion) (26)

A mid 20th Century Hornsea wall pocket modelled as a tree trunk with squirrels, together with a Garden House Pottery figure of a standing fox. (2).

C.P Bargus, watercolour, woodland landscape, M Lamb pen and ink study of a tree trunk, and two M Best floral study watercolours

Various makers: farm figures, fencing and animals, cast battleships and traffic lights; railway porters, a Hornby Series Fire Box and travelling trunk; two lead cast aircraft, P, majority playworn

A pair of Sitzendorf porelain figures of an Eighteenth Century gallant and lady, each modelled seated on a tree trunk, the gallant with a basket of roses, the lady with a bonnet, raised on rococo scroll bases, blue printed mark.

A porcelain figure of an elephant, possibly Royal Dux, modelled standing with trunk raised with its mouth open, decorated in green and gilt, impressed no 1004.

A red painted and metal bound domed small trunk, detailed L.C. and '1825', 51cm wide.

A 19th Century brass bound camphor wood trunk with iron carrying handles, 105cm wide.

A metal and wood bound dome top trunk with leather carrying handles, 85cm wide.

A 19th century trunk-dial wall clock with a painted dial striking on a single bell in a shell inlaid rosewood case, height 79cm, a/f.

A pine trunk, the hinged lid of plank construction with metal side handles upon plinth base, together with two further examples, (3).

A Zanzibar teak trunk, the fielded panelled hinged lid and front with brass studded decoration above three drawers, 53x112cm.

A 1920's mahogany trunk rack, of rectangular form upon cabriole supports, stamped 'Morris Glasgow', 50x72cm.

A Chinese hardwood pierced four fold screen, together with a Chinese red lacquered trunk, (2).

A Continental walnut longcase clock, with a painted square dial, thirty hour movement, the trunk and plinth with canted corners, two weights, 252cm.

An early 19th century fruitwood longcase clock, by James Loose, Spellsham, the break arch hood enclosing enamel dial, the eight day rack striking movement with anchor escapement, the recessed trunk door over plinth base, pendulum and two weights, 210cm high.

A George III mahogany longcase clock, circa 1800, the swan neck hood with brass capped fluted columns, the square enamel dial faintly inscribed and with thirty hour movement with outside count wheel strike, the trunk with fluted quarter columns and on canted plinth, pendulum and one weight, 220cm.

A Paris decorative crimped Vase, encrusted with flowers and also applied with two birds and a nest, raised on trunk feet, painted in colours, crossed swords mark in underglazed blue, 7 ½” wide

An early 18th Century oak cased 8-day Long Cased Clock, Tho Utting of Beccles, the square hood with a later applied scrolling cornice over ¾ columns to a long arched trunk door and raised on a plinth base, to a 12” square brass dial with cast and applied scrolling foliate and masked spandrels, enclosing a Roman and Arabic chapter ring with outside minute track, inside quarters and fleur de lis half hour markers, to a matted centre, engraved with birds and foliage, with subsidiary seconds and pierced to a movement with four knopped pillars, anchor escapement, strike on a bell (associated), height 87”

An 18th Century walnut Long Case Clock Case, fitted with a later movement, signed Thomas Robins, Chatham, the arched hoot with a moulded overhanging cornice to a plain frieze, over gilt metal capped three quarter columns, and scrolling sound frets, to an ogee throat, and long trunk door, with herringbone banding, to a plinth base and raised on later bracket feet, to a 12” arched brass dial, with subsidiary for four and eight bells, with cast and pierced scrolling foliate and shell spandrels, to a Roman and Arabic chapter ring with inside date wheel, matted centre with subsidiary seconds and black pierced hands, three weight movement, the plates united by eight knopped pillars, with anchor escapement and strike on eight graduated bells,

A mantel clock, with plaque dated 1919 Rev. Hugh Brook, with brass side pillars; a square oak barometer; onion oak barometer carved; boxed microscope with assorted slides in French and English; arch-top studded trunk; and a fur coat (six)

An Early 19th Century Iron Bound Oak Military Trunk, the fascia set with a brass plaque engraved 'Colonel Hamilton', 97cm by 63cm; a 19th Century Campaign Table, with beech baluster turned legs and detachable rectangular leather top. (2).

A George III period mahogany 8-day longcase clock By Harrison Liverpool the twin train movement with anchor escapement the arched brass dial with Roman chapters enclosing subsidiary seconds dial and with moonphase to the arch further inscribed 'The man is yet unborn who duly weighs an hour' the hood with swan neck pediment and brass eagle finials above reeded columns the trunk with shaped door enclosing fluted quarter columns on a panelled base 241cm high

An early 19th century mahogany 8-day longcase clock By John Wilkie Cupar the twin train movement with anchor escapement the arched painted dial with Roman chapters and subsidiary date and seconds dial the arched hood with turned columns above a moulded trunk door on panel base with bracket feet 213cm high

A George III period mahogany 8-day longcase clock the twin train movement with anchor escapement the arched brass dial with Roman chapters and subsidiary seconds and date dials with moonphase to the arch the wood with elaborately carved swan neck pediment above cluster columns the trunk with ogee arched door on panelled base with ogee bracket feet 230cm high

An early 19th century mahogany 8-day longcase clock By Andrew Barrie Edinburgh the twin train movement with anchor escapement the circular steel dial with Roman chapters and subsidiary seconds and date dials the hood with architectural pediment above plain trunk and base on a plinth 207cm high

A George III period oak 8-day longcase clock By William Wright Dunbar the twin train movement with anchor escapement the arched painted dial with Roman chapters enclosing subsidiary seconds and date dials painted with a huntsman to the arch and shells to the spandrels the hood with swan neck pediment above arched trunk door 206cm high

An early 19th century mahogany 8-day longcase clock By F. Barr Edinburgh the twin train movement with anchor escapement the circular brass dial with Roman chapters and with subsidiary seconds and date dials the moulded hood above trunk with column supports above a panelled base and plinth 208cm high

A late 18th century mahogany and marquetry-inlaid 8-day longcase clock By James Bonner Aberdeen the twin train movement with anchor escapement the arched engraved brass dial with strike/silent dial to the arch above subsidiary seconds dial and date aperture the hood with fluted columns above trunk inlaid with an urn issuing foliage on corresponding inlaid base with turned feet 227cm high

An early 19th century barometer By Adie & Son Edinburgh the moulded and projecting cornice above rectangular steel and glazed scales above a bowed trunk with square reservoir cover below 100.5cm high

A Victorian mahogany longcase clock the 14" arched brass dial with three centred winding holes date aperture and subsidiary second dial the chapter ring of Arabic and Roman numerals within pierced corner spandrels with subsidiary chime silent dial to the top left hand corner and subsidiary chime on eight bells and Westminster chimes subsidiary dial to the top right hand corner under a rolling moon the three weight driven movement striking on eight graduated bells (subsidiary seconds dial at fault) hood with swan neck pediment flanked by turned urn finials over spiral turned front corner hood pilasters flanking an arched glazed head door with half spiral turned split columns over a crossbanded short trunk door flanked by spiral turned front corner pilasters on a canted box base and skirting support 92" high (associated case and dial)

An oak longcase clock the 12" arched brass dial with silvered chapter ring of both Arabic and Roman numerals centred subsidiary seconds dial and date aperture under an arch with circular disk signed Robert Poll Harleston the eight-day movement striking on a single bell the arched hood with turned front corner pilasters flanking an arched glass hood door over a shaped long trunk door on a plain box base and plinth support 86" high

A late George III oak and mahogany eight-day longcase clock the 14" painted dial signed W.Wain Burslem with ring of Roman numerals centred subsidiary seconds dial and date aperture between florally painted corner spandrels and a painted arch depicting church and harvesting corn the hood with swan neck pediment over fluted front corner hood pilasters flanked an arched glazed hood door over a shaped short trunk door between quarter fluted front corner pilasters above a crossbanded box base with canted corners on a skirting plinth 89" high

A Regency oak mahogany and rosewood crossbanded 30-hour longcase clock the 13" convex arched painted dial signed Wain Alfreton with ring of Roman numerals floral painted spandrels under a painted arch depicting huntsman on the bank and dog leaping into water after game the hood with swan neck pediment arched glazed door flanked by fluted front corner hood pilasters the trunk with arched short door with ivory key escutcheon flanked by fluted front corner quarter pilasters on a box base 81.5" high

A George III oak 30-hour longcase clock the 11" square brass dial signed WIL RIDER WELCHPOOL with central date aperture ring of Arabic and Roman numerals engraved corner floral spandrels the four pillar movement striking on a single bell the hood with cavetto moulded cornice over a plain square glazed door flanked by turned front corner hood pilasters over a long plain trunk door with cut out top corners and brass key escutcheon on a box base and short shaped bracket feet 79.5" high

A George III mahogany Lancashire Chippendale style longcase clock attributed to Gillows of Lancaster circa 1765 the broken scroll swan neck pediment carved with foliate terminals above foliate and scroll carved inset panels flanked by paterae over an arched glazed door enclosing a 13" arch brass dial with Roman numerals date aperture and marked Jon Benson Whitehaven foliate engraved centre and date aperture the arch painted with a three masted merchantman approaching a pier detailed with a lighthouse and figures the dial applied with pierced foliate and scroll spandrels eight-day movement striking on a single bell between stop fluted Corinthian column pilasters over a dentil moulded frieze centred by a patera from which issues a carved grape vine extending to each side of the clock above a shell carved and crossbanded full length trunk door with concave top corner and ribbed moulding flanked by fluted quarter pilasters with carved Corinthian capitols and blind fret work carved bases over an acanthus carved bevelled moulding the crossbanded base panel with shell carved corners (one lacking) between canted blind fret work carved angles and raised on shaped ogee bracket feet painted and gilded pendulum 90" high.

A Victorian oak drop dial wall clock the 11" painted dial signed JAs Joyce Whitchurch with ring of Roman numerals and centred winding hole the single fusee movement and short pendulum in a case with circular face surround over short trunk with C scroll and leaf moulded side mouldings above a basket base with single cockbeaded hinged door 25.5" high. . Joyce James is listed as Clock and Watch Maker Whitchurch 1821-1883 son of Thomas and Charlotte Joyce

An oak crossbanded mahogany long-case clock case the hood with swan neck pediment rosewood crossbanding to the arch with turned front corner pilasters with gilt metal capitols flanking an arched glazed hood door revealing an associated eight-day movement with silvered chapter ring and pierced brass spandrels the four pillar movement striking on a single bell the trunk with short shaped rosewood crossbanded door with central conche shell inlay flanked by turned half pilasters on a crossbanded box base with canted front corners raised on ogee bracket feet 91" high

A fine Regency figured mahogany bowfront stick barometer early 19th century with cavetto moulded pediment above engraved rectangular brass register calibrated in inches with double vernier adjustment inscribed Yesterday noon and signed Abraham Optician Liverpool to upper edge the ebony bordered trunk with mercury thermometer and dual ivory vernier adjustment knobs above ebony vase turned cistern cover flanked by lozenge inlaid canted angles with moulded base 96cm high

A mahogany crossbanded oak eight-day longcase clock mid 18th century the four-pillar rack and bell striking movement with 11.75in square brass dial with star engraved subsidiary seconds dial and calendar aperture to the bumble bee Hoho bird and foliate engraved matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Fran’s Pile Honiton to lower edge the angles with bird and urn pattern spandrels the case with stepped moulded cornice and blind fret to frieze above integral hood pilasters and long trunk door on plinth base with bracket feet 206cm high excluding finials Francis Pile is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Honiton circa 1762

A figured mahogany eight-day longcase clock mid 19th century the four-pillar rack and bell striking movement with 12.5in white painted Roman numeral break-arch dial with subsidiary seconds dial arch calendar aperture and signed F. Eschle Aberdare to centre with castle ruin painted spandrels beneath scene with figure before a cottage to arch the Bristol type case with arched pediment and spiral twist turned columns flanking wavy edge door to hood above rectangular short door flanked by canted angles to trunk on plinth base with bracket feet 214cm high A Felix Eschle is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working from Aberdare 1868-87

An oak and mahogany crossbanded thirty-hour longcase clock circa 1740 the two-handed posted countwheel bell-striking movement with 12in square brass dial with calendar aperture to the Hoho bird and scroll engraved matted centre within an applied Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Thorne Tiverton to lower edge the angles with bird and urn pattern spandrels the case with moulded cornice and integral pilasters to hood above rectangular trunk door and plinth base with moulded skirt distressed throughout 203cm high Probably by Simon Thorne who is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Tiverton circa 1740

A George I burr walnut eight-day longcase clock early 18th century the four finned pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and square calendar aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers the angles with Indian mask and scroll pattern spandrels beneath convex boss signed Thomas Wentworth Sarum between dolphin cast mounts to arch with herringbone engraved borders now in a burr walnut case with moulded cornice and turned pilasters to hood above line inlaid break-arch door to trunk on conforming plinth base 226cm high Thomas Wentworth (II) is recorded in Snell Michael Clocks & Clockmakers of Salisbury as working up to 1740. He was Mayor of Salisbury in 1719

A figured mahogany eight-day longcase clock circa 1845 the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and indistinctly signed Counsell & Son Ross to centre with floral spray painted spandrels beneath painted banqueting scene to arch the case with swan neck pediment and turned pilasters to hood above shaped-top short trunk door flanked by fluted quarter columns on flame figured plinth base with bracket feet the interior of the case with pasted maker’s label 221cm high A John Webb Counsell is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Ross 1835-50

An inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre with picturesque cottage painted spandrels and ruined abbey to arch the Bristol type case with shaped arch pediment and spiral twist pilasters to hood above herringbone banded panel to throat and short trunk door flanked by canted angles with conforming panel beneath on plinth base with bracket feet 210cm high

An Adam and Eve automaton eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Arabic numeral dial with arched calendar aperture subsidiary seconds dial and signed Aquila Barker Bristol to centre with gilt conch shell painted spandrels and scene with Adam and Eve standing either side of the tree of forbidden fruit their arms moving with the motion of the pendulum to arch in a later swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and conforming plinth with bracket feet 221cm high overall Aquila Barker is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 48 Wine St Bristol 1781-1846

An inlaid figured mahogany eight-day longcase clock circa 1810 the four-pillar rack and bell striking movement with 13in silvered brass Roman numeral break-arch dial with subsidiary seconds and calendar dials to the Mars and Mercury figural engraved centre signed Bartley and Eggert Bristol with conforming spandrels emblematic of the four seasons beneath eagle and Tempus Fugit banner to arch the swan neck pedimented case with giltwood eagle surmount shell paterae inlay to frieze and reeded Corinthian pilasters flanking wavy edge door to hood the trunk with conforming pilasters flanking a parquetry banded rectangular door on conforming plinth base with bracket feet 227cm high. The partnership of Bartley and Eggert is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 2 Nicholas St Bristol 1810-1814

An inlaid mahogany eight-day longcase clock circa 1830 the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and signed H Jones 35 Bottom of Broad Street Bristol to centre with floral polychrome painted spandrels and scene with courting couple beside a river to arch the case with shaped arch pediment above wavy edge door flanked by double baluster pilasters to hood and ebony line inlaid short door flanked by canted angles to trunk on conforming plinth base with moulded skirt 207cm high excluding finials

An oak eight-day longcase clock circa 1820 the four-pillar rack and bell striking movement with 12in white painted Roman numeral dial with arched calendar aperture subsidiary seconds dial and signed James Jew Glocester to centre with polychrome floral painted spandrels octagonal fruit still life panel and floral swag decorated arch the swan neck pedimented case with fluted pilasters to hood above shaped-top trunk door and plinth base with moulded skirt 216cm high James Jew is recorded in Dowler Graham Gloucestershire Clock and Watchmakers as working in Gloucester 1820-35

An inlaid mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Henry Kail Blandford St. Mary to centre with landscape painted spandrels and village scene to arch in a swan neck pedimented case with reeded pilasters to hood above parquetry banded throat and shaped-top trunk door flanked by canted angles on crossbanded plinth base with ogee bracket feet 224cm high

A line inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Ja. Ward Cardiff to centre with polychrome floral painted spandrels and thatched watermill scene to arch the case with shaped crest to the break-arch pediment above wavy edge hood door flanked by double baluster turned pilasters and short rectangular trunk door flanked by canted angles on conforming plinth base with bracket feet 221cm high

An Austrian figured mahogany month-going Lanterndl-urh wall regulator circa 1820 the single train weight-driven movement with deadbeat escapement and fine beat adjustment for the wood-rod pendulum suspended from the backboard with two-piece white Roman numeral dial signed Kralik Samuel Pesten to centre in architectural waisted nine-light case with triangular pediment and arch glazed trunk door above concave sided tapered base case with some repair and restoration 97cm high The backplate of the movement is stamped Hoser Bjdan suggesting that it was made by a member of the Hoser family who were active in Vienna during the early 19th century

Conyers Dunlop London. A brass miniature lantern timepiece with alarm circa 1750 the posted movement with verge escapement and alarm sounding on a bell mounted within the domed bearer above the 5in brass break-arch dial with central alarm disc matted centre and applied silvered Roman numeral chapter ring with foliate scroll cast spandrels to angles and silvered boss signed Conyers Dunlop London to arch between conforming mounts now in a later slender mahogany longcase with break-arch pediment and long trunk door on tall plinth base with moulded skirt 195cm high Conyers Dunlop is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London 1733-1779. He was Master of The Clockmakers Company in 1758

An oak and pine thirty-hour longcase clock the posted countwheel bell-striking movement with 11in square brass dial engraved with buildings on a coastline with sailing vessel within an applied Roman numeral chapter ring with Arabic five minutes and Indian mask and scroll cast spandrels to angles in a case with ogee cornice above blind fret frieze and integral pilasters to hood rectangular trunk door with lenticle and plain plinth base composite 199cm high

William Webster London. An eight-day longcase clock mid 18th century the five-pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial calendar aperture and signed W m Webster Exchange Alley London to a silvered plaque to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes with Indian mask and scroll cast spandrel applied angles and strike/silent ring between dolphin mounts to arch now in a flat-top oak case with moulded cornice and integral pilasters to hood above break-arch trunk door and reduced plinth base 209cm high William Webster is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as an eminent maker working from Exchange Alley 1734-1776. He was Master of The Clockmakers Company in 1755. His father from whom he inherited the business was apprentice and journeyman to Thomas Tompion

A George III figured mahogany eight-day longcase clock late 18th century the four-pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and arch calendar aperture to the rococo scroll engraved centre within an applied Roman numeral chapter ring with wavy minutes divisions and Arabic five minutes with bird and urn cast spandrels to angles beneath boss signed John Fox Uppingham between dolphin cast mounts to arch in a case with swan neck pediment and double fluted pilasters to hood above shaped-top trunk door flanked by fluted quarter columns on raised panel fronted plinth base with canted angles and ogee bracket feet 232cm high

An oak thirty-hour longcase clock case late 18th century with moulded cornice and integral pilasters to the hood with aperture for 10in square dial above rectangular trunk door on plinth base with moulded skirt 190cm high now with square brass dial bearing signature Tho’s Jordon Stadhampton to chapter ring with quartz movement to rear

A George II walnut eight-day longcase clock the four finned pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial ringed winding holes and calendar aperture to the Hoho bird and scroll engraved matted centre within an applied Roman numeral silvered chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘steph Levitt Chelmsford to lower edge the angles with Indian mask and scroll pattern spandrels beneath convex boss flanked by dolphin cast mounts to arch the case with broken arch pediment and Corinthian pilasters to hood above break-arch trunk door and crossbanded plinth base on bracket feet case with some restoration 236cm high. A Stephen Levitt is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Chelmsford 1708-1789. Such a long period suggests that there were two makers father and son consecutively working through the 18th century