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66969 Los(e)/Seite
Late 18th century oak and mahogany longcase clock with swan-neck pediment, broken arch painted dial with calendar movement, inscribed below "W. Plant, Walsall", calendar arch, flanked by pair gilt metal mounted Corinthian fore-columns, all with chequered inlay, the trunk with shell inlaid cross-banded shaped door, on bracket feet, 208cm high
QUEEN ANNE MARQUETRY LONGCASE CLOCK JOSEPH SAER, LONDON, EARLY 18TH CENTURY the five pillar twin train movement, with anchor escapement, striking on a bell, the square brass dial with silver chapter ring and cast spandrels inscribed `Jos Saer, Porpoole Lane, London`, also with subsidiary seconds dial and day and date apertures, the hood with caddy top above moulded cornice and blind fretwork frieze flanked by spiral turned half columns, the trunk with rectangular cushion moulded door and glazed lenticle, above a base with plinth, the whole profusely inlaid with flowering urn marquetry 54cm wide, 236cm high, 27cm deep Provenance: Purchased in these rooms 24 September 2003, sale 77, lot 222
A MAHOGANY LONGCASE CLOCK by Blakeborough, Keighley, the eight day movement with anchor escapement striking on a bell, 14" arched painted dial with Roman numerals, secondary dial and calendar aperture, the arch painted with an Arabian scene depicting figures and a camel, the case with swan neck pediment and turned finial on baluster turned columns, canted trunk with arched door and recessed panel above and below, gadroon edged canted base, on bun feet, 95" high
A Sarreguemines bisque pottery tobacco jar and cover - Man with bottle and pipe in hand standing by a barrel on oval base, 8.25ins high (impressed mark and No. 351 to base - lid restored), a Continental pottery tree trunk pattern tobacco jar and cover modelled with a seated figure between two baskets and with reclining figure pattern finial, 7ins high (No. 337 in raised cartouche to base), and a Continental white glazed porcelain tobacco jar and cover applied with oak leaves and with figurative pattern finial, 10ins high (with restoration)
A late 18th Century oak longcase clock by Wainwright of Nottingham with 12ins square painted dial and calendar dial to the thirty hour movement striking on a bell, contained in case with blind fret ornament and turned pillars to hood and shaped trunk door, 80ins high Note: John Wainwright (and son) recorded working in Nottingham 1779- 1828
A late 18th/early 19th Century oak longcase clock by W Underhill of Newport, the 12ins arched painted dial with calendar aperture to the eight day two train movement now striking on a bell, contained in case with scrolled cresting and turned pillars to hood, the trunk door inlaid with oval paterae, on moulded plinth base, 85ins high Note: William Underhill recorded working in Underhill (Shropshire) 1828-1835
An 18th Century oak longcase clock by Edmund Martin of London, the 10ins arched brass dial with gilt brass spandrels and silvered chapter ring, with strike silent dial, subsidiary seconds dial and calendar aperture, to the eight day two train movement now striking on a gong, contained in case with shaped cresting and brass finials, and with turned and fluted pillars to hood, the case with arched trunk door, 92ins high Note: Edmund Martin (and son) recorded working in Cheapside 1760-1795
A mid 19c. oak mahogany and inlaid long cased clock, the shaped hood centred with a shell inlay flanked by brass orb finials revealing a painted arched dial signed `W Strahane Barton` with eight day movement, Roman numeric dial, subsidiary second hand and date aperture in a carved case with a wide cross-banding to the shaped trunk door, the whole raised on bracket feet, approx. 225cms high.
A part-late 18th/early 19th century oak, boxwood inlaid and crossbanded longcase clock, having moulded cornice above a square glass enclosing a bell striking lantern clock-type movement, faced by brass dial named William Grimes, London. The trunk with narrow three quarter length door above a box base on bracket plinth.
A late 18th century walnut cased longcase clock the eight day movement striking on a bell, with square brass dial signed `John Waters London`, with silvered Roman chapter ring, subsidiary seconds, date aperture, pierced steel hands and gilt brass mask spandrels, the walnut case with flared moulded pediment over a square glazed door, the trunk with moulded arched door flanked by canted column pilasters, on a plain plinth base, 74.75in. (190cm.) high. See Illustration.
A 19th century mahogany longcase clock by Samuel Bailey Newcastle, having three turned finials to the arched hood and glazed door enclosing the 13.5 inch arched painted dial with Roman numerals, subsidiary date and seconds dials and two-train striking movement flanked by hexagonal pillars, with short trunk door beneath and conforming base raised on turned legs. Height 96 ins (see illustration).
A Regency/William IV mahogany longcase clock by T. Russell of Lancaster, having a swans neck pediment with target terminals above the arched glazed door enclosing the 14 inch arched painted dial with cottage scene, rose spandrels, Roman numerals, subsidiary second and date dials and eight day striking movement, flanked by simple columns, with three quarter length arched trunk door beneath flanked by cluster columns and with conforming base raised on bracket feet (see illustration).
An early 19th century mahogany longcase clock by H. Tyson of Whitehaven, with eagle finial set between the swans neck pediment with arched glazed door beneath enclosing the 14 inch arched painted dial, with Britannia to arch, painted spandrels, Arabic numerals, date aperture and two-train movement by H. Tyson, Whitehaven, flanked by fluted columns and with rectangular crossbanded and boxwood strung trunk door flanked by cluster columns and with conforming base. Height excluding finial 87.5 ins (see illustration).
A George III oak longcase clock by Richardson of Brampton, the case with swans neck pediment with foliate terminals above the arched glazed door enclosing the 12 inch arched brass dial foliate engraved with Roman numerals and subsidiary Arabic numerals, with date aperture, seconds dial and 30 hour movement inscribed "Richardson, Brampton", with long arched trunk door with brass furniture flanked by fluted quarter column corners and with conforming base. Height 83 ins (see illustration).
A George III Shropshire oak dresser with clock, having an arched moulded cornice above a glazed clock face door enclosing the 14 inch circular dial with eight day striking movement by Sam Newnes, Whitechurch, , Roman numerals, subsidiary seconds hand, date aperture, with trunk door beneath and further flanked on either side by a pair of panelled cupboard doors with centre shell medallions and mahogany crossbanding and with applied mouldings, the base fitted with three drawers with brass drop handles with octagonal backplates, with moulding below and raised on cabriole legs terminating in pad feet. Width 78 ins (see illustration).
An Edwardian mahogany longcase clock, with brass vase and cover finial between the swans neck pediment, with fretwork beneath and with arched glazed door enclosing the 7.5 inch arched brass dial with Roman numerals to the silvered chapter ring and with two-train weight driven movement, the whole flanked by fluted columns with Corinthian capitals, with fretwork frieze above a long arched trunk door flanked by quarter column corners with Corinthian capitals and with conforming base. Height 75.5 ins (see illustration).
A George III mahogany longcase clock by Robertson of Glasgow, having a moulded fluted cornice above an arched glazed door enclosing the 13 inch arched brass dial, scroll engraved and with Roman numerals, subsidiary date and seconds dials and eight day striking movement, flanked by fluted columns and with rectangular trunk door beneath, flanked by canted angles, with conforming base raised on bracket feet. Height 83 ins.
A late Georgian mahogany longcase clock, with three brass steeple and ball finials to the fretwork hood and arched glazed door enclosing the painted dial and eight day striking movement, with Roman numerals and subsidiary seconds hand by Clark, Weymouth, with conforming trunk door and base raised on bracket feet. Height including finial 88 ins.
James Hardy & Co Aberdeen, an oak longcase clock, the hood with swanneck pediment above quarter columns to the trunk, upon a rectangular plinth base, the 12 inch silvered dial signed to the arch above the moonphase disc, seconds dial and date aperture below, mask spandrels, engraved centre, with 4 pillar 8 day movement having deadbeat escapement and adjustable wooden rod pendulum, (case associated), 226cm high
A Louis Vuitton tan leather mounted LV printed canvas square section trunk, with LV stamps to claps and Paris and London addresses to lock plate, no.076509, original label internally no.790236, with a Louis Vuitton suitcase, lockplate no.078368, label internally 79336?, both named on lids, 18 x 20ins and 9 x 28ins

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66969 Los(e)/Seite