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A BURLWOOD 'TREE TRUNK' BRUSHPOT, BITONG, MID-QINGChina, 18th-19th century. Naturalistically carved with protruding burls and recesses to simulate a gnarled section of a tree trunk. Finely polished to a smooth, unctuous feel overall.Provenance: From the estate of Sear Hang Hwie Pao (1937-2009). Two old collector's labels to base, '15' and '19'. Pao was one of Canada's leading dealers of Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto's trendy Yorkville area from the 1980s to early 2000s.Condition: Excellent condition with old wear, good patina, few minuscule nicks and scratches here and there.Weight: 180.3 gDimensions: Height 10.5 cmAuction result comparison: A related burlwood bitong of larger size was sold by Sotheby's Hong Kong in Chinese Art on 29 May 2019, lot 547, for HKD 250,000. 清代中期癭木瘤根筆筒 中國,十八至十九世紀。取天然癭木根隨形而雕如樹幹狀,底足有一淺淺小凹槽的,表面光滑油潤。 來源:Sear Hang Hwie Pao (1937-2009) 收藏。底部兩個藏家就標籤"15"與"19"。Pao是加拿大中國瓷器和藝術品的主要經銷商之一。 他和妻子創立了Pao&Moltke Ltd古玩店,他們的古玩店從1980年代到2000年代初期曾是多倫多時尚的Yorkville地區的熱門店鋪。 品相:品相極好,舊磨損,自然的包漿,局部輕微小劃痕和刻痕。 重量:180.3 克 尺寸:高10.5 厘米 拍賣結果比較:一件尺寸稍大的瘤木筆筒,見香港蘇富比 Chinese Art 2019年5月29日,lot 547,售價HKD 250,000。
'LUOHAN TRYPTICH', JIN NONG (1687-1763)Ink on paper. The three scrolls finely painted with various depictions of luohan, including one riding a dragon, another seated on a gnarled withering tree trunk and exhaling qi as two demons push him forward, and a third riding a tiger and accompanied by two attendants. Each with a silk brocade frame and mounted as a hanging scroll. (3)Inscriptions: One scroll lower left, signed 'Jin Nong jinghui', one artist seal, 'Jin Nong'.Provenance: Collection of Hana and Jan LÃbal, acquired between 1956 and 1959 during their stay in Beijing while working on the Czech-Chinese dictionary, and thence by descent in the same family.Condition: Good condition with minor wear, creases, small losses with associated touchups, foxing, staining, larger stains to mountings.Dimensions: Image size ca. 120 x 30 cm (each)Expert's note: The extremely fine manner of the painting as well as the signature on one of the scrolls clearly indicate the present lot is a sketch from the artist's own hand.Auction result comparison: Compare with an album of sixteen leaves of the Sixteen Luohan, painted in ink and color on silk, by the same artist, at Christie's Hong Kong in Fine Classical Chinese Paintings and Calligraphy on 25 April 2004, lot 425, sold for HKD 1,631,750.金農 (1687-1763)《羅漢》三聯畫紙本水墨,挂軸。三位羅漢,其中一位騎龍,一位坐在枯樹幹上,兩個惡魔將他向前推,第三幅羅漢騎虎,兩名侍者陪伴。 款識:金農敬繪;一枚鈴印"金農" 來源:Hana 與Jan LÃbal,1956 至1959年他們因爲《漢捷字典》編譯而在北京工作,購於那時,在同一家族保存至今。圖片:Hana 與 Jan LÃbal 在北京,上世紀五十年代末 品相:狀況良好,有輕微磨損,摺痕,缺損,起皺,染色,裝裱処污漬較大 尺寸:畫面分別約 120 x 30 厘米 拍賣結果:金農的一個絹本設色《十六羅漢》冊頁見香港佳士得Fine Classical Chinese Paintings and Calligraphy 拍場2004年4月25日 lot 425, 售價HKD 1,631,750.
A BASTAR BRONZE OF UNIQUE ELEPHANT WITH GODDESSIndia, 19th-20th century. This beautifully decorated elephant is a true masterpiece, starting from the bottom of its legs with fancy ankle bracelets to a fully decorated head with pointy ears pointing outwards, to a howdah that has an exceptional roof shaped like pyramid with curved and linear patterns. The goddess is sitting on down on the howdah with a sceptre in his left hand. Condition: The elephant's trunk has broken off but the rest is in very good condition.Provenance: Collection of an Indian gentleman.Dimensions: Height 32 cm
A PAIR OF PORCELAIN FIGURES OF CRANESChina, late Qing Dynasty (1644-1912). Both red hooded cranes perched on a tree trunk, with finely molded and incised plumage and painted in beige, black, brown, and red under and above the glaze. Note the unusual lingzhi sprays emerging from the trunk. With a maker's mark impressed to the underside.Condition: Excellent condition with minor wear as slight abrasions to colors. Provenance: Swedish private collection. Weight: 1288 g and 1712 g Dimensions: Height 41 cm each
A ROCK CRYSTAL 'ELEPHANT' TALISMANBurma/ Myanmar, 19th century or earlier. Well-polished and translucent talisman carved in the shape of an elephant with a short and lowered trunk. Central drilling showing ancient toolmarks and allowing for suspension as a pendant. The holes are handmade, irregular, funnel shaped. Simple, geometric carvings indicate the animal's collar, legs and tusks. Stone with natural inclusions. Condition: Good condition with some minor flaws and usual traces of age and wear. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 42.6 g Dimensions: Height 2.6 cm, Length 3.8 cm
KAJIKAWA AND MASAYOSHI: A SUPERB AND VERY RARE GOLD LACQUER AND METAL-INLAID SEVEN-CASE INRO DEPICTING THE KACHI-KACHI YAMA STORYBy a member of the Kajikawa family (for the lacquerwork) and by Ishiguro Masayoshi (for the metalwork), signed Kajikawa 梶川 saku 作 with red 'tsubo' seal Ei 榮 and Masayoshi 政美 with kakihanJapan, 19th century, Edo period (1615-1868) Published: Eskenazi (1984) Japanese Netsuke, Ojime, Inro, Lacquer-ware, pp. 54-55, no. 114. The seven-case inro of upright form with rounded edges, featuring a gold kinji and mura nashiji ground, beautifully lacquered in gold and silver takamaki-e and hiramaki-e, as well as masterfully inlaid in shakudo, silver, and gold, depicting the Kachi-Kachi yama legend. The front shows the rabbit standing triumphantly towards the prow of his metal-lined boat, raising its oar about to striking down the tanuki, who clings on to the barge of his mud-boat, which is inlaid in pewter. The reverse with the full moon inlaid in silver, rising above the turbulent sea and the interior of rich gyobu; signed for the lacquer KAJIKAWA saku with a red 'tsubo' (pot) seal Ei and for the metalwork, MASAYOHI with a kakihan within a rectangular gold reserve. With a black horn ojime.HEIGHT 8.8 cmCondition: Excellent condition with hardly any wear.Provenance: Ex-collection Gretchen Kroch Kelsch. Then Ex-collection Ted Wrangham, collection no.1839, purchased from Eskenazi Ltd., London, in 1987. Edward A. 'Ted' Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book 'The Index of Inro Artists' (1995) is considered one of the most important English-language studies on Japanese lacquer ever published.A masterfully lacquered and metal-inlaid inro, not only featuring a very rare design but also with seven compartments (!). The Kachi-Kachi yama story, also known as the Farmer and the Badger, is one of the few Japanese folktales in which a badger (tanuki) is a murderous villain rather than the boisterous, corpulent alcoholic. The episode depicted here is when the tanuki challenged the rabbit to a life and death contest to prove who was the better creature. They were each to build a boat and race across a lake in them. The rabbit carved its boat out of a fallen tree trunk, but the foolish tanuki made a boat of mud. At first, the two competitors were evenly matched, but the badger's mud boat began to dissolve in the middle of the lake and instead of saving the badger, the rabbit strikes him with an oar, and proclaimed his friendship with the innocent human couple whom the wicked badger had earlier inflicted its horrible deeds - thus revealing his revenge.The name Kachi-Kachi yama (meaning fire-crackle mountain) comes from the especially painful trick that the rabbit played, prior to the scene depicted on the inro. While the tanuki was carrying a heavy load of kindling on his back to make a campfire for the night, he was so burdened that he did not immediately notice when the rabbit set fire to the kindling. Soon, the crackling sound reached its ears and it asked the rabbit what the sound was. "It is Kachi-Kachi Yama" the rabbit replied. "We are not far from it, so it is no surprise that you can hear it!". Eventually, the fire reached the tanuki's back, burning it badly, but without killing it.
THE HON ARTHUR MACALISTER C.M.G CEREMONIAL DRESS UNIFORM comprising; full dress coat, trousers, chapeau and dress sword Webb & Bonella, 23 Old Bond Street, London and with tin trunk, inscribed to The Hon Arthur Macalister Born in Glasgow in 1818 and later emigrated to Australia 1839. Appointed to clerk of Petty Sessions and postmaster at Scone, New South Wales, in 1840. By 1850 he was admitted as a solicitor and attorney. Later settled in the Moreton Bay district, then part of New South Wales.Macalister took part in the movement for separation and was elected a representative for Ipswich in the New South Wales parliament in 1859. A lengthy career in politics followed resulting in him becoming Premier of Queensland on three occasions. Condition report: Available upon request
EBONY ELEPHANTS. Two large carved ebony elephants (lack tusks & some trunk damage). Height 16cm. Also, five smaller ebony elephants. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Group of Staffordshire and Staffordshire-style pottery figures, circa 1860 and later, including a Highlander clock face group, 36cm high, a group of musicians beside a tree trunk spill vase, a Highlander musician and companion with parrot, a modern pair of pottery pair Prince and Princess riding spaniels, a modern pair of pottery figures of children riding goats and two German porcelain satirical miniature figure groups
20th century figured walnut bracket clock on stand by Sheppard Bros, Walsall, the brass broken arch dial with slow/fast dial to the arch, scroll spandrels, flanked by pair chamfered forecorners, on moulded base, the stand with stepped moulded edge, plain trunk, chamfered forecorners below, on plinth base, 144cm high approx. x 30.5cm wide
Campaign-style travel trunk with brass escutcheon and recessed handle, brass loop handles to the sidesCondition ReportScratches and dents throughout. On brass fitting missing at the front right top corner, and some damage to the other top front corner. Split to lower front face, with some brass missing from a fitting.
70s SOUL/FUNK - 7" COLLECTION. Opening up a trunk of Funk with these 56 x wicked 45s. With winners from the likes of Major Harris, Isaac Hayes, Nona Hendrix, Wild Cherry, Dionne Warwick, The Shades, Sarr Band, Sam And Dave, Esther Phillips, O'Jays, Mother's Finest, Otis Clay (HLU 10397 demo), Judy Clay/Wiliam Bell, Watson T. Browne, James Brown, Lynda Carter, The Bottom Line, Bo-Belles, Black Velvet, The Biddu Orchestra, Olympic Runners, The M & O Band, Love Unlimited Orchestra, Linda Lewis, Cissy Stone, Sylvia, Tony Jackson, The Sunshine Band, Mother's Finest, The Soul Children, The JAvells, Eric Gale, The Escorts, Garnett Mims, 5000 Volts and The JBs.

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66969 Los(e)/Seite