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Preisdatenbank abonnierenAn early Victorian mahogany longcase clock, the 8 day movement striking on a bell to a 12in circular enamelled dial with subsidiary seconds and date dials, inscribed 'BROWN, LONDON', the circular hood with a shell and scroll surmount hinged at the top, above a tapering trunk with a bowfront door the panelled base previously with a plinth, 81.75in (207.5cm) h. Pendulum and two weights.
A late 19th Century Walnut and crossbanded American Drop Dial Wall Clock, the scalloped surround with crossbanded inlay to a glazed and mirror backed drop trunk with further stepped and turned lower section, to a spun brass bezel enclosing an 11 ½” painted Roman dial with outside minute track and pierced steel quatrefoil hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 30”
An early 19th Century Mahogany Boxwood and Ebony line inlaid “Norwich” Timepiece, G Priest, Norwich, the reeded circular hood to a plain trunk with stepped and convex base with shaped trunk door, to a 12” painted convex Arabic dial with further Arabic quarters and outside minute track with pierced steel hands, to a signed falseplate and weight-driven A frame movement, united by four knopped pillars and with anchor escapement, height 43”
A mid-19th Century Mahogany Cased Drop Dial Wall Timepiece, Beha Lickert & Co, Norwich, the moulded surround over a pair of carved scrolling ears and plain drop trunk with glazed aperture to a spun brass bezel (A/F), to an 11” painted Roman dial with outside minute track and spade hands, to a single gut fusee movement, united by four plain pillars and with anchor escapement, height 20”
A late 18th Century mahogany cased 8-day Long Case Clock, John Nevill of Norwich, the arched hood with overhanging cornice, surmounted by a whale “tail” pediment, and three brass globe and spike finials, over reeded free standing columns to an ogee throat, and long arched trunk door flanked by canted corners, on a panelled plinth base, to a 12” arched brass dial with strike silent, subsidiary to the arch with dolphin spandrels over further bird and urn cast and pierced spandrels enclosing a Roman and Arabic chapter ring with minute track, to a matted centre with subsidiary seconds, applied name plate and date sector, with blued steel pierced hands, to a movement with plates united by five knopped pillars, and with anchor escapement, pull repeat and strike on a bell, height 88”
A mid 18th Century Walnut cased 8-day Long Case Clock, Jon Austin of Shoreditch, the caddy toped hood (detached), to an overhanging cornice, over glazed side panels to an arched door with integral three quarter columns with gilt metal mount capitals, to an ogee throat and long cross banded trunk door, to a stepped plinth base, to an associated 12” arch brass dial with wheat ear engraved borders, circular boss to the arch, with dolphin spandrels and strike silent lever above a Roman and Arabic chapter ring flanked by mask and foliate applied spandrels, with minute track, inside quarter track and half hour fleur de lys markers, to a matted centre with subsidiary seconds and date sector with ring winding squares and pierced steel hands, to a movement united by five knopped pillars with anchor escapement and strike on a bell
A Mahogany cased 8-day Long Case Clock, signed Hales of Norwich, the arched hood with scrolling pediment with three globe and eagle finials over freestanding columns to an ogee throat and long arched trunk door, to a panelled plinth base, the 12” arched brass dial signed to the boss, with dolphin and cherub and applied spandrels, with Roman and Arabic chapter ring, to a matted centre with subsidiary seconds and date sector, with pierced and stamped brass hands to a signed false plate and movement united by four knopped pillars with anchor escapement, strike on a bell (associated), height 90”
An early 19th Century oak and mahogany cross banded 8-day Long-case Clock, Fr Arkinsall of Market Drayton, the hood with overhanging cornice, with shaped pediment surmounted by three globe and spike finials, over freestanding square columns, to an ogee throat and long trunk door, flanked by further square columns, on a plinth base with canted corners, to a 12” third period painted dial, with rosette and foliate painted spandrels, on an Arabic chapter ring and subsidiary seconds and date sector, with pierced steel hands, to a cast false plate, with movement united by four knopped pillars and anchor escapement, with rack strike on a bell, height 93”
An early 19th Century Mahogany and Oak Cased 8-day Long Case Clock, E Owen of Birmingham, the hood with swan neck pediment to a strung frieze over gilt metal mounted free standing reeded columns, to a stepped ogee throat and further inlaid frieze over further reeded quarter columns with short trunk door, and raised on a plinth base with canted corners and bracket feet, to a 14” painted dial with moon roller to the arch over plain hemispheres, flanked by painted church spandrels, with Roman chapter ring and subsidiary seconds with date section, to black painted pierced and stamped brass hands, to a signed false plate and movement united by four knopped pillars with anchor escapement and strike on a bell, height 89”
A late 18th Century Mahogany cased Irish 8-day Long Case Clock, James Morton of Ennis, the hood with overhanging cornice over plain free standing columns, to an ogee throat wit h plain frieze, a shaped long trunk door and raised on panelled plinth base, with bracket feet, to a 13” square brass dial, with cast and applied cherub spandrels, enclosing a Roman and Arabic chapter ring, with minute track to ring winding squares and subsidiary seconds, over a date sector with pierced steel hands, to a movement united by four knopped pillars with anchor escapement and strike on a bell (associated), height 83”
An early 19th Century Oak cased 8-day Long Cased Clock, Ablitt of Ipswich, the arched hood with globe and spike and eagle brass finials over free standing gilt metal mounted plain columns to an ogee throat and long arched trunk door, raised on a plinth base, to a 12” painted dial with painted hounds, hare and hunters to the arch, over spandrels depicting shooting, fishing, horse racing and coursing, enclosing a Roman dial with outside minute track, enclosing subsidiary seconds and calendar subsidiaries, with pierced and stamped brass hands, to a signed false plate and movement united by four knopped pillars with anchor escapement and strike on a bell, height 86”
An early 19th Century Mahogany and Oak 8-day Long Case Clock, J Taylor of Grantham, the hood with swan neck pediment centred with a globe and eagle finial, over ring turned and baluster freestanding columns, and stepped convex throat to a panelled trunk with short trunk door and canted corners, raised on a panelled plinth base, to a 12” painted arched dial depicting a small child feeding chickens over rural houses and windmills, to a Roman chapter ring with outside minute track and subsidiary seconds and date sector with pierced and stamped brass hands, to a plain false plate and movement united by four knopped pillars with anchor escapement and strike on a bell, height 87”
An early 19th Century Mahogany ebonised and Boxwood lined inlaid 8-day Long Case Clock, ? of Reading, the swan neck pediment over a panelled frieze and arched door (columns lacking), to a stepped ogee throat with further panelled frieze to a reeded canted corners and short trunk door, raised on a panelled plinth base, with bracket feet, to a 12” arched painted dial, with woodcock shooting scene to the arch over gilt floral spandrels and Roman chapter ring, centred with subsidiaries for seconds and date, with pierced steel moon hands (condition poor), to a signed false plate and movement united by four knopped pillars with anchor escapement and strike on a bell, height 86”
A Mahogany and Boxwood line inlaid 8-day Long Case Clock, the swan neck pediment over a plain frieze to freestanding baluster columns and stepped ogee throat to a further plain frieze with reeded columns flanking a short arched trunk door and raised on a panelled plinth base, to a 14” arched painted dial signed Jas Richards of Lancaster, with floral painted arch and spandrels to a Roman chapter ring with Arabic quarters enclosing subsidiary seconds and dummy date sector, to pierced and stamped brass hands, this mounted to a 12” painted arched dial, to a signed false plate and movement with four knopped pillars and anchor escapement, strike on a bell, height 86”
An Oak and Mahogany 8-day Long Case Clock, the arched hood with swan neck pediments centred by a globe and spike finial over freestanding gilt metal mounted capitals, to a concave / convex throat and panelled trunk with short shaped trunk door, centred with a shell inlay and raised on a plinth base with bracket feet, to a 12” arched brass dial with strike/silvered subsidiary to the arch with dolphin spandrels and further spandrels depicting the four seasons enclosing a Roman and Arabic silvered chapter ring with fleur de lys markers to a matted centre and applied signed name plate, Thos French Norwich, and further silver subsidiary and date sector with pierced steel hour hand only, to a movement united by three knopped and one plain pillars with anchor escapement and strike on a bell, height 88”
An early 19th Century Mahogany cased and Boxwood lined inlaid 8-day Long Case Clock, the square hood with swan neck pediment, to a gilt highlighted frieze over free standing reeded columns, to a ogee throat and further plain frieze, to similarly reeded quarter columns flanking a shaped trunk door, over inlaid floral lozenges, to a plinth base with canted corners on bracket feet, to a 14” painted square dial with painted spandrels enclosing a Roman chapter ring with outside minute track and subsidiary seconds (blanked off) and date sector to pierced and stamped brass handle, to an associated false plate and movement with four knopped pillars and anchor escapement, strike on a bell, height 88”
A mid 18th Century Mahogany cased 8-day Long Case Clock, Geo How of London, the arched hood with pagoda pediment, with three globe and eagle finials over freestanding and reeded and gilt metal mounted capitals to an ogee throat, and long trunk door, to a plinth base (stand), to a 12” arch brass dial, with spread eagle boss to the arch, signed “tempus fugit”, with dolphin and cherub and crown cast and applied spandrels, to a signed and silvered Roman and Arabic chapter ring with outside minutes, inside quarters and fleur de lys half hour markers, to a matted centre with ringed winding squares and subsidiary seconds with date sector to a movement united by four knopped and fined pillars, with count strike work and anchor escapement, strike on a bell (associated), height 88”
A mid 18th Century Mahogany Cased 8-day Long Case Clock, Thomas Page of Norwich, the arched hood with pierced and scrolling pediment surmounted by three globe and spike finials, to a narrow frieze and Corinthian columns to an ogee throat and long trunk with reeded canted corners and arched long trunk door, to a cross banded plinth base (reduced), to a 12” arched brass dial with strike silent subsidiary to the arch, and further “C” scroll and foliate cast and applied spandrels enclosing a Roman and Arabic chapter ring, to a later matted centre with sunk and silvered subsidiary seconds, applied name bade and date sector with pierced steel hands, to a movement united by four knopped pillars, with anchor escapement and strike on a bell, height 95”
A late 19th Century Oak cased 8-day Long Case Clock, Jno Christian of Aylsham, the square hood with scrolling pediment and surmounted by three gilt wood spherical finials over three quarter columns to an ogee throat, and plain trunk with long trunk door raised on a plinth base, to an 11” square brass dial with applied “C” scroll and foliate spandrels enclosing a Roman and Arabic chapter ring with minute track enclosing a signed centre, with engraved ho-ho bird and mask detail, and blued steel pierced hands to a movement united by four knopped pillars, with anchor escapement and strike on a bell, height 84”
An early 19th Century Oak cased 8-day Long Case Clock, Russell of Cawston, the square hood with scrolling pediment over freestanding gilt metal mounted freestanding columns to an ogee throat and reeded trunk with arched trunk door and raised on a plinth base, to an 11” painted dial with gilt and rose spandrels, to an Arabic chapter ring enclosing subsidiary seconds and date sector, with blue steel pierced hands, to a movement united by four knopped pillars with anchor escapement and strike on a bell, height 83”
An oak thirty-hour longcase clock John Walford, Banbury, early 19th century The countwheel bell-striking movement with 12 inch square white painted Arabic numeral dial with arched calendar aperture and signed J. Walford, Banbury to the floral spray painted centre, the angles with conforming decoration, the swan neck pedimented case with reeded hood pilasters above short rectangular trunk door flanked by reeded uprights, on plinth base with bracket feet, 206cm high. John George Walford is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Banbury 1814-53.
A mahogany eight-day longcase clock with rocking figure automaton Mid 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral dial with subsidiary seconds dial and bearing signature John Sinkinson, Doncaster to the convex centre, with gilt foliate painted spandrels to angles and scene with rocking horse and jockey to arch, the break-arch pedimented case with twist turned columns to hood above shaped-top short trunk door and conforming columns to trunk, on crossbanded plinth base with ogee bracket feet, dial refinished, 232cm high.
A rosewood crossbanded mahogany eight-day longcase clock with moonphase Moorhouse, Huddersfield, mid 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed MOORHOUSE HUDDERSFIELD to the centre within abbey and castle ruin painted spandrels to angles below rolling moonphase to arch, the swan neck pedimented case with twist turned pilasters to hood above shaped-top short trunk door flanked by canted angles, on line inlaid plinth base with cushion moulded skirt, 237cm high.
An oak eight-day longcase clock Part 18th century The 19th century four-pillar rack and bell striking movement now with a 12 inch square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, cruciform half hour markers and bearing signature Dan.l Robinson Northampton to lower edge, the angles with Indian mask and scroll cast spandrels, in a case with ogee moulded caddy above blind fret frieze and integral pilasters to hood and long break-arch door to trunk, on plinth base with moulded skirt, composite, 210cm high.
An unusual oak eight-day longcase timepiece Abraham Torn, Sheffield, mid 18th century The four-pillar movement with anchor escapement and 10.75 inch square single-sheet brass dial with subsidiary seconds dial and curved applied plate signed Abraham Torn, Sheffield to centre within a Roman numeral chapter ring with Arabic five minutes and plain spandrels to angles, the slender case with tall ogee caddy and integral pilasters to hood above long rectangular trunk door and plinth base with moulded skirt incorporating bracket feet, 220cm high.
An inlaid mahogany eight-day longcase clock William Lunan, Aberdeen, early 19th century The four-pillar rack and bell striking movement with 12 inch single-sheet silvered brass Roman numeral break-arch dial with subsidiary seconds dial, calendar aperture and signed W'm Lunan, Aberdeen to the centre, the spandrels engraved with the initials W.J. C.G. beneath strike/silent dial and foliate scroll engraved decoration to arch, the swan neck pedimented case with reeded Corinthian pilasters to hood above conch shell centred break-arch long door flanked by quarter columns to trunk, on line bordered plinth base with bracket feet, 217cm high. The initials within the spandrels suggest that this clock was presented as a marriage gift.
An oak thirty-hour longcase clock John Chance, Chepstow, circa 1790 The countwheel bell-striking movement with 11 inch square single-sheet Roman numeral silvered brass dial with arched calendar aperture and signed Jno. Chance Chepstow within the Old Father Time, peacock and foliate scroll engraved centre, the chapter ring with Arabic five minutes within scroll engraved decoration to spandrels, the case with swan neck pediment and blind fret infill above integral pilasters to hood, the trunk with long rectangular door, on plain plinth base, 204cm high. John Chance is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Chepstow 1760-91.
An oak thirty-hour longcase clock William Barnard, Newark, mid 18th century The countwheel bell-striking movement with 11 inch square brass dial signed W. Barnard, Newark within a rectangular cartouche to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, the angles with applied foliate cast spandrels, the case with cavetto cornice above integral pilasters to hood, break-arch long trunk door and a reduced plinth with double skirt, 189cm high. William Barnard is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newark 1707-84.
A mahogany crossbanded oak eight-day longcase clock with penny moon 18th century and later The 19th century four-pillar rack and bell striking movement with 12 inch square brass dial with arched calendar aperture, ringed winding holes and penny moon, with age of the moon aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed Woolley, Codnor to lower edge, the angles with winged cherub's head and foliate cast spandrels, in a case with swan neck pediment above turned pilasters to hood and shaped-top crossbanded short rectangular trunk door, on tall plinth base with double skirt, composite, 216cm high.
An inlaid mahogany eight-day longcase clock Late 18th century and later The four-pillar triple train rack and bell striking movement with incomplete quarter chiming work, now with a 12 inch brass break-arch dial with subsidiary seconds dial and shaped silvered plaque bearing signature Tho: Gardner, London to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrel applied angles, the arch with silvered boss engraved with a sunburst and inscribed TEMPUS FUGIT between dolphin cast mounts, in a pagoda pedimented case with line inlaid pilasters to hood above conch shell centred break-arch trunk door and conforming panel fronted plinth base with reduced ogee bracket feet, composite, movement altered and incomplete, 225cm high.
An oak and mahogany eight-day longcase clock Kerr & Co, Swansea The four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed Kerr & Co, Swansea to the convex centre, with cottage painted spandrels to angles and scene of young girl with a lamb to arch, the swan neck pedimented case with baluster turned pilasters to hood above short trunk door flanked by canted angles, on crossbanded plinth base, 203cm high.
A mahogany eight-day longcase clock with moonphase Jn.o Hughes, Carnarvon, early 19th century The four-pillar rack and bell striking movement with 13.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to the castle landscape painted centre, the chapter ring signed Jn.o Hughes Carnarvon to lower edge within cottage painted spandrels to angles and with rolling moonphase to arch, the swan neck pedimented case with double baluster turned and carved pilasters to hood above short crossbanded rectangular trunk door flanked by conforming pilasters, on raised panel fronted plinth base with ogee bracket feet, 231cm high. John Hughes is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Carnarvon 1844-63.
An oak thirty-hour longcase clock John Pearce, Stratford, early 19th century The four-pillar outside countwheel bell-striking movement with 11 inch square white painted Roman numeral dial with calendar aperture and signed Jn. Pearce Stratford to the bird and flower painted centre within floral spray decorated spandrels, now in an earlier case with moulded cornice above turned pilasters to hood, crossbanded shaped-top trunk door and plinth base with moulded skirt, 203cm high.
A mahogany and oak eight-day longcase clock Haseldin, Shales Moor, Sheffield, early 19th century The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and signed Haseldin Shales Moor Sheffield to centre, with floral painted spandrels and scene of resting fisherman to arch, the swan neck pedimented case with turned hood pilasters above short trunk door flanked by lobed pilasters, on crossbanded plinth base, 214cm high.
A mahogany crossbanded oak thirty-hour longcase clock Unsigned, early 19th century The countwheel bell-striking movement with 12 inch white painted Roman numeral break-arch dial with arched calendar to centre and polychrome foliate painted spandrels, the arch decorated with a hunting scene, the swan neck pedimented case with reeded pilasters to hood above short trunk door and conforming plinth base, 219cm high
Henry Harper, London, a George III mahogany chiming longcase clock, the pagoda hood with later applied sunburst motif and brass stop-fluted pillars, the trunk with breakarch door and raised on a panelled plinth with stepped base, the 12 inch dial with chime silent disc to the arch (later lettering and hand) 2 position tune selection lever to the right side, gilt mask spandrels, repaired hands, with 3 train 8 day bell striking movement, 235cm high
A Quantity of Horse Tack in a Metal Trunk, including a Shires brown day rug, two exercise blankets, waterproof sheets and exercise sheets, sheepskin numnahs, sheepskin and faux fur travel bandages and pads, tail protectors etc. Three drawers containing travel bandages, tail bandages, plaiting rubbers, poultice packs, saddle soap etc.
A George III oak and mahogany longcase clock, with swan's neck pediment above the arched glazed door flanked by simple pillars enclosing the 13.25ins. arched brass dial by Edward Barlow, Oldham with moon phase, foliate spandrels, silvered chapter ring and subsidiary seconds dial with eight day striking movement, the case with arched crossbanded trunk door flanked by fluted columns and with conforming base raised on bracket feet, height 93ins. This clock has had the movement recently restored at a cost of some £500 (receipt available). (see illustration)
A Georgian pine long case clock, having a moulded cornice above a glazed door flanked by half round pillars enclosing the 9.5ins. brass dial and 30 hour movement by John Coates, Cirencefter, with cottage scene to the centre and Roman numerals, with rectangular trunk door beneath and conforming base raised on bracket feet. Height 79ins. (see illustration)
A 19th century mahogany longcase clock, by Spittall Whitehaven having a swan's neck pediment and arched glazed door flanked by turned columns enclosing the 14inch arched painted dial decorated with hunting scenes and with Roman numerals subsidiary date and seconds dials and eight day striking movement with short shaped trunk door beneath flanked by turned pillars and with conforming base raised on ogee bracket feet. Height 90ins. (see illustration)
A George III mahogany longcase clock, with an arched painted dial and 8 day striking movement by J. Yon, Southampton, flanked by fluted columns with arched trunk door being crossbanded in ebony and with boxwood stringing flanked by canted angles and with conforming base raised on bracket feet. Height 83ins. (see illustration)
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