An early 19c eight day longcase clock, the 12" arched brass dial signed John Isaacs, London and having vase spandrels and engraved floral dial centre and tempus fusee in the arch. It has seconds and date indicators and unmatched steel hands. The substantial three train movement quarter chimes on eight barrels and strikes on a ninth. It is contained in a mahogany case which has been extensively recarved, the hood has swan neck pediments with a central finial and plain columns flank the dial. The trunk has canted fluted corners and the pointed door has extensive floral carving. The base has large lunette carving with a central sheaf of corn and a deep bracket footed plinth also recarved, it stands 89" tall overall.
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66972 Los(e)/Seite
An early 19th Century longcase clock, the eight day movement with painted arched dial inscribed “Denton & Fox Hull” and depicting a seated female with a bird, floral spandrels, date aperture and seconds dial, in mahogany case with replaced brass ball finials on pagoda top with inlaid conch shell, fluted columns and arched trunk door, on panelled base and replaced stepped feet, 95” high.
A late 19th / early 20th century Japanese wall hanging of painted silver grey silk. framed, depicting the trunk of a cherry tree to the left side with small hanging branches of blossom, a bee gathering pollen from a flower and another approaching in flight, signed in black lower left and with red seal marks, 46¼ x 21½ in. (117.75 x 54.75cm.).
An early 19th century oak eight day longcase clock signed J Wignall Ormskirk, the case with swan neck pediment and turned columns to hood, plain trunk with crossbanded door, rectangular box plinth raised on bracket feet, 27.5cm square painted dial with Roman numerals, corners painted with flowers, centre seconds and twin winding apertures, four pillar movement striking on a bell, 199cm high.
An early 18th century mahogany longcase clock, the twin train striking movement associated to a 33cm square brass dial signed Saml Hill, the hood with broken swan neck pediment and finial, fluted side columns with cast brass capitals above a long trunk door flanked by fluted corner columns, set on an inlaid box base, raised on ogee bracket feet, 228cm high.
An early 19th century oak thirty hour longcase clock, the 14 inch square painted dial signed JN. Hitman, Nottingham, with centred date aperture within a ring of Roman and Arabic numerals, the hood with swan-neck pediment, over turned front corner hood pilasters, over an ogee arched, long trunk door and boarded cut-out base, 226cm high
An early 19th century oak crossbanded mahogany thirty hour longcase clock, the 11 inch square painted dial signed J. Callcott, Cotton, with centred date aperture within a ring of Arabic numerals and florally painted spandrels, the hood with fluted front corner hood pilasters over a crossbanded trunk door between quarter fluted pilasters on a single panel base (lacking feet), 192cm high
A mid-18th century walnut veneered eight day longcase clock, the 12 inch arched brass dial signed 'Jn Glascock, Brentwood', the silvered chapter ring with inner ring of Roman numerals an outer ring of Arabic numerals centred by a subsidiary seconds dial and date aperture within pierced scrolling leaf spandrels, the eight day five pillar movement striking on a single bell, the arched hood with reeded front corner hood pilasters over a long trunk door, on a single panel box base, with later skirting plinth, 225.5cm high
An inlaid mahogany eight-day longcase clock, the dial signed for Webb and Son, Newbury, early 19th century, the four pillar rack and bell striking movement with 12 inch white Roman numeral break-arch dial with subsidiary seconds and calendar dials and inscribed Webb & Son, Newbury to centre, the angles with polychrome and gilt painted conch shell spandrels beneath arch decorated with Ho-Ho birds perched on a branch beneath scroll canopy, the break-arch case with with keystone centred moulded cornice and fluted columns to hood above ebony and box line bordered break-arch door above conforming short panel and flanked by inlaid canted angles to trunk, on plinth base with moulded skirt incorporating bracket feet with shaped apron between, 205cm (80.75ins) high.
A Scottish mahogany longcase timepiece of small proportions, James Howden, Edinburgh, early 19th century, the eight-day single train movement with anchor escapement and inverted Y-shaped plates united by three knopped pillars, the 10 inch circular brass Roman numeral dial signed James Howden, EDINBURGH to centre and with Arabic five minutes to outer track, the case with cavetto dentil cornice above plain frieze and columns flanking circular aperture to the front door, the trunk with shaped-top caddy moulded door above tall plinth base with moulded skirt, 193cm (76ins) high.
A mahogany drop-dial wall timepiece, unsigned, circa 1900, the four pillar single fusee movement with 12 inch white painted Roman numeral circular dial within a spun brass bezel and turned wooden surround, the box case with side door over flame figured drop trunk incorporating pendulum adjustment flap to the curved base, 51cm (20ins) high.
Good quality nineteenth century Meissen porcelain figure group of six gardeners arranged around a tree trunk and rocks, holding baskets and pots of flowers and gardening tools, on a circular base with gilt intertwined ring border - underglazed blue crossed swords and incised marks, 30cm high x 19.5cm diameter (see front cover illustration) CONDITION REPORT Good overall condition. Part of one basket handle is missing. Small area of restoration and gilding re-touched on rim of base. Minor rim chips

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66972 Los(e)/Seite