An early 18th century walnut stick barometerThe stepped caddy top surmounted by three ball finials over a moulded arched cornice and moulded edges to the trunk with visible tube and terminating in a turned cistern cover, the unsigned two-piece engraved dial showing seven weather predictions, 17cm wide x 9.5cm deep x 104cm high, (6 1/2in wide x 3 1/2in deep x 40 1/2in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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A pair of Derby 'Pale Family' figural candlesticksCirca 1758-60Modelled as a boy and girl, each standing before a trunk applied with flowers and surmounted by a filiate candle nozzle, the scrolled bases picked out in puce and green and applied with abundant flowers, their costumes washed in bright colours and painted in 'cotton stem' style, 12cm wide, 23.5cm high (4 1/2in wide, 9in high) (2)Footnotes:Provenance: A. & R. Hay Drummond, Berkshire.For further information on this lot please visit Bonhams.com
LOUIS VUITTON; a large 19th century travelling cabin trunk with label to interior, no.15450, with brown striped patterned leather and metal bindings to exterior, part luggage labels, a hinged lid and rollers to base, lined with cream canvas and with an LV label to back and a red document case to the inside lid, 75 x 49 x 42cm.Additional InformationThe trunk is in a tired condition, the metalwork is generally rusty, the exterior is well faded with tears and losses to the leather, particularly on the top. The brass fittings are in place throughout although rusty, there is no key. Internally the condition is good, though mild staining is present.
ASPINALL OF LONDON; an unused black crocodile embossed leather 'Mini Trunk' shoulder bag, with gold tone logo top shield lock closure, logo to front, detachable cross-body chain and leather shoulder strap, lined in red satin, 15 x 11 x 6cm, with original authentic dust bag.Additional InformationThe bag is in excellent condition and has never been used.
Three hound heads. Poland, 1966. Lithograph, ca. 68 x 98 cm. (2) Hubert Hilscher (1924-1999). Elephant with curled up trunk, 1964. Ca. 68 x 98 cm. (3) Rafal Olbinski (b. 1945). Lion's head, 1981. Ca. 66 x 98 cm. (4) Andrzej Piwonski (b. 1941). Parrot, lion and tiger, 1968. Ca. 67 x 98 cm. Occ. sl frayed at edges. (total 4)
Indian school of the 19th century."Shiva Nataraja".Patinated bronze.Measurements: 22,5 x 16 x 7 cm.Patinated bronze representation of Shiva Nataraja. One of the invocations of the Hindu god Shiva is as "lord of the dance" or Nataraja. He performs a cosmic dance within a circle of flames. It is a dance that is both destructive and constructive, regenerative. According to legend, some enemies wished to destroy Shiva. They sent a dwarf (considered by Hindus as demonic beings or the incarnation of evil) called "the devil of oblivion". To combat him, Shiva began his cosmic dance, subjugating the demon and freeing the world. The dance takes place in the centre of the universe and in the human heart. The figure dances half-naked, carrying a ball of fire or fire of enlightenment in his hand. Shiva's dance is composed of the ever-flowing combination of his five activities. The power of revealing brings knowledge and liberates the spirit. It is represented by the left foot raised and the left hand down like an elephant's trunk. It is the most common way of representing Shiva in South India, and is the most famous deity of the Chidambaram temple.
A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with triple brass finials, barley twist Corinthian pillars flanking a door with a wavy border, enclosing a painted 13 inch dial, the arch with a ship at sea automaton movement, Arabic and Roman Numerals, signed Palmer of Bristol, Seconds and date dial, on bracket feet, with two weights, pendulum and trunk door key, height 223cm (condition:-clock dial possibly a marriage due not fitting correctly)
Mid-18th century chain driven 30hr longcase clock with a brass dial engraved Thomas Kefford, Royston (Herts), broad flat-topped hood with dog-tooth moulding and blind fret, square hood door flanked by two reeded pillars with brass capitals, with a long trunk, round topped conforming trunk door and quarter columns to the sides, raised on a square plinth with applied shaped skirting, 12� brass dial with cast spandrels, chapter ring, roman numerals, five-minute Arabic's minute track and quarter hour track, matted dial centre with engraved square date aperture and calendar disc behind, striking the hours on a domed cast bell. With weight, no pendulum.Thomas Kefford is recorded as working �at the dial in Fore Street Royston, (b.1686) working c1710-1770, when succeeded by Samuel Coxhall�.Dimensions: Height: 213cm Length/Width: 47cm Depth/Diameter: 23cm
Dark oak longcase clock c1790 with a brass dial engraved �John Frost, London� with a flat top, swans neck pediment and dentil moulding beneath, break arch dial flanked by reeded pilasters with corinthian capitals, long trunk door with a pointed arched top, trunk with canted corners on a rectangular plinth raised on bracket feet, dial with a silvered chapter ring, Roman numerals, five minute Arabic's, matted dial centre, silvered seconds dial and semi-circular date aperture, with non-matching serpentine hands and cast spandrels, 8-day rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 330cm Length/Width: 48cm Depth/Diameter: 26cmCondition Report:Seconds hand missing.
30-hour 18th century oak cased longcase clock by Jeremiah Standring of Bolton, (Lancs) c 1770, with a swan's neck pediment on a flat top with a blind frieze beneath, square brass dial flanked by reeded pilasters and wooden capitals, long trunk door with a concave wavy top, trunk with reeded quarter columns on a rectangular plinth on a decorative skirting, dial with a formerly silvered chapter ring and engraved dial centre, with Roman numerals, five minute Arabic's, square date aperture, circular boss engraved with the makers name, cast spandrels and �dummy� winding arbors, dial pinned directly to a rope driven countwheel striking movement, striking the hours on a bell. With weight and pendulum. 30-hour clocks with �dummy� winding arbors are more commonly found on later 19th century painted dial longcase clocks, this is an earlier example by a recorded Lancashire clock maker born in Rochdale in 1712, dying in Bolton 1782. Dimensions: Height: 225cm Length/Width: 48cm Depth/Diameter: 23cm
![Contemporary leather trunk design desk [Timothy Oulton], the rectangular top above three short drawers, detailed with wooden](https://cdn.globalauctionplatform.com/1a995081-00ba-43d2-828c-af5800a165ee/f6ff0ce6-456f-4186-8361-af59014c41a3/468x382.jpg)
A 19th Century Oak Longcase Clock, by Jacob Mickelfield of Goldhanger, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, to the 30 hour movement striking on a bell, contained in case with moulded cornice and split turned columns to hood, plain panel trunk door, and on plinth base, 77ins high
A 19th Century North Country Mahogany Long Case Clock, by Dennett of Wigan, the 14ins arched painted dial with Roman numerals and phases of the moon to the arch, spandrel painted with churches to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and fruiting vine cresting and turned columns to hood, short shaped trunk door and cant corners on plinth base with bracket feet, 89ins high
An Aesthetic Period Eight Division Stick-Stand, containing a quantity of walking sticks, shooting sticks and fishing rods; together with an oversized painted pine trunk containing a small quantity of leather and other luggage cases; together with a small group of flags, including the Union Jack and the New Zealand National flag etc
A Mahogany Eight Day Longcase Clock, early 19th century, scroll crested pediment, flame veneered trunk door, 12-inch arch painted dial, seconds and date dials, painted hunting scene in the arch, dial indistinctly signed, four pillar movement with an anchor escapement and rack striking on a bell, 214cm highCase with cracks to veneers in parts, hood with finials missing, some veneers are lifting in parts, hood and trunk doors are bowed, dial is indistinctly signed, dial is discoloured, movement needs cleaning, with two weights and a pendulum.
KATSUYASU: A FINE INLAID SENTOKU TSUBA WITH YORITOMO HIDING IN A TREEBy Katsuyasu (1832-1880), signed Katsuyasu horu 勝保鐫Japan, late 19th century, Meiji period (1868-1912)Of kakugata shape with sumikiri corners, decorated in superb gold, silver, shakudo, and copper takazogan, depicting Yoritomo and his comrades hidden in a tree trunk and two doves in flight, the reverse finely engraved with pines, military banners, and mountains, signed KATSUYASU horu.SIZE 9.3 x 8.5 cmWEIGHT 194.9 gCondition: Very good condition, minor wear.Provenance: British collection.Katsuyasu is listed on page 608, H 02931.0 in THE INDEX OF JAPANESE SWORD FITTINGS AND ASSOCIATED ARTISTS by Robert E. Haynes. The artist was born in Mito, Hitachi province, as the second son of Hagiya Katsuhira. He carried on the family business in Mito and Edo.This tsuba shows Minamoto Yoritomo hiding from his enemies in a tree during the Genpei War (1180-1185). Yoritomo was being followed through the Hakone Mountains by warriors from the Taira clan. One of these warriors, Kajiwara Kagetoki, was secretly a supporter of Yoritomo. When the Taira soldiers came upon the tree where Yoritomo was hiding, Kagetoki stuck his bow into the tree. This startled two doves that flew away. Kagetoki convinced the other Taira soldiers that no one could be in the tree with the doves, thus allowing Yoritomo to escape.
RYUCHIKEN TERUYUKI: A SENTOKU AND GOLD KOZUKA WITH A CICADA ON A TREEBy Ryuchiken Teruyuki (circa 1825-1875), signed Ryuchiken Teruyuki 龍池軒英随Japan, 19th century, Edo period (1615-1868)The sentoku kozuka with masterful gold takazogan depicting a cicada perched on a tree trunk, the bark elaborately engraved with wood grain incisions, the reverse with an archaic Chinese poem written in gold nonume-zogan and signed RYUCHIKEN TERUYUKI. With a fitted wood storage box.LENGTH 9.6 cmWEIGHT 30.7 gCondition: Very good condition, minor wear.Provenance: British collection.Ryuchiken Teruyuki, also known as Arai Teruyuki, is listed on page 1922, H 09665.0 in THE INDEX OF JAPANESE SWORD FITTINGS AND ASSOCIATED ARTISTS by Robert E. Haynes.Auction comparison:Compare a closely related kozuka with a cicada on a tree by Ryuchiken Teruyuki, 19th century, at Bonhams, The Paul Goodman collection of Japanese arrowheads, swords, and fittings Part I, 20 October 2015, New York, lot 146 (part lot, sold for 3,125 EUR).
ITTOKUSAI: A BOXWOOD NETSUKE OKIMONO OF AN OWL WITH MOVABLE OWLETSBy Ittokusai, signed IttokusaiJapan, late 19th centuryFinely carved, the bird seated on a creeper-clad trunk, the head slightly turned to the right, with a small movable wood owlet emerging from a hole in the branch below, the owl's large round eyes double-inlaid in amber and dark horn, the plumage neatly detailed, the owlet with inlaid eyes. Signed ITTOKUSAI underneath.HEIGHT 8.3 cmCondition: Good condition, minor wear, one segment of the branch re-attached and with associated minor losses. Fine, dark patina.Provenance: French private collection.Auction comparison:Compare a related wood netsuke of an owl with movable owlets by Ikkyu, 19th century, at Zacke, Fine Netsuke & Sagemono, 22 April 2022, Vienna, lot 130 (sold for 5,056 EUR). Compare a related wood netsuke of an owl with movable owlets by Tou, in the style of Ikkyu, 19th century, Bonhams, The Julius and Arlette Katchen Collection of Fine Netsuke Part I, 8 November 2016, London, lot 145 (sold for 4,000 GBP).
A MASTERFUL PARCEL-GILT BRONZE VASE DEPICTING A TREE TRUNK WITH AUTUMN LEAVESJapan, late 19th century, Meiji period (1868-1912)Superbly cast as a gnarled and knotted tree trunk bearing thin branches issuing maple leaves, exquisitely patinated and gilt to convey the turning of the leaves, which are further detailed with neatly incised veins and finely serrated edges, the stump masterfully finished with a strikingly naturalistic texture, the straight rim incised with growth rings.HEIGHT 35.8 cmWEIGHT 4,844 gCondition: Excellent condition with minor wear.Provenance: From a Belgian private collection, assembled between 1950 and 1990.The present vase, impressively cast in a minimalist yet naturalistic manner, was clearly made by an extremely talented metalworker. The masterful use of patination and the superb texture of the bronze style make an attribution to the workshop of Miyao Eisuke reasonable.Auction comparison:Compare a related pair of bronze figural vases by Miyao Eisuke at Sotheby's, 15 December 2011, Paris, lot 337 (bought-in at an estimate of 20,000-30,000 EUR).
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