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66972 Los(e)/Seite
Los 717
CRICKET, Ashes 1946-47 and 1948 Australian test cricketer Ernie Toshack original b/w 6.5x4.75 1st Nov 1946 packing his cricket trunk pre-Ashes with signed slip. Cyril Washbrook alongside tour manager Major Rupert Howard 1946-47 b/w 8x6 with signed Washbrook card and Arthur Morris original Fox Photos b/w 10x8 photograph batting during the 5th test at The Oval 1948 with signed card, G to VG, 6
Los 162
the swan neck pediment above and arched brass dial with signed boss, the silvered chapter with Roman numerals, subsidiary seconds dial, date aperture, and twin winding holes, above an arched crossbanded trunk door above a banded plinth on bracket feet; the eight day movement striking a bell53cm wide, 230cm high, 27cm deep
Los 66
the caddy top hood with carved giltwood flaming urn finials and repoussé brass fret above a twelve inch silvered dial with Roman numerals, subsidiary seconds dial, date aperture, and twin ringed winding holes, signed on the chapter flanking the VI 'Andrew Broun/ Edinburgh', with crown and cherub spandrels, above a geometric line inlaid and crossbanded trunk door with an oval brass bound lenticle, on a similarly decorated plinth base with bun feet; the month going movement with five wheel trains and turned pillars, anchor escapement, and hourly strike on a bell via a counterwheel46cm wide, 247cm high, 25cm deepFootnote: Note: Edinburgh made clocks that predate 1700 are exceedingly rare. Andrew Broun [or Brown] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus "The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker." Ten years later he officially ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen's Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen's Incorporation in 1689.In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen's Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father's death.John Smith, author of Old Scottish Clockmakers from 1453 to1850, states "In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow". A marquetry longcase clock by Broun dating to the late 17th century sold in these rooms, 1 September, 2021, lot 18, and another 17 November, 2021, lot 18.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Los 880
WNAI - A PAIR OF MID-19TH CENTURY NAPOLEON III ORMOLU MOUNTED EBONISED AND PIETRA DURA SIDE CABINETS (2)Each with a black slate top over a slate mounted door decorated with fruiting trees with birds, flanked by Bacchic herms, 116cm wide; 53cm deep; 131cm highCondition report: Numerous losses, breaks and damages. Notably, one with a cracked and broken slate top at the front right projecting corner and further cracks to the panelled door.The other cabinet with extensive crack through the slate mounted door. Both with numerous shrinkage splits visible from the inside and further veneer cracks to the side doors. Both with many loose elements of inlay, notably to the sides, see extra images and in other areas. Both with losses to the pietra dura decoration on the doors, one with a section of the tree trunk missing. Both with heavy tarnishing, oxidisation to mounts and dirt and dust. Other general signs of wear and tear, with the inevitable scuffs, scrathes, dents, small chips and marks commensurate with wear, use and age. Some fading.Some old worm holes in areas, notably to the plinth base and backs. Two keys, one slightly bent. Please see additional images on www.bellmans.co.uk
Los 1222
A GROUP OF EIGHT CHINESE HARDSTONE FIGURES20th centuryComprising; two figures of Guanyin; a pair of elephants; two birds in branches; a group of two horses and a rose quartz bird, sizes 6.5cm to 27cm high, wood stands (16)Figures of Guanyin- each wit some glued repairs and minor chipsElephants- one with a glued trunk. Both with minor chipsBirds in branches- one with repair through both legs. The other with chip to combHorses-one with repair through front leg and branchRose quartz bird- good condition
Los 173
A collection of Chinese miscellaneous, 18th-19th century, comprising, a Canton enamelled famille rose teacup, cover and saucer, painted with figures in shaped panels, surrounded by butterflies and flowers, saucer 15.1cm diameter, a blue and white coffee cup, painted with flowers, 6.5cm high, a blue and white saucer, painted with a landscape scene, 12cm diameter, a Yixing zisha teapot, in the form of a tree trunk, decorated with moulded blossoming prunus branches, with a white metal spout, 21cm wide, a pair of cloisonne vases, of baluster form, decorated with peonies against a key fret ground, 21cm high, and a painted enamelled box, decorated with dogs in a garden, 9.8cm long (10)Condition report: Famille rose cup set - minute chips to the rims and foot rims, surface scratches, enamel losses.Blue and white saucer - star crack to base.Coffee cup - chipped and cracked, surface scratches.Teapot - cover chipped, spout replaced.Cloisonne vases - dents with enamel loss, surface sratches.Enamel box - enamel with losses and cracks, one corner chipped, minute knocks and surface scratching to metal.
Los 56
A collection of seven Art Deco Czechoslovakian ashtrays,each modelled as ladies heads, three modelled as Egyptian ladies, printed and impressed marks, 16cm largest,and a Crown Devon figure of an elephant balancing a ball on his trunk, printed marks 14cm high (7)Condition report: Egyptian lady with black hair - 2.5cm chip to the edge. Red and white beret - chip to edge of the base rim and crazing. Lady with gold hair and blue earing - chip to the edge.
Los 114
3rd-4th century AD. A bronze octagonal lamp of squat profile, three splayed feet and long handle with small thumb-guard; the spout formed as an elephant's head with raised hollow trunk, ears pulled back; domed hinged lid surmounted by an eagle with spread wings, strong hooked beak and pellet eyes, feather detailing to the wings and legs. 1.2 kg, 27cm (10 1/2"). Acquired in the 1990s. Private US collection. Pierre Bergé & Associés, Archéologie, Paris, 29 November 2014, lot 239. Private New York collection. Northern Ireland collection. Accompanied by copies of the relevant Pierre Bergé catalogue pages. Oil lamps in antiquity were made from a variety of materials, including gold, silver, lead, bronze, and ceramics. In Rome, an oil lamp was originally called a lychnus, from the Greek ??????, with the oldest Roman lamps dating back to the 3rd century BC. In the age of the Roman Empire, it became customary to use lamps at funeral ceremonies and for public purposes. Over time, the manufacture of lamps increased in volume as a result of their wide variety of domestic applications. The variety of decorative motifs also increased, influenced primarily by the shape and size of any given lamp.[A video of this lot is available to view on Timeline Auctions Website.] Fine condition.
Los 108
Large collection of 00 Gauge mainly GWR kit and scratchbuilt wagons with a few RTR models, including flat and Open wagons with loads, well wagons, various short and long wheelbase vans, 4-wheel Container Trucks, various kit built although many Hornby, Tri-ang, Mainline and Lima repainted and modified to a good standard, Tri-ang Hornby BR blue Hymek, Hornby Parcels Coach repainted brown/cream and Roco Bogie Flat wagons (3), all in five wooden trays most with nine sections, fitting into a well made trunk style box, generally VG-E, wooden boxes and box G (80+)
Los 268
Railway Photographs First Day Covers and Postcards, most 1980s and later includes approximately 550 colour prints of BR diesel and electric locomotives in four albums, three small albums of steam, four albums of modern postcards and First Day Covers, includes an Edward VII Transvaal stamp with CSAR over stamp (South African Railways) and 1899 Grand Trunk Railway Company of Canada Debenture Stock and a small collection of SR, GWR, L & SWY luggage labels, G-E, (Qty)
Los 555
A wooden trunk converted into a coffee table, of rectangular form with a hinged lid and raised on bun feet, 39.5cm x 81cm x 51cm Condition Report: Some scratches and chips to the outer structure and marks consistent with age and usage. Structurally sound, lid opens smoothly, would benefit from a clean. No apparent worm or restoration.
Los 1576
A GEORGIAN CARVED OAK LONGCASE CLOCK, the hood enclosing a brass 10 1/2' dial, moonphase to arch, eight day movement, foliate spandrels surrounding roman and Arabic numerals, seconds dial and subsidiary date aperture, signed Charles Naylor of Liverpool, the trunk with a carved religious male to the door, no weights, pendulum or keys height 204cm (condition:- the dial is a marriage, resulting in the hood not fitting correctly and glazed door not closing)
Los 1019
21st century replica longcase clock by “Wood & Son” in a incised light wood case with a swans neck pediment and finial, turned columns flanking a glazed broken arch hood door, trunk with a full length glazed door on a short stepped plinth, visible lyre pendulum with dummy chains and weights, 31 day going barrel movement striking the hours and half hours, brass and silver effect dial with roman numerals and decorative steel hands, faux (non- working) moon dial to the arch.Dimensions: Height: 215cm Length/Width: 56cm
Los 1029B
A late eighteenth century c1790 mahogany longcase clock with a flat topped hood and dentil cornice, glazed break arch hood door with flanking side columns and brass capitals, long trunk with canted corners, spire topped crossbanded door on a square plinth with inlay, painted break arch dial with Roman numerals and five minute Arabic�s, spandrels depicting flowers within raised gesso borders and an oval cameo of a seated lady in the landscape to the break arch, non-matching steel hands, subsidiary seconds dial and semi-circular date aperture with date ring behind, dial pinned via a cast falseplate to a rack striking eight-day movement, striking the hours on a cast bell. With pendulum and weights. Dimensions: Height: 206cm Length/Width: 50cm Depth/Diameter: 26cm
Los 1018
A mid-20th century English art-deco Grandmother clock with a mains powered electric movement chiming the hours and quarters on gong rods, in an oak case with an arched top, long trunk and short plinth on bracket feet, sliver effect chapter ring with Arabic numerals and silvered serpentine hands, with chime/silent facility.
Los 1017
A mid-20th century weight driven floor standing clock in an oak case with canted glazed panels, full length glazed trunk door on a rectangular plinth with applied double skirting, white enamel dial with a gilt slip, upright Arabic' numerals, minute markers, quarter hour Arabic's and steel spade hands, with a three-train weight driven Westminster chiming movement chiming on two sets of gong rods. With pendulum and weights.
Los 1027
A mid-19th century oak and mahogany longcase clock with a swans neck pediment, brass paterae and a central ball and eagle finial, stepped break arch hood door and flanking waisted pillars with brass capitals, mahogany veneered trunk with canted corners and a short contrasting oak door with applied carving above on a rectangular oak plinth with a shaped base, painted break arch dial, roman numerals and minute markers, matching brass hands with a semi-circular calendar aperture and date disc behind, depiction of a floral bouquet to the break arch and conforming spandrels, dial pinned directly to a 30-hours chain driven movement with countwheel striking, striking the hour on a cast bell. With pendulum and weightDimensions: Height: 219cm Length/Width: 48cm Depth/Diameter: 23cm
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66972 Los(e)/Seite