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Los 732
Ragna Reusch (Eutin 1963). Frau in grüner Badehose. 2019. Mit der Kettensäge aus einem Eichenstamm 'geschnitzt', Farbfassung. H. 168 cm, Stahlplinthe 23 x 23 cm. - Deutsche Bildhauerin. R. studierte Grafik-Design, Illustration und Bildhauerei in Bielefeld und Bremen, schnitzt schon seit ihrer Kindheit figürlich und arbeitet im großen Format bevorzugt mit der Kettensäge. Ihre Motive sind meist üppige Frauenfiguren aus Eiche. Seit 2009 zahlreiche Gemeinschafts- und Einzelausst. Die Künstlerin lebt und arbeitet in Ahausen (Niedersachsen). Reusch, Ragna (Eutin 1963). Woman in Green Swimming Trunks. 2019. Carved from an oak trunk with a chain saw, colour finish. H. 168 cm, steel plinth 23 x 23 cm. - German sculptor. R. studied graphic design, illustration and sculpture in Bielefeld and Bremen, has been carving figuratively since childhood and prefers to work in large format with the chainsaw. Her motifs are mostly voluptuous female figures made of oak. Since 2009 numerous collective and individual exhibitions. The artist lives and works in Ahausen (Lower Saxony).
Los 735
Peter Wagensonner (bei Landshut 1956). Kugelobjekt. Ulme, vollrund. Mit natürlichen Spannungsrissen, die in lebhaftem Kontrast zur glatt polierten Oberfläche stehen, denn 'Poren, Schrunden und Verwerfungen sind Kennzeichen jeder, auch der vermeintlich glatten Oberfläche' (Zit. Georg Thuringer). Dm. 50 cm. - Nach einer Ausbildung zum Krankenpfleger und später zum Drechsler begründete W. die Künstlergruppe 'OK9' in München mit und baute ab 1987 ein eigenes Atelier auf, 1996 erfolgte der Umzug nach Kleeberg, Lkr. Passau, 2010 erhielt der Künstler den Kulturpreis des Landkreises Passau. - Sein bevorzugtes Werkmaterial ist Holz bzw. der Stamm. Seine Baumtorsi versinnbildlichen Grundthemen des menschlichen Lebens. Lit.: G. Winklhofer: Peter Wagensonner. Skulpturen aus Holz, 2001; Ausst.Kat.: Bruder Baum. Peter Wagensonner, Passau 2011. Wagensonner, Peter (bei Landshut 1956). A Sphere. Elm, fully round. With natural stress cracks that contrast vividly with the smooth polished surface, for 'pores, fissures and warping are the hallmarks of any surface, even the supposedly smooth one' (citation Georg Thuringer). Diam. 50 cm. - After training as a nurse and later as a wood turner, W. co-founded the artist group 'OK9' in Munich and built up his own studio from 1987 onwards. In 1996 he moved to Kleeberg, district of Passau, and in 2010 he received the cultural award of the district of Passau. - His preferred material is wood or the trunk. His tree torsos symbolise basic themes of human life. Lit.: G. Winklhofer: Peter Wagensonner. Skulpturen aus Holz, 2001; Exhib. Cat..: Bruder Baum. Peter Wagensonner, Passau 2011.
Los 853
Johann Joachim Kaendler (Fischbach/Sachsen 1706 - Meissen 1775). Pirol auf Stamm. Meissen, das Modell von 1733, Ausführung 1. Hälfte 20. Jh. Porzellan, farbig staffiert. Modellnr. '820 x'. Schwertermarke. Fachm. rest. H. 26 cm. - Porzellanmodelleur und Bildhauer, nach seiner Lehre beim Bildhauer Thomae in Dresden 1731 von August dem Starken zum Hofbildhauer ernannt, zugleich Beginn der Arbeit für Meissen, besonders in den frühen Porzellan-Tiergruppen zeigt sich der Einfluss der Dresdner Barock-Bildhauerei, führte in leitender Stellung die Manufaktur lange Jahre, seine Werke zählen zu den Höhepunkten der frühen europäischen Porzellankunst. Kaendler, Johann Joachim (Fischbach/Sachsen 1706 - Meissen 1775). A Pirol on Trunk. Meissen, designed around 1733, made 1st half 20th cent. Polychrome painted porcelain. Model no.' 820 x'. Crossed swords mark. Prof. rest. H. 26 cm. - German porcelain modeller and sculptor, taught by the sculptor Thomae in Dresden, whose baroque influence is especially visible in his animal figures, in 1731 appointed court sculptor by August the Strong, at the same time beginning his work for porcelain manufacture Meissen, which he directs for many years, his works are among the highlights of early European porcelain.
Los 731
Ragna Reusch (Eutin 1963). Frau in getupftem Kleid. 2019. Mit der Kettensäge aus einem Eichenstamm 'geschnitzt'. Farbfassung. H. 107 cm, Stahlplinthe 23 x 23 cm, Sockel H. 100 cm. - Deutsche Bildhauerin. R. studierte Grafik-Design, Illustration und Bildhauerei in Bielefeld und Bremen, schnitzt schon seit ihrer Kindheit figürlich und arbeitet im großen Format bevorzugt mit der Kettensäge. Ihre Motive sind meist üppige Frauenfiguren aus Eiche. Seit 2009 zahlreiche Gemeinschafts- und Einzelausst. Die Künstlerin lebt und arbeitet in Ahausen (Niedersachsen). Reusch, Ragna (Eutin 1963). Woman in spotted dress. 2019. Carved from an oak trunk with a chain saw, colour finish. H. 107 cm, steel plinth 23 x 23 cm, base h. 100 cm. - German sculptor. R. studied graphic design, illustration and sculpture in Bielefeld and Bremen, has been carving figuratively since childhood and prefers to work in large format with the chainsaw. Her motifs are mostly voluptuous female figures made of oak. Since 2009 numerous collective and individual exhibitions. The artist lives and works in Ahausen (Lower Saxony).
Los 330
An early 19th century oak and crossbanded long case clock, twin train 8-day movement striking on a bell, white painted dial, signed ?J & E Mason, Worcester', with black Roman numerals, minute markers, and with gilt and floral painted spandrels, date roller, and subsidiary seconds dial, the hood with broken swan neck pediment and brass orb finials, trunk with long crossbanded door, plinth base, with pendulum and two weights, 43.5 by 21 by 213.5cm high.Hour hand broken
Los 331
An 18th century oak longcase clock, with square engraved brass dial, signed 'Fran Overall, Wellingborough', 30 hour movement, two steel hands over an engraved centre with engraved black Roman numerals, the corners applied with foliate scroll details, square hood, plain trunk, plinth base, with pendulum one detachable weight and a hoop form lead weight, 44.5 by 23 by 197cm high.
Los 87
A group of three 19th century travelling trunks, comprising a barrel top wooden bound trunk, inscribed initials 'W. E. N. T.', 83 by 50 by 62cm high, a black canvas over wicker trunk inscribed 'James Hedges & Co, Army Contractors', 80 by 52 by 56cm high, and a dark blue metal bound trunk, with lift out clothes tray, inscribed 'J, K. Oldring', 92 by 52.5 by 33cm high. (3)
Los 1669
A large collection of vintage clothing and bijouterie including a hat box, 2 straw boaters, 2 parasols (1 with silver knop), 2 feather stoles, quantity of ladies kid leather gloves, a child's broderie anglais pinafore dress, a Dunn & Co collapsible top hat, child's black silk hat by Adritt Bros, a 'Rhona Roy' black dress, wooden travelling trunk etc
Los 1675
A vintage tin trunk with scumble finish containing a collection of WW2 and late 40's military clothing and ephemera mostly relating to the REME Corps (Royal Electrical and Mechanical Engineers). Includes WW2 battle dress, a greatcoat, boots, gaiters, gas mask, framed display of medal ribbons and a photograph of the 1947-48 Staff Officers at the REME Training Centre at Arborfield
Los 348
W Walters of Ashbourne 8 day longcase clock with round dial contain in a oak case with turned columns to the trunk and hood square panel to the base. 82" x 24" x 9 1/2"Walters was working at St Johns Street Ashbourne Derbyshire from 1851 to 1870Condition report Good original condition Movement not tested.
Los 372
A late Victorian or early Edwardian longcase clock with three-train movement chiming on tubes. Strike silent and chime silent on dial. 12" brass arch dial with shell spandrels and sun-face spandrel in the arch. Seconds on dial. Contained in a mahogany case with Sheraton inlays to door base and hood. Reeded columns to trunk and hood. Stands on bracket feet. 23" x 88" x 22".Condition report: Fully restored by owner including the movement which is in working order but not fully tested. Chiming on 5 tubes. Lovely example.
Los 2
Russian silver spoon with a bright, painted composition on enamel - Troika. The handle of the spoon is made in the form of a tree trunk with the figure of a climbing bear at the top. Assay marks of St. Petersburg, 84 assay marks, 1899-1908. Silver, gilding, painted enamel. Master′s mark: VK. Kangin Vasily Ivanovich. The owner of the workshop of gold and silver products 1899 - 1908. Weight: 61 gr. Condition: GoodStyle: Neo-RussianPeriod: At the turn of 19th -20th centuryMaterial: Silver 84, Gilding, EnamelProduct sizes: Height - 20cm width - 4.2cm
Los 7000
A mid-19th century Irish mahogany cased longcase clock by William Sprat, Saintfield, Ireland, with a swans neck pediment with wooden patera and finial, with a recessed break arch hood door flanked by two turned and ringed columns, trunk with canted corners and raised panels with a matching rectangular flat topped door, on a rectangular plinth with conforming canted corners and a flat base (feet missing) , a fully painted break arch dial with matching spandrels and a depiction of a country house and lake to the arch, with Roman numerals and minute track, subsidiary seconds dial and date disc behind an arched aperture, with matching unstamped brass hands and painted depiction of birds of paradise to the dial centre, dial pinned via a steel false plate to an eight day rack striking movement, striking the hours on a cast bell. With pendulum and weights. Notes: The Sprat family were prolific Irish clockmakers working in Ireland during the 18th and 19th century, William first working in Ardmillan (Ireland) then Saintfield d1848. Dimensions: Height: 206cm Length/Width: 50cm Depth/Diameter: 50cmCondition Report:Case with damage, no feet, dial with wear, movement dirty
Los 7007
A late 18th century mahogany longcase with an associated dial and later movement, flat topped hood with a dentil cornice and blind fret beneath, square hood door flanked by two turned pillars with integral capitals, trunk with conforming blind fret and reeded quarter columns, full length trunk door with raised moulding to the edge and an arched top, trunk on a rectangular plinth with applied moulding to the base, mid 18th century brass dial with cast spandrels, chapter ring and engraved dial centre, fitted with �dummy� winding arbors, dial engraved �William Hardgraves Jnr, Settle�, with a semi-circular date aperture and date disc behind, non-matching steel hands, dial pinned via a false plate to a 20th century chain driven three train movement striking the quarters on 8 gong rods. With three brass cased weights..Dimensions: Height: 200cm Length/Width: 46cm Depth/Diameter: 26cm
Los 142
EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK,by James Hodge of Mid Calder, with two train eight day movement, the silvered dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, with domed hood, on four feet, 211cm highCondition fair. Glass dial cover is cracked. Areas of wear and tarnish to dial. Area of damage to moulding below left side of hood. Trunk door is warped and doesn't close properly. Split across block base. No key weights or pendulum so unable to test mechanism. Additional images now available.
Los 181
AN EARLY 20TH CENTURY CAST METAL ELEPHANT MYSTERY CLOCK the upraised trunk supporting a Junghans clock and three rod pendulum, on shaped wooden base, 28cm high Condition Report : movement untested, rest for pendulum bent, but no other major damage Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 200
A LARGE SCANDINAVIAN METAL BOUND PAINTED PINE DOME TOP TRUNK with floral painted decoration initialled and dated 1856 to the front, carrying handles to each end, 120cm wide 75cm high 60cm deep Condition Report : generally good for age, the vertical section of candle box to interior missing Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
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66969 Los(e)/Seite