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66969 Los(e)/Seite
A GEORGE III OAK LONGCASE CLOCKThe painted arched 12in dial with date aperture and subsidiary seconds dial, signed 'CHRISTMAS YARMOUTH', with a twin-train movement striking on a bell, with two weights, pendulum and winding key, overall height 208cmCondition report: Case: Case repolished at some point recently, however please note the following apparent issues: The case:Some old worm to the hood. The scroll pediment is loose. The brass spheres maybe not be original. The right hand moulding below the hood on the trunk needs repositioning. Crack just above the right hand side of the trunk door. Slight warp to the door, which effects the upper half of the trunk door. Both side panels on the plinth are split. Various scuffs and marks commensurate with use and age. The movement: The movement may not be original to case. However, the dial is attractively painted with the original surface. Some in painting to the centre. The movement has been cleaned fairly recently but will require a some work to the pendulum suspension block which is bent and has previously been replaced. We are unable to guarantee that the movement is in working order or complete, however, there appears to be no missing parts. 2 lead weights, winding key, key and pendulum.
A GEORGE III MAHOGANY LONGCASE CLOCKThe 12 inch arched brass dial with subsidiary dial and date aperture, signed 'John Chater Olney No 64', with two weights, a pendulum, winder and a case key, movement and case associated, overall height 214cm highCondition report: The case is basically original and has been repolished at some point. However, please not the following obvious issues: The hood with some cracking and replacement to the blind fret spandrels of the hood, some side splitting and movement to the sides Traces of old worm holes to the hood and trunk. Worm damage to the lower moulding of the hood which is now split apart on the left side and requires restoration. Later screws to secure glass door hinges. Brass mounts to the bases of the fluted side columns are loose.Some replacement and repair to detail moulding on the trunk, below hood. Slight warp to the door towards the bottom. An areas of filler Just below the key escutcheon, possibly from a previous catch for the door. Gauge to left hand side on canted flutes, approx 5 inches below lock. Both sides with split panels to the side of the plinth, left side with some repair and infill. Bracket feet are replaced. Marks, knocks, scratches and scuffs commensurate with age and use. The movement: The movement may not be original to case. The dial is dirty. Hands are not original. Movement appears complete, but is dirty and requires a full service. Two lead weights, winding key and a pendulum. Please see extra images on www.bellmans.cou.uk
A PAIR OF BEACH SCENES BY LIVINGSTON ROBERTS (AMERICAN 1941-2004)oil on paneleach 58 x 25 cm (22 7/8 x 9 7/8 in.)each signed lower rightCONDITIONObserved in frame, the pair of paintings appear in good condition. Very minor losses to the palm tree's trunk on each. With no significant issues to report otherwise. Inspection under UV shows no apparent sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
MERKERTICH GIVANIAN (TURKISH-ARMENIAN 1848-1906)Tophane [Constantinople] , 1886oil on canvas 53 x 72 cm (20 7/8 x 28 3/8 in.)signed lower right CONDITION Observed in frame, the painting appears in age-appropriate condition. Flaking resulting in losses to the left edge, most notably to the tree and tree trunk. Overall craquelure visible to the naked eye. All consistent with age. Inspection under UV shows scattered retouching to the center of the sky, less than 5% and a even layer of masking varnish. framed dimensions: 74 x 93 cm (29 1/8 x 36 5/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A Mid 19th Century Figured Mahogany Longcase Clock, by John Latham of Macclesfield, the 14ins arched painted metal dial with 12ins diameter domed centre dial with Roman and Arabic numerals and subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in mahogany case with moulded scroll pediment and turned and fluted pillars to hood, Gothic pattern trunk door flanked by reeded columns, on conforming base and bracket feet, 91ins high (including later brass finials)
An Unusual Painted Oak Longcase Clock of Small Proportions, the 8ins arched brass dial signed "John Crucefix of London", the chapter ring (formerly silvered) with Roman numerals and matted dial centre, to the later eight day two train movement with heavy brass plates and turned pillars striking on a bell, contained in oak case with moulded scroll pediment and narrow plain turned pillars to hood, arched trunk door painted with floral ornament, the plinth base painted with young woman at an open window serving a gentleman, 52ins high (including finial Note: John Crucefix recorded as a Member of The Clockmakers Company 1712-1726
A 19th Century Scottish Mahogany Longcase Clock, by Liddall & Sons of Edinburgh, the 13ins cream painted dial with Roman numerals, and with subsidiary seconds and calendar dials, to the eight day two train movement striking on a gong, contained in figured mahogany case, with circular moulded hood with brass door, the trunk with fluted uprights and moulded panels, on bun feet, 78ins high
Der schadenfrohe SoldatNymphenburg, 20. Jh.Entwurf Franz Anton Bustelli um 1760. Auf blütenbesetztem Rocaillensockel an einenBaumstamm gelehnter und auf seinen Degen gestützter Geck. Porzellan mit farbiger Bemalungund Goldstaffage. Geprägter Rautenschild am Boden, Modellnummer "169 / 0". H. 21 cm. -Wenige Blätter bestoßen.Bayern, deutsches Porzellan, München, Porzellanfigur The gleeful soldierNymphenburg, 20th century.Design by Franz Anton Bustelli, c. 1760. A dude leaning on a tree trunk and leaning on hissword on a floral rocaille base. Porcelain with polychrome painting and gold decoration.Embossed lozenge shield on the base and on the bottom, model number ''169 / 0''. H. 21 cm. -A few leaves bumped. - Pendant to the ''Lady attacked by a dog''.

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66969 Los(e)/Seite