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A George III mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the silvered brass dial with moon phase and eight-day striking movement above the long trunk door flanked by fluted quarter columns and raised on bracket feet (see illustration). CONDITION REPORT: Height including finial 98.5 ins. This clock is in exceptionally good condition from the point of view of the case. It does not require any restoration as far as we can see. It has a very good colour and good patination. The door is not warped. The dial is in very good condition. The movement appears to be complete and is currently striking as it should. The clock is not currently ticking as the spring that holds the gong train barrel is detached. This is a very minor problem.
A George III longcase clock, with George I walnut case having a straight caddy top above a broken arched hood with blind fretted scrollwork frieze, the trunk with arched door and base each of finely figured veneer with herringbone banding, the whole of good quality with cross grain mouldings, the later striking movement being eight-day and with moon phase to the arch, silvered chapter ring and engraved centre with calendar aperture signed "Joseph Bell" within Rococo spandrels. Joseph Bell was probably of Burnhill Row, London, circa 1780. Sold with receipt dated April 1938 for £32. Height 92 ins (see illustration). CONDITION REPORT: The case is in generally good order. There are some small losses to the blind fretwork carving beneath the arch of the hood. The hood door is not warped. The side panels are in good clean condition. The trunk door is not warped and locks correctly. There are one or two small areas of veneer and moulding missing on the case but no significant losses. The base is in good order. The bottom plinth maybe later than rest of the case but is in keeping. We have had the clock ticking away and cannot see any issues with the movement. The overall colour of the case is good. The silvering on the dial is a little tired.
A fine George III longcase clock by Monkhouse of Carlisle, with swans neck pediment with ho-ho bird to centre above the arched glazed door enclosing the 12.5 inch arched silvered brass dial with moon phase to the arch, Roman numerals, subsidiary seconds dial and two-train striking movement flanked by fluted columns, the long trunk door being crossbanded and also flanked by fluted columns, the base with canted angles and raised on ogee bracket feet. Height 94.75 ins (see illustration).
A Regency Scottish mahogany longcase clock, by Bryson, Edinburgh, with circular hood, silvered brass dial, eight day striking movement, subsidiary date and seconds dials, long trunk door, reeded quarter columns and conforming base. Height including finial 87 ins (see illustration). CONDITION REPORT: This clock is in generally extremely good condition. The case is in very good order with only minor stress fractures to the veneer in places. None of this is lifting and the case does not require any cabinet work prior to sale or use. The only minor issue is the brass lock escutcheon on the long door is missing. The silvered brass dial is in generally good order. The clock is currently ticking away and we have both weights and pendulum. We have a key. The movement is of good quality and is currently ticking away and striking as it should. The trunk door is not warped.
A 19th century oak and mahogany banded longcase clock, by J. Smith, Keighley, thirty hour movement, the case with swans neck pediment, arched glazed door and raised on bracket feet. Height 98 ins. CONDITION REPORT: The clock case is in generally good order. There are one or two very minor veneer losses but no issues of any great significance. The trunk door is not warped and there are no substantial cracks to the case at all. The dial is generally very clean and the clock does tick when weight is applied to the chain. We have the weight and pendulum.
A Regency Scottish mahogany longcase clock, by Bryson, Edinburgh, with circular hood, silvered brass dial, eight day striking movement, subsidiary date and seconds dials, long trunk door, reeded quarter columns and conforming base. Height including finial 87 ins (see illustration). CONDITION REPORT: This clock is in generally extremely good condition. The case is in very good order with only minor stress fractures to the veneer in places. None of this is lifting and the case does not require any cabinet work prior to sale or use. The only minor issue is the brass lock escutcheon on the long door is missing. The silvered brass dial is in generally good order. The clock is currently ticking away and we have both weights and pendulum. We have a key. The movement is of good quality and is currently ticking away and striking as it should. The trunk door is not warped.
A 19th century oak and mahogany banded longcase clock, by J. Smith, Keighley, thirty hour movement, the case with swans neck pediment, arched glazed door and raised on bracket feet. Height 98 ins. CONDITION REPORT: The clock case is in generally good order. There are one or two very minor veneer losses but no issues of any great significance. The trunk door is not warped and there are no substantial cracks to the case at all. The dial is generally very clean and the clock does tick when weight is applied to the chain. We have the weight and pendulum.
A George III mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the silvered brass dial with moon phase and eight-day striking movement above the long trunk door flanked by fluted quarter columns and raised on bracket feet (see illustration). CONDITION REPORT: Height including finial 98.5 ins. This clock is in exceptionally good condition from the point of view of the case. It does not require any restoration as far as we can see. It has a very good colour and good patination. The door is not warped. The dial is in very good condition. The movement appears to be complete and is currently striking as it should. The clock is not currently ticking as the spring that holds the gong train barrel is detached. This is a very minor problem.
A George III longcase clock, with George I walnut case having a straight caddy top above a broken arched hood with blind fretted scrollwork frieze, the trunk with arched door and base each of finely figured veneer with herringbone banding, the whole of good quality with cross grain mouldings, the later striking movement being eight-day and with moon phase to the arch, silvered chapter ring and engraved centre with calendar aperture signed "Joseph Bell" within Rococo spandrels. Joseph Bell was probably of Burnhill Row, London, circa 1780. Sold with receipt dated April 1938 for £32. Height 92 ins (see illustration). CONDITION REPORT: The case is in generally good order. There are some small losses to the blind fretwork carving beneath the arch of the hood. The hood door is not warped. The side panels are in good clean condition. The trunk door is not warped and locks correctly. There are one or two small areas of veneer and moulding missing on the case but no significant losses. The base is in good order. The bottom plinth maybe later than rest of the case but is in keeping. We have had the clock ticking away and cannot see any issues with the movement. The overall colour of the case is good. The silvering on the dial is a little tired.
A TABLE SERVICE OF SILVER HANOVARIAN FLATWARE by Mappin & Webb, Sheffield 1902, comprising: eleven dessert spoons, eleven dessert forks, six soup spoons, six teaspoons, twelve dinner forks, and eight tablespoons, 3,349g (108 troy ozs) gross, with pair of matching electroplated sauce ladles, in a small wooden silver trunk having two lift out trays, flatware crested for John Kyrle Hankinson
An early 20th Century Bedside Lamp, the baluster shaped body adapted from a Chinese turquoise glaze ceramic lamp and with brass mounts, the lamp standing on ornate pierced brass stand with four elephant's head/trunk style feet, with shade, the vase and metal mounts (not including shade) approx. 35cm high
An 18th Century brass faced Longcase Clock Movement, the single hand within a 9" chapter ring signed Steward, Henly, the four pillar movement striking on a bell and the spandrels as cherubic figures holding aloft crowns, the movement within a later married case (oak hood with glazed door and late 18th Century style mahogany and satinwood crossbanded trunk, the door flanked by quadrant fluted pilasters), 187cm high
Geological Chinese Jade Carved Elephant20th century AD. A carved and polished elephant in translucent jade, retaining some of the brownish ‘rind’ as highlights, with custom-made stand. 224 grams,10cm including stand (4"). Ex Dr. Ronald Bonewitz collection. Extremely fine condition. Minor repair to tip of trunk.
Christophe Fratin, , a pair of patinated bronze four light candelabra Christophe Fratin, (French, 1801 - 1864), a pair of patinated bronze four light candelabra, mid 19th century, each with a raised candle socket clad with an oak wreath, on an acorn stem held aloft on a hind leg of a reclining bear, above three conforming sockets supported on its forelegs and the other rear leg, within the upper branches of a tree trunk stem, above further branches holding monkeys playing the flute, the triangle and castanets respectively, each stem with further branches half way down, supporting three seated monkeys cast with cymbals, a recorder and Pan pipes respectively, the bases of the trunk shafts each with three dancing bears, on circular bases cast as stylised foliage, each base stamped `FRATIN`, 58.5cm high Fratin was born in Metz, Moselle, the son of a taxidermist. He studied sculpture under Pioche in Metz, then moved to Paris to study under Théodore Géricault. He exhibited at the Paris Salon from 1831-1842 and 1850-1862, as well as at the Great Exhibition in London in 1851 Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City`s Central Park. Many of his small bronzes were sold commercially during his lifetime. Today, Fratin`s sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, and Nîmes; the Peabody Institute in Baltimore, Maryland; and the Georg Eisler archive in Vienna
Henry Watson, Blackburn, Lancashire, oak thirty hour longcase clock, circa 1760, the hood with moulded pediment over turned columns flanking a 12'' brass dial with silvered chapter ring, signed and with Roman numerals, engraved centre with date aperture, thirty hour movement striking on a bell, plain trunk and box base, height 207cm Please note our special conditions of sale regarding clocks and watches
Joseph Finney, Liverpool, mahogany eight day longcase clock, circa 1760, the hood with swan neck pediment and verre eglomise panels over fluted brass capped columns flanking a 13'' arched brass dial with signed silvered chapter ring, matted centre with engraved detail, subsidiary seconds, moon phase to the arch and inscribed 'On time's uncertain date eternal hours depend', mask spandrels, eight day movement striking on a bell (pendulum deficient), quality flame mahogany trunk with single door within reeded pilasters, over a canted box base with raised flame mahogany panel, raised on ogee bracket feet, height 240cm Please note our special conditions of sale regarding clocks and watches
Paul Price, Chester, mahogany eight day longcase clock, circa 1848-78, swan neck pediment over turned columns flanking a 13 1/2'' arched dial with moon phase, Roman numerals, subsidiary seconds and date dial, signed to the centre within painted spandrels representing the Four Seasons, eight day movement striking on a bell, Gothic arched door to the trunk within further turned pillars, raised on a crossbanded canted corner base with bracket feet, height 235cm Please note our special conditions of sale regarding clocks and watches
John Smith, Chester, oak cased eight day longcase clock, late 18th Century architectural pediment with gilt painted wooden finials over reeded columns flanking a 12 1/2'' brass dial with engraved silvered centre, signed, and with subsidiary seconds and date aperture, silvered chapter ring with Roman numerals, the movement striking on a bell, the trunk crossbanded and with reeded pilasters over a box base with raised panel, height 220cm Please note our special conditions of sale regarding clocks and watches
Grocott, Holywell, oak eight day longcase clock, early 19th Century, moulded canopy over reeded brass capped columns flanking a 12'' painted dial, centred with birds and with subsidiary seconds and date aperture, Roman numerals to the chapter ring, floral spandrels, eight day movement striking on a bell, the trunk with mahogany banded door within quarter reeded pilasters and box base with bracket feet, height 205cm Please note our special conditions of sale regarding clocks and watches
Prestidge, Towcester, oak cased thirty hour longcase clock, the movement late 18th Century, the later case with barleytwist columns flanking a silvered 9 1/2'' dial, signed and with a single hand, the movement striking on a bell, on a plain trunk with box base with raised panel, height 195cm Please note our special conditions of sale regarding clocks and watches
An early 20thC metal bound travel trunk, of rectangular form, entitled Schindeler, with exterior metal mounts and clasps hinging to reveal a part fitted interior, when closed 82cm wide x 53.5cm deep x 25cm high, together with another pressed leather travelling case of rectangular form also bearing the name Schindeler. (2)
Two Japanese lacquered wood panels, Meiji period, inlaid with bone and mother-of-pearl, one depicting two birds perched in a blossoming branch, the other of a man seated beneath a blossoming three with a snake climbing up the trunk, both within bamboo effect frames, approx 20.5cm x 25.5cm, and 24cm x 22cm.
AN OAK LONGCASE CLOCK signed Robert Skelton, Malton, the thirty hour movement with anchor escapement and outside countwheel striking on a bell, 12"" square brass dial with Roman and Arabic numerals, silvered centre with signature and calendar dial, the case with dentil moulded cornice on turned columns, dentil moulded throat moulding over arched door and canted trunk with fluted corners, panel base and bracket feet 79 1/2"" high (Illustrated)
Christophe Fratin, , a pair of patinated bronze four light candelabra Christophe Fratin, (French, 1801 - 1864), a pair of patinated bronze four light candelabra, mid 19th century, each with a raised candle socket clad with an oak wreath, on an acorn stem held aloft on a hind leg of a reclining bear, above three conforming sockets supported on its forelegs and the other rear leg, within the upper branches of a tree trunk stem, above further branches holding monkeys playing the flute, the triangle and castanets respectively, each stem with further branches half way down, supporting three seated monkeys cast with cymbals, a recorder and Pan pipes respectively, the bases of the trunk shafts each with three dancing bears, on circular bases cast as stylised foliage, each base stamped `FRATIN`, 58.5cm high Fratin was born in Metz, Moselle, the son of a taxidermist. He studied sculpture under Pioche in Metz, then moved to Paris to study under Théodore Géricault. He exhibited at the Paris Salon from 1831-1842 and 1850-1862, as well as at the Great Exhibition in London in 1851 Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City`s Central Park. Many of his small bronzes were sold commercially during his lifetime. Today, Fratin`s sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, and Nîmes; the Peabody Institute in Baltimore, Maryland; and the Georg Eisler archive in Vienna
19th Century oak longcase clock, Triggs Guildford, the hood with a swan neck pediment above a square glazed door, white painted dial with foliate polychrome painted spandrels. subsidiary seconds dial and date apperture, long trunk door and panel base, twin train movement striking on a bell, 210cm high
A bisque head and shoulder doll, impressed `10 SH 6`, with blonde wig, fixed brown eyes, painted eyebrows and lashes, pierced ears, open mouth showing upper teeth, and kid body with jointed composition arms, height approx 45cm (head cracked, damaged and lacking fingers), wearing a blue lace-edged dress, matching coat and hat, undergarments and leather shoes, together with a small collection of dolls` clothes, undergarments, hats and accessories, within a leather bound trunk, a black painted dome top trunk and a box.

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66972 Los(e)/Seite