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An early 19th Century mahogany longcase clock, having a broken swan neck pediment, flame mahogany veneered frieze and twin ring turned pilasters flanking painted arched dial (width 14 inches) signed 'Marshall, Halifax', the arch painted with a maiden holding basket of flowers, the dial having Roman numerals, subsidiary seconds and date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the trunk door with triple arch, flame mahogany veneers to a box base with crossbanding and raised on bracket feet, height 235cm
A George III Lancashire oak and mahogany banded longcase clock, the broken swan neck pediment with central eagle and ball brass finial, above a square glazed door, flanked by fluted columns, above a rectangular trunk door with indented corners and later glass lenticle, flanked by quarter fluted columns, on a chamfered box base and reduced bracket feet, the fourteen inch painted dial signed 'Halliwell Blackburn', with subsidiary seconds dial and date aperture, decorated with birds and flowers (some repainting), the restored twin train brass and steel movement with anchor escapement, 'Wilson' false plate, striking on a bell, cast with the name 'G. Ainsworth Warr', 216cm high From the estate of the late Miss Sheila and Miss Muriel Raeburn
A George III mahogany and brass mounted longcase clock, the arched cornice above an arched glazed door flanked to each side by a pair of stop fluted colulmns and fretted foliate pattern panels, the moulded and arched trunk door flanked by stop fluted chamfered corners, on a reduced panelled box base and later plinth, the associated twelve inch brass dial with subsidiary seconds dial, date aperture, turned winding holes and matted centre within a silvered chapter ring, with Roman hour numerals, signed 'Tho Cackett Cranbrook', and eagle and urn pattern spandrels, with a sunburst engraved silvered boss to the arch flanked by stylised dolphin mounts, the five pillar brass and steel movement with anchor escapement striking on a bell, with alterations to movement, together with a pair of brass cased lead weights, in need of a complete overhaul, 200cm high
A fine early 20th century mahogany miniature longcase clock, in George III style, retailed by Finnigans Ltd, Manchester, the broken swan neck pediment with central cone finial above an arched glazed door flanked to each side by a chamfered corner with acanthus corbal, above a faux arched trunk door with line inlay and a moulded box base with carved bell husk garland, the four inch engraved silvered dial with subsidiary fast stroke slow and chime/silent dials to the arch, the twin train German brass movement with lever platform escapement, striking the Westminster chimes on five gongs, 69.5cm high, together with a matching mahogany and line inlaid pedestal, the square top above chamfered corners with leaf carved corbals, the square tapering column set on a square stepped plinth, total height including clock 167.5cm high
An early 19th century mahogany longcase clock, possibly Scottish, the broken swan-neck pediment above an arched glazed door and an arched trunk door flanked by columns, on a panelled box base, the fourteen inch painted dial with subsidiary seconds dial and date aperture, painted with a Highland hunting scene to the arch, the twin train movement with anchor escapement, striking on a bell, 225cm high
A GEORGE III MAHOGANY LONGCASE CLOCK, the arched dial with plaque engraved "James Park, Kilmalcolm" flanked by dolphin spandrels, the silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, the centre with engraved and punched decoration, the eight day movement striking on a bell, the arched top hood with swan-neck pediment and central gilt metal eagle and ball ornament, the dial flanked by fluted columns, the trunk with shaped door and quarter recessed columns, 89" high.
A GEORGE III OAK CASED EIGHT DAY LONGCASE CLOCK, the brass dial signed "John Price of Chichester" with subsidiary seconds dial and date aperture, surrounded by rococo style engraved decoration, the chapter ring with Roman numerals and with pierced gilt metal spandrels, the eight day movement striking on a bell, the oak case with flat top hood, the dial flanked by turned columns, the trunk with rectangular door, 78" high.
A GEORGE III OAK LONGCASE CLOCK, the brass dial signed "George Steevens, Hindon", the chapter ring with Roman numerals and Arabic minutes, with pierced and cast spandrels, the 30 hour birdcage type movement striking on a bell, the arched top hood with turned columns, the trunk with rectangular door, 75" high.
AN 18TH CENTURY DUTCH WALNUT LONGCASE CLOCK by Paulus Bramer of Amsterdam, the silvered dial with Roman numerals and Arabic minutes with central moonphase, date aperture, seconds dial, alarm dial, figural month indicator and day indicator, the dial above a painted scene of women and children on a balcony, the arch top hood surmounted by three gilt and painted figures, the dial flanked by turned columns, the trunk with shaped door with pendulum window with gilt metal mount, on shaped base with scrolling canted feet, 110" high.
George III mahogany longcase clock, hood with swan neck pediment, turned columns flanking the glazed door enclosing arched 35cm painted enamelled dial with subsiduary seconds dial and date arch, marked William Ellis, Wrexham, trunk with crossbanded door flanked by reeded quarter columns, 228cm high.
A 19th Century American wall clock, the 8ins square painted metal dial inscribed 'Caledonian' with Roman numerals to the spring driven two train movement striking on a bell, complete with wooden pendulum with large brass bob, contained in rosewood case inlaid with chequered bandings and marquetry panels, with carved leaf and scroll cresting, flanked by turned finials, turned pillars to sides and shaped trunk base, 48ins high
A late 18th Century mahogany longcase clock by Robert Herbert of South Shields, the 13ins arched brass dial showing the phases of the moon to the arch, the wide chapter ring with Roman and Arabic numerals, the dial centre engraved with scroll work and sweep calendar dial to the eight day two train movement striking on a bell, contained in 19th Century figured mahogany case with narrow moulded cornice and turned pillars to hood, small trunk door with turned bead moulding, and astragal panelled plinth on bun feet, 83.5ins high
A late 18th Century mahogany longcase clock by George Clapham of Brigg, the 12ins arched painted dial with rose to arch within gilt scrolled spandrels, with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment, turned and reeded columns to hood with gilt brass Corinthian capitols, shaped trunk door inlaid with oval figured centre panel, on bracket feet, 83ins high
A 19TH-CENTURY GEORGE-III STYLE INLAID MAHOGANY LONG-CASE CHIMING CLOCK, the hood having a pagoda-shaped top with blind-fretted panel and three brass ball-and-spire finials, stop-fluted columns with brass inlay and capitals, the sides having scale-fretted brass panels and satinwood crossbanding, the trunk door with moulded edge and broken-arched top inlaid with boxwood and harewood neo-classical arabesques in the manner of Edwards and Roberts, within satinwood banding and ebony and boxwood stringing, the panelled base similarly inlaid with a large lobed shell, on moulded plinth with integral bracket feet, 254cm, (100in) high overall; the three-train movement, quarter-striking and chiming on eight bells, having a brass arched dial with matted centre and silvered chapter ring inscribed Richard Gibb, London, with Roman hour and arabic minute numerals, strike/silent dial to the arch and baroque-style crowned cherub-and-scroll and dolphin spandrels, with winding and case keys
A LONGCASE CLOCK by John Peatt, Crief, the eight day movement with arched silvered dial chased with foliage, secondary dials, in mahogany and string inlaid case with parquetry banding, scrolled pediment with finial on square columns, canted trunk with panel door, panel base and bracket feet, 83 1/2" high
A late 19th century Della-Robbia plaque, the relief decoration with children, some holding musical instruments, standing around a tree trunk, on a blue ground with ochre and coloured glaze. The reverse with painted ship mark and signed Rope/97. (Cracked and repaired). In a painted frame. 11 by 19ins.
Francesco Bienaime (Italian, 19th century), a white marble neo-classical statue, depicting a bacchante and putto by the trunk of an oak surmounted by the branch of a vine, a toppled wine ewer at her feet, signed 'Fsco Bienaime Scultore', the statue 127cm (50in) high, raised upon a Verde di Prato pedestal carved with lion mask and floral swags, standing a total 214cm (84in) high.
A Marquetry Longcase Clock (A/F) The 11 inch (28 cms) brass dial having a silvered chapter ring signed Edw. Stanton London with winged cherub head spandrels to the corners and ring turned winding holes to the matted centre. The hood having a flat moulded top above a pierced brass frieze of scrolling foliage enhanced with engraving, and integral barleytwist columns flanking the dial. The long trunk door and base panel intricately marquetried with birds perched amongst flowering foliage cascading from urns enhanced with penwork and contrasted against a dark background, with round edge moulding to the door and oval lenticle, 82½ ins (210 cms) in height.
A Mahogany Longcase Grand-daughter Clock, 58½ ins (149 cms) in height. The 6½ inch (16.5 cm) brass dial having a painted rocking boat in the arch above a silvered chapter ring encompassing an engraved centre of scrolling foliage and mounted with decorative face mask spandrels to the corners. The hood's moulded swan-neck pediment carved with rose blooms to the terminals and having turned finials either side above scrolling blind fret-carving with fluted side columns flanking the dial. The trunk having a band of blind fretwork above a long narrow lipmoulded door with shaped top, flanked by recessed fluted quarter columns above carved brick-work corner detailing, leading down to the moulded base with canted corners and ogee bracket feet.
Edwardian mahogany longcase clock, the hood with paterae decorated swan neck pediment and reeded pillars, the trunk with oval bevelled glass panel door, the arch shaped dial with two silvered subsidiary dials for chime/silent and Whittington/Westminster, mask head spandrels to the silvered dial, gilt Arabic numerals and silvered seconds dial - eight dial striking and chiming movement on nine tubes, 232cm high
AN EARLY 19TH CENTURY THIRTY HOUR OAK LONGCASE CLOCK, signed Thos. Lister, the 12in. square brass dial with Roman chapter ring, the centre chased with foliage, calendar aperture and moon phases, striking on a bell, the case with swan neck pediment, the arched trunk door flanked by quarter round columns over a plinth fielded panel, 88in. (223.5cms) high
A 19TH CENTURY MAHOGANY EIGHT-DAY LONGCASE CLOCK, signed B. R. Hennessy, Swansea, the circular 13in. (33cms) white dial with Roman numerals and seconds dial, the movement with deadbeat escapement and striking on a bell; the hood with a bracketed pediment mounted with later urn finials, the dial flanked by writhen pilasters, the trunk with string inlay, plain door over a deep plinth on bracket feet, 83in. (211cms) high

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66969 Los(e)/Seite