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A carved camphorwood domed topped trunk. 39" wide (100cm)

A painted pine domed top trunk

An Austro-Bohemian porcelain vase in the Dux style, naturalistically modelled as a tree trunk, a boy up a ladder passing fruit to a woman at the base, painted and gilt in a typical palette, 54cm high (repaired)

A highly unusual pine table base, imaginatively carved as the gnarly trunk of an oak tree sprouting leaves and acorns, having two separately carved birds attached to branches, the exposed sinuous roots resting on an asymmetric rocky base, the upper branches and trunk, flattened evenly to support a top, possibly glass (now missing), 72cm. high.

A 20TH CENTURY ROYAL DOULTON FLAMBE WARE ELEPHANT, standing on all fours with trunk raised, printed mark, approximately 5 1/4 ins high.

F. STRINGER, STOURBRIDGE, A VICTORIAN MAHOGANY CASED WALL CLOCK, with an octagonal top, arched trunk door, flanked by carved corbels, and later plinth base, the cream enamel dial supporting a twin train weight driven movement, approximately 63 ins high.

EDW. GARTREX, BIRMINGHAM, A GEORGIAN OAK CASED LONGCASE CLOCK, the basket top hood with square door flanked by spiral twist integral pillars, shaped top trunk door above a stepped base, the 11 ins square brass dial with ringed winding holes and a silvered chapter ring, supporting an eight day movement, approximately 86 ins high.

A GEORGIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the swan neck fret top hood, above a break arch door flanked by integral pillars with gilt metal corinthian capitals, long trunk door, raised on a plinth base with shaped bracket feet, fitted with a later three train spring driven movement and brass dial, approximately 83 1/2 ins high.

R. SUMMERHAYES, ILMINSTER, A GEORGIAN COUNTRY MADE OAK LONGCASE CLOCK, the shaped top hood with square door, flanked by turned pillars, long trunk door, stepped base and moulded surround, the cream enamel dial with gilt shell and leaf spandrel corners, supporting an eight day movement, approximately 77 1/2 ins high.

A George III oak and ebony strung cottage longcase clock, circa 1780, the broken scroll cornice foliate carved over an ogive moulding and square glazed door flanked by gilt brass capped pilasters enclosing an 11" brass dial with matted centre and silvered chapter ring, roman numerals, pierced cherub mask spandrels and date aperture, and marked Thos Reynolds, Oxon eight day movement striking on a bell over an ogive moulding and presentation plaque dated June 1898 and full-length foliate carved trunk door, ogive moulding, panel base and raised on a plinth 76" high

An oak cottage longcase clock, 18th century, the moulded ogive cornice above a glazed square door flanked by gilt brass capped pilasters enclosing a 10" brass dial with roman numerals and mask spandrels and marked Gilkes Adderbury, 30 hour movement striking on a bell above a rectangular three quarter length trunk door over a panel moulding and ogive border, planked base board raised on a shaped apron and bracket feet 78" high

An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door flanked by turned pilasters and enclosing a 12.5" square brass dial with roman numerals, date aperture, subsidiary seconds dial and matted centre marked Bullock, Ellesmere, cherub mask spandrels, eight day movement striking on a bell above a rectangular trunk door revealing a paper label inscribed 'John Lloyd no 20 anno 1768' over an ogive moulding and base board raised on a plinth, distressed, the door a conversion from a rising hood, 77" high

An oak and mahogany crossbanded and ebony strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above a chevron strung frieze over an arched glazed door flanked by turned split balusters enclosing a 14" white painted enamel dial with roman numerals, subsidiary seconds hand and date dial marked T Cox Tipton, moon phase in the arch, and painted with ladies representing the seasons, 8 day movement striking on a bell above a boxwood inlaid frieze and triple pointed arch top, three quarter length trunk door lozenge inlaid, flanked by split balusters over a short panel and ogive moulding and further inlaid base board raised on a plinth 96" high

An oak cottage longcase clock mid 18th century, with restorations, the ogive cornice above a crossbanded square glazed door enclosing a 12" square brass dial with roman numerals subsidiary seconds dial and date aperture and foliate engraved centre and inscribed Ratcliffe Welshpool, 8 day movement striking on a bell between gilt capped Doric turned pilasters above a shaped top, bevelled trunk door, ogive moulding and base board and raised on shaped bracket feet, new back 76.5" high

A 19th century chestnut rectangular dough bin of small proportions, carved from a trunk with flattened ends, 72.5cm wide (28 1/2in)

A pine low ovoid vessel carved from the trunk of a tree with a handle, 85 long x 47cm wide (33 1/2x 18 1/2in)

A LARGE 19TH CENTURY CAMPHOR WOOD AND BRASS BOUND TRAVELLING TRUNK, 38" across

A MAHOGANY RECTANGULAR COFFEE TABLE and a pine trunk

William Fenton, Newcastle, George III mahogany longcase clock with moulded dentil cornice, the arched face with moon phase and cast gilt foliate and c-scroll spandrels, silvered chapter ring, subsidiary seconds dial, silvered face, eight day movement, the arched door flanked by turned columns, the trunk with moulded edge arched door flanked by canted blind fret corners, the base raised on later ogee bracket feet.

Walnut longcase clock, domed top, circular dial, chromium plate arabic numerals, the trunk with glazed door, triple chain movement with weights and pendulum.

A pair of Royal Worcester figures, by James Hadley modelled as a boy and girl carrying a basket beside a tree trunk, each painted green, pink, blue and picked out in gilt, printed marks, shape No.1388, date code for 1890, 28cm (11") (one damaged)

A low garden table, carved from a tree trunk the two end supports of rounded form, pierced with a diamond shape, 53 high x 144cm long (21 x 56 3/4in)

An oak and mahogany clock dresser, early 19th century, the moulded ogive cornice with arched centre section over a circular glazed door enclosing a 17" white painted enamel dial, restored 1984 by G W Bliss, roman numerals, eight day movement striking on a bell above a trunk door inlaid with a harewood and boxwood conche shell motif and musical trophy, the breakfront centre section flanked by panel cupboard doors centred by oval motifs of Britannia on the Lion and classical urns between ebony strung three quater round columns and panelled ends, the base centred by two short oak and mahogany crossbanded drawers above two panel cupboard doors centred by oval classical urn motifs enclosing small shelves and a recess and flanked by eight graduated short drawers with ivory kite shaped escutcheons and Victorian turned ebonised handles between reeded half columns and on plinth base, moulding losses, 84 in (213.36 cm) wide, 20.5 in (52.07 cm) deep, 88 in (223.52 cm) high

An oak and mahogany crossbanded longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by inlaid reeded pilasters enclosing a 13" white painted arched enamel dial marked Ed Jones, Holywell with roman numerals, subsidiary seconds dial and dated dial, rolling moon phase in the arch, the corners painted with rustic cottages, eight day movement striking on a bell, now lacking, above an ogive moulding and bevelled lozenge centred short trunk door with three pointed ogee arches to the top flanked by reeded quarter pilasters over a raised panel ogive moulding and raised base board, distressed, 89 in (226.06 cm) high

A George III oak and mahogany crossbanded cottage longcase clock, early 19th century, the ogive cornice above a harewood and mahogany inlaid frieze over a square glazed trunk door flanked by fluted brass capped pilasters enclosing a 12" square enamel dial, later painted with roman numerals date aperture and marked H Banister, Lichfield 30 hour movement striking on a bell, bell lacking, above a trunk door with concave top corners flanked by fluted quarter pilasters over an ogive moulding and raised base board and on later plinth, distressed, 79 in (200.66 cm) high

A Regency mahogany longcase clock, early 19th century, the canted architectural pediment above a glazed door and 12" square silvered dial with roman numerals, subsidiary seconds dial and marked Whitehurst & Son Derby, 8 day movement striking on a bell, the back of the dial inscribed 1818, above a bevelled arched top full length trunk door between canted angles over an ogive moulding and ribbed base board and plinth on flat block feet, the hood with side apertures re-lined, 82 in (208.28 cm) high

A mahogany and inlaid longcase clock, second quarter 19th century, the arched and carved top over a shaped arched glazed door flanked by mirrored baluster brass capped pilasters and enclosing a 13" arched enamel dial with roman numerals, subsidiary seconds dial and date aperture, painted with rustic scenes in the arch and to the corners, eight day movement striking on a bell over an ogive moulding and chequer strung square top short trunk door, flanked by foliate carved brass capped quarter pilasters over a further ogive moulding and chequer strung baseboard and on bracket feet, restorations, 84.5 in (214.63 cm) high

A George III oak and mahogany crossbanded cottage longcase clock, late 18th century, the caddy top above an ogive cornice and blind fret carved frieze over a square glazed door flanked by turned pilasters enclosing an 11" square brass dial marked Sam Harley, Salop with roman numerals, date aperture and figural spandrels, representing the seasons, 30 hour movement striking on a bell over an ogive moulding and full length crossbanded trunk door with shaped top over a further moulding and baseboard, distressed, 80 in (203.2 cm) high

An oak and mahogany crossbanded longcase clock, 19th century, the arched lozenge inlaid top above a square glazed door enclosing an 182 circular white painted enamel dial marked Giles, Oswestry, roman numerals, subsidiary seconds dial, inscribed "Restored 1984 W Bliss", 8 day movement striking on a bell over an arched top and lozenge inlaid trunk door, cushion moulding and lozenge inlaid base board raised on shaped barcket feet, restored, 89 in (226.06 cm) high

A George III mahogany longcase clock, and associated later movement, the hood with gilt brass pierced foliate cresting and stop fluted brass capped pilasters, lacking door, the 12" Victorian brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and strike, silent dial in the arch, pierced foliate brass spandrels and marked William & James Miller, Lombard Street, London on a plaque over the date aperture, with a two tune quarter chiming three train eight day movement, also Victorian, over a bevelled arched figured mahogany trunk door flanked by stop fluted brass capped quarter pilasters over an ogive moulding and raised panel base board and on plinth and later block feet, lacking hood door, 93 in (236.22 cm) high

A George III oak mahogany crossbanded and boxwood strung cottage longcase clock, circa 1800, the broken scroll swan neck pediment with three eagle and ball brass finials over a square glazed door flanked by brass capped pilasters enclosing a later painted 12.5" enamel dial with Roman numerals and date aperture and marked C Blakeway, Albrighton, gilt foliate and blue painted corners, 30 hour movement striking on a bell above a rectangular trunk door inlaid with an ogee arch over an ogive moulding and crossbanded base board and plinth base, cut down, 82 in (208.28 cm) high

A Regency mahogany and ebony strung longcase clock, Scottish or North country, circa 1810, the broken scroll swan neck pediment above a round glazed door flanked by fluted corinthian columns enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date dial, eight day movement striking on a bell, above a rectangular trunk door between canted angles and over an ogive moulding and crossbanded base board raised on a later plinth, 85 in (215.9 cm) high

A mahogany longcase clock, early 19th century, the arched glazed hood with shaped cresting and flanked by fluted brass capped pilasters enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked Thomas, Ilfracombe, the arch painted with a view of Raby Castle, the corners painted with castle ruins, eight day movement striking on a bell above a three quarter length crossbanded trunk door between canted angles and over an ogive moulding, the crossbanded figured base board raised on shaped bracket feet, distressed, 86 in (218.44 cm) high

An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door with brickwork border, within turned pilasters and enclosing a 9.75" square brass dial with Roman numerals and engraved to the centre with an asiatic bird and arch, and marked Sam Vale Coventry, pierced urn and flower finials, 30 hour movement striking on a bell above a bevelled arch top trunk door and ogive and cushion moulding over a planked base board and on plinth base, distressed, 75.5 in (191.77 cm) high

A longcase clock movement, 18th century, the 12" brass dial, with silvered chapter ring, Roman numerals, moon phase and date apertures, foliate engraved matted centre, the chapter ring marked Warmingham Ashton, pierced foliate spandrels, 8 day movement striking on a bell contained in a later carved oak case, the trunk door carved with a Roman Emperor within foliate borders, the sides and base board with similar foliate carving, distressed, 85 in (215.9 cm) high

A 19TH CENTURY STAFFORDSHIRE SPILL VASE, in the form of two swans and a signet in front of a tree trunk, on a bocage encrusted base, 5.25" high

George III provincial oak longcase clock, eight day movement with brass 10.5in (26.67cm) square dial, signed 'John Owen Llanrwst', engraved acid etched centre with subsidiary seconds, cast floral scrolled spandrels, the hood with architectural pediment and turned parcel gilt columns, the trunk with a shaped door within reeded quarter pilasters over a box base with shaped panel raised on ogee bracket feet (reduced in height and with restorations), 80 in (203.2 cm) high

J.D. BRIGHT, SAXMUNDHAM, A GEORGIAN OAK CASED LONGCASE CLOCK, the floral painted square dial supporting a 30 hour movement, the hood surmounted by a swan neck crest, long trunk door, stepped base and plinth, approximately 74.75 ins high.

An oak longcase clock, with ogive cornice and arched frieze above a square ormolu mounted glazed door flanked by brass capped pilasters enclosing a 9.5 inch brass dial with silvered chapter ring and Roman numerals marked Morgan Hereford, crown and cherub pierced spandrels, 30 hour movement striking on a bell above a full length arched top trunk door with lenticle over an ogive moulding, rectangular plain base board and separate plinth and on octagonal bun feet, 84 in (213.36 cm) high

A mahogany and inlaid longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by turned half balusters enclosing a 14 inch painted arched enamel dial with Roman numerals, subsidiary seconds hand and date dial and marked Jaz Burroughs Ironbridge, painted with a child and dog in the arch, 8 day movement striking on a bell above a triple pointed arch top crossbanded three quarter length trunk door flanked by half pilasters over a rosewood panel, ogive moulding and crossbanded base board on later bracket feet, 89 in (226.06 cm) high

A George III oak cottage longcase clock, late 18th century, the broken architectural dentil moulded pediment with three brass ball and spire finials above a crossbanded square glazed door flanked by brass capped pilasters and enclosing an 11 inch white painted enamelled dial with Roman numerals, subsidiary seconds dial and date aperture, florally painted corners, 30 hour movement striking on a bell above a three quarter length crossbanded bevelled trunk door, ogive moulding and plain crossbanded base board and plinth, 81 in (205.74 cm) high

A 19th Century Staffordshire spill vase in the form of 2 children, in cobalt blue jackets flanking a vine moulded tree trunk, a spaniel at his feet, 13 in (33.02 cm) high

A CHINOISERIE LACQUERED LONGCASE CLOCK, early 18th century, the moulded cornice painted with flowers above a square glazed door applied with two three-quarter pilasters enclosing an associated 11 inch square brass dial with silvered chapter ring and Roman numerals and marked 'J Wright, Warwick', pierced mask spandrels, eight day movement striking on a bell, glazed side panels above a full length trunk door with raised edge moulding and lacquered with a Chinese fisherman and tea houses and willow against a brown ground, over a further moulding and on later plinth, (cut-down, distressed), 77 in (195.58 cm) high

A 19th Century Staffordshire spill vase, in the form of an elephant standing in front of a tree trunk, on a naturalistically painted oval base, 6.5 in (16.51 cm) high

An early 20th Century Dresden comport, the double handled bowl with pierced and flower encrusted sides, the support in the form of a tree trunk with a country girl and boy to the front, at fault, 13.5 in (34.29 cm) high

A Victorian stripped pine copper and metal bound cabin trunk

George III inlaid mahogany stick barometer, Circa 1790-1810, by Nixon, Newcastle, broken architectural pediment over a brass calibrated scale behind a hinged glazed door, the trunk with boxwood and ebony chequered stringing within a moulded border extending the length of the trunk and surround the cistern cover, being of flattened dome shape, 38 in (96.52 cm) long

Oak and mahogany crossbanded longcase clock, early 19th Century, square hood surmounted with a broken scroll swan neck pediment over a square door enclosing a 12 in white painted enamel dial with Roman numerals and date aperture, marked 'T Edward, Corwen' and painted with a bird and flowers to the centre and flowers to each spandrel, 30 hour movement striking on a bell, the hood with inlaid square pilasters above a shaped top, three quarter length crossbanded trunk door with shield and eagle escutcheon over a crossbanded tablet, between mahogany and ebony strung columns, the base board crossbanded and raised on a shaped apron and squat feet (damaged and incomplete), 86 in (218.44 cm) high

Oak longcase clock, early 19th Century, broken architectural pediment over a 12 in. painted dial with Roman numerals, signed 'Owen, Llanwrst', with date aperture and subsidiary seconds dial (hands deficient), floral painted spandrels, eight day movement striking on a bell, the trunk with quarter pilasters, shaped door with brass escutcheon raised on a box base with canted corners and a raised shaped panel, ogee bracket feet (in need of restoration), 88 in (223.52 cm) high

A JAPANESE CARVED IVORY AND INLAID OKIMONO OF AN ELEPHANT ON STAND, 19th century, signed Shibayama, the elephant inlaid with coral and mother of pearl jewels on a conforming rectangular base and galleried plinth and on four elephant's trunk bracket feet, mother of pearl inlaid tablet to base, 2 in (5.08 cm) long, 2.5 in (6.35 cm) high

Edward Thompson, Ellesmere, an early 19th century oak and mahogany crossbanded longcase clock, the moulded swan neck pediment above an arched glazed door, reeded pallisters shaped top trunk door, flanked by reeded angles, the arched painted dial with rolling moon phase and figures of the seasons to the spandrels with a twin train movement, 87 in (220.98 cm) high

AN OAK COTTAGE LONGCASE CLOCK, early 19th century, the square hood surmounted by a broken architectural pediment and three gilt brass ball and spire finials above a blind fret carved frieze and reeded pilasters flanking a glazed square door enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date dial, and marked 'Griffiths, LLan-?', florally painted corners, eight day movement striking on a bell above an ogee arched top trunk door flanked by fluted quarter pilasters over a cushion moulding, the base board applied with an ogee arched panel between canted corners and raised on shaped bracket feet, (distressed), 83 in (210.82 cm) high

AN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, second quarter 19th century, the arched glazed hood surmounted by a broken scroll swan neck pediment and flanked by turned pilasters enclosing a 14" painted enamel dial marked 'F E Last, Abergavenny', Roman numerals, subsidiary seconds dial and date aperture and painted with a farm girl and dog in the arch and rustic housing to each corner, eight day movement striking on a bell above a plain frieze and ogee arched top, three quarter length trunk door centred by a lozenge between canted corners over a further mahogany panel and double moulding, the base board centred by a lozenge moulding and raised on a separate shaped plinth, (moulding losses, incomplete), 93 in (236.22 cm) high

A GEORGE III OAK LONGCASE CLOCK, late 18th century, the arched hood surmounted by three gilt brass ball and spire finials and centred by a boxwood and harewood oval vase of flowers motif above an arched glazed door flanked by fluted pilasters and enclosing a later painted 12" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked 'B Wallace, Lowestoft', classical gilt scrollwork to the arch and corners, eight day movement striking on a bell above an arched top full length trunk door and concave moulding, (the base board reduced in height and on later shaped plinth)

A SCOTTISH MAHOGANY LONGCASE CLOCK, first half 19th century, the broken scroll and canted pediment above an arched glazed door enclosing a 13" painted enamel dial with Roman numers, subsidiary seconds dial and date dial, and marked 'Hutchinson Airdrie', the arch painted with a portrait medallion of Robert Burns, the corners painted with figures emblematic of Scotland, England, Ireland and Wales, eight day movement striking on a bell, above a three quarter length trunk door flanked by quarter columns over a canted moulding and crossbanded base board raised on shaped bracket feet, (movement detached), 91 in (231.14 cm) high

A GEORGE III OAK AND MAHOGANY CROSSBANDED COTTAGE LONGCASE CLOCK, late 18th/early 19th century, the broken swan neck pediment centred by a ball and spire finial and stamped brass terminals above a pair of brass capped fluted pilasters flanking a crossbanded square glazed door enclosing a 12" white painted dial marked 'John Webster, Salop', Arabic numerals, date aperture painted with a bird to the centre and fan motifs to the corners, thirty hour movement striking on a bell, above a three quarter length crossbanded trunk door over a cushion moulding and base board, and raised on a later shaped plinth, (distressed), 81 in (205.74 cm) high

AN EARLY VICTORIAN MAHOGANY CASED TRUNK DIAL WALL CLOCK, circa 1845, the 12" white enamel dial with Roman numerals and marked 'D Goodman, Ponypridd', with brass bevelled glazed door and bevelled edge above a trunk applied with reeded fan brackets and inset with a glazed shaped pendulum window, double fusee movement striking on a bell, 21 in (53.34 cm) high overall

A GEORGE III OAK AND MAHOGANY CROSSBANDED COTTAGE LONGCASE CLOCK, early 19th century, the square hood surmounted by a stepped cornice and with reeded pilasters flanking a crossbanded door enclosing an associated 12" white painted enamel dial with Arabic numerals, subsidiary seconds dial and date aperture marked 'Robert Garrard, Bury St Edmonds', painted with baskets of flowers to each corner above a shaped top full length crossbanded trunk door flanked by fluted quarter pilasters over a bevelled moulding and raised base board with concave corners between canted angles on plinth base, eight day movement striking on a bell, (distressed), 78.5 in (199.39 cm) high

A GEORGE III MAHOGANY LONGCASE CLOCK, late 18th century, the broken scroll swan neck pediment centred by an eagle and ball finial, the scrolls terminating in applied gilt brass paterae above a square glazed door flanked by turned brass capped pilasters enclosing an 11" square brass dial with Roman numerals and date aperture, and marked 'Thomas Shepherd, Wotton under Edge', engraved with flowers to the centre and corners, thirty hour movement striking on a bell, above a rectangular full length trunk door and ogive moulding, over a plain base and raised on shaped bracket feet, (base board cracked, moulding losses), 82 in (208.28 cm) high

A MAHOGANY AND CHEQUER STRUNG STICK BAROMETER, early 19th century, by Molton, Norwich, the architectural pediment centred by a gilt brass finial above a rectangular glazed door enclosing a brass verniere scale graduated from 27 to 31 and thermometer from 100 (blood heat) to 20 (below freezing), chequer strung mahogany veneered trunk and circular dished cistern cover (restorations), 39 in (99.06 cm) high