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Preisdatenbank abonnierenSCULPTURE OF AN OWL IN FLIGHT its wings outstretched, supported by a tree trunk on a shaped base, by Bruce Weir, blacksmith/artist, in 1975, constructed of braising rods. The artist was based in Jedburgh in the Scottish borders, and lately at The Phoenix Forge, Bonnyrigg, Scotland, wingspan 96cm x 82cm high
A collection of furniture comprising a black painted tin trunk, an open oak slim bookcase, a spinning wheel frame, an oak drop-leaf occasional table, a gallows style standard lamp, a further standard lamp, a book table, three occasional tables, a small string top stool, magazine rack, bathroom cabinet, mirror and book table CONDITION REPORTS Spinning wheel - various chips, cracks and losses throughout, white paint splattered marks, wheel does not run freely and hits one of the supports, the whole frame probably needs attention. Various splits, cracks, chips etc throughout. One foot certainly needs attention general signs of wear and tear throughout. Remaining items - various chips, scratches etc - see images
A vintage wood-bound canvas cabin trunk bearing luggage labels, straps and inside compartment , leather handles on the side, painted Chirnstae on the top size 54 x 92 x 47 cm together with a Pendragon black leather vintage suitcase with stickers tartan interior and inside compartment and straps 41 x 62 x 16 cm
An oak longcase clock, the eight day five pillar movement with an inside countwheel striking on a bell, with a silvered chapter ring with Roman and Arabic numerals, signed 'Wm Speakman in Old Street', with an engraved matted centre with subsidiary seconds dial and date aperture, with cast cherub and crown spandrels and herringbone edging to the dial, the hood with a raised top and fluted columns, the later case has been long associated with the dial and is applied with an unusual bone dial indicating the days of the week, the inside of the trunk door with an interesting old label relating to a previous owner Harry Spencer Andrew Foy, 219.4cm high. William Speakman was apprenticed to Peter Closon and was made Master of the Clockmaker's Company in 1701.
A George V leather artist's travelling paint case by Brachers, the hinged top revealing a set of five concertina action metal trays, with a leather label inscribed 'Brachers BAG, TRUNK AND SAMPLE CASE MANUFACTURERS, BRISTOL & CARDIFF', the exterior with brass locks, a leather strap handle and stamped 'PATENT NO. 175202', with further Brachers stamps, 22.5cm high, 36.2cm wide, 16cm deep. The application for the Patent was made on the 14th March 1921 and was accepted on the 16th February 1922. A copy of the Patent specification is included with this lot.
λ An Indian rosewood occasional table, the circular top carved with bands of scrolling foliage and with a central rondel with a god and two elephants, on elephant head and trunk legs with bone tusks, 62.3cm high, 61cm diameter, together with a smaller example, early to mid 20th century. (2)
A blue strap bound trunk (width 93cm), taken by the vendor on a trip from Liverpool to Montreal in August 1959 on board the Cunard Line ship 'Sylvania' and on her return journey on the Canadian Pacific Line ship 'Empress of Britain' in September 1959, sold with a quantity of related ephemera from the Sylvania to include luggage labels, a Gala Dinner menu, a programme of on-board events and ephemera from the Empress of Britain to include a Gala Night menu, a passenger list and a copy of 'The Empress News'.
A pair of 9ct gold cufflinks, having square fronts, with a textured finish and with folding bar fittings to the backs, London 1966, cased, another pair of 9ct gold cufflinks, two further pairs of cufflinks, one odd cufflink and four further items, with three further boxes and cases, also a brass mounted miniature domed trunk, combined gross weight 14 gms, (qty).
Henry Yeomans, Nottingham, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Roman hour numerals, five-minute Arabic outer numerals, a subsidiary seconds dial, date aperture, with a depiction of the four-seasons painted to each corner, a rural scene painted within the arch depicting a shepherd resting with his sheep and signed to the centre with the maker's name H. Yeomans, Nottingham, with decorative brass hands, the mahogany case with inlaid stringing and cross-banding to the base and trunk, canted corners and a shaped top to the trunk door, the hood with further inlaid stringing, turned columns with brass capitals and a swan-neck pediment with brass paterae and a ball-and-spire finial to the centre, standing on bracket feet, height 227cm, including finial. * Biography Henry Yeomans is recorded as a clock and watch maker, silversmith and jeweller working at various addresses in Clumber Street, Nottingham; number 19 in 1825, number 27 in 1853 and number 15 from 1864.
John Lee, London, a lacquered longcase clock: the eight-day duration, five-pillar movement (fifth pillar missing) striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the matted centre with a subsidiary seconds dial, date aperture and silvered plaque engraved with the maker's name John Lee, London, with cast-brass female and c-scroll spandrels to the four corners, and a strike/silent dial within the arch with cast-brass dolphin spandrels either side, with blued steel hands, the green lacquered case with raised chinoiserie decoration, the hood having a pagoda top with ball-and-spire finials to either side, a brass eagle-and-ball finial to the centre and three-quarter columns with cast brass capitals, the trunk with typical Oriental scenes to the break-arch door, the base with further decoration and standing on replaced bracket feet, height 243cm (not inc. finial) * Biography There were various makers named John Lee working in London at this time, with the most likely maker of this clock being either a John Lee who was apprenticed in 1719, becoming free of the Clockmakers Company in 1737 or another apprenticed in 1734 becoming free of the Clockmakers Company in 1745. * Provenance: Kingsnympton Park, Devon.
Thomas Haley, London a mahogany long case clock: the eight-day day duration, five-pillar movement striking the hours on a bell, the brass twelve-inch break-arch having a raised silvered chapter ring engraved with black Roman hour numerals, outer Arabic five-minute markings and signed Thomas Haley, London, with cast-brass c-scroll spandrels to the four corners and a matted centre with date aperture, the arch having further cast-brass spandrels and 'strike/silent' dial, the mahogany case with satinwood stringing to the door, base, trunk and hood, with satinwood crossbanding to the trunk door and panelled base, the pagoda topped hood having fluted pillars with cast-brass capitals, with brass bound weights, height 234cm. * Biography Thomas Haley is quite possibly the maker who started his working life in North Walsham (Norfolk) leaving in 1742 to work in Norwich and then on to London after 1746 where he was known at Cold Field Baths in circa 1753 before moving to Oxford Street in circa 1781.
Peter Bower, Redlynch, an oak longcase clock: the associated thirty-hour birdcage movement striking on a bell, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed either side of VI o'clock Peter Bower, Redlynch, with cast-brass c-scroll and shell corner spandrels, the dial centre engraved with a depiction of a castle flying a flag, with a steel single hand and date aperture, the oak flat-topped case having a long trunk door, plain base and tapered three-quarter columns to the hood with wood capitals, height 213cm. * Biography Peter Bower is recorded as a fine and prolific maker working in the West-country from circa 1710.
A 19th Century oak and mahogany longcase clock by Robert Joyce & Sons of Ruthin, the 13ins square painted dial with Roman numerals, subsidiary seconds dial and date aperture, the spandrels decorated with flowers to the eight day two train movement striking on a bell, contained, in oak and figured mahogany case with scroll pediment and triple cluster columns to hood, shaped and crossbanded trunk door flanked by moulded columns, the base with raised astragal panel and on bracket feet, 87ins high Note : Robert G. Joyce recorded working Ruthin 1856-1887
An 18th Century mahogany longcase clock by Thomas and John de la Houilliere of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in mahogany case, the hood with deep moulded cornice above fretted frieze and with turned, fluted and brass stopped columns, shaped figured trunk door flanked by quarter fluted and brass stopped columns, the base with raise astragal centre panel with conforming columns, on double plinth base, 93ins high Note : Thomas de la Houilliere recorded working London before 1725
An 18th Century mahogany longcase clock by James Brogden of London, with 12ins arched brass dial, silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, matted centre dial engraved with birds and leaf scroll ornament, the eight day two train five pillar movement now striking on a gong, contained in mahogany case, with swept cresting, arched and moulded cornice and turned fluted and brass stopped columns to hood, shaped trunk door and plinth with raised centre panel and double plinth base, 94ins high Note: James Brogden recorded working in London, 1770-1799
An early George III mahogany longcase clock by Thomas Cackett of Cranbrook, the 12ins arched brass dial wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in mahogany case, with shaped cresting, above arched and moulded cornice, turned and fluted pillars to hood, shaped trunk doors, and on bracket feet, 88ins high, (included brass finials) Note: Thomas Cackett recorded working in Cranbrook in 1748, retired 1774
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