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66969 Los(e)/Seite
Los 95
A rare German grey burlap jointed elephant circa 1907, possibly Strunz or similar to Steiff with black boot button eyes, white felt tusks, swivel head, jointed limbs with black stitched toes, tail, inoperative growler and white and blue striped shirt --12in. (30.5cm.) height seated (heavily darned around top of trunk, pile worn and slight repairs around neck)
Los 491
Doll's clothes and accessories, a dark brown and red corset with lace trim --7 ½in. (19cm.) waist; a small pair of size 2 bronzed leather heeled shoes (one heel missing); a pair of blue painted wooden clogs; other shoes, mainly singles (damages); a black doll's trunk (damaged); doll's clothes including a baby gown, a white work cape, two blouses and underclothes; a child's embroidered cape; three original studio photographs of Edith de Wolf as a toddler and a studded document trunk with a calling card for Mr Charles E De Wolf pinned to the lid
Los 489
An early J D Kestner closed mouth child doll, impressed 10 with blue glass sleeping eyes, waxed eye lids, square cheeked, closed mouth with slight smile, original blonde mohair wig, jointed composition body with loose ball joints at shoulders and hips, original white bonnet trimmed with pink ribbon, gold brocade and artificial ivy leaves, dressed as a baby with a lace trimmed bonnet, two addition sun bonnets and a few extra pieces of clothing --14in. (35.5cm.) high; a domed doll's trunk with lift out tray; a lidded basket; and four original studio photographs, two of Edith de Wolf holding this doll in April 1886; an older Edith holding a larger doll and anther of her in 1884
Los 5
Follower of Jan Brueghel the Younger The Garden of Eden, with the Fall of ManOil on copper 29 x 36cm (11¼ x 14 in.)Provenance:Sale, Sotheby's, 1950sThomas Agnews & Sons, Ltd., London (stock no. 2510)Private Collection, Nigel Warren, purchased from the above on 24 November 1958Thence by descent to the Estate of Christopher and Rosemary Warren The Garden of Eden or sometimes titled, Paradise Landscape, can be analysed as a catalogue of exotic animals or a miniature encyclopaedia. Jan Brueghel was the pioneer of the paradise landscape which was to become a popular subject matter that was copied throughout the 17th century right up to the present day. Most notable of Brueghel's followers was Roelant Savery (Dutch 1576-1639). What shaped the Breughel artistic dynasty was their dedication to the observation of rare species and specimens from life. Jan Brueghel lived in Antwerp inspired by exotica on display at the port of Antwerp. His position as painter to the Archdukes granted him access to their zoological menageries. It is recorded that the Archduke purchased a toucan in 1615 after which the bird began appearing in the work of Jan Brueghel. Individual aspects are closely observed to life and yet the scene is completely fantastical, requiring an acceptance that all God's creatures can appear in one place side by side. In the far distance are two figures which represent Adam and Eve and their disobedience. When the couple are said to have eaten the forbidden fruit of the tree of knowledge of good and evil God punished the couple by evicting them from the Garden of Eden. The present lot is an accomplished example of the Garden of Eden with the Fall of Man and has remained in private collection since 1958. Condition Report: The copper panel is slightly uneven, but is providing good support. There are several minor dents and abrasions to the edges and the lower left corner is missing, but these very minor defects are not visible under the frame edges. There are fine surface cracks, but the paint layer appears to be stable and in excellent original condition. Under ultra-violet light there is a small spot of inpainting in the centre of the lower edge (approx 2mm square) and possibly some earlier restoration along that edge and in very small spots on the tree trunk, but these are not visible to the naked eye. It has a thick layer of uneven and discoloured varnish and surface dirt and would benefit from a light clean. It is presented in an 18th Century English, carved and gilded frame which has minor abrasions to the edges. Condition Report Disclaimer
Los 434
Mid-19th century burr oak chiffonier with gallery over mirrored back, crossbanded moulded rectangular top over frieze drawer, panelled doors, and raised on a plinth base, 86cm wide, 100cm high, and 50cm deep.Engraved 'B1781 Doctor Thomas Menzies CMD 1832 to his dtrs Margaret & Ann, to their nephew Sir David Menzies, 9th Bar.'CONDITION REPORT: The central glass plate is unattached and mottled. The beading is lacking to the left and right sides on the gallery and trunk. Dents to the moulding. Veneer lacking to the base. Frieze drawer is lacking handles and veneer around left handle socket. Gallery is loose. Rich colour with some fading and paint spots. Well used. Shelf depth 38cm.
Los 401
19th century eight day longcase clock by William Scott, Thornhill, with swan neck pediment over arched, painted face depicting the four seasons, Roman numerals, subsidiary date and seconds dials, flanked by Doric columns, trunk door, columns, raised on plinth base, bracket feet, anchor escapement striking bell, 220cm high.
Los 437
Mahogany and inlaid longcase clock by David Somerveill, St Ninians, with swan neck pediment over brass face, applied chapter ring and spandrels, Roman and Arabic numerals and subsidiary date dial, moon face, flanked by barley twist columns, moulded trunk door, quarter columns, and plinth base, anchor escapement striking bell, 222cm high.
Los 10
A second state 'Yesterday And Today' LP by The Beatles, T2553 with pasted over 'trunk cover'. The original 'butcher sleeve' is visible beneath this, specifically Ringo's black jumper to the right of the main image. Sleeve has yellowed over time and there is a split to the spine. Vinyl is visually VG+ with light surface marks.
Los 672
A late Edwardian mahogany Longcase clock of small sizeIn the George III style, with a swan-neck pediment above twin-fluted columns and glazed dial door, the trunk with pendant acorns between palmettes, the arched glazed door between quarter-fluted columns, on quoin corners, on plinth base with similar quoin corners, on ogee bracket feet, the 8in arched brass dial with moon phase in the arch, above silvered chapter ring, with foliate engraved dial plate, the substantial twin train movement with deadbeat escapement and maintaining power, striking the hours on a bell, with wood rod glazed mercurial pendulum, (2 weights, 1 mercury pendulum)184cm high Condition Report This charming clock is in very good overall condition and was running prior to consignment. It is a high quality case and movement. The dial plate and moon disc are thick gauge. The dial plate has three formerly drilled winding holes plugged with brass and engraved over at the front and two dial feet fixings now filled. The seatboard screws line up and there is no evidence of another position. One can only surmise that the manufacturer was re using a dial plate originally planned for a bigger dial as the filled winding holes are for a bigger movement.
Los 606
A late William IV/early Victorian mahogany marine barometerBy A. R. Easton, Aberdeen With ivory scales, foliate carved trunk and brass gimbal mount99cm high Condition Report The barometer is in good condition. The trunk has been re-polished. The gimbal mount does not appear to be the original and is likely to be a replacement. The gimbal brass work is tarnished. The mounting ring on the trunk is discoloured with some spotting.The tube is a good fit to either side of the scales and the mercury column is approximately 1/3rd. of its width. There is an old small repair to the lower right hand dial moulding. The reservoir brass work is an attractive dark straw colour.
Los 670
A walnut longcase clock The movement with later engraved nameThe case with a moulded pediment above blind fret, glazed door flanked by a spiral-turned column to each side above the trunk inset with a panel door and a brass-outlined roundel, on a stepped base and plinth; the 12in square brass dial with engraved hatching to the edge, crowned cherub spandrels, silvered chapter ring with engraved minutes 1-60, pierced blued steel hands, enclosing a matted centre with seconds subsidiary and calendar aperture, the twin train four-pillar movement, with thin plates, engraved NDW to the lower part of the backplate, rack strike on a bell and anchor escapement, the fly engraved H. Kempton, case and movement associated, the case restored and reconstructed, incorporating earlier elements, (1 pendulum and 2 weights)217cm high Condition Report The case is in good condition. It has been repolished fairly recently. The carcass is a softwood, not oak. The top section of each cheek is replaced so the joint is hidden within the trunk. They have lined it up to the original score line. The movement is inscribed Gould but NOT BY HIM AND IS NOT of Gould's quality. Interestingly the back of the dial plate is punched to force the metal forward and I surmise the original maker's signature was ground out hence the need to bring the metal 'forward' with the punching. The chapter ring has Gould's rare and unusual style of minute numbering but the hand of the engraver does not have the period flourish of Gould's. A weak impression. The fifth pillar has been removed.
Los 681
A mahogany, satinwood, marquetry and line-inlaid threetrain quarter-chiming Longcase clockThe case with swan-neck pediment, later inlaid to the front with foliate marquetry, with glazed door above a small trunk door, on a stepped plinth, the 14in arched brass dial with moonphase, with substantial three train movement quarter-chiming on eight bells and the hours on a coiled gong, the case early 19th Century, the marquetry inlay, dial and movement Edwardian, (3 weights and 1 pendulum).237cm high Condition Report The clock is in un restored condition. In general the case is in good order. However some attention is required around the dial glass crossbanding as it is placed over a small edge of the glass and with the putty drying has cracked and fallen off over the years. Marks and knocks consistent with age. Moulding to underside of right hand hood moulding broken. Left hand moulding just below hood is mis aligned Other chips and veneer losses. Movement is dirty and requires a full service.
Los 673
A George III mahogany Longcase clockThe movement by Robert Allam, LondonThe case with an arched pediment, above glazed door and fluted column, the trunk inset with an arched panel door, between canted angles, on plinth base, the 12in dial, signed in the arch, with silvered chapter ring, seconds subsidiary and calendar aperture, the movement with anchor escapement, and rack strike on a bell (case and movement associated), (2 weights, 1 pendulum, 1 key and 1 case key)220cm high
Los 610
A George III mahogany bow-front barometerBy Adie & Son, EdinburghThe 8in silvered scale with vernier above the trunk with inset thermometer99cm high Condition Report The barometer is in good working condition. The pediment block is a slightly different colour than the stem and there is a new brass hook for hanging. Both silvered scales are tarnished. The bow front fillet below the main dial is a different colour, more orange as is the base fillet. New brass screwed strap across back of cistern cover. Marks and scratches across trunk consistent with age.
Los 608
A Chinoiserie decorated stick barometerIn the manner of Daniel Quare, Early 18th Century and later The silvered scale with two verniers, set by the brass finials above, tapering column and spiral twist base, losses to decoration and replacement97cm high Condition Report The lacquer decoration work has flaked off in vertical narrow sections all over the tapered trunk section. Is this perhaps due to the wood shrinkage? The spiral twist section has traces of black lacquer and gilt and is worn off on the high sections showing the wood below (walnut or mahogany?). The cistern is lacquered and has similar degrading as well as some worm holes. The back of the cistern has a flattened edge to sit against the wall. The two brass rings on the trunk are well turned and deeply patinated.The two side panels of the pediment appear to have a later black lacquer application. With this later lacquer, it is very difficult to judge if the pediment sides and base are original, hence the qualification in cataloguing. The top fillet below the finials, appears original and the lacquer is worn and chipped. The finials are brass and lacquered which is dirty and patinated. The back panel is decorated and is reasonable condition, although cracked and with some losses. Behind the dial the internal wood surface is painted with a red/pink colour perhaps with glued paper below.
Los 676
An oak 30 hour longcase clockBy Triggs & Busby, GuildfordEarly 19th CenturyThe hood with swan-neck pediment, with column uprights, the trunk with inset rectangular door, on plinth base, the 12in square white painted dial inscribed Triggs & Busby, Guildford (faded), with pierced blued steel hands, the 30-hour movement with external countwheel strike on a bell, movement possibly associated, (1 weight and 1 pendulum).202cm high
Los 679
A Queen Anne walnut Month-going Longcase clockThe movement by Windmills, LondonThe hood with moulded pediment, above three-quarter columns, the trunk with rectangular door, above plinth base and stepped foot, the 12in square brass dial signed on the chapter ring Windmills London, with seconds subsidiary and calendar aperture, fine quality five-pillar movement with external countwheel strike on a bell, case and movement probably associated, (2 weights, 1 pendulum and 1 key).221cm high Condition Report As stated in the description the movement and case are associated.The hood has a small piece of moulding lost from the top left cornice.The veneer fillets around the Goass hood panels are broken and repaired. The trunk door has carcass movement and resultant cracks in veneer on both cleats. The plinth also has two carcass veneee cracks. The has been other restoration and repairs and possibly some moulding replacement with the passage of time. The fret is a replacement.The movement is clean and was running prior to consignment. There are two filled holes in the upper section of the dial plate beneath each corner spandrel. For some reason these have been highlighted by the application of a small amount of varnish on the movement side? The seatboard is a replacement. It is oak and is 20th century.
Los 675
A mahogany Longcase clockEarly 19th centuryThe arched hood with two columns above the trunk door, on plinth base, the 12in arched white painted dial inscribed Danl. Davis, Cheltenham, with gilt hands and date sector aperture, twin train movement with rack strike on a bell (case and movement associated), (2 weights, 1 pendulum).203cm high Condition Report The clock is in good restored condition. We understand from our vendor they purchased it around 30 years ago at Harrods?The case has been polished. The dial refreshed and the movement cleaned. It may however now require a light service as a little dusty?An attractive furnishing clock.
Los 677
A George III oak and mahogany Longcase clockBy Robert Felmingham, StradbrookThe arched hood with shaped cresting, three finials, flanked by fluted columns, the trunk with arched panel door inlaid with a conch shell, on plinth base, the 12in white painted dial decorated with a seated female figure by an anchor in an oval in the arch, the spandrels with strawberries and foliage, with seconds subsidiary and pierced brass hands, the twin train movement with rack strike on a bell, (2 weights, 1 pendulum and 1 key).216cm overall
Los 680
A George III mahogany Longcase clockBy William Curtis, ExeterThe arched hood with moulded pediment above fluted columns, the trunk with an arched door, flanked by fluted-quarter columns, on plinth inset panel base, the 12in arched silvered dial with moonphase in the arch 'High Water at Exmouth', the twin train movement with rack strike on a bell, (2 weights, 1 key and 1 pendulum).210cm high Condition Report The clock is in unrestored condition. The case has marks and knocks consistent with age. Some small veneer chips, underside right of dial and left side of plinth mainly. Movement is dirt and requires a service. The dial has some surface faults in the underlying brass, most probably original casting faults. These appear at 2:30, 4:30 and 9 o'clock. Also the two lower dial feet rivers show through. The case and movement may be associated.
Los 669
A George III mahogany and brass line-inlaid Longcase clockBy Joshua Harrocks, Lancaster The case with swan-neck pediment above fluted uprights, above a trunk with arched door and quarter-fluted columns, on plinth base with canted angles, ogee bracket feet, the 13in arched brass dial with unusual cherub mask spandrels, signed in the arch with moonphase aperture, silvered chapter ring with Dutch influence arcaded outer minute ring, foliate engraved centre with seconds subsidiary, the twin train movement with anchor escapement and rack strike on a bell, (2 weights and 1 pendulum)249cm high overall Condition Report The clock is in overall good condition. The case appears to have been cleaned and some polishing done. The inlay is brass. There is some splitting to the plinth and the corner mouldings have parted at their joint. The clock had been running until fairly recently before consignment. The dial has some surface dirt to the silvered centre. The movement appears clean and in good order.
Los 674
A late George II chinoiserie decorated Longcase clockThe movement by Richard Simpson, YarmouthThe case with a pagoda pediment above glazed door flanked by columns, the trunk inset with an arched door, decorated with pavilions and figures, on plinth base, the 12in arched brass dial with BRITONS STRIKE HOME engraved on a ring in the arch, above silvered chapter ring, seconds subsidiary and calendar aperture, the twin train rack striking movement with a bell, (2 weights, 1 pendulum, 1 case key and 1 key)220cm high
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66969 Los(e)/Seite